Difference between revisions of "Main Page"

From Circopedia

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==In The Spotlight==
 
==In The Spotlight==
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[[File:Lola_Dobritch_GSOE.jpg|right|400px]]
 
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===LOLA DOBRITCH===
 
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A fourth-generation circus performer (through her mother), Lola Dobritch (1922-2008) was one of the great tight-wire artists of the mid-twentieth century, famous for crossing her wire on her toes like a ballerina—still a rare feat in her times—which, along with her natural grace and her use of a feather fan instead of an umbrella for balancing, won her to be advertised as "The Pavlova of the Silver Strand."
 
  
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She was born Vera Dobrich—the correct English spelling of her name—on October 14, 1922 in Sofia, Bulgaria, to Alexandre and Anna Dobrich. Alexandre and his brother, Lazar (1881-1970), owned the Royal Dobrich Circus in Bulgaria. "Lola," as Vera would become known (she was often featured as "Miss Lola"), learned all traditional circus disciplines from her parents and took ballet classes in Sofia, before specializing as a tight-wire dancer. She made her debut on the wire at age ten, in 1932, in the family circus.
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===DIMITRI===
  
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In 1946, Lola Dobritch married the German acrobat on unicycle Emil Goetschi (1921-2002), whose remarkable novelty act with brothers Carl and Hans was well known all over Europe, and she became part of the Goetschis’ act while continuing to perform her own tight-wire act. The following year, 1947, the Goetschis signed a contract for their two acts with Ringling Bros. and Barnum & Bailey Circus, and went to the United States.... ([[Lola Dobritch|more...]])
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Although he was mostly known internationally as a theater clown, Dimitri (1935-2016) had started his clown career in the ring of the legendary Cirque Medrano in Paris, and had been featured three times at Circus Knie in Switzerland and once at the Big Apple Circus in the United States. He had also inspired, and sometimes trained, many clowns who pursued a career in the circus and, therefore, he is indeed an important figure of circus history.
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Born Dimitri Jakob Müller on September 18, 1935 in Ascona, on the Lake Maggiore, near Locarno in Switzerland, Dimitri was a clown, as well as a director, actor, musician, folk singer, and also an artist who expressed himself in pottery, sculpture and painting. The recipient of several international awards and celebrated worldwide as an outstanding performer, he attained a rare international popularity for a clown, and was considered in Switzerland a cultural ambassador of his country.
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With a solid background in post-war Europe's emerging physical theater community, he had a major influence in reshaping the western clown image. Merging traditional circus clown techniques and classic theatrical pantomime, while escaping the clichés attached to these two specialties, he gave a new legitimacy to the clown’s role in the contemporary culture, both on stage and in the ring.
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Dimitri’s art was rooted in the ancient and versatile bases of true clown technique: Pantomime, acrobatics, dance, music, and even work with animals. His own research had led to an essential aesthetic of purity, discreetly balancing seemingly separate influences such as western clowning and pantomime, various ethnic traditions, popular rituals, Japanese theater, Commedia dell’ Arte, folk music, and storytelling. His talents as an artist and craftsman also helped him create a theatrical universe of remarkable fertility, conceiving the clown as a multi-faceted expression of life itself.... ([[Dimitri|more...]])
  
 
==Circopedia Award==
 
==Circopedia Award==

Revision as of 19:29, 1 November 2019

Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia was originally created with the support of the Big Apple Circus
and inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

DIMITRI

Although he was mostly known internationally as a theater clownGeneric term for all clowns and augustes. '''Specific:''' In Europe, the elegant, whiteface character who plays the role of the straight man to the Auguste in a clown team., Dimitri (1935-2016) had started his clown career in the ring of the legendary Cirque Medrano in Paris, and had been featured three times at Circus Knie in Switzerland and once at the Big Apple Circus in the United States. He had also inspired, and sometimes trained, many clowns who pursued a career in the circus and, therefore, he is indeed an important figure of circus history.

Born Dimitri Jakob Müller on September 18, 1935 in Ascona, on the Lake Maggiore, near Locarno in Switzerland, Dimitri was a clownGeneric term for all clowns and augustes. '''Specific:''' In Europe, the elegant, whiteface character who plays the role of the straight man to the Auguste in a clown team., as well as a director, actor, musician, folk singer, and also an artist who expressed himself in pottery, sculpture and painting. The recipient of several international awards and celebrated worldwide as an outstanding performer, he attained a rare international popularity for a clownGeneric term for all clowns and augustes. '''Specific:''' In Europe, the elegant, whiteface character who plays the role of the straight man to the Auguste in a clown team., and was considered in Switzerland a cultural ambassador of his country.

With a solid background in post-war Europe's emerging physical theater community, he had a major influence in reshaping the western clown image. Merging traditional circus clown techniques and classic theatrical pantomimeA circus play, not necessarily mute, with a dramatic story-line (a regular feature in 18th and 19th century circus performances)., while escaping the clichés attached to these two specialties, he gave a new legitimacy to the clownGeneric term for all clowns and augustes. '''Specific:''' In Europe, the elegant, whiteface character who plays the role of the straight man to the Auguste in a clown team.’s role in the contemporary culture, both on stage and in the ring.

Dimitri’s art was rooted in the ancient and versatile bases of true clown technique: Pantomime, acrobatics, dance, music, and even work with animals. His own research had led to an essential aesthetic of purity, discreetly balancing seemingly separate influences such as western clowning and pantomimeA circus play, not necessarily mute, with a dramatic story-line (a regular feature in 18th and 19th century circus performances)., various ethnic traditions, popular rituals, Japanese theater, Commedia dell’ Arte, folk music, and storytelling. His talents as an artist and craftsman also helped him create a theatrical universe of remarkable fertility, conceiving the clown as a multi-faceted expression of life itself.... (more...)

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A Message from the Editor

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator
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