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<div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! Bienvenue! Willkommen! Добро Пожаловать!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! Benvenuto! 歡迎 ! Vítejte! Καλώς ήρθατε!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! Добре Дошли! Welkom! • Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! Tervetuloa! Дабро Запрашаем! • Välkommen!</div><br/>
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<div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! Bienvenue! Willkommen! Добро Пожаловать!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! Benvenuto! 歡迎 ! Vítejte! Καλώς ήρθατε!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! Добре Дошли! Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! Tervetuloa! Дабро Запрашаем! ✫ Välkommen!</div><br/>
<div style="top:+0.2em; font-size:110%;"> Circopedia is a project of the [http://www.bigapplecircus.org/ Big Apple Circus],<br />inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation].</div>
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<div style="top:+0.2em; font-size:110%;"> Circopedia was originally created with the support of the [http://www.bigapplecircus.com/ Big Apple Circus],<br />and has been inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation].</div>
 
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==In The Spotlight==
 
==In The Spotlight==
[[File:Philip_Astley.jpg|right|300px]]
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[[Image:Philip_Astley.jpg|right|250px|Philip Astley]]
===PHILIP ASTLEY===
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===A SHORT HISTORY OF THE CIRCUS===
  
Philip Astley (1742-1814) is considered the creator of the modern circus. He was born January 8, 1742 in Newcastle-under-Lyme, in the West Midlands, England, the son of Edward Astley, a veneer-cutter and cabinet-maker. Edward had a short-fuse and a passion for horses, traits he passed on to his son. At age 17, Philip left home after one of many disputes with his father and enrolled in the 15th Light Dragoons, a cavalry regiment newly formed by Colonel Granville Elliott.
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If the history of theater, ballet, opera, vaudeville, movies, and television is generally well documented, serious studies of circus history are sparse, and known only to a few circus enthusiasts and scholars. What little the public at large knows, on the other hand, is circus history as told over the years by imaginative circus press agents, and repeated&mdash;and often misunderstood and distorted&mdash;by writers of popular fiction, Hollywood screenwriters, and journalists too busy to investigate further. One of the most popular misapprehensions about circus history is the oft-repeated idea that circus dates back to the Roman antiquity. But the Roman circus was in actuality the precursor of the modern racetrack; the only common denominator between Roman and modern circuses is the word itself, ''circus'', which means in Latin as in English, "circle".
  
Six feet tall and endowed with a stentorian voice, Philip Astley was a giant for his time and didn't easily blend into crowds, even when in uniform. A gifted equestrian, he was put in charge of breaking new horses for his regiment. He was also noticed by the celebrated riding and fencing master, Domenico Angelo, who took him under his tutelage and taught him a new method aimed at improving the use of the cavalry broadsword in battle—an expertise Astley would later display in his shows.
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The modern circus was actually created in England by [https://www.amazon.com/dp/1984041312/ref=sr_1_2?ie=UTF8&qid=1517698824&sr=8-2&keywords=Philip+Astley+and+the+Horsemen Philip Astley] (1742-1814), a former cavalry Sergeant-Major turned showman. The son of a cabinet-maker and veneer-cutter, Astley had served in the Seven Years' War (1756-63) as part of Colonel Elliott's 15th Light Dragons regiment, where he displayed a remarkable talent as a horse-breaker and trainer. Upon his discharge, Astley chose to imitate the trick-riders who performed, with increasing success, all over Europe. Jacob Bates, an English equestrian based in the German States, who performed as far away as Russia (1764-65) and America (1772-73), was the first of these showmen to make a mark. Bates's emulators&mdash;Price, Johnson, Balp, Coningham, Faulkes, and "Old" Sampson&mdash;had become fixtures of London's pleasure gardens and provided Philip Astley with his inspiration. ([[SHORT HISTORY OF THE CIRCUS|more...]])
  
In 1761, Astley and his regiment embarked for the Continent to fight alongside King Frederick II of Prussia in the Seven Years' War (1756-63), known as the French and Indian War in America. Corporal Astley fought gallantly: he captured an enemy standard in battle; rescued the Duke of Brunswick, who had fallen behind enemy lines; and returned to England with the rank of Sergeant Major. He obtained his discharge on June 21, 1766 at Derby, and Elliott, now General, presented him with a white charger named Gibraltar. Astley married around this time. In 1769, his wife (of whom little is known) presented him with a son, John Philip Conway Astley (1767-1821).
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==New Biographies==
  
Trick-riding exhibitions were very popular in the second half of the eighteenth century. England had become a constitutional monarchy in 1688, and the spending power of the nobility had been curbed considerably. Private regiments were disappearing. Lavish equestrian court entertainments (such as carrousels) had ceased to be affordable. Private manèges staffed with riding instructors didn't fare much better. Still, riding masters, most of them coming from the military, could make a good living as trick-riding performers. Thus, following in the footsteps of many great British equestrians (notably Jacob Bates, whose fame stretched from America to Russia), Philip Astley became a showman.... ([[Philip Astley|more...]])
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* [[Joel Baker]], Clown
 
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* [[Irina Naumenko]], Hand Balancer
==New Biographies==
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* [[The Owl and The Pussycat]], Trapeze Act
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* [[Walter Nones]], Circus Director, Animal Trainer
* [[Gene Mendez]], High Wire Artist
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* [[Norman Crider]], Juggler
* [[Franz Czeisler (Tihany)]], Magician, Circus Owner
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* [[Cirque_Medrano_(Paris)|Circuses Fernando and Medrano]], History
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* [[Kannan Bombayo]], Rope Dancer
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* [[Réjean St. Jules]], Juggler
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==New Videos==
 
==New Videos==
  
* [[Vladimir_Tsarkov_Video_(2006)|Vladimir Tsarkov]], Juggler (2006)
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* [[New_Dollies_Video_(1979)|The New Dollies]], Bicycle Act (1979)
* [[Fovarosi_Nagycircusz_Video_(2009)|Budapest's Fővárosi Nagycirkusz]], History (2009)
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* [[Felice_Aguilar_Video_(2017)|Felice Aguilar]], Contortionist (2017)
* [[Darya_Zayats_Video_(2016)|Darya Zayats]], Aerial Straps (2016)
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* [[Naraieva_Video_(2017)|Vladyslava Naraieva]], Hand Balancer (2017)
* [[Charlie_Cairoli_Video_(1979)|Charlie Cairoli & Co.]], Clowns (1979)
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* [[Lidya_Doveiko_Video_(1972)|Lidya & Irina Doveiko and Mikhail Algin]], German Wheel (1972)
* [[Arlette_Gruss_Video_(1969)|Arlette Gruss]], Leopard Act (1969)
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* [[Kelli_Ramazini_Video_(2018)|Kelli Ramazini]], Trapeze (2018)
  
 
==Featured Oral Histories==
 
==Featured Oral Histories==
  
* [[Jean_Richard_Video_(1979)|Jean Richard and Jean-Pierre Richard]] at the Cirque jean Richard - Christian Boner Interview (1979)
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* [[Circo_Price_Video_(2017)|A Short History of Madrid's Old Circo Price]], Circus History (1970)
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* [[Anastasia_Dementieva_Video_(2017)|Anastasia Dementieva-Kornilova]] – Vadim Vernik Interview (2017)
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* [[Freres_Knie_Video_(1962)|''Les Frères Knie'']], Documentary (1962)
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* [[Jean_Richard_Video_(1979)|Jean Richard and Jean-Pierre Richard]] at the Cirque Jean Richard Christian Boner Interview (1979)
 
* [[Buster_Keaton_Video_(1947)|Jérôme Medrano about Buster Keaton]] at the Cirque Medrano (1947)
 
* [[Buster_Keaton_Video_(1947)|Jérôme Medrano about Buster Keaton]] at the Cirque Medrano (1947)
* [[Moira_Orfei_Video_(2012)|Moira Orfei]], Circus Owner - Davide Maggio Interview (2012)
 
* [[Oleg_Popov_Circus_Legends_Video_(2014)|Oleg Popov]], clown - Russian Television Feature (2014)
 
* [[Albert_Fratellini_Interview_(1957)|Albert Fratellini]], clown - French Television Interview (1957)
 
  
 
==A Message from the Editor==
 
==A Message from the Editor==
  
''CIRCOPEDIA is a constantly evolving and expanding encyclopedia of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. So keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Special:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
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''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Special:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
  
 
:'''Dominique Jando'''
 
:'''Dominique Jando'''
:Editor/Curator
+
:Founder and Curator

Revision as of 02:16, 14 February 2018

Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia was originally created with the support of the Big Apple Circus,
and has been inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

Philip Astley

A SHORT HISTORY OF THE CIRCUS

If the history of theater, ballet, opera, vaudeville, movies, and television is generally well documented, serious studies of circus history are sparse, and known only to a few circus enthusiasts and scholars. What little the public at large knows, on the other hand, is circus history as told over the years by imaginative circus press agents, and repeated—and often misunderstood and distorted—by writers of popular fiction, Hollywood screenwriters, and journalists too busy to investigate further. One of the most popular misapprehensions about circus history is the oft-repeated idea that circus dates back to the Roman antiquity. But the Roman circus was in actuality the precursor of the modern racetrack; the only common denominator between Roman and modern circuses is the word itself, circus, which means in Latin as in English, "circle".

The modern circus was actually created in England by Philip Astley (1742-1814), a former cavalry Sergeant-Major turned showman. The son of a cabinet-maker and veneer-cutter, Astley had served in the Seven Years' War (1756-63) as part of Colonel Elliott's 15th Light Dragons regiment, where he displayed a remarkable talent as a horse-breaker and trainer. Upon his discharge, Astley chose to imitate the trickAny specific exercise in a circus act.-riders who performed, with increasing success, all over Europe. Jacob Bates, an English equestrian based in the German States, who performed as far away as Russia (1764-65) and America (1772-73), was the first of these showmen to make a mark. Bates's emulators—Price, Johnson, Balp, Coningham, Faulkes, and "Old" Sampson—had become fixtures of London's pleasure gardens and provided Philip Astley with his inspiration. (more...)

New Biographies

New Videos

Featured Oral Histories

A Message from the Editor

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator