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==In The Spotlight==
 
==In The Spotlight==
===THE KORNILOV DYNASTY===
 
  
There never have been many elephant acts in the Soviet and Russian circus. Several members of the Durov family have included one pachyderm or two in their animal presentations and a small number of animal trainers, such as Boris Fedotov, Sarvat Begbudi and Msistlav Zapashny have trained elephants. The Kornilov Dynasty, however, is the exception that confirms the rule: Since 1929, they have not only been the great Russian elephant-training specialists, but they also have been among the world’s very best—and the productions of their magnificent acts remain unequaled.
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===THE CIRCUSES OF MOSCOW===
 +
[[File:Circus_Salamonsky_in_Moscow.jpg|right|450px]]Although the name ''Moscow Circus'' is familiar to the public all over the world, there has never been one specific “Moscow Circus” whose troupe toured internationally. The name was a generic term for the circus shows from the USSR traveling abroad during the Soviet Era. It has, over time, become synonymous with “Russian circus.” Yet, there are today (2017) two resident circuses in Moscow, Circus Nikulin on Tsvetnoy Boulevard, and the Bolshoi Circus (''bolshoi'' means ''big'', in Russian) on Vernadsky Avenue—and there have been indeed several others before them.
  
Born November 22, 1903 in Russia, Aleksandr Nikolaievich Kornilov (1903-1977), the founder of the Dynasty, began his professional life as a sailor. At the end of the 1920s, he landed in Samara, the great port city on the Volga river, where he discovered the traveling menagerie of Ivan Lazarevich Filatov (1873-1956)—the father of the legendary Russian bear trainer Valentin Filatov, and scion of an old family of itinerant animal trainers.
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The first circus built in Russia was established by the French equestrian Jacques Tourniaire, who settled in 1827 in what was then the Russian capital, St. Petersburg. The building, designed by the architect Smaragd Shustov and named ''Cirque Olympique'', was located near the Fontanka canal, practically where St. Petersburg’s Circus Ciniselli stands today. Tourniaire’s circus had only a short existence: it was bought back by the government of St. Petersburg in 1828 to be transformed into a theater. Still, the event didn’t fail to catch the attention of the Muscovites, who always took exception to the influence of Peter The Great’s Baltic capital.
  
This unforeseen encounter changed Kornilov’s life: Although he was indeed fascinated by the Filatov Menagerie exhibitions, he was even more attracted to Masha, the pretty young girl who handled the box office. Masha (Maria Ivanovna Filatova, 1904-1975) was Ivan Lazarevich’s daughter: They quickly fell in love, and Aleksandr decided to stay on dry land and follow Masha, whom he eventually married.  
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The previous year, Tourniaire had exhibited his equestrian prowess in Moscow, in the manège of the Pashkov mansion (today the Russian State Library), on Mokhovaya Street. Another famous trick rider, Jacob Bates, had long preceded him in the former Russian capital, where he performed in 1864, and since then, Moscow had welcomed several equestrian companies—among which that of Pierre Mayheu, the famous Spanish rider, in 1790—but contrary to most European major cities, the great Russian metropolis didn’t have a permanent circus of its own.
  
Now part of the family, Aleksandr had to bring his contribution to his father-in-law’s business. Working as a simple cage and stable boy, he did his apprenticeship on the job. After having acquired enough experience caring for the menagerie’s animals, he finally made his public debut as a trainer in 1929 with a group that included brown bears, polar bears and lions. He presented also the menagerie’s single elephant in a sketch titled The Elephant at the Restaurant. ([[The Kornilov Dynasty|more...]])
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In 1830, Mikhail Zagoskin, a popular novelist who was Moscow’s Director of the Theaters, supported the creation of a summer circus in the Neskuchny Garden, on the banks of the Moskva River, southwest of central Moscow. The circus, which was probably a light wooden construction, lasted only three seasons. For the ensuing twenty years, Russian circus history was written exclusively in St. Petersburg: Although Moscow was still the commercial hub of Tsarist Russia, the giant city didn’t have yet the rich cosmopolitan atmosphere of the Russian capital, or its cultural diversity. ([[The Circuses Of Moscow|more...]])
  
 
==New Biographies==
 
==New Biographies==
  
 +
* [[Baptiste Loisset]], Circus Owner and Equestrian
 
* [[The Kornilov Dynasty]], Elephant Trainers
 
* [[The Kornilov Dynasty]], Elephant Trainers
 
* [[Sergei Korolev]], Acrobat
 
* [[Sergei Korolev]], Acrobat
 
* [[Victor Fomine]], Acrobat, Circus Coach
 
* [[Victor Fomine]], Acrobat, Circus Coach
 
* [[Annie Fratellini]], Clown, Circus Director
 
* [[Annie Fratellini]], Clown, Circus Director
* [[Joel Baker]], Clown
 
  
 
==New Videos==
 
==New Videos==
  
* [[Randol_Video_(1995)|Denise Randol]], Hula Hoop Act (1995)
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* [[Tanya_Drobot_Video_(2018)|Tatyana Drobot]], Dog Act (2018)
* [[Pyongyang_Chionese_Pole_Video_(2000)|Pyongyang Troupe]], Chinese Poles (2000)
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* [[Thierry_Bouglione_Video_(c2010)|Thierry & Sandrine Bouglione]], Magic Act (c.2010)
* [[Konovalovi_Video_(2000)|Konovalov Trio]], Roller Skating (2000)
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* [[Pellegrini_Video_(2016)|The Pellegrini Brothers]], Hand-to-Hand Balancing (2016)
* [[Richter_Troupe_Video_(2018)|József Richter Troupe]], Jockeys (2018)
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* [[Moira_Orfei_Video_(1991)|Moira Orfei]], Elephant Act (1991)
* [[Richter_Pas-de-Deux_Video_(2018)|Merrylu & József Richter]], Equestrian Pas-de-Deux (2018)
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* [[Martin_Lacey_Video_(2000)|Martin Lacey, Jr.]], Lion Act (2000)
  
==Featured Oral Histories==
+
==New Oral Histories==
  
* [[Circo_Price_Video_(2017)|A Short History of Madrid's Old Circo Price]], Circus History (1970)
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* [[Rosa_Bouglione_Video_(2012)|Rosa Bouglione]]'s interview on Franch Television (2012)
 +
* [[Circo_Price_Video_(2017)|A Short History of Madrid's Old Circo Price]], Documentary (1970)
 
* [[Anastasia_Dementieva_Video_(2017)|Anastasia Dementieva-Kornilova]] – Vadim Vernik Interview (2017)
 
* [[Anastasia_Dementieva_Video_(2017)|Anastasia Dementieva-Kornilova]] – Vadim Vernik Interview (2017)
 
* [[Freres_Knie_Video_(1962)|''Les Frères Knie'']], Documentary (1962)
 
* [[Freres_Knie_Video_(1962)|''Les Frères Knie'']], Documentary (1962)
 
* [[Jean_Richard_Video_(1979)|Jean Richard and Jean-Pierre Richard]] at the Cirque Jean Richard – Christian Boner Interview (1979)
 
* [[Jean_Richard_Video_(1979)|Jean Richard and Jean-Pierre Richard]] at the Cirque Jean Richard – Christian Boner Interview (1979)
* [[Buster_Keaton_Video_(1947)|Jérôme Medrano about Buster Keaton]] at the Cirque Medrano (1947)
 
  
==Featured Circopedia Book==
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==New Circopedia Books==
  
 
* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
 
* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)

Revision as of 20:32, 1 September 2018

Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia was originally created with the support of the Big Apple Circus,
and has been inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

THE CIRCUSES OF MOSCOW

Circus Salamonsky in Moscow.jpg
Although the name Moscow Circus is familiar to the public all over the world, there has never been one specific “Moscow Circus” whose troupe toured internationally. The name was a generic term for the circus shows from the USSR traveling abroad during the Soviet Era. It has, over time, become synonymous with “Russian circus.” Yet, there are today (2017) two resident circuses in Moscow, Circus Nikulin on Tsvetnoy Boulevard, and the Bolshoi Circus (bolshoi means big, in Russian) on Vernadsky Avenue—and there have been indeed several others before them.

The first circus built in Russia was established by the French equestrian Jacques Tourniaire, who settled in 1827 in what was then the Russian capital, St. Petersburg. The building, designed by the architect Smaragd Shustov and named Cirque Olympique, was located near the Fontanka canal, practically where St. Petersburg’s Circus Ciniselli stands today. Tourniaire’s circus had only a short existence: it was bought back by the government of St. Petersburg in 1828 to be transformed into a theater. Still, the event didn’t fail to catch the attention of the Muscovites, who always took exception to the influence of Peter The Great’s Baltic capital.

The previous year, Tourniaire had exhibited his equestrian prowess in Moscow, in the manège of the Pashkov mansion (today the Russian State Library), on Mokhovaya Street. Another famous trickAny specific exercise in a circus act. rider, Jacob Bates, had long preceded him in the former Russian capital, where he performed in 1864, and since then, Moscow had welcomed several equestrian companies—among which that of Pierre Mayheu, the famous Spanish rider, in 1790—but contrary to most European major cities, the great Russian metropolis didn’t have a permanent circus of its own.

In 1830, Mikhail Zagoskin, a popular novelist who was Moscow’s Director of the Theaters, supported the creation of a summer circus in the Neskuchny Garden, on the banks of the Moskva River, southwest of central Moscow. The circus, which was probably a light wooden construction(French) A temporary circus building, originally made of wood and canvas, and later, of steel elements supporting a canvas top and wooden wall. Also known as a "semi-construction.", lasted only three seasons. For the ensuing twenty years, Russian circus history was written exclusively in St. Petersburg: Although Moscow was still the commercial hub of Tsarist Russia, the giant city didn’t have yet the rich cosmopolitan atmosphere of the Russian capital, or its cultural diversity. (more...)

New Biographies

New Videos

New Oral Histories

New Circopedia Books

A Message from the Editor

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator