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==In The Spotlight==
 
==In The Spotlight==
  
===BARRY LUBIN===
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===THE CIRCUSES OF MOSCOW===
For a quarter of a century, Barry Lubin, better known as ''Grandma'', his clown persona, has been the iconic face of the Big Apple Circus. Although his career began and continued with other circuses in the U.S. and in Europe, to many New Yorkers and Bostonians in particular, "Grandma" is the Big Apple Circus. Many felt a strong sense of loss when he bid farewell to the Big Apple Circus's audiences in 2012: They had laughed at Grandma's antics when they were children, and in turn, their own children were growing up laughing with Lubin's beloved character. Thankfully, he returned to the Big Apple Circus for its Lincoln Center revival season in 2017.
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[[File:Circus_Salamonsky_in_Moscow.jpg|right|450px]]Although the name ''Moscow Circus'' is familiar to the public all over the world, there has never been one specific “Moscow Circus” whose troupe toured internationally. The name was a generic term for the circus shows from the USSR traveling abroad during the Soviet Era. It has, over time, become synonymous with “Russian circus.” Yet, there are today (2017) two resident circuses in Moscow, Circus Nikulin on Tsvetnoy Boulevard, and the Bolshoi Circus (''bolshoi'' means ''big'', in Russian) on Vernadsky Avenue—and there have been indeed several others before them.
  
Barry Lubin was born July 3, 1952 in Atlantic City, New Jersey, the son of Edythe Weinberg Lubin, a homemaker, and George Simon Lubin, an audiovisual engineer. Barry nurtured hopes of becoming a television director, but the social turmoil of the late sixties and early seventies led to a period of self-questioning—as indeed it did for many disappointed youths at the time.
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The first circus built in Russia was established by the French equestrian Jacques Tourniaire, who settled in 1827 in what was then the Russian capital, St. Petersburg. The building, designed by the architect Smaragd Shustov and named ''Cirque Olympique'', was located near the Fontanka canal, practically where St. Petersburg’s Circus Ciniselli stands today. Tourniaire’s circus had only a short existence: it was bought back by the government of St. Petersburg in 1828 to be transformed into a theater. Still, the event didn’t fail to catch the attention of the Muscovites, who always took exception to the influence of Peter The Great’s Baltic capital.
  
When a friend of Barry's applied for Ringling Bros. and Barnum & Bailey Clown College, a new, offbeat learning institution, Barry decided to go along and audition with him. To his surprise, he was among the 48 applicants that were accepted that year (along with Bill Irwin, and Barry's occasional partner, Dick Monday). After eight weeks of training, Barry graduated and was hired by Ringling Bros. and Barnum & Bailey: the college, in effect a training program for the show's Clown Alley, principally taught its students how to become a "Ringling clown," able to work efficiently in the specific context of The Greatest Show On Earth. ... ([[Barry Lubin|more...]])
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The previous year, Tourniaire had exhibited his equestrian prowess in Moscow, in the manège of the Pashkov mansion (today the Russian State Library), on Mokhovaya Street. Another famous trick rider, Jacob Bates, had long preceded him in the former Russian capital, where he performed in 1864, and since then, Moscow had welcomed several equestrian companies—among which that of Pierre Mayheu, the famous Spanish rider, in 1790—but contrary to most European major cities, the great Russian metropolis didn’t have a permanent circus of its own.
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In 1830, Mikhail Zagoskin, a popular novelist who was Moscow’s Director of the Theaters, supported the creation of a summer circus in the Neskuchny Garden, on the banks of the Moskva River, southwest of central Moscow. The circus, which was probably a light wooden construction, lasted only three seasons. For the ensuing twenty years, Russian circus history was written exclusively in St. Petersburg: Although Moscow was still the commercial hub of Tsarist Russia, the giant city didn’t have yet the rich cosmopolitan atmosphere of the Russian capital, or its cultural diversity. ([[The Circuses Of Moscow|more...]])
  
 
==New Biographies==
 
==New Biographies==
  
* [[Walter Nones]], Circus Director, Animal Trainer
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* [[Baptiste Loisset]], Circus Owner and Equestrian
* [[Norman Crider]], Juggler
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* [[The Kornilov Dynasty]], Elephant Trainers
* [[Zhejiang Acrobatic Troupe]], Chinese Acrobatics
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* [[Sergei Korolev]], Acrobat
* [[Gene Mendez]], High Wire Artist
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* [[Victor Fomine]], Acrobat, Circus Coach
* [[Franz Czeisler (Tihany)]], Magician, Circus Owner
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* [[Annie Fratellini]], Clown, Circus Director
  
 
==New Videos==
 
==New Videos==
  
* [[Trio_Beautiful_Video_(2007)|Trio Beautiful]], Hand-to-Hand Balancing (2007)
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* [[Tanya_Drobot_Video_(2018)|Tatyana Drobot]], Dog Act (2018)
* [[Housch-Ma-Housch_Flea_Paper_Video_(2005)|Housch-Ma-Housch]], Clown (2005)
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* [[Thierry_Bouglione_Video_(c2010)|Thierry & Sandrine Bouglione]], Magic Act (c.2010)
* [[Shirley_Dean_Video_(2001)|Shirley Dean]], Juggler (2001)
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* [[Pellegrini_Video_(2016)|The Pellegrini Brothers]], Hand-to-Hand Balancing (2016)
* [[Victor_et_Kati_Video_(2005)|Victor et Kati]], Hand-to-Hand Balancing (2005)
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* [[Moira_Orfei_Video_(1991)|Moira Orfei]], Elephant Act (1991)
* [[Alexis_Gruss_-_Liberty_Video_(2001)|Alexis Gruss]], Horses at Liberty (2001)
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* [[Martin_Lacey_Video_(2000)|Martin Lacey, Jr.]], Lion Act (2000)
  
==Featured Oral Histories==
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==New Oral Histories==
  
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* [[Rosa_Bouglione_Video_(2012)|Rosa Bouglione]]'s interview on Franch Television (2012)
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* [[Circo_Price_Video_(2017)|A Short History of Madrid's Old Circo Price]], Documentary (1970)
 
* [[Anastasia_Dementieva_Video_(2017)|Anastasia Dementieva-Kornilova]] – Vadim Vernik Interview (2017)
 
* [[Anastasia_Dementieva_Video_(2017)|Anastasia Dementieva-Kornilova]] – Vadim Vernik Interview (2017)
 
* [[Freres_Knie_Video_(1962)|''Les Frères Knie'']], Documentary (1962)
 
* [[Freres_Knie_Video_(1962)|''Les Frères Knie'']], Documentary (1962)
 
* [[Jean_Richard_Video_(1979)|Jean Richard and Jean-Pierre Richard]] at the Cirque Jean Richard – Christian Boner Interview (1979)
 
* [[Jean_Richard_Video_(1979)|Jean Richard and Jean-Pierre Richard]] at the Cirque Jean Richard – Christian Boner Interview (1979)
* [[Buster_Keaton_Video_(1947)|Jérôme Medrano about Buster Keaton]] at the Cirque Medrano (1947)
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* [[Moira_Orfei_Video_(2012)|Moira Orfei]], Circus Owner – Davide Maggio Interview (2012)
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==New Circopedia Books==
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* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
  
 
==A Message from the Editor==
 
==A Message from the Editor==

Revision as of 20:32, 1 September 2018

Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia was originally created with the support of the Big Apple Circus,
and has been inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

THE CIRCUSES OF MOSCOW

Circus Salamonsky in Moscow.jpg
Although the name Moscow Circus is familiar to the public all over the world, there has never been one specific “Moscow Circus” whose troupe toured internationally. The name was a generic term for the circus shows from the USSR traveling abroad during the Soviet Era. It has, over time, become synonymous with “Russian circus.” Yet, there are today (2017) two resident circuses in Moscow, Circus Nikulin on Tsvetnoy Boulevard, and the Bolshoi Circus (bolshoi means big, in Russian) on Vernadsky Avenue—and there have been indeed several others before them.

The first circus built in Russia was established by the French equestrian Jacques Tourniaire, who settled in 1827 in what was then the Russian capital, St. Petersburg. The building, designed by the architect Smaragd Shustov and named Cirque Olympique, was located near the Fontanka canal, practically where St. Petersburg’s Circus Ciniselli stands today. Tourniaire’s circus had only a short existence: it was bought back by the government of St. Petersburg in 1828 to be transformed into a theater. Still, the event didn’t fail to catch the attention of the Muscovites, who always took exception to the influence of Peter The Great’s Baltic capital.

The previous year, Tourniaire had exhibited his equestrian prowess in Moscow, in the manège of the Pashkov mansion (today the Russian State Library), on Mokhovaya Street. Another famous trickAny specific exercise in a circus act. rider, Jacob Bates, had long preceded him in the former Russian capital, where he performed in 1864, and since then, Moscow had welcomed several equestrian companies—among which that of Pierre Mayheu, the famous Spanish rider, in 1790—but contrary to most European major cities, the great Russian metropolis didn’t have a permanent circus of its own.

In 1830, Mikhail Zagoskin, a popular novelist who was Moscow’s Director of the Theaters, supported the creation of a summer circus in the Neskuchny Garden, on the banks of the Moskva River, southwest of central Moscow. The circus, which was probably a light wooden construction(French) A temporary circus building, originally made of wood and canvas, and later, of steel elements supporting a canvas top and wooden wall. Also known as a "semi-construction.", lasted only three seasons. For the ensuing twenty years, Russian circus history was written exclusively in St. Petersburg: Although Moscow was still the commercial hub of Tsarist Russia, the giant city didn’t have yet the rich cosmopolitan atmosphere of the Russian capital, or its cultural diversity. (more...)

New Biographies

New Videos

New Oral Histories

New Circopedia Books

A Message from the Editor

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator