Difference between revisions of "Main Page"

From Circopedia

Line 17: Line 17:
 
==In The Spotlight==
 
==In The Spotlight==
  
===GIUSEPPE CHIARINI===
+
===NATALYA JIGALOVA===
  
[[File:Chiarini_Utagawa-Masanobu_(4).jpg|right|400px]]Giuseppe Chiarini (1823-1897) was perhaps the most influential circus director of the nineteenth century: During a professional career that spanned fifty-eight years, his extensive and incessant international tours led him from Europe to North and South America, to India and Asia, and down to Australia.  In many places that had not yet been exposed to the circus, Chiarini’s was the first circus the locals had ever seen—and this exposure sometimes triggered there the creation of an indigenous circus inspired by Chiarini’s shows.
+
Natalya Jigalova (also spelled Zhigalova, 1970-2022) was part of what has been called "The Prima Donnas of the Swinging Trapeze"—one of the first aerialists, along with Elena Panova and Marina Golovinskaya, who developed under Victor Fomine the new style of swinging trapeze originated by Tereza Durova, Fomine and Panova in 1987.
  
Over the years, Chiarini performed for Tsar Nicholas I of Russia, Emperors Maximilian I of Mexico, Dom Pedro of Brazil, and Mitsuhito of Japan, King Rama V of Siam, an assortment of Indian Rajahs, and for various government officials and politicians. His ''Royal Italian Circus''—which could become ''Royal Spanish Circus'' when needed—was in fact an American enterprise based in California. A true circus man, Chiarini was indubitably a citizen of the world.
+
She was born Natalya Borisovna Vul (Наталья Борисовна Вуль – pronounced "Vool") on July 21, 1970, in Chișinău, the capital of the Republic of Moldova, a country landlocked between Ukraine and Romania, which was then part of the Soviet Union. She was raised and went to school in Chișinău, where she also attended the local "Amateur Circus" (Youth Circus). In 1985, she applied for and was accepted in Moscow’s State College for Circus and Variety Arts. Under the guidance of Victor Fomine, she created her swinging trapeze act, with which she graduated in 1989.
  
Giuseppe Chiarini came from a large and ancient Italian family of traveling entertainers, whose first recorded appearance was at the Foire Saint-Laurent, one of France’s oldest fairs, in 1580. Many Chiarinis, more or less directly related to Giuseppe, have since been chronicled in popular entertainment and circus history—a very diverse crowd of acrobats, ropedancers, puppeteers, ballet dancers, and equestrians.  
+
Yet, her professional debut was postponed. She had met at the circus college her husband, the clown Andrey Jigalov, who graduated one year later, in 1990, with his partner Edward Alekseenko, (1966-1996). Natalya and Andrey got married, and she was expecting a son, who would be named Andrey, like his father. She also became Natalya Jigalova in the process. Then, she chose to give priority to raising her newborn son.
  
In his novel, ''Die Vagabunden'' (1895), the German poet Karl von Holtei immortalized one of them, Francesco Chiarini; in the 1780s, this Chiarini managed a company of acrobats and puppeteers, and ran a very successful ''Théâtre d’Ombres Chinoises'' (shadow puppet theater). His daughter, Angélique, a celebrated equestrienne, had been featured in 1793 at the Amphithéâtre Franconi—the former Amphithéâtre Astley—in Paris, and later in the troupe of Jacques Tourniaire.... ([[Giuseppe Chiarini|more...]])
+
When she finally decided to resume her circus career, she performed an act in which her trapeze could be lowered to the ring, so that she could begin from the ground and go up with her apparatus (instead of being hauled up to her trapeze)—a system also used, albeit in a different manner, by another swinging trapeze artist, Elena Popova. This soaring image, along with her long black hair and her natural grace, gave a great elegance to her act. In 1996, she participated in the Festival Mondial du Cirque de Demain at Paris’s Cirque d’Hiver, where she won a Silver Medal. ... ([[Natalya Jigalova|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==

Revision as of 22:18, 30 September 2022

Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia was originally inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

NATALYA JIGALOVA

Natalya Jigalova (also spelled Zhigalova, 1970-2022) was part of what has been called "The Prima Donnas of the Swinging Trapeze"—one of the first aerialists, along with Elena Panova and Marina Golovinskaya, who developed under Victor Fomine the new style of swinging trapeze originated by Tereza Durova, Fomine and Panova in 1987.

She was born Natalya Borisovna Vul (Наталья Борисовна Вуль – pronounced "Vool") on July 21, 1970, in Chișinău, the capital of the Republic of Moldova, a country landlocked between Ukraine and Romania, which was then part of the Soviet Union. She was raised and went to school in Chișinău, where she also attended the local "Amateur Circus" (Youth Circus). In 1985, she applied for and was accepted in Moscow’s State College for Circus and Variety Arts. Under the guidance of Victor Fomine, she created her swinging trapeze act, with which she graduated in 1989.

Yet, her professional debut was postponed. She had met at the circus college her husband, the clown Andrey Jigalov, who graduated one year later, in 1990, with his partner Edward Alekseenko, (1966-1996). Natalya and Andrey got married, and she was expecting a son, who would be named Andrey, like his father. She also became Natalya Jigalova in the process. Then, she chose to give priority to raising her newborn son.

When she finally decided to resume her circus career, she performed an act in which her trapeze could be lowered to the ring, so that she could begin from the ground and go up with her apparatus (instead of being hauled up to her trapeze)—a system also used, albeit in a different manner, by another swinging trapeze artist, Elena Popova. This soaring image, along with her long black hair and her natural grace, gave a great elegance to her act. In 1996, she participated in the Festival Mondial du Cirque de Demain at Paris’s Cirque d’Hiver, where she won a Silver Medal. ... (more...)

New Essays and Biographies

New Videos

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator