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==In The Spotlight==
 
==In The Spotlight==
===THE ARATAS===
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===ISABELLA NOCK===
[[File:Billy_and_Vittorio_Arata_(c.1965).png|right|350px]]The Aratas performed a truly original and outstanding tight wire act, which was very successful in Europe in the 1960s and early 1970s. The act originated in 1957 as a trio, with Anna Arata, and her younger brothers, Billy and Vittorio. At that time, Anna performed an amazing wire crossing with her brother Billy head-balancing on her head. Following Anna’s retiring from the act in 1962, Vittorio and Billy continued to work as a duet (and continued to perform together Anna’s original head-to-head balancing trick).
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Isabella Nock (1946-2015) was one of the great swinging-trapeze artists of the Post-WW2 era; she starred in Europe’s major circuses in the 1970-80s, and was a featured act with Ringling Bros. and Barnum & Bailey Circus in the United States, where she and her father, the clown Pio Nock, performed for six consecutive seasons. Her heel catches on her swinging trapeze bar, barefooted and scantily clad in a sparkling bikini, made her act memorable wherever she worked.
  
The Aratas came from a large Italian circus family that originated in the late nineteenth century. Its founder, Amedeo Arata (c.1872-1947), was a strongman from Massa Carrara who worked on the fairgrounds. Amedeo married Claudia Rizzoli, a Bolognese tight-wire dancer, and together they created the Circo Tea Arata, which remained active until 1943. Amedeo and Claudia had five children: Alfredo, Elena, Fanny, Violetta, and Guido. Guido (1911-?) married Cleofe Denji, who came from another Italian circus family, and together they had three children, Anna (b. January 5, 1940), Vittorio (b. January 26, 1942), and Francesco, known as Billy (February 23, 1946- April 25, 2004). ([[The Aratas|more...]])
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Isabella Nock was born on April 9 1946 in Switzerland, the daughter of Pius (Pio) Nock (1921-1998) and his wife, born Alexandra Bühlmann. The Nocks are Switzerland's oldest circus family, whose heritage could be traced back to the 18th century; like the Knies, the Nocks (and the Bühlmanns) were originally itinerant rope-dancers, who performed on village squares and fairgrounds, their ropes strung between church spires or above the open-air stage of their traveling "arenas." ([[Isabella Nock|more...]])
  
 
==New Biographies==  
 
==New Biographies==  

Revision as of 20:43, 1 November 2015

Welcome! • Bienvenue! • Willkommen! • Добро Пожаловать!
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Velkommen! • Tervetuloa! • Дабро Запрашаем! • Välkommen!

Circopedia is a project of the Big Apple Circus,
inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

ISABELLA NOCK

Isabella Nock (1946-2015) was one of the great swinging-trapeze artists of the Post-WW2 era; she starred in Europe’s major circuses in the 1970-80s, and was a featured act with Ringling Bros. and Barnum & Bailey Circus in the United States, where she and her father, the clown Pio Nock, performed for six consecutive seasons. Her heel catches on her swinging trapeze bar, barefooted and scantily clad in a sparkling bikini, made her act memorable wherever she worked.

Isabella Nock was born on April 9 1946 in Switzerland, the daughter of Pius (Pio) Nock (1921-1998) and his wife, born Alexandra Bühlmann. The Nocks are Switzerland's oldest circus family, whose heritage could be traced back to the 18th century; like the Knies, the Nocks (and the Bühlmanns) were originally itinerant rope-dancers, who performed on village squares and fairgrounds, their ropes strung between church spires or above the open-air stage of their traveling "arenas." (more...)

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A Message from the Editor

CIRCOPEDIA is a constantly evolving and expanding encyclopedia of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. So keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Editor/Curator