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Circopedia was originally created with the support of the Big Apple Circus
and inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

FRANZ ALTHOFF

Althoff Horses 67.jpg
Germany's Circus Franz Althoff, "Europe's Largest Hippodrome-Circus," was truly, in the 1950s and 1960s, one of the continent's largest and more original circuses. Although it was active for no more than two decades after WWII, it was a circus industry’s trendsetter in several aspects. Its director, Franz Althoff (1908-1987), brilliantly developed collaborative strategies with foreign colleagues, and his circus was the first to regularly visit countries outside the German borders in the early postwar era. Circus Franz Althoff was also the first European circus of that era to develop an acceptable compromise between the grandiosity of the American-style three-ring circus and the refinement and intimacy of the traditional European circus.

Franz Althoff also improved the circus performing space, introducing innovative concepts in big-top engineering and design. At the same time, he foresaw the potential the development of large indoor sport arenas offered to the European circus industry, and he participated in the emergence of the so-called "circus festivals" of the 1950-60s, which were held in these arenas and proved an efficient way to catch the attention of a public solicited by an increasing number of new forms of entertainment such as music recording, television and wide-screen movie spectacles.

The broadness and scope of his circus project, as well as his genial personality, helped him close important deals with the American movie industry. A remarkably gifted animal trainer, he created spectacular yet elegant presentations of horses and elephants; his forty-eight-horse liberty"Liberty act", "Horses at liberty": Unmounted horses presented from the center of the ring by an equestrian directing his charges with his voice, body movements, and signals from a ''chambrière'' (French), or long whip. act remains the largest in circus history. His shows, with their impressive variety of animal acts, spectacular production numbers and top international talents, are remembered as a modern paradigm of what a large-scale classic traveling circus was meant to be.... (more...)

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A Message from the Editor

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator