Difference between revisions of "Main Page"

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<div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! Bienvenue! Willkommen! Добро Пожаловать!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! Benvenuto! 歡迎 ! Vítejte! Καλώς ήρθατε!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! Добре Дошли! Welkom! • Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! Tervetuloa! Дабро Запрашаем! • Välkommen!</div><br/>
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<div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! Bienvenue! Willkommen! Добро Пожаловать!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! Benvenuto! 歡迎 ! Vítejte! Καλώς ήρθατε!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! Добре Дошли! Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! Tervetuloa! Дабро Запрашаем! ✫ Välkommen!</div><br/>
<div style="top:+0.2em; font-size:110%;"> Circopedia is a project of the [http://www.bigapplecircus.org/ Big Apple Circus],<br />inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation].</div>
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<div style="top:+0.2em; font-size:110%;"> Circopedia was originally created with the support of the [http://www.bigapplecircus.com/ Big Apple Circus],<br />and has been inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation].</div>
 
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==In The Spotlight==
 
==In The Spotlight==
[[File:Gene_Mendez_jumping.jpeg|right|220px]]
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[[Image:Philip_Astley.jpg|right|250px|Philip Astley]]
===GENE MENDEZ===
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===A SHORT HISTORY OF THE CIRCUS===
  
Gene Mendez (1937-1993) is a legendary figure among high wire artists, a talented and fearless performer who helped popularize the style of the solo “daredevil” high-wire artist—as opposed to the often slow-moving high wire troupes that were the norm until the early 1970s. Energetic, nimble, with a wonderful “Latino” temperament, he worked without a balancing pole and without a net, in the manner of low wire artists such as Con Colleano.
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If the history of theater, ballet, opera, vaudeville, movies, and television is generally well documented, serious studies of circus history are sparse, and known only to a few circus enthusiasts and scholars. What little the public at large knows, on the other hand, is circus history as told over the years by imaginative circus press agents, and repeated&mdash;and often misunderstood and distorted&mdash;by writers of popular fiction, Hollywood screenwriters, and journalists too busy to investigate further. One of the most popular misapprehensions about circus history is the oft-repeated idea that circus dates back to the Roman antiquity. But the Roman circus was in actuality the precursor of the modern racetrack; the only common denominator between Roman and modern circuses is the word itself, ''circus'', which means in Latin as in English, "circle".
  
He was born Giner E. Mendez in 1937 in Moca, in the U.S. Territory of Puerto Rico. His family moved to Brooklyn, New York, when Gene was still a child. He wanted to be a circus artist; it was not just a vague childhood dream: As a teenager, he began to train seriously in gymnastics (notably on the horizontal bars) and did some bodybuilding. In 1951, after seeing Harold Alzana in the Ringling Bros. and Barnum & Baily show at Madison Square Garden in New York, Gene began self-training in wire walking… in his mother’s apartment! He quickly developed a talent for the craft, and eventually participated in a televised talent show in Philadelphia, where Karl Wallenda noticed him.
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The modern circus was actually created in England by [https://www.amazon.com/dp/1984041312/ref=sr_1_2?ie=UTF8&qid=1517698824&sr=8-2&keywords=Philip+Astley+and+the+Horsemen Philip Astley] (1742-1814), a former cavalry Sergeant-Major turned showman. The son of a cabinet-maker and veneer-cutter, Astley had served in the Seven Years' War (1756-63) as part of Colonel Elliott's 15th Light Dragons regiment, where he displayed a remarkable talent as a horse-breaker and trainer. Upon his discharge, Astley chose to imitate the trick-riders who performed, with increasing success, all over Europe. Jacob Bates, an English equestrian based in the German States, who performed as far away as Russia (1764-65) and America (1772-73), was the first of these showmen to make a mark. Bates's emulators&mdash;Price, Johnson, Balp, Coningham, Faulkes, and "Old" Sampson&mdash;had become fixtures of London's pleasure gardens and provided Philip Astley with his inspiration. ([[SHORT HISTORY OF THE CIRCUS|more...]])
 
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The famous high wire artist contacted Gene and offered him to become a member of his troupe. Mendez trained with the Master, who had a special method for teaching confidence on the wire (which was close to the ground during rehearsals): He shook it violently to test his students’ balance. One day, the exercise led Gene to lose his balance pole and violently sway the cable as he fought to stay on it; Karl Wallenda had to jump down, but Gene quickly resumed his composure and remained on the wire, walking without his balance pole "à la Alzana." In fact, he always found it difficult to keep the pole in balance—even though the pole was meant to help ''him'' keep his balance!... ([[Gene Mendez|more...]])
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==New Biographies==
 
==New Biographies==
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* [[Gene Mendez]], High Wire Artist
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* [[Joel Baker]], Clown
* [[Franz Czeisler (Tihany)]], Magician, Circus Owner
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* [[Irina Naumenko]], Hand Balancer
* [[Cirque_Medrano_(Paris)|Circuses Fernando and Medrano]], History
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* [[The Owl and The Pussycat]], Trapeze Act
* [[Kannan Bombayo]], Rope Dancer
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* [[Walter Nones]], Circus Director, Animal Trainer
* [[Réjean St. Jules]], Juggler
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* [[Norman Crider]], Juggler
  
 
==New Videos==
 
==New Videos==
  
* [[Grechushkin_Video_(2016)|Grechushkin Troupe]], Tumbling Act (2016)
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* [[New_Dollies_Video_(1979)|The New Dollies]], Bicycle Act (1979)
* [[Franky_Ferrer_Video_(1976)|Franky Ferrer]], Object Balancing (1976)
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* [[Felice_Aguilar_Video_(2017)|Felice Aguilar]], Contortionist (2017)
* [[Gene_Mendez_Video_(1975)|Gene Mendez]], High Wire (1975)
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* [[Naraieva_Video_(2017)|Vladyslava Naraieva]], Hand Balancer (2017)
* [[Armand_Guerre_Video_(1959)|Armand Guerre]], Sea Lion Act (1969)
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* [[Lidya_Doveiko_Video_(1972)|Lidya & Irina Doveiko and Mikhail Algin]], German Wheel (1972)
* [[Terlikowska_Video_(1975)|Kristina Terlikowska]], Tiger and Lion Act (1975)
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* [[Kelli_Ramazini_Video_(2018)|Kelli Ramazini]], Trapeze (2018)
  
 
==Featured Oral Histories==
 
==Featured Oral Histories==
  
* [[Jean_Richard_Video_(1979)|Jean Richard and Jean-Pierre Richard]] at the Cirque jean Richard - Christian Boner Interview (1979)
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* [[Circo_Price_Video_(2017)|A Short History of Madrid's Old Circo Price]], Circus History (1970)
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* [[Anastasia_Dementieva_Video_(2017)|Anastasia Dementieva-Kornilova]] – Vadim Vernik Interview (2017)
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* [[Freres_Knie_Video_(1962)|''Les Frères Knie'']], Documentary (1962)
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* [[Jean_Richard_Video_(1979)|Jean Richard and Jean-Pierre Richard]] at the Cirque Jean Richard Christian Boner Interview (1979)
 
* [[Buster_Keaton_Video_(1947)|Jérôme Medrano about Buster Keaton]] at the Cirque Medrano (1947)
 
* [[Buster_Keaton_Video_(1947)|Jérôme Medrano about Buster Keaton]] at the Cirque Medrano (1947)
* [[Moira_Orfei_Video_(2012)|Moira Orfei]], Circus Owner - Davide Maggio Interview (2012)
 
* [[Oleg_Popov_Circus_Legends_Video_(2014)|Oleg Popov]], clown - Russian Television Feature (2014)
 
* [[Albert_Fratellini_Interview_(1957)|Albert Fratellini]], clown - French Television Interview (1957)
 
  
 
==A Message from the Editor==
 
==A Message from the Editor==
  
''CIRCOPEDIA is a constantly evolving and expanding encyclopedia of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. So keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Special:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
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''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Special:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
  
 
:'''Dominique Jando'''
 
:'''Dominique Jando'''
:Editor/Curator
+
:Founder and Curator

Revision as of 02:16, 14 February 2018

Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia was originally created with the support of the Big Apple Circus,
and has been inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

Philip Astley

A SHORT HISTORY OF THE CIRCUS

If the history of theater, ballet, opera, vaudeville, movies, and television is generally well documented, serious studies of circus history are sparse, and known only to a few circus enthusiasts and scholars. What little the public at large knows, on the other hand, is circus history as told over the years by imaginative circus press agents, and repeated—and often misunderstood and distorted—by writers of popular fiction, Hollywood screenwriters, and journalists too busy to investigate further. One of the most popular misapprehensions about circus history is the oft-repeated idea that circus dates back to the Roman antiquity. But the Roman circus was in actuality the precursor of the modern racetrack; the only common denominator between Roman and modern circuses is the word itself, circus, which means in Latin as in English, "circle".

The modern circus was actually created in England by Philip Astley (1742-1814), a former cavalry Sergeant-Major turned showman. The son of a cabinet-maker and veneer-cutter, Astley had served in the Seven Years' War (1756-63) as part of Colonel Elliott's 15th Light Dragons regiment, where he displayed a remarkable talent as a horse-breaker and trainer. Upon his discharge, Astley chose to imitate the trickAny specific exercise in a circus act.-riders who performed, with increasing success, all over Europe. Jacob Bates, an English equestrian based in the German States, who performed as far away as Russia (1764-65) and America (1772-73), was the first of these showmen to make a mark. Bates's emulators—Price, Johnson, Balp, Coningham, Faulkes, and "Old" Sampson—had become fixtures of London's pleasure gardens and provided Philip Astley with his inspiration. (more...)

New Biographies

New Videos

Featured Oral Histories

A Message from the Editor

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator