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==In The Spotlight==
 
==In The Spotlight==
[[File:Astley.jpg|right|250px]]
 
===PHILIP ASTLEY===
 
  
Philip Astley (1742-1814) is considered the creator of the modern circus. He was born January 8, 1742 in Newcastle-under-Lyme, in the West Midlands, England, the son of Edward Astley, a veneer-cutter and cabinet-maker. Edward had a short-fuse and a passion for horses, traits he passed on to his son. Philip Astley was nine years old when he became apprentice to his father.
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===THE CIRCUSES OF MOSCOW===
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[[File:Circus_Salamonsky_in_Moscow.jpg|right|450px]]Although the name ''Moscow Circus'' is familiar to the public all over the world, there has never been one specific “Moscow Circus” whose troupe toured internationally. The name was a generic term for the circus shows from the USSR traveling abroad during the Soviet Era. It has, over time, become synonymous with “Russian circus.” Yet, there are today (2017) two resident circuses in Moscow, Circus Nikulin on Tsvetnoy Boulevard, and the Bolshoi Circus (''bolshoi'' means ''big'', in Russian) on Vernadsky Avenue—and there have been indeed several others before them.
  
Two or three years later, the family moved to Lambeth, a borough of London, where Edward Astley opened shop near Westminster Bridge—an area that would become very familiar to young Philip, and where he will later return. For at age 17, Philip left home after one of many disputes with his father and enrolled in the 15th Light Dragoons, a cavalry regiment newly formed by Colonel Granville Elliott.
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The first circus built in Russia was established by the French equestrian Jacques Tourniaire, who settled in 1827 in what was then the Russian capital, St. Petersburg. The building, designed by the architect Smaragd Shustov and named ''Cirque Olympique'', was located near the Fontanka canal, practically where St. Petersburg’s Circus Ciniselli stands today. Tourniaire’s circus had only a short existence: it was bought back by the government of St. Petersburg in 1828 to be transformed into a theater. Still, the event didn’t fail to catch the attention of the Muscovites, who always took exception to the influence of Peter The Great’s Baltic capital.
  
Six feet tall and endowed with a stentorian voice, [https://www.amazon.com/Philip-Astley-Horsemen-invented-Circus/dp/1984041312/ref=sr_1_1?ie=UTF8&qid=1519938759&sr=8-1&keywords=philip+astley+and+the+horsemen+who+invented+the+circus Philip Astley] was a giant for his time and didn't easily blend into crowds, even when in uniform. A gifted equestrian, he was put in charge of breaking new horses for his regiment. He was also noticed by the celebrated riding and fencing master, Domenico Angelo, who took him under his tutelage and taught him a new method aimed at improving the use of the cavalry broadsword in battle—an expertise Astley would later display in his shows.
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The previous year, Tourniaire had exhibited his equestrian prowess in Moscow, in the manège of the Pashkov mansion (today the Russian State Library), on Mokhovaya Street. Another famous trick rider, Jacob Bates, had long preceded him in the former Russian capital, where he performed in 1864, and since then, Moscow had welcomed several equestrian companies—among which that of Pierre Mayheu, the famous Spanish rider, in 1790—but contrary to most European major cities, the great Russian metropolis didn’t have a permanent circus of its own.
  
In 1761, Astley and his regiment embarked for the Continent to fight alongside King Frederick II of Prussia in the Seven Years' War (1756-63), known as the French and Indian War in America. Corporal Astley fought gallantly: he captured an enemy standard in battle; rescued the Duke of Brunswick, who had fallen behind enemy lines; and returned to England with the rank of Sergeant Major. He obtained his discharge on June 21, 1766 at Derby, and Elliott, now General, presented him with a white charger named ''Gibraltar''. Astley returned to Lambeth with a companion who would later become his wife (of whom little is known); in 1769, she presented him with a son, John Philip Conway Astley (1767-1821)...([[Philip Astley|more...]])
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In 1830, Mikhail Zagoskin, a popular novelist who was Moscow’s Director of the Theaters, supported the creation of a summer circus in the Neskuchny Garden, on the banks of the Moskva River, southwest of central Moscow. The circus, which was probably a light wooden construction, lasted only three seasons. For the ensuing twenty years, Russian circus history was written exclusively in St. Petersburg: Although Moscow was still the commercial hub of Tsarist Russia, the giant city didn’t have yet the rich cosmopolitan atmosphere of the Russian capital, or its cultural diversity. ([[The Circuses Of Moscow|more...]])
  
 
==New Biographies==
 
==New Biographies==
  
* [[Joel Baker]], Clown
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* [[Baptiste Loisset]], Circus Owner and Equestrian
* [[Irina Naumenko]], Hand Balancer
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* [[The Kornilov Dynasty]], Elephant Trainers
* [[The Owl and The Pussycat]], Trapeze Act
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* [[Sergei Korolev]], Acrobat
* [[Walter Nones]], Circus Director, Animal Trainer
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* [[Victor Fomine]], Acrobat, Circus Coach
* [[Norman Crider]], Juggler
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* [[Annie Fratellini]], Clown, Circus Director
  
 
==New Videos==
 
==New Videos==
  
* [[Alizes_Video_(1974)|Les Alizés]], Flying Trapeze (1974)
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* [[Tanya_Drobot_Video_(2018)|Tatyana Drobot]], Dog Act (2018)
* [[Iriston_Video_(1979)|Iriston Troupe]], Cossack Riding Act (1979)
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* [[Thierry_Bouglione_Video_(c2010)|Thierry & Sandrine Bouglione]], Magic Act (c.2010)
* [[New_Dollies_Video_(1979)|The New Dollies]], Bicycle Act (1979)
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* [[Pellegrini_Video_(2016)|The Pellegrini Brothers]], Hand-to-Hand Balancing (2016)
* [[Felice_Aguilar_Video_(2017)|Felice Aguilar]], Contortionist (2017)
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* [[Moira_Orfei_Video_(1991)|Moira Orfei]], Elephant Act (1991)
* [[Naraieva_Video_(2017)|Vladyslava Naraieva]], Hand Balancer (2017)
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* [[Martin_Lacey_Video_(2000)|Martin Lacey, Jr.]], Lion Act (2000)
  
==Featured Oral Histories==
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==New Oral Histories==
  
* [[Circo_Price_Video_(2017)|A Short History of Madrid's Old Circo Price]], Circus History (1970)
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* [[Rosa_Bouglione_Video_(2012)|Rosa Bouglione]]'s interview on Franch Television (2012)
 +
* [[Circo_Price_Video_(2017)|A Short History of Madrid's Old Circo Price]], Documentary (1970)
 
* [[Anastasia_Dementieva_Video_(2017)|Anastasia Dementieva-Kornilova]] – Vadim Vernik Interview (2017)
 
* [[Anastasia_Dementieva_Video_(2017)|Anastasia Dementieva-Kornilova]] – Vadim Vernik Interview (2017)
 
* [[Freres_Knie_Video_(1962)|''Les Frères Knie'']], Documentary (1962)
 
* [[Freres_Knie_Video_(1962)|''Les Frères Knie'']], Documentary (1962)
 
* [[Jean_Richard_Video_(1979)|Jean Richard and Jean-Pierre Richard]] at the Cirque Jean Richard – Christian Boner Interview (1979)
 
* [[Jean_Richard_Video_(1979)|Jean Richard and Jean-Pierre Richard]] at the Cirque Jean Richard – Christian Boner Interview (1979)
* [[Buster_Keaton_Video_(1947)|Jérôme Medrano about Buster Keaton]] at the Cirque Medrano (1947)
 
  
==Featured Circopedia Book==
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==New Circopedia Books==
  
 
* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
 
* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)

Revision as of 20:32, 1 September 2018

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Circopedia was originally created with the support of the Big Apple Circus,
and has been inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

THE CIRCUSES OF MOSCOW

Circus Salamonsky in Moscow.jpg
Although the name Moscow Circus is familiar to the public all over the world, there has never been one specific “Moscow Circus” whose troupe toured internationally. The name was a generic term for the circus shows from the USSR traveling abroad during the Soviet Era. It has, over time, become synonymous with “Russian circus.” Yet, there are today (2017) two resident circuses in Moscow, Circus Nikulin on Tsvetnoy Boulevard, and the Bolshoi Circus (bolshoi means big, in Russian) on Vernadsky Avenue—and there have been indeed several others before them.

The first circus built in Russia was established by the French equestrian Jacques Tourniaire, who settled in 1827 in what was then the Russian capital, St. Petersburg. The building, designed by the architect Smaragd Shustov and named Cirque Olympique, was located near the Fontanka canal, practically where St. Petersburg’s Circus Ciniselli stands today. Tourniaire’s circus had only a short existence: it was bought back by the government of St. Petersburg in 1828 to be transformed into a theater. Still, the event didn’t fail to catch the attention of the Muscovites, who always took exception to the influence of Peter The Great’s Baltic capital.

The previous year, Tourniaire had exhibited his equestrian prowess in Moscow, in the manège of the Pashkov mansion (today the Russian State Library), on Mokhovaya Street. Another famous trickAny specific exercise in a circus act. rider, Jacob Bates, had long preceded him in the former Russian capital, where he performed in 1864, and since then, Moscow had welcomed several equestrian companies—among which that of Pierre Mayheu, the famous Spanish rider, in 1790—but contrary to most European major cities, the great Russian metropolis didn’t have a permanent circus of its own.

In 1830, Mikhail Zagoskin, a popular novelist who was Moscow’s Director of the Theaters, supported the creation of a summer circus in the Neskuchny Garden, on the banks of the Moskva River, southwest of central Moscow. The circus, which was probably a light wooden construction(French) A temporary circus building, originally made of wood and canvas, and later, of steel elements supporting a canvas top and wooden wall. Also known as a "semi-construction.", lasted only three seasons. For the ensuing twenty years, Russian circus history was written exclusively in St. Petersburg: Although Moscow was still the commercial hub of Tsarist Russia, the giant city didn’t have yet the rich cosmopolitan atmosphere of the Russian capital, or its cultural diversity. (more...)

New Biographies

New Videos

New Oral Histories

New Circopedia Books

A Message from the Editor

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator