Difference between revisions of "Main Page"

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==In The Spotlight==
 
==In The Spotlight==
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[[File:Luisita_Leers_trap.jpg|300px|right]]
 
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===LUISITA LEERS===
 
  
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Luisita Leers (1909-1997) was born Martha Luise Krökel in Wiesbaden, in the western state of Hesse in Germany, on October 14, 1909. Her mother, Gertrude, was a member of the Reichenbach circus family. A physically powerful woman, Gertrude acquired fame with an elegant and spectacular acrobatic act, Les Leandros, in which she was the under-stander—an unusual occurrence for a woman. Luisita never knew her biological father, who left Gertrude when Luisita was only two years old. Her mother eventually remarried with Guido Krökel, an aerial contortionist who worked with the Leers-Arvello Troupe; their act, which combined Roman Rings and acrobatic pyramids, was mostly an aerial display of strength.
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===CIRCUS KRONE===
  
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Guido took care of Luisita's artistic education without much tenderness, and transformed her into an exceptionally strong female athlete, who was able to hold her own in the Leers-Arvellos's various exhibitions of strength. Luisita made her professional debut on March 8, 1920 in Cologne (Köln), working with the troupe on the Roman rings. She was eleven years old! Soon, she could perform a one-arm "plange" (or ''planche'') and an "iron cross," which were then supposed to belong exclusively to a male repertoire, and she even held with one arm her hanging stepfather. Meanwhile, she was building a trapeze act of her own, in which she could display her unusual strength. She began her solo trapeze career in 1926.
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Circus Krone is the world's oldest circus company: It has been owned and operated continuously by the same family for more than a century and has maintained throughout the years the standards of quality initiated by its founder, Carl Krone, as well as its original menagerie’s heritage. Its tours in many European countries, especially between the two world wars, have established its fame beyond the confines of Germany, its homeland. In addition, under various incarnations, its permanent circus building in Munich, the Kronebau, has been home to regular winter circus productions since 1919.
  
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Her remarkable work on the trapeze quickly drew attention, and she was featured in some of the world's most prestigious circuses and variety theaters, from the legendary Wintergarten and Scala in Berlin to the Roxy, New York's premier movie palace, and a four-year contract with Ringling Bros. and Barnum & Bailey Circus from 1928 through 1933. There, she occupied a center-ring position in a program that was particularly rich in stellar aerialists: It included Winnie Colleano on the swinging trapeze, the Codonas and the Siegrist-Silbons on the flying trapeze, and the undisputed star of the show, Lillian Leitzel, on the Roman rings.... ([[Luisita Leers|more...]])
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Founded by Carl Krone (1833-1900), then developed by his son, Carl Krone, Jr. (1870-1943), the Krone organization typically grew from a fairground menagerie to a giant circus, according to a pattern quite common at the turn of the twentieth century in Europe, triggered by the European tour of the giant American circus Barnum & Bailey, which introduced European audiences to their first three-ring circus traveling with a full-fledged menagerie.
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Yet, unlike other enterprises that followed the same model, Circus Krone’s discreet owners remained financially conservative, avoiding the dangerous ostentation of some of their colleagues, and in doing so, they averted the crises and failures that had often plagued their competition. They developed international tour strategies that followed the ever-changing European economic cycles, which were strongly sustained by their successful activities in their home-based circus building, Munich’s Kronebau, established in 1919.
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After WWII and the death of Carl Krone Jr. in 1943, Circus Krone became, remarkably, a woman affair: It has been first led magnificently by Frieda Krone Sembach (1915-1995), Carl’s daughter, then by her daughter, Christel Krone Sembach (1956-2017), and today by Jana Mandana Krone, Christel’s adoptive daughter, and her husband, Alex Lacey—the three of them having excelled in equestrian and animal presentations as much as in circus management. Krone has proudly remained during all that time Größter Circus Europas ("Europe’s Largest Circus").... ([[Circus Krone|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==

Revision as of 20:32, 5 July 2022

Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
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Circopedia was originally inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

CIRCUS KRONE

Circus Krone is the world's oldest circus company: It has been owned and operated continuously by the same family for more than a century and has maintained throughout the years the standards of quality initiated by its founder, Carl Krone, as well as its original menagerie’s heritage. Its tours in many European countries, especially between the two world wars, have established its fame beyond the confines of Germany, its homeland. In addition, under various incarnations, its permanent circus building in Munich, the Kronebau, has been home to regular winter circus productions since 1919.

Founded by Carl Krone (1833-1900), then developed by his son, Carl Krone, Jr. (1870-1943), the Krone organization typically grew from a fairground menagerie to a giant circus, according to a pattern quite common at the turn of the twentieth century in Europe, triggered by the European tour of the giant American circus Barnum & Bailey, which introduced European audiences to their first three-ring circus traveling with a full-fledged menagerie.

Yet, unlike other enterprises that followed the same model, Circus Krone’s discreet owners remained financially conservative, avoiding the dangerous ostentation of some of their colleagues, and in doing so, they averted the crises and failures that had often plagued their competition. They developed international tour strategies that followed the ever-changing European economic cycles, which were strongly sustained by their successful activities in their home-based circus building, Munich’s Kronebau, established in 1919.

After WWII and the death of Carl Krone Jr. in 1943, Circus Krone became, remarkably, a woman affair: It has been first led magnificently by Frieda Krone Sembach (1915-1995), Carl’s daughter, then by her daughter, Christel Krone Sembach (1956-2017), and today by Jana Mandana Krone, Christel’s adoptive daughter, and her husband, Alex Lacey—the three of them having excelled in equestrian and animal presentations as much as in circus management. Krone has proudly remained during all that time Größter Circus Europas ("Europe’s Largest Circus").... (more...)

New Essays and Biographies

New Videos

  • The Randols, Risley Act (1990)
  • Duo Flamenco, diabolo act (2022)
  • Jonhatan Rinny, Rola-Bola (2022)
  • Maria Andreeva, corde lisse(French) A vertical rope used in aerial acts, either for the act itself, or to climb up to an apparatus. Called Spanish Web when covered with fabric./cloud swing(English, American) The ancestor of the trapeze: a slack rope hanging from both ends, used as an aerial swinging apparatus. The addition of a bar in the middle led to the creation of the trapeze. (2019)
  • Iriston Troupe, Cossack riding (2007)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator
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