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==In The Spotlight==
 
==In The Spotlight==
  
===BILL WOODCOCK===
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===ELENA PANOVA===
[[File:William_Woodcock,_Jr._(1978).jpg|right|450px]]
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[[File:Elena_Panova_(1991).jpg|right|300px]]
William Woodcock, Jr. (1935-2023), better known as Bill or "Buckles" Woodcock, was one of the great elephant trainers of the second half of the twentieth-century American circus. A true circus legend in his own times, he was extremely respected in the profession and loved by circus fans, who enjoyed testing his historical knowledge of the American circus, and his encyclopedic command of the history of elephants in the United States—an interest passed on to him by his father.
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Elena Panova is credited with having originated a new swinging trapeze style and technique, which she developed quite by accident at Moscow's State College for Circus and Variety Arts, along with her teachers, Tereza Durova and Victor Fomine. When it was presented for the first time in the West in 1987 (it was at a time when communist Eastern Europe was still secluded), her act was a sensation that triggered the creation of a string of new swinging trapeze acts in a similar style, notably in Canada.
  
William "Buckles" Woodcock was born on February 26, 1935 in Lancaster, Missouri, to an old American circus family. Although his father, William H. Woodcock (1904-1963), was a first-generation circus man (and became a legendary elephant trainer with a passion for circus history), his mother was Sarah "Babe" Orton (1902-1988), whose grandfather, [[Hiram Horton|Hiram]], a former sailor and tavern-keeper of British origin, had started a circus in Wisconsin in 1854. As the feisty Babe would often say, "My family was in the circus when the Ringling brothers were still wearing wooden shoes."
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Elena Panova was born Elena Nikolaevna Borisova on July 18, 1964 in Murom, four hundred kilometers from Moscow, the third daughter of Nikolai Borisov and his wife, Klavdia, née Kazanskaya. Her parents had nothing to do with the circus: they came from peasant stock and both worked in a local factory.  
  
Bill (to differentiate him from his father, William) Woodcock grew up around animals, elephants in particular. When he was a toddler, he was often buckled to his mother on a harness to keep him in check and safe around his father's elephants, thus his nickname. At age 11, he began working in the circus as a candy butcher. But Buckles had other plans: in 1951, over his father's objections, he found a job as an animal handler with another elephant trainer, Eugene "Arky" Scott, who worked with Ringling Bros. and Barnum & Bailey.
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Murom is one of Russia's oldest cities, dating back to the 9th century, and "home" to the Kievan Rus folk hero of yore, Ilya Muromets. It is also a Holy City that managed to keep some of its monasteries and convents open during the communist era. Yet, it is a small town, and although the Soviet government gave it a theater building, it didn't have a circus, neither was it important enough to receive the summer visit of a ''shapito'' (or ''chapiteau'' in French—a traveling circus). In fact, Elena never saw a live circus performance while growing up.  
  
Obviously, there was not much William Senior could do. He and Buckles reunited two years later and began working together. Since his father's vision was failing, Buckles's role in the partnership became increasingly more prominent. In 1951, William Woodcock had acquired a four-year old Burmese woodland elephant, Anna May, from the Al G. Kelly-Miller Bros. Circus, and Buckles began working with her. Anna May, who was a remarkably smart and talented performer, would become America's most famous elephant and stay in the Woodcock family until May 2004, when she went into retirement at Riddle's Elephant and Wildlife Sanctuary in Greenbrier, Arkansas.... ([[William Woodcock, Jr.|more...]])
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She did see circus shows on television, however, as well as ballet performances, and in her early teens, she enrolled herself in her school's amateur dance company. Meanwhile, a friend of hers had joined the local "Circus Club" and suggested that Elena, who was then fourteen, came with her. "Circus Clubs" were the Soviet equivalent of European or American youth circuses, though generally at a much higher level in terms of the training they provided. They flourished in the Soviet Union, where circus arts were held in high esteem.
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During these years, Elena trained in basic acrobatics, but her tastes drew her to aerial apparatuses; while still at the Circus Club, she and a fellow student developed a "bambou" (aerial perch) act. Her performance debut came in April 1978, when she presented a static trapeze act in the Easter show the Circus Club staged in Murom’s Grand Theatre.... ([[Elena Panova|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
 +
* [[Jo-Ann Jennier]], Aerialist, Animal Trainer
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* [[Ethel Jennier]], Aerialist, Animal Trainer
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* [[Walter Jennier]], Sea Lion Trainer
 
* [[Rex Williams]], Elephant Trainer
 
* [[Rex Williams]], Elephant Trainer
 
* [[Little Billy Merchant]], Clown
 
* [[Little Billy Merchant]], Clown
* [[Jacko Fossett]], Clown
 
* [[Circus Ring of Fame]], History
 
* [[Natalya Jigalova]], Aerialist
 
  
 
==New Videos==
 
==New Videos==
  
* [[Sukhornukovi_Video_(2022)|Egor & Lucia Sukhornukov]], Strap Act (2022)
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* [[Crocksons_Video_(1969)|The Crocksons]], comedy tumbling (1969)
* [[Juliana_Neves_Video_(2001)|Juliana Neves]], tissu (2001)
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* [[Crystalle_Video_(2016)|Crystalle]], tight wire (2016)
* [[Neves_and_Gueorguiev_Video_(2000)|Juliana Neves & Ivo Gueorguiev]], tissu pas-de-deux (2000)
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* [[Ferkos_Video_(1969)|The Ferkos]], Russian swing (1969)
* [[Bikmaevi_Video_(2022)|Duo Bikmaevi]], strap act (2022)  
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* [[Kroplin_Video_(1969)|Klaus Kröplin]], small animal act (1969)
* [[Knie_Elephant_and_Tigers_Video_(1976)|Louis Knie]], elephants and tigers act (1976)
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* [[Alexis_Sisters_Video_(1987)|The Alexis Sisters]], hand-to-hand balancing (1987)
 
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==New Oral Histories==
 
==New Oral Histories==

Revision as of 02:51, 7 June 2023

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Circopedia was originally inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

ELENA PANOVA

Elena Panova (1991).jpg

Elena Panova is credited with having originated a new swinging trapeze style and technique, which she developed quite by accident at Moscow's State College for Circus and Variety Arts, along with her teachers, Tereza Durova and Victor Fomine. When it was presented for the first time in the West in 1987 (it was at a time when communist Eastern Europe was still secluded), her act was a sensation that triggered the creation of a string of new swinging trapeze acts in a similar style, notably in Canada.

Elena Panova was born Elena Nikolaevna Borisova on July 18, 1964 in Murom, four hundred kilometers from Moscow, the third daughter of Nikolai Borisov and his wife, Klavdia, née Kazanskaya. Her parents had nothing to do with the circus: they came from peasant stock and both worked in a local factory.

Murom is one of Russia's oldest cities, dating back to the 9th century, and "home" to the Kievan Rus folk hero of yore, Ilya Muromets. It is also a Holy City that managed to keep some of its monasteries and convents open during the communist era. Yet, it is a small town, and although the Soviet government gave it a theater building, it didn't have a circus, neither was it important enough to receive the summer visit of a shapito (or chapiteau(French, Russian) A circus tent, or Big Top. in French—a traveling circus). In fact, Elena never saw a live circus performance while growing up.

She did see circus shows on television, however, as well as ballet performances, and in her early teens, she enrolled herself in her school's amateur dance company. Meanwhile, a friend of hers had joined the local "Circus Club" and suggested that Elena, who was then fourteen, came with her. "Circus Clubs" were the Soviet equivalent of European or American youth circuses, though generally at a much higher level in terms of the training they provided. They flourished in the Soviet Union, where circus arts were held in high esteem.

During these years, Elena trained in basic acrobatics, but her tastes drew her to aerial apparatuses; while still at the Circus Club, she and a fellow student developed a "bambou(French - Russian: Bambuk) Aerial apparatus, generally a hanging perch, from where the performers hang with the help of hand or ankle loops. See also: Aerial perch." (aerial perchA hanging perch, from where the performers hang with the help of hand or ankle loops. (French: Bambou - Russian: Bambuk)) act. Her performance debut came in April 1978, when she presented a static trapeze act in the Easter show the Circus Club staged in Murom’s Grand Theatre.... (more...)

New Essays and Biographies

New Videos

  • The Crocksons, comedy tumbling (1969)
  • Crystalle, tight wireA tight, light metallic cable, placed between two platforms not very far from the ground, on which a wire dancer perform dance steps, and acrobatic exercises such as somersaults. (Also: Low Wire) (2016)
  • The Ferkos, Russian swingGiant swing used to propel flyers into acrobatic figures onto the shoulders of a catcher, on a crash mat, or into a net. (1969)
  • Klaus Kröplin, small animal act (1969)
  • The Alexis Sisters, hand-to-handAn acrobatic act in which one or more acrobats do hand-balancing in the hands of an under-stander. balancing (1987)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator