Difference between revisions of "Main Page"

From Circopedia

(23 intermediate revisions by the same user not shown)
Line 14: Line 14:
 
|}
 
|}
 
|}
 
|}
 +
  
 
==In The Spotlight==
 
==In The Spotlight==
 +
[[File:Maryse_Begary_(Promotional_Picture).jpg|right|400px]]
  
===GIA ERADZE===
+
===MARYSE BEGARY===
===''Recipient of the 2022 Circopedia Award''===
+
 
+
In his early youth, Gia Eradze fell in love with the circus and decided he would become an animal trainer. From then on, nothing stopped him. Not only did he become a successful animal trainer, but his rich, extravagant visual imagination led him to create extremely successful shows that helped revive the creative image of the Russian circus at home and abroad, and eventually propelled him to new heights in the Russian circus artistic hierarchy.
+
 
+
Gia Giulevich Eradze was born October 3, 1979 in Tbilisi, Georgia—which was then part of the Soviet Union. His father managed a supermarket, and his mother was Rector of Economics at the Tbilisi State University. His was a well-to-do family with no connection whatsoever with the performing arts in general, and the circus in particular.
+
  
Yet, then as now, Tbilisi was a circus town: In 1888, the Nikitin brothers had built a wooden circus on Golovinsky Prospect (today Rustaveli Prospect), and what was then Tiflis became their home base. From there, they created a touring circuit for which they used circus buildings they erected over the years in several other cities, including Moscow.  
+
Born Andrée Auclère on February 20, 1926 in Paris, France, the daughter of a baker, Maryse Begary (1926-2007) was one of the most accomplished and celebrated aerialists of her day, famous for her exceptional handstand on the trapeze bar—which she could hold for more than one minute—and her spectacular series of rotating one-arm planches (also known as "dislocations"), with which she emulated her idol, Lillian Leitzel (1892-1921).
  
The original Circus Nikitin’s structure was destroyed by a fire in 1911, and Tbilisi’s new circus was housed for a long time in a former factory before being rebuilt in 1939 in its present location, on a hill on the left bank of the Kura river. It is there that a young Gia Eradze fell in love with the circus—and especially with animal acts. There and then, he decided he would be an animal trainer.
+
Young Andrée started training on the trapeze on her doctor’s recommendation, to improve a poor health condition. She became apprentice to a celebrated gymnast on horizontal bars, Nicolas Marcoud, who had a successful career with the Marcoud-Banola Troupe. Andrée adopted his name (as was the tradition then, in the circus, when a young performer had apprenticed to a famous master) when she started her performing career. Thus, under the name of Andrée Marcoud, she made her professional debut at Paris’s Cirque Medrano on April 14, 1939; she was thirteen years old.
  
He enrolled in the local Amateur Circus (Youth Circus) and began training in various circus disciplines, but he quickly discovered that Amateur Circuses (and circus schools for that matter) did not teach animal training. Working with animals is something you learn hands on, working with other animal trainers in a circus.
+
Andrée Marcoud quickly made a name for herself: Her handstand on her trapeze bar didn’t fail to impress circus professionals and aficionados, and her act continued to improve over the years. After the German occupation of France during World War II, Andrée was featured in 1946 (and again in 1950) at Paris’s (and the world's) oldest permanent circus, the Cirque d’Hiver. The following year, she went on tour with the French Cirque Figuier under her real name, Andrée Auclère: Raymonde Marcoud, Nicolas Marcoud’s niece, was also performing at that time, and Andrée didn’t want to create any confusion.
  
Gia was a precocious and strong-willed kid, and his determination eventually led him to truancy: when his father’s car took him to school in the morning, Gia waited until the chauffeur had left and changed trajectory, landing inevitably at the circus. In 1990, at age eleven, he managed to get a job as an assistant (or as a groom) with Nana Milkatze’s ''Horsemen of Georgia'' troupe of Cossack riders.
+
That same year, 1947, Andrée married Franz Begary, a former pilot in the French Air Force who had just left the military. Andrée Marcoud-Auclère finally became Andrée Begary, and changed her first name for the more romantic Maryse. It is under that name, Maryse Begary, that she continued her career—thus confusing a few circus chroniclers and historians: Andrée Marcoud and Maryse Begary are sometimes mentioned as "the two only aerialists" who, after the creator of the trick, Miss Fillis (Nicolas Marcoud's daughter), were able to hold a handstand on their trapeze bar! Franz Begary became Maryse’s assistant and manager, a marital partnership that would last until Maryse’s death.
  
For a while, Gia’s mother wondered why, when her son came back from school, a whiff of hay and horses followed him in the house. When the cause was finally discovered, Gia held his ground firmly and made it clear that he had decided to work in the circus and that he wouldn’t budge. As a compromise, his parents accepted his decision, on the condition that he continued his schooling while working at the circus... (Gia Eradze|more...)
+
The amazing Maryse Begary was much in demand in France and Europe. In the winter 1949-1950, she was featured at Bertram Mill’s Circus at London’s Olympia, where she shared the bill with another legendary aerialist, Alma Piaïa. The next winter, she appeared at Circus Carré in Amsterdam, then under the management of the Strassburger family; she was twice featured at Glasgow’s Kelvin Hall in Scotland, and performed at Blackpool’s Tower Circus in England, Cirkus Schumann in Copenhagen, and Circo Americano-Castilla in Spain, among many other prestigious European venues.... ([[Maryse Bégary|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
Line 44: Line 41:
 
==New Videos==
 
==New Videos==
  
* [[Olandar_Video_(2022)|Vlad Olandar]], House Cats (2022)
+
* [[Bruno_Togni_Video_(2023)|Bruno Togni]], tiger act (2023)
* [[Nesterova_Video_(2022)|Alice Nesterova]], tiger act (2022)
+
* [[Rene_Casselly_Jr_Video_(2023)|RenéCasselly, Jr.]], acrobat on horseback (2023)
* [[Demitova_Video_(2022)|Anna Demitova]], hand balancer and foot juggler (2022)
+
* [[Ruban_Troupe_Video_(2022)|Anatoliy Ruban Troupe]], teeterboard (2022)
* [[Swing_High_Video_(1932)|Swing High]], documentary featuring The Codonas (1932)
+
* [[Ayala_Video_(2022)|The Ayala Troupe]], high wire (2022)
* [[Alexis_Brothers_Video_(2006)|The Alexis Brothers]], hand-to-hand balancing (2006)
+
* [[Filinov_Video_(2022)|The Filinov Troupe]], Russian swing (2022)
  
 
==New Oral Histories==
 
==New Oral Histories==

Revision as of 21:55, 1 February 2023

Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia was originally inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

Maryse Begary (Promotional Picture).jpg

MARYSE BEGARY

Born Andrée Auclère on February 20, 1926 in Paris, France, the daughter of a baker, Maryse Begary (1926-2007) was one of the most accomplished and celebrated aerialists of her day, famous for her exceptional handstand on the trapeze bar—which she could hold for more than one minute—and her spectacular series of rotating one-arm planches (also known as "dislocations"), with which she emulated her idol, Lillian Leitzel (1892-1921).

Young Andrée started training on the trapeze on her doctor’s recommendation, to improve a poor health condition. She became apprentice to a celebrated gymnast on horizontal bars, Nicolas Marcoud, who had a successful career with the Marcoud-Banola Troupe. Andrée adopted his name (as was the tradition then, in the circus, when a young performer had apprenticed to a famous master) when she started her performing career. Thus, under the name of Andrée Marcoud, she made her professional debut at Paris’s Cirque Medrano on April 14, 1939; she was thirteen years old.

Andrée Marcoud quickly made a name for herself: Her handstand on her trapeze bar didn’t fail to impress circus professionals and aficionados, and her act continued to improve over the years. After the German occupation of France during World War II, Andrée was featured in 1946 (and again in 1950) at Paris’s (and the world's) oldest permanent circus, the Cirque d’Hiver. The following year, she went on tour with the French Cirque Figuier under her real name, Andrée Auclère: Raymonde Marcoud, Nicolas Marcoud’s niece, was also performing at that time, and Andrée didn’t want to create any confusion.

That same year, 1947, Andrée married Franz Begary, a former pilot in the French Air Force who had just left the military. Andrée Marcoud-Auclère finally became Andrée Begary, and changed her first name for the more romantic Maryse. It is under that name, Maryse Begary, that she continued her career—thus confusing a few circus chroniclers and historians: Andrée Marcoud and Maryse Begary are sometimes mentioned as "the two only aerialists" who, after the creator of the trickAny specific exercise in a circus act., Miss Fillis (Nicolas Marcoud's daughter), were able to hold a handstand on their trapeze bar! Franz Begary became Maryse’s assistant and manager, a marital partnership that would last until Maryse’s death.

The amazing Maryse Begary was much in demand in France and Europe. In the winter 1949-1950, she was featured at Bertram Mill’s Circus at London’s Olympia, where she shared the bill with another legendary aerialistAny acrobat working above the ring on an aerial equipment such as trapeze, Roman Rings, Spanish web, etc., Alma Piaïa. The next winter, she appeared at Circus Carré in Amsterdam, then under the management of the Strassburger family; she was twice featured at Glasgow’s Kelvin Hall in Scotland, and performed at Blackpool’s Tower Circus in England, Cirkus Schumann in Copenhagen, and Circo Americano-Castilla in Spain, among many other prestigious European venues.... (more...)

New Essays and Biographies

New Videos

  • Bruno Togni, tiger act (2023)
  • RenéCasselly, Jr., acrobat on horseback (2023)
  • Anatoliy Ruban Troupe, teeterboardA seesaw made of wood, or fiberglass poles tied together, which is used to propel acrobats in the air. (2022)
  • The Ayala Troupe, high wireA tight, heavy metallic cable placed high above the ground, on which wire walkers do crossings and various acrobatic exercises. Not to be confused with a tight wire. (2022)
  • The Filinov Troupe, Russian swingGiant swing used to propel flyers into acrobatic figures onto the shoulders of a catcher, on a crash mat, or into a net. (2022)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator