Difference between revisions of "Main Page"

From Circopedia

(62 intermediate revisions by the same user not shown)
Line 14: Line 14:
 
|}
 
|}
 
==In The Spotlight==
 
==In The Spotlight==
 +
[[Image:Philip_Astley.jpg|right|250px|Philip Astley]]
 +
===A SHORT HISTORY OF THE CIRCUS===
  
===WALTER NONES===
+
If the history of theater, ballet, opera, vaudeville, movies, and television is generally well documented, serious studies of circus history are sparse, and known only to a few circus enthusiasts and scholars. What little the public at large knows, on the other hand, is circus history as told over the years by imaginative circus press agents, and repeated—and often misunderstood and distorted—by writers of popular fiction, Hollywood screenwriters, and journalists too busy to investigate further. One of the most popular misapprehensions about circus history is the oft-repeated idea that circus dates back to the Roman antiquity. But the Roman circus was in actuality the precursor of the modern racetrack; the only common denominator between Roman and modern circuses is the word itself, ''circus'', which means in Latin as in English, "circle".
[[File:Walter_Nones_and_tiger.jpeg|right|400px]]Even though he was not born in the circus, Walter Nones (1934-2016) was, in Italy, a reformer of the classic circus form, one of the few circus visionaries who have marked the second half of the 20th century (from Arturo Castilla to Jean Richard and Gerry Cottle) and built true circus empires in their own countries equating in strength the circus empires of yore.
+
  
Walter Nones was also a remarkable acrobat and a superb animal trainer; he had an engaging personality—as much when ha addressed his audience as when, away from the spotlight, he acted as the "general" of his enterprises, or in his dealing with the media and the Italian administration. Endowed with a solid intuition and a rare ability for taking calculated risks, he was able to change directions and diversify his company many times; his constant imperative was novelty, for which he was faithful to the style and methods of the great Italian variety entrepreneurs.
+
The modern circus was actually created in England by [https://www.amazon.com/dp/1984041312/ref=sr_1_2?ie=UTF8&qid=1517698824&sr=8-2&keywords=Philip+Astley+and+the+Horsemen Philip Astley] (1742-1814), a former cavalry Sergeant-Major turned showman. The son of a cabinet-maker and veneer-cutter, Astley had served in the Seven Years' War (1756-63) as part of Colonel Elliott's 15th Light Dragons regiment, where he displayed a remarkable talent as a horse-breaker and trainer. Upon his discharge, Astley chose to imitate the trick-riders who performed, with increasing success, all over Europe. Jacob Bates, an English equestrian based in the German States, who performed as far away as Russia (1764-65) and America (1772-73), was the first of these showmen to make a mark. Bates's emulators—Price, Johnson, Balp, Coningham, Faulkes, and "Old" Sampson—had become fixtures of London's pleasure gardens and provided Philip Astley with his inspiration. ([[SHORT HISTORY OF THE CIRCUS|more...]])
 
+
Walter Nones was able to build with his wife, Moira Orfei, a legend that went well beyond their circus—a circus that was certainly unique in the fact that it traveled constantly for fifty-five years without ever taking a true break! Nones was among the Italian pioneers of the internationalization of show business and, as such, he even became instrumental in the establishment of new relations between the former URSS and the Vatican.
+
 
+
Walter Nones was born in Trent, capital of the Trentino province in northern Italy, on June 18, 1934, the oldest of the four children of Giuseppe Nones and his wife, Adele, née Medini, a circus artist. Giuseppe was a cabinet maker; he spent his life between his workshop and the gym, following in that an old Trent tradition: A great number of its citizens had developed over the years a passion for gymnastics.... ([[Walter Nones|more...]])
+
  
 
==New Biographies==
 
==New Biographies==
  
 +
* [[Joel Baker]], Clown
 +
* [[Irina Naumenko]], Hand Balancer
 +
* [[The Owl and The Pussycat]], Trapeze Act
 
* [[Walter Nones]], Circus Director, Animal Trainer
 
* [[Walter Nones]], Circus Director, Animal Trainer
 
* [[Norman Crider]], Juggler
 
* [[Norman Crider]], Juggler
* [[Zhejiang Acrobatic Troupe]], Chinese Acrobatics
 
* [[Gene Mendez]], High Wire Artist
 
* [[Franz Czeisler (Tihany)]], Magician, Circus Owner
 
  
 
==New Videos==
 
==New Videos==
  
* [[Shavro_and_Aleschenko_Video_(2001)|Diana & Yury]], Unicycle Adagio (2001)
+
* [[New_Dollies_Video_(1979)|The New Dollies]], Bicycle Act (1979)
* [[David_Larible_Video_(2007)|David Larible]], Clown (2007)
+
* [[Felice_Aguilar_Video_(2017)|Felice Aguilar]], Contortionist (2017)
* [[Peres_Brothers_Video_(2001)|The Peres Brothers]], Hand-to-Hand Balancing (2001)
+
* [[Naraieva_Video_(2017)|Vladyslava Naraieva]], Hand Balancer (2017)
* [[Sarychev_Troupe_Video_(2001)|The Sarychev Troupe]], Flying Korean Cradle Act (2001)
+
* [[Lidya_Doveiko_Video_(1972)|Lidya & Irina Doveiko and Mikhail Algin]], German Wheel (1972)
* [[Dulguun_and_Tsatsaral_Video_(2005)|Dulguun & Tsatsaral]], Contortionists (2005)
+
* [[Kelli_Ramazini_Video_(2018)|Kelli Ramazini]], Trapeze (2018)
  
 
==Featured Oral Histories==
 
==Featured Oral Histories==
  
 +
* [[Circo_Price_Video_(2017)|A Short History of Madrid's Old Circo Price]], Circus History (1970)
 
* [[Anastasia_Dementieva_Video_(2017)|Anastasia Dementieva-Kornilova]] – Vadim Vernik Interview (2017)
 
* [[Anastasia_Dementieva_Video_(2017)|Anastasia Dementieva-Kornilova]] – Vadim Vernik Interview (2017)
 
* [[Freres_Knie_Video_(1962)|''Les Frères Knie'']], Documentary (1962)
 
* [[Freres_Knie_Video_(1962)|''Les Frères Knie'']], Documentary (1962)
 
* [[Jean_Richard_Video_(1979)|Jean Richard and Jean-Pierre Richard]] at the Cirque Jean Richard – Christian Boner Interview (1979)
 
* [[Jean_Richard_Video_(1979)|Jean Richard and Jean-Pierre Richard]] at the Cirque Jean Richard – Christian Boner Interview (1979)
 
* [[Buster_Keaton_Video_(1947)|Jérôme Medrano about Buster Keaton]] at the Cirque Medrano (1947)
 
* [[Buster_Keaton_Video_(1947)|Jérôme Medrano about Buster Keaton]] at the Cirque Medrano (1947)
* [[Moira_Orfei_Video_(2012)|Moira Orfei]], Circus Owner – Davide Maggio Interview (2012)
 
  
 
==A Message from the Editor==
 
==A Message from the Editor==

Revision as of 02:16, 14 February 2018

Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia was originally created with the support of the Big Apple Circus,
and has been inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

Philip Astley

A SHORT HISTORY OF THE CIRCUS

If the history of theater, ballet, opera, vaudeville, movies, and television is generally well documented, serious studies of circus history are sparse, and known only to a few circus enthusiasts and scholars. What little the public at large knows, on the other hand, is circus history as told over the years by imaginative circus press agents, and repeated—and often misunderstood and distorted—by writers of popular fiction, Hollywood screenwriters, and journalists too busy to investigate further. One of the most popular misapprehensions about circus history is the oft-repeated idea that circus dates back to the Roman antiquity. But the Roman circus was in actuality the precursor of the modern racetrack; the only common denominator between Roman and modern circuses is the word itself, circus, which means in Latin as in English, "circle".

The modern circus was actually created in England by Philip Astley (1742-1814), a former cavalry Sergeant-Major turned showman. The son of a cabinet-maker and veneer-cutter, Astley had served in the Seven Years' War (1756-63) as part of Colonel Elliott's 15th Light Dragons regiment, where he displayed a remarkable talent as a horse-breaker and trainer. Upon his discharge, Astley chose to imitate the trickAny specific exercise in a circus act.-riders who performed, with increasing success, all over Europe. Jacob Bates, an English equestrian based in the German States, who performed as far away as Russia (1764-65) and America (1772-73), was the first of these showmen to make a mark. Bates's emulators—Price, Johnson, Balp, Coningham, Faulkes, and "Old" Sampson—had become fixtures of London's pleasure gardens and provided Philip Astley with his inspiration. (more...)

New Biographies

New Videos

Featured Oral Histories

A Message from the Editor

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator