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==In The Spotlight==
 
==In The Spotlight==
  
===LITTLE BILLY===
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===ELENA PANOVA===
[[File:Little_Billy.jpg|right|400px]]
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[[File:Elena_Panova_(1991).jpg|right|300px]]
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Elena Panova is credited with having originated a new swinging trapeze style and technique, which she developed quite by accident at Moscow's State College for Circus and Variety Arts, along with her teachers, Tereza Durova and Victor Fomine. When it was presented for the first time in the West in 1987 (it was at a time when communist Eastern Europe was still secluded), her act was a sensation that triggered the creation of a string of new swinging trapeze acts in a similar style, notably in Canada.
  
Little Billy (1919-2001) was a very popular English auguste whose long and rich career, which began on the music-hall stage, took him to some of the most prestigious circuses of Britain and Europe. He truly came to the spotlight when he eventually partnered with the popular auguste Jacko Fossett, a successful association that began at Bertram Mills Circus and morphed into a lifelong friendship.  
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Elena Panova was born Elena Nikolaevna Borisova on July 18, 1964 in Murom, four hundred kilometers from Moscow, the third daughter of Nikolai Borisov and his wife, Klavdia, née Kazanskaya. Her parents had nothing to do with the circus: they came from peasant stock and both worked in a local factory.  
  
He was born William Alfred Merchant on July 31, 1919, in Bristol, England. His father was unknown—and practically nothing is known of his mother, either. This lack of a father may be the reason why—along with the fact that William was afflicted with achondroplasia (dwarfism)—his mother chose to abandon him at an early age. Billy, as he became known, was placed in an orphanage in Bristol where he spent his childhood and adolescence.
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Murom is one of Russia's oldest cities, dating back to the 9th century, and "home" to the Kievan Rus folk hero of yore, Ilya Muromets. It is also a Holy City that managed to keep some of its monasteries and convents open during the communist era. Yet, it is a small town, and although the Soviet government gave it a theater building, it didn't have a circus, neither was it important enough to receive the summer visit of a ''shapito'' (or ''chapiteau'' in French—a traveling circus). In fact, Elena never saw a live circus performance while growing up.  
  
As a teenager, he became increasingly attracted to show business and spent his free time visiting the local music-halls, notably Bristol's Hippodrome and Empire theatres. In 1937, the Empire featured the celebrated troupe of performing "midgets" of John Lester (1870-1950), a former American aerialist turned impresario. Lester's troupe was mostly composed of little people, perfectly proportioned, as opposed to dwarves such as Billy. Nonetheless, he went to the theater to see John Lester. Asked by the impresario what he could do, Billy answered that he could tumble; that was good enough for a comedy part, and he was hired.
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She did see circus shows on television, however, as well as ballet performances, and in her early teens, she enrolled herself in her school's amateur dance company. Meanwhile, a friend of hers had joined the local "Circus Club" and suggested that Elena, who was then fourteen, came with her. "Circus Clubs" were the Soviet equivalent of European or American youth circuses, though generally at a much higher level in terms of the training they provided. They flourished in the Soviet Union, where circus arts were held in high esteem.
  
Billy did a tumbling act with two diminutive partners that was in effect a visual parody of popular acts of the genre, such as The Craddocks and, later, The Charlivels. Lester was not the easiest of directors, and after a while, Billy, who now had stage experience, joined the acrobatic troupe of Joe Boganny (John Clifton, 1874-1943), whose act, very popular on the British variety circuit, traditionally included dwarf acrobats. With Boganny, Billy became truly exposed to "big time" variety and what is more, he could fully express his nascent comedic talents. He finally was in show business, and there to stay.... ([[Little Billy Merchant|more...]])
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During these years, Elena trained in basic acrobatics, but her tastes drew her to aerial apparatuses; while still at the Circus Club, she and a fellow student developed a "bambou" (aerial perch) act. Her performance debut came in April 1978, when she presented a static trapeze act in the Easter show the Circus Club staged in Murom’s Grand Theatre.... ([[Elena Panova|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
 +
* [[Jo-Ann Jennier]], Aerialist, Animal Trainer
 +
* [[Ethel Jennier]], Aerialist, Animal Trainer
 +
* [[Walter Jennier]], Sea Lion Trainer
 +
* [[Rex Williams]], Elephant Trainer
 
* [[Little Billy Merchant]], Clown
 
* [[Little Billy Merchant]], Clown
* [[Jacko Fossett]], Clown
 
* [[Circus Ring of Fame]], History
 
* [[Natalya Jigalova]], Aerialist
 
* [[Guangzhou Acrobatic Troupe]], History
 
  
 
==New Videos==
 
==New Videos==
  
* [[Filinov_Video_(2022)|The Filinov Troupe]], Russian swing (2022)
+
* [[Crocksons_Video_(1969)|The Crocksons]], comedy tumbling (1969)
* [[Huyen_Video_(2022)|Chu Thi Khanh Huyen]], aerial sword balancing (2022)
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* [[Crystalle_Video_(2016)|Crystalle]], tight wire (2016)
* [[Palchikov_Video_(2022)|Ernest Palchikov]], hand-balancing act (2022)
+
* [[Ferkos_Video_(1969)|The Ferkos]], Russian swing (1969)
* [[Ethiopia_Troupe_Video_(2022)|Troupe Ethiopia]], basket acrobatics (2022)
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* [[Kroplin_Video_(1969)|Klaus Kröplin]], small animal act (1969)
* [[Eva_Vida_Video_(1964)|Eva Vida]], juggler (1964)
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* [[Alexis_Sisters_Video_(1987)|The Alexis Sisters]], hand-to-hand balancing (1987)
  
 
==New Oral Histories==
 
==New Oral Histories==

Revision as of 03:51, 7 June 2023

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Circopedia was originally inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

ELENA PANOVA

Elena Panova (1991).jpg

Elena Panova is credited with having originated a new swinging trapeze style and technique, which she developed quite by accident at Moscow's State College for Circus and Variety Arts, along with her teachers, Tereza Durova and Victor Fomine. When it was presented for the first time in the West in 1987 (it was at a time when communist Eastern Europe was still secluded), her act was a sensation that triggered the creation of a string of new swinging trapeze acts in a similar style, notably in Canada.

Elena Panova was born Elena Nikolaevna Borisova on July 18, 1964 in Murom, four hundred kilometers from Moscow, the third daughter of Nikolai Borisov and his wife, Klavdia, née Kazanskaya. Her parents had nothing to do with the circus: they came from peasant stock and both worked in a local factory.

Murom is one of Russia's oldest cities, dating back to the 9th century, and "home" to the Kievan Rus folk hero of yore, Ilya Muromets. It is also a Holy City that managed to keep some of its monasteries and convents open during the communist era. Yet, it is a small town, and although the Soviet government gave it a theater building, it didn't have a circus, neither was it important enough to receive the summer visit of a shapito (or chapiteau(French, Russian) A circus tent, or Big Top. in French—a traveling circus). In fact, Elena never saw a live circus performance while growing up.

She did see circus shows on television, however, as well as ballet performances, and in her early teens, she enrolled herself in her school's amateur dance company. Meanwhile, a friend of hers had joined the local "Circus Club" and suggested that Elena, who was then fourteen, came with her. "Circus Clubs" were the Soviet equivalent of European or American youth circuses, though generally at a much higher level in terms of the training they provided. They flourished in the Soviet Union, where circus arts were held in high esteem.

During these years, Elena trained in basic acrobatics, but her tastes drew her to aerial apparatuses; while still at the Circus Club, she and a fellow student developed a "bambou(French - Russian: Bambuk) Aerial apparatus, generally a hanging perch, from where the performers hang with the help of hand or ankle loops. See also: Aerial perch." (aerial perchA hanging perch, from where the performers hang with the help of hand or ankle loops. (French: Bambou - Russian: Bambuk)) act. Her performance debut came in April 1978, when she presented a static trapeze act in the Easter show the Circus Club staged in Murom’s Grand Theatre.... (more...)

New Essays and Biographies

New Videos

  • The Crocksons, comedy tumbling (1969)
  • Crystalle, tight wireA tight, light metallic cable, placed between two platforms not very far from the ground, on which a wire dancer perform dance steps, and acrobatic exercises such as somersaults. (Also: Low Wire) (2016)
  • The Ferkos, Russian swingGiant swing used to propel flyers into acrobatic figures onto the shoulders of a catcher, on a crash mat, or into a net. (1969)
  • Klaus Kröplin, small animal act (1969)
  • The Alexis Sisters, hand-to-handAn acrobatic act in which one or more acrobats do hand-balancing in the hands of an under-stander. balancing (1987)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator