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==In The Spotlight==
 
==In The Spotlight==
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[[File:Chiarini_Poster_1881.jpg|right|300px]]
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===GIUSEPPE CHIARINI===
  
===BARRY LUBIN===
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Giuseppe Chiarini (1823-1897) was perhaps the most influential circus director of the nineteenth century: During a professional career that spanned fifty-eight years, his extensive and incessant international tours led him from Europe to North and South America, to India and Asia, and down to Australia. In many places that had not yet been exposed to the circus, Chiarini’s was the first circus the locals had ever seen—and this exposure sometimes triggered there the creation of an indigenous circus inspired by Chiarini’s shows.
For a quarter of a century, Barry Lubin, better known as ''Grandma'', his clown persona, has been the iconic face of the Big Apple Circus. Although his career began and continued with other circuses in the U.S. and in Europe, to many New Yorkers and Bostonians in particular, "Grandma" is the Big Apple Circus. Many felt a strong sense of loss when he bid farewell to the Big Apple Circus's audiences in 2012: They had laughed at Grandma's antics when they were children, and in turn, their own children were growing up laughing with Lubin's beloved character. Thankfully, he returned to the Big Apple Circus for its Lincoln Center revival season in 2017.
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Barry Lubin was born July 3, 1952 in Atlantic City, New Jersey, the son of Edythe Weinberg Lubin, a homemaker, and George Simon Lubin, an audiovisual engineer. Barry nurtured hopes of becoming a television director, but the social turmoil of the late sixties and early seventies led to a period of self-questioning—as indeed it did for many disappointed youths at the time.
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Over the years, Chiarini performed for Tsar Nicholas I of Russia, Emperors Maximilian I of Mexico, Dom Pedro of Brazil, Mitsuhito of Japan, King Rama V of Siam, an assortment of Indian Rajahs, and for various government officials and politicians. His Royal Italian Circus—which could become Royal Spanish Circus when needed—was in fact an American enterprise based in California. A true circus man, Chiarini was indubitably a citizen of the world.
  
When a friend of Barry's applied for Ringling Bros. and Barnum & Bailey Clown College, a new, offbeat learning institution, Barry decided to go along and audition with him. To his surprise, he was among the 48 applicants that were accepted that year (along with Bill Irwin, and Barry's occasional partner, Dick Monday). After eight weeks of training, Barry graduated and was hired by Ringling Bros. and Barnum & Bailey: the college, in effect a training program for the show's Clown Alley, principally taught its students how to become a "Ringling clown," able to work efficiently in the specific context of The Greatest Show On Earth. ... ([[Barry Lubin|more...]])
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Giuseppe Chiarini came from a large and ancient Italian family of traveling entertainers, whose first recorded appearance was at the Foire Saint-Laurent, one of France’s oldest fairs, in 1580. Many Chiarinis, more or less directly related to Giuseppe, have since been chronicled in popular entertainment and circus history—a very diverse crowd of acrobats, ropedancers, puppeteers, ballet dancers, and equestrians.
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In his novel, Die Vagabunden (1895), the German poet Karl von Holtei immortalized one of them, Francesco Chiarini; in the 1780s, this Chiarini managed a company of acrobats and puppeteers, and ran a very successful ''Théâtre d’Ombres Chinoises'' (shadow puppet theater). His daughter, Angélique, a celebrated equestrienne, had been featured in 1793 at the Amphithéâtre Franconi—the former Amphithéâtre Astley—in Paris, and later in the troupe of Jacques Tourniaire.... ([[Giuseppe Chiarini|more...]])
  
 
==New Biographies==
 
==New Biographies==
  
 +
* [[Irina Naumenko]], Hand Balancer
 +
* [[The Owl and The Pussycat]], Trapeze Act
 
* [[Walter Nones]], Circus Director, Animal Trainer
 
* [[Walter Nones]], Circus Director, Animal Trainer
 
* [[Norman Crider]], Juggler
 
* [[Norman Crider]], Juggler
 
* [[Zhejiang Acrobatic Troupe]], Chinese Acrobatics
 
* [[Zhejiang Acrobatic Troupe]], Chinese Acrobatics
* [[Gene Mendez]], High Wire Artist
 
* [[Franz Czeisler (Tihany)]], Magician, Circus Owner
 
  
 
==New Videos==
 
==New Videos==
  
* [[Trio_Beautiful_Video_(2007)|Trio Beautiful]], Hand-to-Hand Balancing (2007)
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* [[Samoylenko_Video_(2016)|Yulia Samoylenko]], Foot Juggler (2016)
* [[Housch-Ma-Housch_Flea_Paper_Video_(2005)|Housch-Ma-Housch]], Clown (2005)
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* [[Anton_and_Antoschka_Video_(1981)|Anton & Antoschka]], Clowns (1981)
* [[Shirley_Dean_Video_(2001)|Shirley Dean]], Juggler (2001)
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* [[Rokardy_Video_(2017)|Rokardy]], Chair Balancing (2017)
* [[Victor_et_Kati_Video_(2005)|Victor et Kati]], Hand-to-Hand Balancing (2005)
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* [[Charlie_Rivel_Video_(1965)|Charlie Rivel]], Clown (1965)
* [[Alexis_Gruss_-_Liberty_Video_(2001)|Alexis Gruss]], Horses at Liberty (2001)
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* [[Circo_Price_Video_(2017)|A Short History of Madrid's Old Circo Price]], Oral History (1970)
  
 
==Featured Oral Histories==
 
==Featured Oral Histories==
  
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* [[Circo_Price_Video_(2017)|A Short History of Madrid's Old Circo Price]], Circus History (1970)
 
* [[Anastasia_Dementieva_Video_(2017)|Anastasia Dementieva-Kornilova]] – Vadim Vernik Interview (2017)
 
* [[Anastasia_Dementieva_Video_(2017)|Anastasia Dementieva-Kornilova]] – Vadim Vernik Interview (2017)
 
* [[Freres_Knie_Video_(1962)|''Les Frères Knie'']], Documentary (1962)
 
* [[Freres_Knie_Video_(1962)|''Les Frères Knie'']], Documentary (1962)
 
* [[Jean_Richard_Video_(1979)|Jean Richard and Jean-Pierre Richard]] at the Cirque Jean Richard – Christian Boner Interview (1979)
 
* [[Jean_Richard_Video_(1979)|Jean Richard and Jean-Pierre Richard]] at the Cirque Jean Richard – Christian Boner Interview (1979)
 
* [[Buster_Keaton_Video_(1947)|Jérôme Medrano about Buster Keaton]] at the Cirque Medrano (1947)
 
* [[Buster_Keaton_Video_(1947)|Jérôme Medrano about Buster Keaton]] at the Cirque Medrano (1947)
* [[Moira_Orfei_Video_(2012)|Moira Orfei]], Circus Owner – Davide Maggio Interview (2012)
 
  
 
==A Message from the Editor==
 
==A Message from the Editor==

Revision as of 01:22, 14 January 2018

Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia was originally created with the support of the Big Apple Circus,
and has been inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

Chiarini Poster 1881.jpg

GIUSEPPE CHIARINI

Giuseppe Chiarini (1823-1897) was perhaps the most influential circus director of the nineteenth century: During a professional career that spanned fifty-eight years, his extensive and incessant international tours led him from Europe to North and South America, to India and Asia, and down to Australia. In many places that had not yet been exposed to the circus, Chiarini’s was the first circus the locals had ever seen—and this exposure sometimes triggered there the creation of an indigenous circus inspired by Chiarini’s shows.

Over the years, Chiarini performed for Tsar Nicholas I of Russia, Emperors Maximilian I of Mexico, Dom Pedro of Brazil, Mitsuhito of Japan, King Rama V of Siam, an assortment of Indian Rajahs, and for various government officials and politicians. His Royal Italian Circus—which could become Royal Spanish Circus when needed—was in fact an American enterprise based in California. A true circus man, Chiarini was indubitably a citizen of the world.

Giuseppe Chiarini came from a large and ancient Italian family of traveling entertainers, whose first recorded appearance was at the Foire Saint-Laurent, one of France’s oldest fairs, in 1580. Many Chiarinis, more or less directly related to Giuseppe, have since been chronicled in popular entertainment and circus history—a very diverse crowd of acrobats, ropedancers, puppeteers, ballet dancers, and equestrians.

In his novel, Die Vagabunden (1895), the German poet Karl von Holtei immortalized one of them, Francesco Chiarini; in the 1780s, this Chiarini managed a company of acrobats and puppeteers, and ran a very successful Théâtre d’Ombres Chinoises (shadow puppet theater). His daughter, Angélique, a celebrated equestrienneA female equestrian, or horse trainer, horse presenter, or acrobat on horseback., had been featured in 1793 at the Amphithéâtre Franconi—the former Amphithéâtre Astley—in Paris, and later in the troupe of Jacques Tourniaire.... (more...)

New Biographies

New Videos

Featured Oral Histories

A Message from the Editor

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator