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==In The Spotlight==
 
==In The Spotlight==
  
===CIRCUS KRONE===
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===ELENA PANOVA===
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[[File:Elena_Panova_(1991).jpg|right|300px]]
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Elena Panova is credited with having originated a new swinging trapeze style and technique, which she developed quite by accident at Moscow's State College for Circus and Variety Arts, along with her teachers, Tereza Durova and Victor Fomine. When it was presented for the first time in the West in 1987 (it was at a time when communist Eastern Europe was still secluded), her act was a sensation that triggered the creation of a string of new swinging trapeze acts in a similar style, notably in Canada.
  
[[File:Kronebau_Poster_1966.jpg|right|300px]]Circus Krone is the world's oldest circus company: It has been owned and operated continuously by the same family for more than a century and has maintained throughout the years the standards of quality initiated by its founder, Carl Krone, as well as its original menagerie’s heritage. Its tours in many European countries, especially between the two world wars, have established its fame beyond the confines of Germany, its homeland. In addition, under various incarnations, its permanent circus building in Munich, the Kronebau, has been home to regular winter circus productions since 1919.
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Elena Panova was born Elena Nikolaevna Borisova on July 18, 1964 in Murom, four hundred kilometers from Moscow, the third daughter of Nikolai Borisov and his wife, Klavdia, née Kazanskaya. Her parents had nothing to do with the circus: they came from peasant stock and both worked in a local factory.  
  
Founded by Carl Krone (1833-1900), then developed by his son, Carl Krone, Jr. (1870-1943), the Krone organization typically grew from a fairground menagerie to a giant circus, according to a pattern quite common at the turn of the twentieth century in Europe, triggered by the European tour of the giant American circus Barnum & Bailey, which introduced European audiences to their first three-ring circus traveling with a full-fledged menagerie.
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Murom is one of Russia's oldest cities, dating back to the 9th century, and "home" to the Kievan Rus folk hero of yore, Ilya Muromets. It is also a Holy City that managed to keep some of its monasteries and convents open during the communist era. Yet, it is a small town, and although the Soviet government gave it a theater building, it didn't have a circus, neither was it important enough to receive the summer visit of a ''shapito'' (or ''chapiteau'' in French—a traveling circus). In fact, Elena never saw a live circus performance while growing up.  
  
Yet, unlike other enterprises that followed the same model, Circus Krone’s discreet owners remained financially conservative, avoiding the dangerous ostentation of some of their colleagues; in doing so, they averted the crises and failures that had often plagued their competition. They developed international tour strategies that followed the ever-changing European economic cycles, which were strongly sustained by their successful activities in their home-based circus building, Munich’s Kronebau, established in 1919.
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She did see circus shows on television, however, as well as ballet performances, and in her early teens, she enrolled herself in her school's amateur dance company. Meanwhile, a friend of hers had joined the local "Circus Club" and suggested that Elena, who was then fourteen, came with her. "Circus Clubs" were the Soviet equivalent of European or American youth circuses, though generally at a much higher level in terms of the training they provided. They flourished in the Soviet Union, where circus arts were held in high esteem.
  
After WWII and the death of Carl Krone Jr. in 1943, Circus Krone became, remarkably, a woman affair: It has been first led magnificently by Frieda Krone Sembach (1915-1995), Carl’s daughter, then by her daughter, Christel Krone Sembach (1956-2017), and today by Jana Mandana Krone, Christel’s adoptive daughter—the three of them having excelled in equestrian and animal presentations as much as in circus management. Krone has proudly remained during all that time Größter Circus Europas ("Europe’s Largest Circus").... ([[Circus Krone|more...]])
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During these years, Elena trained in basic acrobatics, but her tastes drew her to aerial apparatuses; while still at the  Circus Club, she and a fellow student developed a "bambou" (aerial perch) act. Her performance debut came in April 1978, when she presented a static trapeze act in the Easter show the Circus Club staged in Murom’s Grand Theatre.... ([[Elena Panova|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
* [[Guangzhou Acrobatic Troupe]], History
+
* [[Jo-Ann Jennier]], Aerialist, Animal Trainer
* [[Irina Bugrimova]], Lion Trainer
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* [[Ethel Jennier]], Aerialist, Animal Trainer
* [[Mikhail Shuydin]], Clown
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* [[Walter Jennier]], Sea Lion Trainer
* [[Yury Nikulin]], Clown, Actor, Circus Director
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* [[Rex Williams]], Elephant Trainer
* [[Serge]], Circus Chronicler and Illustrator
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* [[Little Billy Merchant]], Clown
  
 
==New Videos==
 
==New Videos==
  
* [[Duo_Romance_Video_(2022)|Duo Romance]], strap act (2022)
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* [[Crocksons_Video_(1969)|The Crocksons]], comedy tumbling (1969)
* [[Oksana_Ackward_Video_(2020)|Oksana Ackward]], clown entrée (2020)
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* [[Crystalle_Video_(2016)|Crystalle]], tight wire (2016)
* [[Grushin_Video_(2022)|The Grushin Troupe]], trampoline and Risley act (2022)
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* [[Ferkos_Video_(1969)|The Ferkos]], Russian swing (1969)
* [[Dias_Sisters_Video_(2022)|The Dias Sisters]], balancing act (2022)
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* [[Kroplin_Video_(1969)|Klaus Kröplin]], small animal act (1969)
* [[Duss_Video_(2015)|Petra & Roland Duss]], sea lion act (2015)
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* [[Alexis_Sisters_Video_(1987)|The Alexis Sisters]], hand-to-hand balancing (1987)
  
 
==New Oral Histories==
 
==New Oral Histories==

Revision as of 02:51, 7 June 2023

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Circopedia was originally inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

ELENA PANOVA

Elena Panova (1991).jpg

Elena Panova is credited with having originated a new swinging trapeze style and technique, which she developed quite by accident at Moscow's State College for Circus and Variety Arts, along with her teachers, Tereza Durova and Victor Fomine. When it was presented for the first time in the West in 1987 (it was at a time when communist Eastern Europe was still secluded), her act was a sensation that triggered the creation of a string of new swinging trapeze acts in a similar style, notably in Canada.

Elena Panova was born Elena Nikolaevna Borisova on July 18, 1964 in Murom, four hundred kilometers from Moscow, the third daughter of Nikolai Borisov and his wife, Klavdia, née Kazanskaya. Her parents had nothing to do with the circus: they came from peasant stock and both worked in a local factory.

Murom is one of Russia's oldest cities, dating back to the 9th century, and "home" to the Kievan Rus folk hero of yore, Ilya Muromets. It is also a Holy City that managed to keep some of its monasteries and convents open during the communist era. Yet, it is a small town, and although the Soviet government gave it a theater building, it didn't have a circus, neither was it important enough to receive the summer visit of a shapito (or chapiteau(French, Russian) A circus tent, or Big Top. in French—a traveling circus). In fact, Elena never saw a live circus performance while growing up.

She did see circus shows on television, however, as well as ballet performances, and in her early teens, she enrolled herself in her school's amateur dance company. Meanwhile, a friend of hers had joined the local "Circus Club" and suggested that Elena, who was then fourteen, came with her. "Circus Clubs" were the Soviet equivalent of European or American youth circuses, though generally at a much higher level in terms of the training they provided. They flourished in the Soviet Union, where circus arts were held in high esteem.

During these years, Elena trained in basic acrobatics, but her tastes drew her to aerial apparatuses; while still at the Circus Club, she and a fellow student developed a "bambou(French - Russian: Bambuk) Aerial apparatus, generally a hanging perch, from where the performers hang with the help of hand or ankle loops. See also: Aerial perch." (aerial perchA hanging perch, from where the performers hang with the help of hand or ankle loops. (French: Bambou - Russian: Bambuk)) act. Her performance debut came in April 1978, when she presented a static trapeze act in the Easter show the Circus Club staged in Murom’s Grand Theatre.... (more...)

New Essays and Biographies

New Videos

  • The Crocksons, comedy tumbling (1969)
  • Crystalle, tight wireA tight, light metallic cable, placed between two platforms not very far from the ground, on which a wire dancer perform dance steps, and acrobatic exercises such as somersaults. (Also: Low Wire) (2016)
  • The Ferkos, Russian swingGiant swing used to propel flyers into acrobatic figures onto the shoulders of a catcher, on a crash mat, or into a net. (1969)
  • Klaus Kröplin, small animal act (1969)
  • The Alexis Sisters, hand-to-handAn acrobatic act in which one or more acrobats do hand-balancing in the hands of an under-stander. balancing (1987)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator