Difference between revisions of "Main Page"

From Circopedia

(36 intermediate revisions by the same user not shown)
Line 17: Line 17:
  
 
==In The Spotlight==
 
==In The Spotlight==
[[File:Elena_Serafimovich_1997.jpg|right|300px]]
 
===ELENA SERAFIMOVICH===
 
  
Elena Serafimovich was born in Minsk, Belarus (then in the USSR) on February 18, 1972 in a family that was not connected with the circus: Both her parents worked for import-export companies. As a child, the mixture of dance and acrobatics that rhythmic gymnastics offers attracted her, and she started training at age six. She participated in many national competitions, and eventually obtained a Master degree in Rhythmic-Gymnastics.
+
===ELENA PANOVA===
 +
[[File:Elena_Panova_(1991).jpg|right|300px]]
 +
Elena Panova is credited with having originated a new swinging trapeze style and technique, which she developed quite by accident at Moscow's State College for Circus and Variety Arts, along with her teachers, Tereza Durova and Victor Fomine. When it was presented for the first time in the West in 1987 (it was at a time when communist Eastern Europe was still secluded), her act was a sensation that triggered the creation of a string of new swinging trapeze acts in a similar style, notably in Canada.
  
But Elena wanted to see the world, to go out of the confined atmosphere of the Soviet Union; so she did what many former gymnasts there did: she enrolled in Kiev’s State Institute of Variety and Circus Arts in Ukraine (still part of the Soviet Union at the time). The year was 1987. In 1989, she was hired as a top mounter in the famous perch-pole balancing act of Aleksei Sarach—although she was still technically a student of the school. She graduated as a "generalist" (a performer without a specific act) in 1991.  
+
Elena Panova was born Elena Nikolaevna Borisova on July 18, 1964 in Murom, four hundred kilometers from Moscow, the third daughter of Nikolai Borisov and his wife, Klavdia, née Kazanskaya. Her parents had nothing to do with the circus: they came from peasant stock and both worked in a local factory.  
  
Elena worked with Sarach in the Soviet Union and on foreign tours of the Moscow Circus for eight years. Meanwhile, she longed to create an act of her own, and in 1993, she began to train on the aerial hoop, or cerceau—an apparatus that was ideal to showcase her amazing grace and flexibility. While doing so, she caught the attention of Tatiana Assovskaya, then director of SoyuzGosTsirk (later, RosGosTsirk), the Soviet Union's state central circus organization.
+
Murom is one of Russia's oldest cities, dating back to the 9th century, and "home" to the Kievan Rus folk hero of yore, Ilya Muromets. It is also a Holy City that managed to keep some of its monasteries and convents open during the communist era. Yet, it is a small town, and although the Soviet government gave it a theater building, it didn't have a circus, neither was it important enough to receive the summer visit of a ''shapito'' (or ''chapiteau'' in French—a traveling circus). In fact, Elena never saw a live circus performance while growing up.  
  
With Assovskaya’s help, Elena further developed her act during a long engagement of the Moscow Circus with Circus Williams-Althoff in Germany, where she eventually premiered it in 1995. Her beautifully choreographed aerial presentation, combined with Elena’s natural grace and elegance, was an immediate sensation.... ([[Elena Serafimovich|more...]])
+
She did see circus shows on television, however, as well as ballet performances, and in her early teens, she enrolled herself in her school's amateur dance company. Meanwhile, a friend of hers had joined the local "Circus Club" and suggested that Elena, who was then fourteen, came with her. "Circus Clubs" were the Soviet equivalent of European or American youth circuses, though generally at a much higher level in terms of the training they provided. They flourished in the Soviet Union, where circus arts were held in high esteem.
 +
 
 +
During these years, Elena trained in basic acrobatics, but her tastes drew her to aerial apparatuses; while still at the  Circus Club, she and a fellow student developed a "bambou" (aerial perch) act. Her performance debut came in April 1978, when she presented a static trapeze act in the Easter show the Circus Club staged in Murom’s Grand Theatre.... ([[Elena Panova|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
 +
* [[Jo-Ann Jennier]], Aerialist, Animal Trainer
 +
* [[Ethel Jennier]], Aerialist, Animal Trainer
 +
* [[Walter Jennier]], Sea Lion Trainer
 +
* [[Rex Williams]], Elephant Trainer
 
* [[Little Billy Merchant]], Clown
 
* [[Little Billy Merchant]], Clown
* [[Jacko Fossett]], Clown
 
* [[Circus Ring of Fame]], History
 
* [[Natalya Jigalova]], Aerialist
 
* [[Guangzhou Acrobatic Troupe]], History
 
  
 
==New Videos==
 
==New Videos==
  
* [[Knie_Elephant_and_Tigers_Video_(1976)|Louis Knie]], elephants and tigers act (1976)
+
* [[Crocksons_Video_(1969)|The Crocksons]], comedy tumbling (1969)
* [[Bruno_Togni_Video_(2023)|Bruno Togni]], tiger act (2023)
+
* [[Crystalle_Video_(2016)|Crystalle]], tight wire (2016)
* [[Rene_Casselly_Jr_Video_(2023)|RenéCasselly, Jr.]], acrobat on horseback (2023)
+
* [[Ferkos_Video_(1969)|The Ferkos]], Russian swing (1969)
* [[Ruban_Troupe_Video_(2022)|Anatoliy Ruban Troupe]], teeterboard (2022)
+
* [[Kroplin_Video_(1969)|Klaus Kröplin]], small animal act (1969)
* [[Ayala_Video_(2022)|The Ayala Troupe]], high wire (2022)
+
* [[Alexis_Sisters_Video_(1987)|The Alexis Sisters]], hand-to-hand balancing (1987)
  
 
==New Oral Histories==
 
==New Oral Histories==

Revision as of 02:51, 7 June 2023

Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia was originally inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

ELENA PANOVA

Elena Panova (1991).jpg

Elena Panova is credited with having originated a new swinging trapeze style and technique, which she developed quite by accident at Moscow's State College for Circus and Variety Arts, along with her teachers, Tereza Durova and Victor Fomine. When it was presented for the first time in the West in 1987 (it was at a time when communist Eastern Europe was still secluded), her act was a sensation that triggered the creation of a string of new swinging trapeze acts in a similar style, notably in Canada.

Elena Panova was born Elena Nikolaevna Borisova on July 18, 1964 in Murom, four hundred kilometers from Moscow, the third daughter of Nikolai Borisov and his wife, Klavdia, née Kazanskaya. Her parents had nothing to do with the circus: they came from peasant stock and both worked in a local factory.

Murom is one of Russia's oldest cities, dating back to the 9th century, and "home" to the Kievan Rus folk hero of yore, Ilya Muromets. It is also a Holy City that managed to keep some of its monasteries and convents open during the communist era. Yet, it is a small town, and although the Soviet government gave it a theater building, it didn't have a circus, neither was it important enough to receive the summer visit of a shapito (or chapiteau(French, Russian) A circus tent, or Big Top. in French—a traveling circus). In fact, Elena never saw a live circus performance while growing up.

She did see circus shows on television, however, as well as ballet performances, and in her early teens, she enrolled herself in her school's amateur dance company. Meanwhile, a friend of hers had joined the local "Circus Club" and suggested that Elena, who was then fourteen, came with her. "Circus Clubs" were the Soviet equivalent of European or American youth circuses, though generally at a much higher level in terms of the training they provided. They flourished in the Soviet Union, where circus arts were held in high esteem.

During these years, Elena trained in basic acrobatics, but her tastes drew her to aerial apparatuses; while still at the Circus Club, she and a fellow student developed a "bambou(French - Russian: Bambuk) Aerial apparatus, generally a hanging perch, from where the performers hang with the help of hand or ankle loops. See also: Aerial perch." (aerial perchA hanging perch, from where the performers hang with the help of hand or ankle loops. (French: Bambou - Russian: Bambuk)) act. Her performance debut came in April 1978, when she presented a static trapeze act in the Easter show the Circus Club staged in Murom’s Grand Theatre.... (more...)

New Essays and Biographies

New Videos

  • The Crocksons, comedy tumbling (1969)
  • Crystalle, tight wireA tight, light metallic cable, placed between two platforms not very far from the ground, on which a wire dancer perform dance steps, and acrobatic exercises such as somersaults. (Also: Low Wire) (2016)
  • The Ferkos, Russian swingGiant swing used to propel flyers into acrobatic figures onto the shoulders of a catcher, on a crash mat, or into a net. (1969)
  • Klaus Kröplin, small animal act (1969)
  • The Alexis Sisters, hand-to-handAn acrobatic act in which one or more acrobats do hand-balancing in the hands of an under-stander. balancing (1987)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator