Difference between revisions of "Main Page"

From Circopedia

 
(151 intermediate revisions by the same user not shown)
Line 9: Line 9:
 
{| style="width:100%; border:solid 0px; background:none;"
 
{| style="width:100%; border:solid 0px; background:none;"
 
|style="width:500px; text-align:center; white-space:nowrap; color:#000;"|
 
|style="width:500px; text-align:center; white-space:nowrap; color:#000;"|
<div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
+
<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
 
<div style="top:+0.2em; font-size:98%;"> ''Circopedia was originally inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation]''.</div><br/>
 
<div style="top:+0.2em; font-size:98%;"> ''Circopedia was originally inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation]''.</div><br/>
 +
 
|}
 
|}
 
|}
 
|}
 
  
 
==In The Spotlight==
 
==In The Spotlight==
  
===MARYSE BEGARY===
+
===LE CIRQUE D'HIVER DE PARIS===
[[File:Little_Billy.jpg|right|400px]]
+
[[File:Cirque_d'Hiver_-_Front_View_(2013).jpg|450px|right]]
 
+
Located in the heart of Paris, between the Place de la République and the Place de la Bastille, at the edge of the historical Marais, the Cirque d’Hiver is the world’s oldest extant circus building. It is also the world’s oldest circus still in activity: It opened its doors in 1852. Its address, at 110 rue Amelot, may seem inconspicuous, but at that precise point, the rue Amelot opens onto the Boulevard du Temple through the small Place Pasdeloup: The Cirque d’Hiver is therefore quite noticeable, practically "on the Boulevards."
 
+
Born Andrée Auclère on February 20, 1926 in Paris, France, the daughter of a baker, Maryse Begary (1926-2007) was one of the most accomplished and celebrated aerialists of her day, famous for her exceptional handstand on the trapeze bar&mdash;which she could hold for more than one minute&mdash;and her spectacular series of rotating one-arm planches (also known as "dislocations"), with which she emulated her idol, Lillian Leitzel (1892-1921).
+
 
+
Young Andrée started training on the trapeze on her doctor’s recommendation, to improve a poor health condition. She became apprentice to a celebrated gymnast on horizontal bars, Nicolas Marcoud, who had a successful career with the Marcoud-Banola Troupe. Andrée adopted his name (as was the tradition then, in the circus, when a young performer had apprenticed to a famous master) when she started her performing career. Thus, under the name of Andrée Marcoud, she made her professional debut at Paris’s Cirque Medrano on April 14, 1939; she was thirteen years old.
+
  
Andrée Marcoud quickly made a name for herself: Her handstand on her trapeze bar didn’t fail to impress circus professionals and aficionados, and her act continued to improve over the years. After the German occupation of France during World War II, Andrée was featured in 1946 (and again in 1950) at Paris’s (and the world's) oldest permanent circus, the Cirque d’Hiver. The following year, she went on tour with the French Cirque Figuier under her real name, Andrée Auclère: Raymonde Marcoud, Nicolas Marcoud’s niece, was also performing at that time, and Andrée didn’t want to create any confusion.
+
The Cirque d’Hiver (literally, the ''winter circus'') was built for circus entrepreneur Louis Dejean (1786-1879) to serve as his circus company’s winter home. Dejean already managed the Cirque des Champs-Elysées in the fashionable ''Jardins des Champs-Elysées'', which he kept open from May through October. Up to 1846, his main establishment had been the Cirque Olympique, located some five hundred yards from his new circus, on the portion of the Boulevard du Temple that disappeared in 1862 during the renovation of Paris by the Baron Haussmann to give room to the present Place de la République.  
  
That same year, 1947, Andrée married Franz Begary, a former pilot in the French Air Force who had just left the military. Andrée Marcoud-Auclère finally became Andrée Begary, and changed her first name for the more romantic Maryse. It is under that name, Maryse Begary, that she continued her career&mdash;thus confusing a few circus chroniclers and historians: Andrée Marcoud and Maryse Begary are sometimes mentioned as "the two only aerialists" who, after the creator of the trick, Miss Fillis (Nicolas Marcoud's daughter), were able to hold a handstand on their trapeze bar! Franz Begary became Maryse’s assistant and manager, a marital partnership that would last until Maryse’s death.
+
Dejean had sold his old Cirque Olympique in 1847; although it had been built only twenty years earlier (in 1827), it had already lost its appeal and was not practical anymore. Like many circus buildings of its generation, it had been designed with both a circus ring and a full theater stage, and consequently, it was easy for its new owners to transform it into a legitimate theater, the ''Théâtre du Cirque Olympique''. With no permanent home in the winter, Dejean had taken to sending his troupe abroad, to London or Berlin, for the winter season. Although these forays into foreign lands had proved successful enough, having a new winter base in Paris still made more sense.
  
The amazing Maryse Begary was much in demand in France and Europe. In the winter 1949-1950, she was featured at [[Bertram Mill’s Circus]] at London’s Olympia, where she shared the bill with another legendary aerialist, [[Alma Piaïa]]. The next winter, she appeared at [[Theatre Carré|Circus Carré]] in Amsterdam, then under the management of the [[Circus Strassburger|Strassburger]] family; she was twice featured at Glasgow’s [[Kelvin Hall]] in Scotland, and performed at Blackpool’s [[Tower Circus]] in England, [[Cirkus Schumann]] in Copenhagen, and [[Circo Americano-Castilla]] in Spain, among many other prestigious European venues.... ([[Maryse Bégary|more...]])
+
Thus, Dejean asked Jacques-Ignace Hittorff (1792-1867), the City of Paris’s Chief Architect, to design the plans for a new circus. Hittorf had already built the Cirque des Champs-Elysées for Dejean, as well as its twin counterpart, the Panorama (today Théâtre du Rond-Point), which were part of the master plan for the renovation of the Chanps-Elysées gardens in the 1840s. Hittorff had also supervised the redesign of the Place de la Concorde (notably with the addition of his own monumental fountain, ''La Fontaine des Mers'') and he would later build Paris’s Gare du Nord, the twelve ''hôtels particuliers'' (townhouses) that surround the Arc de Triomphe on the Place de l'Étoile, and many other "classic revival" pieces of work&mdash;a style of which he was one of the most influential proponents.... ([[Cirque d'Hiver|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
* [[Little Billy Merchant]], Clown
+
* [[Totti Alexis]], Clown
* [[Jacko Fossett]], Clown
+
* [[Ross Mollison]], Circus Producer
* [[Circus Ring of Fame]], History
+
* [[Don Saunders]], Clown
* [[Natalya Jigalova]], Aerialist
+
* [[Jo-Ann Jennier]], Aerialist, Animal Trainer
* [[Guangzhou Acrobatic Troupe]], History
+
* [[Ethel Jennier]], Aerialist, Animal Trainer
  
 
==New Videos==
 
==New Videos==
  
* [[Bruno_Togni_Video_(2023)|Bruno Togni]], tiger act (2023)
+
* [[Totti_Alexis_Video_(2019)|Totti & Charlie Alexis]], musical clowns (2019)
* [[Ruban_Troupe_Video_(2022)|Anatoliy Ruban Troupe]], teeterboard (2022)
+
* [[Collins_Brothers_Video_(1993)|The Collins Brothers]], comedy trapeze act (1993)
* [[Ayala_Video_(2022)|The Ayala Troupe]], high wire (2022)
+
* [[Totti_Alexis_Video_(2015)|Totti Alexis]], musical clown (2015)
* [[Filinov_Video_(2022)|The Filinov Troupe]], Russian swing (2022)
+
* [[Totti_Alexis_Video_(2010)|Totti Alexis]], clown (2010)
* [[Huyen_Video_(2022)|Chu Thi Khanh Huyen]], aerial sword balancing (2022)
+
* [[Peter_Shub_Video_(2015)|Peter Shub]], clown (2015)
  
 
==New Oral Histories==
 
==New Oral Histories==

Latest revision as of 23:52, 7 December 2023


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia was originally inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

LE CIRQUE D'HIVER DE PARIS

Cirque d'Hiver - Front View (2013).jpg

Located in the heart of Paris, between the Place de la République and the Place de la Bastille, at the edge of the historical Marais, the Cirque d’Hiver is the world’s oldest extant circus building. It is also the world’s oldest circus still in activity: It opened its doors in 1852. Its address, at 110 rue Amelot, may seem inconspicuous, but at that precise point, the rue Amelot opens onto the Boulevard du Temple through the small Place Pasdeloup: The Cirque d’Hiver is therefore quite noticeable, practically "on the Boulevards."

The Cirque d’Hiver (literally, the winter circus) was built for circus entrepreneur Louis Dejean (1786-1879) to serve as his circus company’s winter home. Dejean already managed the Cirque des Champs-Elysées in the fashionable Jardins des Champs-Elysées, which he kept open from May through October. Up to 1846, his main establishment had been the Cirque Olympique, located some five hundred yards from his new circus, on the portion of the Boulevard du Temple that disappeared in 1862 during the renovation of Paris by the Baron Haussmann to give room to the present Place de la République.

Dejean had sold his old Cirque Olympique in 1847; although it had been built only twenty years earlier (in 1827), it had already lost its appeal and was not practical anymore. Like many circus buildings of its generation, it had been designed with both a circus ring and a full theater stage, and consequently, it was easy for its new owners to transform it into a legitimate theater, the Théâtre du Cirque Olympique. With no permanent home in the winter, Dejean had taken to sending his troupe abroad, to London or Berlin, for the winter season. Although these forays into foreign lands had proved successful enough, having a new winter base in Paris still made more sense.

Thus, Dejean asked Jacques-Ignace Hittorff (1792-1867), the City of Paris’s Chief Architect, to design the plans for a new circus. Hittorf had already built the Cirque des Champs-Elysées for Dejean, as well as its twin counterpart, the Panorama (today Théâtre du Rond-Point), which were part of the master plan for the renovation of the Chanps-Elysées gardens in the 1840s. Hittorff had also supervised the redesign of the Place de la Concorde (notably with the addition of his own monumental fountain, La Fontaine des Mers) and he would later build Paris’s Gare du Nord, the twelve hôtels particuliers (townhouses) that surround the Arc de Triomphe on the Place de l'Étoile, and many other "classic revival" pieces of work—a style of which he was one of the most influential proponents.... (more...)

New Essays and Biographies

New Videos

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator