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==In The Spotlight==
 
==In The Spotlight==
[[File:Tamerlan_Nugzarov.jpg|right|300px]]
 
===TAMERLAN NUGZAROV===
 
  
Tamerlan Nugzarov (1942-2020) was one of the greatest horsemen in the long history of the Russian circus, an artist of strong personality and great distinction, who brought theatricality to his spectacular Cossack riding acts. His many awards, including a Gold Clown at the International Circus Festival of Monte Carlo in 1984, and the great respect in which he was held in the circus world at large are a testimony to his immense talent.
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[[File:Cirque_d'Hiver_-_Front_View_(2013).jpg|right|400px]]
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===LE CIRQUE D'HIVER DE PARIS===
  
He was born Tamerlan Temirsoltanovich Khabriev on June 1st, 1942 in Ordzhonikidze (today Vladikavkaz), in the Russian Republic of North Ossetia-Alania. His father, Temirsolt Khabriev, was Ingush (a Muslim ethnic group of the North Caucasus) and his mother, Zinaida Kharitonovna Dzugutova, was Ossetian. Tamerlan was not even two years old when, in 1944, his father was deported along with many Ingush people: Not considering themselves Russian, they were wrongly suspected to have sided with the Nazis. They were cleared of suspicion after the death of Joseph Stalin in 1953, but twenty-nine years passed before Tamerlan could see his father again.
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Located in the heart of Paris, between the Place de la République and the Place de la Bastille, at the edge of the historical Marais, the Cirque d’Hiver is the world’s oldest extant circus building. It is also the world’s oldest circus still in activity: It opened its doors in 1852. Its address, at 110 rue Amelot, may seem inconspicuous, but at that precise point, the rue Amelot opens onto the Boulevard du Temple through the small Place Pasdeloup: The Cirque d’Hiver is therefore quite noticeable, practically "on the Boulevards."
  
Tamerlan was raised by his maternal grandparents. His grandfather was a Tsarist officer who lived to the ripe age of one hundred and one. Unfortunately, his grandmother died in 1952, and ten-year-old Tamerlan decided himself to join a local orphanage. The orphanage kept stables on its piece of land, and it is there that Tamerlan developed a long-lasting passion for horses. Then, in 1958, his mother re-married with the circus horseman Kazbek Borisovich Nugzarov (1905-1979). Tamerlan rejoined her, and his stepfather gave him his name.... ([[Tamerlan Nugzarov|more...]])
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The Cirque d’Hiver (literally, the ''winter circus'') was built for circus entrepreneur Louis Dejean (1797-1879) to serve as his circus company’s winter home. Dejean already managed the Cirque des Champs-Elysées in the fashionable ''Jardins des Champs-Elysées'', which he kept open from May through October. Up to 1846, his main establishment had been the Cirque Olympique, located some five hundred yards from his new circus, on the portion of the Boulevard du Temple that disappeared in 1862 to give room to the present Place de la République, during the renovation of Paris by the Baron Haussmann.
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Dejean had sold his old Cirque Olympique in 1847; although it had been built only twenty years earlier (in 1827), it had already lost its appeal and was not practical anymore. Like many circus buildings of its generation, it had been designed with both a circus ring and a full theater stage, and consequently, it was easy for its new owners to transform it into a legitimate theater, the ''Théâtre du Cirque Olympique''. With no permanent home in the winter, Dejean had taken to sending his troupe abroad, to London or Berlin. Although these forays into foreign lands had proved successful enough, having a new winter base in Paris still made more sense.
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Thus, Dejean asked Jacques-Ignace Hittorff (1792-1867), the City of Paris’s Chief Architect, to design the plans for a new circus. Hittorf had already built the Cirque des Champs-Elysées for Dejean, as well as its twin counterpart, the Panorama (today Théâtre du Rond-Point), which were part of the master plan for the renovation of the Chanps-Elysées gardens in the 1840s. Hittorff had also supervised the redesign of the Place de la Concorde (notably with the addition of his own monumental fountain, ''La Fontaine des Mers'') and he would later build Paris’s Gare du Nord, the twelve ''hôtels particuliers'' (townhouses) that surround the Arc de Triomphe on the Place de l'Étoile, and many other "classic revival" pieces of work—a style of which he was one of the most influential proponents.... ([[Cirque d'Hiver|more...]])
  
 
==New Biographies==
 
==New Biographies==
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==New Videos==
 
==New Videos==
  
* [[Nugzarov_Video_2001|Tamerlan Nugzarov]]'s ''My Russia'' (2001)
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* [[Kotsuba_Video_(1989)|The Kotsubas]], Hand-to-Hand Balancing (1989)
* [[Nugzarov_Video_1984|Tamerlan Nugzarov Troupe]], Cossack Riding (1984)
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* [[Ayala_Video_2020|Ayala Troupe]], High Wire (2020)
* [[Anthony_Gatto_2008_Video|Anthony Gatto]], Juggler (2008)
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* [[Flying_Navas_Video_(1989)|The Flying Navas]], Flying Trapeze (1989)
* [[Roby_Gasser_BAC_1988_Video|Roby Gasser]], Sealion Act (1988)
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* [[Mariya_Sarach_Video_2020|Mariya Sarach]], Hand-Balancer (2020)
* [[Gvozdetskaya_Video_(2005)|Gvozedskaya Troupe]], Russian Barre (2005)
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* [[Melinkov_Video_(1951)|Duo Melinkov]], Hand-to-Hand Balancing (1951)
  
 
==New Oral Histories==
 
==New Oral Histories==

Revision as of 22:10, 12 July 2020

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Circopedia was originally created with the support of the Big Apple Circus
and inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

Cirque d'Hiver - Front View (2013).jpg

LE CIRQUE D'HIVER DE PARIS

Located in the heart of Paris, between the Place de la République and the Place de la Bastille, at the edge of the historical Marais, the Cirque d’Hiver is the world’s oldest extant circus building. It is also the world’s oldest circus still in activity: It opened its doors in 1852. Its address, at 110 rue Amelot, may seem inconspicuous, but at that precise point, the rue Amelot opens onto the Boulevard du Temple through the small Place Pasdeloup: The Cirque d’Hiver is therefore quite noticeable, practically "on the Boulevards."

The Cirque d’Hiver (literally, the winter circus) was built for circus entrepreneur Louis Dejean (1797-1879) to serve as his circus company’s winter home. Dejean already managed the Cirque des Champs-Elysées in the fashionable Jardins des Champs-Elysées, which he kept open from May through October. Up to 1846, his main establishment had been the Cirque Olympique, located some five hundred yards from his new circus, on the portion of the Boulevard du Temple that disappeared in 1862 to give room to the present Place de la République, during the renovation of Paris by the Baron Haussmann.

Dejean had sold his old Cirque Olympique in 1847; although it had been built only twenty years earlier (in 1827), it had already lost its appeal and was not practical anymore. Like many circus buildings of its generation, it had been designed with both a circus ring and a full theater stage, and consequently, it was easy for its new owners to transform it into a legitimate theater, the Théâtre du Cirque Olympique. With no permanent home in the winter, Dejean had taken to sending his troupe abroad, to London or Berlin. Although these forays into foreign lands had proved successful enough, having a new winter base in Paris still made more sense.

Thus, Dejean asked Jacques-Ignace Hittorff (1792-1867), the City of Paris’s Chief Architect, to design the plans for a new circus. Hittorf had already built the Cirque des Champs-Elysées for Dejean, as well as its twin counterpart, the Panorama (today Théâtre du Rond-Point), which were part of the master plan for the renovation of the Chanps-Elysées gardens in the 1840s. Hittorff had also supervised the redesign of the Place de la Concorde (notably with the addition of his own monumental fountain, La Fontaine des Mers) and he would later build Paris’s Gare du Nord, the twelve hôtels particuliers (townhouses) that surround the Arc de Triomphe on the Place de l'Étoile, and many other "classic revival" pieces of work—a style of which he was one of the most influential proponents.... (more...)

New Biographies

New Videos

New Oral Histories

Circopedia Books

A Message from the Editor

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator