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==In The Spotlight==
 
==In The Spotlight==
  
===ALFRED COURT===
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===CIRQUE MEDRANO, PARIS===
[[File:Alfred_Court_(c.1930).jpg|300px|right]]
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[[File:Medrano_Farewell.jpg|right|thumb|350px|Violette and Jérôme Medrano (1963)]]
Alfred Court (1883-1977) is perhaps the most remarkable French circus personality of the first half of the twentieth century. Beginning his career as an outstanding acrobat, he became a successful, yet adventurous, circus entrepreneur, first in Mexico and later in Europe, before ending as one of the greatest wild animal trainers of all times—and as such, a major circus star in Europe and America.
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(...) In February of 1959, following the advice of his lawyers, Jérôme Medrano created a new corporate entity for the exploitation of his circus—in all probability to generate new legal hurdles for the Bougliones and continue to stall a situation whose obvious conclusion was unfortunately inexorable. When the 1959-60 Season began in September, Violette Medrano was conspicuously listed on the program as the circus’s sole Director. (She was also the Director of the new corporation.) Although he was still in actuality at the artistic helm of his circus, Jérôme remained in the shadows.
  
He was born into a wealthy family in Marseille, France, on January 1, 1883. His father, Joseph Court-Payen, worked for the family’s soap business (Marseille is France’s soap industry capital), and his mother was the daughter of the Marquis de Clapier, a rich aristocrat well introduced in political circles. Alfred was the youngest of a family of ten children.
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Yet Violette’s personal touch could be felt: The overall style of Medrano was modernized and refreshed, notably with usherettes in elegant and colorful dresses instead of circus uniforms, and the use of air freshener in the corridors and the bar to mask the smell of the menagerie. (The latter innovation was strongly criticized by hardcore circus fans!) Marcellys took over the orchestra, in addition to his role as host. Violette also conceived the idea of an already built-up steel arena coming down from the cupola for the cage acts. This was a good innovation, although it couldn’t be used in conjunction with major aerial acts, such as flying trapeze and high wire, and thus influenced to some extent the composition of the programs (either big aerial act or cage act, but not both). Covered with fabric, it also served as a ring curtain in a few productions.
  
Considering his pedigree, chances that Alfred Court would become a circus acrobat were slim at best. A strong-willed kid, young Alfred was by no means rebellious, and by his own account, he had a happy childhood. But he was the last-born of a large brood, and was not necessarily expected to join in the family business. This gave him some freedom of mind. Furthermore, his parents never discouraged his early passion for circus and acrobatics—a passion he shared with his older brother, Jules (1880-1955).
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In May 1960, the season ended with an interesting show titled ''Cavalcade sur Glace 60''. It was entirely performed on ice, including Erie Klant's polar-bear act presented Corry Vermeeren, Stella Fratellini and her chimpanzee Georgie, and, most amazingly, the high school act of Elvira Vonderp. The featured star of the show was the former French champion ice-skater Raymonde Du Bief, but its true stars were the Barios, who had spent most of the 1959-60 Season at Medrano, and were at the height of their creative and comedic talents. They performed wonderful original entrées (on skates, like everyone else in the show), and gave the production its soul as well as its laughs. ([[Cirque Medrano (Paris)|more...]])
 
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Circa 1890, Alfred and Jules Court were sent to a Jesuit school in the Prado, a seaside borough of Marseille. Alfred and Jules also started training in gymnastics, which was all the rage among young men at the time: Society amateur circuses were flourishing then—like the famous Cirque Molier in Paris—and these were the times when another sports enthusiast, the Baron Pierre de Coubertin, revived the Olympic Games (in 1896).
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Over the years, Court developed an amazing strength, concealed by his slender build, and an outstanding talent on horizontal bars. An arduous gymnastics specialty, horizontal bars are also one of the most difficult acrobatic acts in the circus repertoire, and is rarely seen today. Yet it was relatively popular and quite alluring in the 1890s, and this was the specialty young Alfred chose to embrace for his upcoming circus debut. ([[Alfred Court|more...]])
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==New Biographies==
 
==New Biographies==
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==New Videos==
 
==New Videos==
  
* [[Vavilov_Video_(2018)|The Vavilov Troupe]], Porté-Lancé (2018)
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* [[Thierry_Bouglione_Video_(c2010)|Thierry & Sandrine Bouglione]], Magic Act (c.2010)
* [[Pyongyang_Rola-Bola_Video_(2000)|Pyongyang Troupe]], Rola-Bola Act (2000)
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* [[Pellegrini_Video_(2016)|The Pellegrini Brothers]], Hand-to-Hand Balancing (2016)
* [[Shanghai_Troupe_Video_(2018)|Shanghai Acrobatic Troupe]], Hand-to-Hand Balancing (2018)
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* [[Moira_Orfei_Video_(1991)|Moira Orfei]], Elephant Act (1991)
* [[Ustyantsev_Video_(2000)|Ustyantsev & Kaibzhanov]], Clowns (2000)
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* [[Martin_Lacey_Video_(2000)|Martin Lacey, Jr.]], Lion Act (2000)
* [[Ritter_Video_(1995)|Emöke Ritter]], Contortionist (1995)
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* [[Heroes_Video_(2018)|Bogdanov Troupe (''Heroes'')]], Flying Act (2018)
  
 
==Featured Oral Histories==
 
==Featured Oral Histories==

Revision as of 01:52, 18 August 2018

Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
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Circopedia was originally created with the support of the Big Apple Circus,
and has been inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

CIRQUE MEDRANO, PARIS

Violette and Jérôme Medrano (1963)

(...) In February of 1959, following the advice of his lawyers, Jérôme Medrano created a new corporate entity for the exploitation of his circus—in all probability to generate new legal hurdles for the Bougliones and continue to stall a situation whose obvious conclusion was unfortunately inexorable. When the 1959-60 Season began in September, Violette Medrano was conspicuously listed on the program as the circus’s sole Director. (She was also the Director of the new corporation.) Although he was still in actuality at the artistic helm of his circus, Jérôme remained in the shadows.

Yet Violette’s personal touch could be felt: The overall style of Medrano was modernized and refreshed, notably with usherettes in elegant and colorful dresses instead of circus uniforms, and the use of air freshener in the corridors and the bar to mask the smell of the menagerie. (The latter innovation was strongly criticized by hardcore circus fans!) Marcellys took over the orchestra, in addition to his role as host. Violette also conceived the idea of an already built-up steel arena coming down from the cupola for the cage acts. This was a good innovation, although it couldn’t be used in conjunction with major aerial acts, such as flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze) and high wireA tight, heavy metallic cable placed high above the ground, on which wire walkers do crossings and various acrobatic exercises. Not to be confused with a tight wire., and thus influenced to some extent the composition of the programs (either big aerial act or cage act(English/American) Act performed in a cage, such as lion or tiger acts., but not both). Covered with fabric(See: Tissu), it also served as a ring curtain in a few productions.

In May 1960, the season ended with an interesting show titled Cavalcade sur Glace 60. It was entirely performed on ice, including Erie Klant's polar-bear act presented Corry Vermeeren, Stella Fratellini and her chimpanzee Georgie, and, most amazingly, the high schoolA display of equestrian dressage by a rider mounting a horse and leading it into classic moves and steps. (From the French: Haute école) act of Elvira Vonderp. The featured star of the show was the former French champion ice-skater Raymonde Du Bief, but its true stars were the Barios, who had spent most of the 1959-60 Season at Medrano, and were at the height of their creative and comedic talents. They performed wonderful original entrées (on skates, like everyone else in the show), and gave the production its soul as well as its laughs. (more...)

New Biographies

New Videos

Featured Oral Histories

Featured Circopedia Book

A Message from the Editor

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator