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<div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατε!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
 
<div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατε!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
<div style="top:+0.2em; font-size:110%;"> Circopedia is an original project of the [http://www.bigapplecircus.org/ Big Apple Circus],<br />inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation].</div>
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<div style="top:+0.2em; font-size:110%;"> Circopedia was originally created with the support of the [http://www.bigapplecircus.com/ Big Apple Circus],<br />and has been inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation].</div>
 
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==In The Spotlight==
 
==In The Spotlight==
 +
[[Image:Philip_Astley.jpg|right|250px|Philip Astley]]
 +
===A SHORT HISTORY OF THE CIRCUS===
  
===THE SISTERS VESQUE===
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If the history of theater, ballet, opera, vaudeville, movies, and television is generally well documented, serious studies of circus history are sparse, and known only to a few circus enthusiasts and scholars. What little the public at large knows, on the other hand, is circus history as told over the years by imaginative circus press agents, and repeated&mdash;and often misunderstood and distorted&mdash;by writers of popular fiction, Hollywood screenwriters, and journalists too busy to investigate further. One of the most popular misapprehensions about circus history is the oft-repeated idea that circus dates back to the Roman antiquity. But the Roman circus was in actuality the precursor of the modern racetrack; the only common denominator between Roman and modern circuses is the word itself, ''circus'', which means in Latin as in English, "circle".
[[File:Therese_Renz_1922.jpg|right|400px]]
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For a half-century (roughly from 1900 to 1950), Marthe (1879-1949) and Juliette (1881-1962) Vesque have documented the Parisian circus scene in meticulously precise paintings of circus artists in performance—about whom they often added fascinating information in their journal, which they wrote from 1904 to 1947. They sketched their subjects live, at the circus or in variety theaters, which they frequented assiduously every week. Their unique art production constitutes perhaps the most remarkable visual documentation existing on the European circus of the first half of the twentieth century.
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Known in the French circus milieu as "les demoiselles Vesque," or—somewhat more fittingly because it rings like the name of a circus act—"les sœurs Vesque" (the Vesque sisters), Marthe and Juliette Vesque spent their lives together, never married, and shared not only the same occupation, but also the same passions. Marthe was born in 1879 in Joinville-le-Pont, a suburb of Paris, and Juliette, who was born in Paris, followed her in 1881.
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The modern circus was actually created in England by [https://www.amazon.com/dp/1984041312/ref=sr_1_2?ie=UTF8&qid=1517698824&sr=8-2&keywords=Philip+Astley+and+the+Horsemen Philip Astley] (1742-1814), a former cavalry Sergeant-Major turned showman. The son of a cabinet-maker and veneer-cutter, Astley had served in the Seven Years' War (1756-63) as part of Colonel Elliott's 15th Light Dragons regiment, where he displayed a remarkable talent as a horse-breaker and trainer. Upon his discharge, Astley chose to imitate the trick-riders who performed, with increasing success, all over Europe. Jacob Bates, an English equestrian based in the German States, who performed as far away as Russia (1764-65) and America (1772-73), was the first of these showmen to make a mark. Bates's emulators&mdash;Price, Johnson, Balp, Coningham, Faulkes, and "Old" Sampson&mdash;had become fixtures of London's pleasure gardens and provided Philip Astley with his inspiration. ([[SHORT HISTORY OF THE CIRCUS|more...]])
 
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Their father, Julien Vesque (1848-1895), was a respected botanist; he was Maître de Conférences (Professor) at the Institut Agronomique in Paris and had published an important ''Traité de Botanique agricole et industrielle'' in 1885. Like most botanists of his era, Julien Vesque used to make meticulous drawings of his observations. He passed his artistic talents on to his daughters, and was not only their first art teacher, but he also taught them how to do precise and accurate renderings through careful observation.... ([[Marthe and Juliette Vesque|more...]])
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==New Biographies==
 
==New Biographies==
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* [[Zhejiang Acrobatic Troupe]], Chinese Acrobatics
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* [[Joel Baker]], Clown
* [[Gene Mendez]], High Wire Artist
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* [[Irina Naumenko]], Hand Balancer
* [[Franz Czeisler (Tihany)]], Magician, Circus Owner
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* [[The Owl and The Pussycat]], Trapeze Act
* [[Cirque_Medrano_(Paris)|Circuses Fernando and Medrano]], History
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* [[Walter Nones]], Circus Director, Animal Trainer
* [[Kannan Bombayo]], Rope Dancer
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* [[Norman Crider]], Juggler
  
 
==New Videos==
 
==New Videos==
  
* [[Compania_Havana_Video_(2017)|Compania Havana]], Flying Act (2017)
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* [[New_Dollies_Video_(1979)|The New Dollies]], Bicycle Act (1979)
* [[Chi-Han_Chao_Video_(2017)|Chi-Han Chao]], Diabolo Juggler (2017)
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* [[Felice_Aguilar_Video_(2017)|Felice Aguilar]], Contortionist (2017)
* [[Leo_Bassi_Video_(1977)|Leo Bassi]], Foot Juggling (1977)
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* [[Naraieva_Video_(2017)|Vladyslava Naraieva]], Hand Balancer (2017)
* [[Zhejiang_Troupe_Video_(2017)|Zhejiang Acrobatic Troupe]], Foot Juggling Act (2017)
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* [[Lidya_Doveiko_Video_(1972)|Lidya & Irina Doveiko and Mikhail Algin]], German Wheel (1972)
* [[Terentieva_Hula-Hoop_Video_(2013)|Masha Tarentieva]], Hula-Hoop Act (2013)
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* [[Kelli_Ramazini_Video_(2018)|Kelli Ramazini]], Trapeze (2018)
  
 
==Featured Oral Histories==
 
==Featured Oral Histories==
  
* [[Jean_Richard_Video_(1979)|Jean Richard and Jean-Pierre Richard]] at the Cirque jean Richard - Christian Boner Interview (1979)
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* [[Circo_Price_Video_(2017)|A Short History of Madrid's Old Circo Price]], Circus History (1970)
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* [[Anastasia_Dementieva_Video_(2017)|Anastasia Dementieva-Kornilova]] – Vadim Vernik Interview (2017)
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* [[Freres_Knie_Video_(1962)|''Les Frères Knie'']], Documentary (1962)
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* [[Jean_Richard_Video_(1979)|Jean Richard and Jean-Pierre Richard]] at the Cirque Jean Richard Christian Boner Interview (1979)
 
* [[Buster_Keaton_Video_(1947)|Jérôme Medrano about Buster Keaton]] at the Cirque Medrano (1947)
 
* [[Buster_Keaton_Video_(1947)|Jérôme Medrano about Buster Keaton]] at the Cirque Medrano (1947)
* [[Moira_Orfei_Video_(2012)|Moira Orfei]], Circus Owner - Davide Maggio Interview (2012)
 
* [[Oleg_Popov_Circus_Legends_Video_(2014)|Oleg Popov]], clown - Russian Television Feature (2014)
 
* [[Albert_Fratellini_Interview_(1957)|Albert Fratellini]], clown - French Television Interview (1957)
 
  
 
==A Message from the Editor==
 
==A Message from the Editor==
  
''CIRCOPEDIA is a constantly evolving and expanding encyclopedia of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. So keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Special:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
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''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Special:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
  
 
:'''Dominique Jando'''
 
:'''Dominique Jando'''
:Editor/Curator
+
:Founder and Curator

Revision as of 02:16, 14 February 2018

Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia was originally created with the support of the Big Apple Circus,
and has been inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

Philip Astley

A SHORT HISTORY OF THE CIRCUS

If the history of theater, ballet, opera, vaudeville, movies, and television is generally well documented, serious studies of circus history are sparse, and known only to a few circus enthusiasts and scholars. What little the public at large knows, on the other hand, is circus history as told over the years by imaginative circus press agents, and repeated—and often misunderstood and distorted—by writers of popular fiction, Hollywood screenwriters, and journalists too busy to investigate further. One of the most popular misapprehensions about circus history is the oft-repeated idea that circus dates back to the Roman antiquity. But the Roman circus was in actuality the precursor of the modern racetrack; the only common denominator between Roman and modern circuses is the word itself, circus, which means in Latin as in English, "circle".

The modern circus was actually created in England by Philip Astley (1742-1814), a former cavalry Sergeant-Major turned showman. The son of a cabinet-maker and veneer-cutter, Astley had served in the Seven Years' War (1756-63) as part of Colonel Elliott's 15th Light Dragons regiment, where he displayed a remarkable talent as a horse-breaker and trainer. Upon his discharge, Astley chose to imitate the trickAny specific exercise in a circus act.-riders who performed, with increasing success, all over Europe. Jacob Bates, an English equestrian based in the German States, who performed as far away as Russia (1764-65) and America (1772-73), was the first of these showmen to make a mark. Bates's emulators—Price, Johnson, Balp, Coningham, Faulkes, and "Old" Sampson—had become fixtures of London's pleasure gardens and provided Philip Astley with his inspiration. (more...)

New Biographies

New Videos

Featured Oral Histories

A Message from the Editor

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator