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==In The Spotlight==
 
==In The Spotlight==
[[File:Chiarini_Utagawa-Masanobu_(4).jpg|right|400px]]
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===GIUSEPPE CHIARINI===
 
===GIUSEPPE CHIARINI===
  
Giuseppe Chiarini (1823-1897) was perhaps the most influential circus director of the nineteenth century: During a professional career that spanned fifty-eight years, his extensive and incessant international tours led him from Europe to North and South America, to India and Asia, and down to Australia.  In many places that had not yet been exposed to the circus, Chiarini’s was the first circus the locals had ever seen—and this exposure sometimes triggered there the creation of an indigenous circus inspired by Chiarini’s shows.
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[[File:Chiarini_Utagawa-Masanobu_(4).jpg|right|400px]]Giuseppe Chiarini (1823-1897) was perhaps the most influential circus director of the nineteenth century: During a professional career that spanned fifty-eight years, his extensive and incessant international tours led him from Europe to North and South America, to India and Asia, and down to Australia.  In many places that had not yet been exposed to the circus, Chiarini’s was the first circus the locals had ever seen—and this exposure sometimes triggered there the creation of an indigenous circus inspired by Chiarini’s shows.
  
Over the years, Chiarini performed for Tsar Nicholas I of Russia, Emperors Maximilian I of Mexico, Dom Pedro of Brazil, Mitsuhito of Japan, King Rama V of Siam, an assortment of Indian Rajahs, and for various government officials and politicians. His ''Royal Italian Circus''—which could become ''Royal Spanish Circus'' when needed—was in fact an American enterprise based in California. A true circus man, Chiarini was indubitably a citizen of the world.
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Over the years, Chiarini performed for Tsar Nicholas I of Russia, Emperors Maximilian I of Mexico, Dom Pedro of Brazil, and Mitsuhito of Japan, King Rama V of Siam, an assortment of Indian Rajahs, and for various government officials and politicians. His ''Royal Italian Circus''—which could become ''Royal Spanish Circus'' when needed—was in fact an American enterprise based in California. A true circus man, Chiarini was indubitably a citizen of the world.
  
 
Giuseppe Chiarini came from a large and ancient Italian family of traveling entertainers, whose first recorded appearance was at the Foire Saint-Laurent, one of France’s oldest fairs, in 1580. Many Chiarinis, more or less directly related to Giuseppe, have since been chronicled in popular entertainment and circus history—a very diverse crowd of acrobats, ropedancers, puppeteers, ballet dancers, and equestrians.  
 
Giuseppe Chiarini came from a large and ancient Italian family of traveling entertainers, whose first recorded appearance was at the Foire Saint-Laurent, one of France’s oldest fairs, in 1580. Many Chiarinis, more or less directly related to Giuseppe, have since been chronicled in popular entertainment and circus history—a very diverse crowd of acrobats, ropedancers, puppeteers, ballet dancers, and equestrians.  
  
In his novel, ''Die Vagabunden'' (1895), the German poet Karl von Holtei immortalized one of them, Francesco Chiarini; in the 1780s, this Chiarini managed a company of acrobats and puppeteers, and ran a very successful ''Théâtre d’Ombres Chinoises'' (shadow puppet theater). His daughter, Angélique, a celebrated equestrienne, had been featured in 1793 at the Amphithéâtre Franconi—the former Amphithéâtre Astley—in Paris, and later in the troupe of Jacques Tourniaire.
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In his novel, ''Die Vagabunden'' (1895), the German poet Karl von Holtei immortalized one of them, Francesco Chiarini; in the 1780s, this Chiarini managed a company of acrobats and puppeteers, and ran a very successful ''Théâtre d’Ombres Chinoises'' (shadow puppet theater). His daughter, Angélique, a celebrated equestrienne, had been featured in 1793 at the Amphithéâtre Franconi—the former Amphithéâtre Astley—in Paris, and later in the troupe of Jacques Tourniaire.... ([[Giuseppe Chiarini|more...]])
 
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Another branch of the Chiarini family was that of the "Première Grande Troupe Mimo-Chorégraphique Chiarini (créée en 1710, aux Fuanmbules de Paris, par son Grand-père)" (''"The premier great mime-choreographic Chiarini company, created by his grandfather in 1710 at Paris’s Théâtre des Funambules"''), from which came the famous nineteenth-century ropedancer, Adélaïde Chiarini.... ([[Giuseppe Chiarini|more...]])
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==New Essays and Biographies==
 
==New Essays and Biographies==
  
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* [[Circus Ring of Fame]], History
 +
* [[Natalya Jigalova]], Aerialist
 
* [[Guangzhou Acrobatic Troupe]], History
 
* [[Guangzhou Acrobatic Troupe]], History
 
* [[Irina Bugrimova]], Lion Trainer
 
* [[Irina Bugrimova]], Lion Trainer
 
* [[Mikhail Shuydin]], Clown
 
* [[Mikhail Shuydin]], Clown
* [[Yury Nikulin]], Clown, Actor, Circus Director
 
* [[Serge]], Circus Chronicler and Illustrator
 
  
 
==New Videos==
 
==New Videos==
  
* [[Molinario_Video_(2022)|Anaëlle Molinario]], comedy contortion (2022)
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* [[Mosiienko_Video_(2022)|Olha Mosiienko]], Tissu (2022)
* [[Aleksandrov_Video_(2015)|Yuriy & Natalya Aleksandrov]], bear act (2015)
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* [[Holler_Zavatta_Video_(2022)|Kimberly & Holler Zavatta]], roller-skating act (2022)
* [[Duo_Romance_Video_(2022)|Duo Romance]], strap act (2022)
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* [[Kurales_Video_(2015)|Kurales Troupe]], tumbling act (2015)
* [[Oksana_Ackward_Video_(2020)|Oksana Ackward]], clown entrée (2020)
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* [[Twirling_Girls_Video_(2022)|The Twirling Girls]], roller-skating act (2022)
* [[Grushin_Video_(2022)|The Grushin Troupe]], trampoline and Risley act (2022)
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* [[Sarach_Video_(2019)|Maria Sarach]], hand-balancer/contortionist (2019)
  
 
==New Oral Histories==
 
==New Oral Histories==

Revision as of 21:14, 25 September 2022

Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
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Circopedia was originally inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

GIUSEPPE CHIARINI

Chiarini Utagawa-Masanobu (4).jpg
Giuseppe Chiarini (1823-1897) was perhaps the most influential circus director of the nineteenth century: During a professional career that spanned fifty-eight years, his extensive and incessant international tours led him from Europe to North and South America, to India and Asia, and down to Australia. In many places that had not yet been exposed to the circus, Chiarini’s was the first circus the locals had ever seen—and this exposure sometimes triggered there the creation of an indigenous circus inspired by Chiarini’s shows.

Over the years, Chiarini performed for Tsar Nicholas I of Russia, Emperors Maximilian I of Mexico, Dom Pedro of Brazil, and Mitsuhito of Japan, King Rama V of Siam, an assortment of Indian Rajahs, and for various government officials and politicians. His Royal Italian Circus—which could become Royal Spanish Circus when needed—was in fact an American enterprise based in California. A true circus man, Chiarini was indubitably a citizen of the world.

Giuseppe Chiarini came from a large and ancient Italian family of traveling entertainers, whose first recorded appearance was at the Foire Saint-Laurent, one of France’s oldest fairs, in 1580. Many Chiarinis, more or less directly related to Giuseppe, have since been chronicled in popular entertainment and circus history—a very diverse crowd of acrobats, ropedancers, puppeteers, ballet dancers, and equestrians.

In his novel, Die Vagabunden (1895), the German poet Karl von Holtei immortalized one of them, Francesco Chiarini; in the 1780s, this Chiarini managed a company of acrobats and puppeteers, and ran a very successful Théâtre d’Ombres Chinoises (shadow puppet theater). His daughter, Angélique, a celebrated equestrienneA female equestrian, or horse trainer, horse presenter, or acrobat on horseback., had been featured in 1793 at the Amphithéâtre Franconi—the former Amphithéâtre Astley—in Paris, and later in the troupe of Jacques Tourniaire.... (more...)

New Essays and Biographies

New Videos

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator