Angélina - Revision history

Djando: /* Image Gallery */

2023-10-29T19:38:36Z

‎Image Gallery

Djando: /* Award-Winning Aerialist and Comedian */

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‎Award-Winning Aerialist and Comedian

Djando: /* Comedian, Clown, Aerialist */

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‎Comedian, Clown, Aerialist

Djando at 19:23, 29 October 2023

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Djando: /* Award-Winning Aerialist and Comedian */

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‎Award-Winning Aerialist and Comedian

Djando: /* Award-Winning Aerialist and Comedian */

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‎Award-Winning Aerialist and Comedian

Djando: /* Award-Winning Aerialist and Comedian */

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‎Award-Winning Aerialist and Comedian

Djando: /* Award-Winning Aerialist and Comedian */

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‎Award-Winning Aerialist and Comedian

Djando: /* Comedian, Clown, Aerialist */

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‎Comedian, Clown, Aerialist

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‎Comedian, Clown, Aerialist

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 Image:Angelina_Hula_Hoop.jpeg|Angélina (2001)
 Image:Angelina_at_Circus_Knie.jpeg|Angélina at Circus Knie (2002)
 </Gallery>
 [[Category:Artists and Acts|Angélina]][[Category:Comedy Acts|Angélina]][[Category:Aerialists|Angélina]][[Category:Trapeze|Angélina]]

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 ===Award-Winning Aerialist and Comedian===
-When she appeared at the 22nd [[Festival Mondial du Cirque de Demain]] in Paris, Angélina was a sensation in her own right, a breath of fresh self-parody in the midst of a very serious, high-skilled competition. To circus professionals, her comic insights into the sufferings of an average aerialist were right to the point; to award-winning aerialist [[Elena Panova]], who was in the Jury of that Festival, she was the best comedy act of the year. Angélina won the [[Yury Nikulin|Nikulin]] Trophy, one of the two prizes awarded each year to comedy acts in the Festival (the other is the [[Annie Fratellini|Fratellini]] Trophy).
+When she appeared at the 22nd [[Festival Mondial du Cirque de Demain]] in Paris, Angélina was a sensation in her own right, a breath of fresh self-parody in the midst of a very serious, high-skilled competition. To circus professionals, her comic insights into the sufferings of an average aerialist were right to the point; to award-winning aerialist [[Elena Panova]], who was in the Jury of that Festival, she was the best comedy act of the year! Angélina won the [[Yury Nikulin|Nikulin]] Trophy, one of the two prizes awarded each year to comedy acts in the Festival (the other is the [[Annie Fratellini|Fratellini]] Trophy).
 Subsequently, Angélina went on to work with [[Circus Knie]] in Switzerland, and in several "cirque contemporain" companies in France, where she created new acts&mdash;notably a clown duo named ''Petrolina & Mascarpone'' with Yan Oliveri, which she eventually developed into a complete stage show. In 2018, she created with Oliveri and Mathieu Vidard the Compagnie Ahoui, which still tour to this day (2023).

← Older revision		Revision as of 19:25, 29 October 2023
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−	Born Marie-Aude Jauze and the daughter of a fireman and a psychologist, Angélina was born in France~~, in the~~ Paris suburbs. As a child, Marie-Aude had a talent for drawing, and she obtained a ''Baccalauréat'' in Art. The next natural step would have been to continue her art education, and she applied for the Ecole Nationale des Beaux Arts in Paris. Unfortunately, she was not accepted. This dramatically changed the course of her career.	+	Born Marie-Aude Jauze and the daughter of a fireman and a psychologist, Angélina was born in France's Paris suburbs. As a child, Marie-Aude had a talent for drawing, and she obtained a ''Baccalauréat'' in Art. The next natural step would have been to continue her art education, and she applied for the Ecole Nationale des Beaux Arts in Paris. Unfortunately, she was not accepted. This dramatically changed the course of her career.

	Artistically inclined, Marie-Aude tried her chance in the performing arts: She applied for Marcel Marceau’s International Mime School, but she failed the audition. Then she tried the movies, without more success. She finally decided to leave Paris and moved to Toulouse, in the southwest of France, a sunnier and more relaxed place to consider her future. Toulouse was the seat of a well-known circus school, the Lido, which had shown over the years a remarkable talent for creating acts with a strong touch of humor.		Artistically inclined, Marie-Aude tried her chance in the performing arts: She applied for Marcel Marceau’s International Mime School, but she failed the audition. Then she tried the movies, without more success. She finally decided to leave Paris and moved to Toulouse, in the southwest of France, a sunnier and more relaxed place to consider her future. Toulouse was the seat of a well-known circus school, the Lido, which had shown over the years a remarkable talent for creating acts with a strong touch of humor.

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 ==Comedian, Clown, Aerialist==
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-[[Image:Angelina_Hula_Hoop.jpeg|right|300px]]Born Marie-Aude Jauze and the daughter of a fireman and a psychologist, Angélina was born near Paris, France. As a child, Marie-Aude had a talent for drawing, and she obtained a ''Baccalauréat'' in Art. The next natural step would have been to continue her art education, and she applied for the Ecole Nationale des Beaux Arts in Paris. Unfortunately, she was not accepted. This dramatically changed the course of her career.
+Born Marie-Aude Jauze and the daughter of a fireman and a psychologist, Angélina was born in France, in the Paris suburbs. As a child, Marie-Aude had a talent for drawing, and she obtained a ''Baccalauréat'' in Art. The next natural step would have been to continue her art education, and she applied for the Ecole Nationale des Beaux Arts in Paris. Unfortunately, she was not accepted. This dramatically changed the course of her career.
 Artistically inclined, Marie-Aude tried her chance in the performing arts: She applied for Marcel Marceau’s International Mime School, but she failed the audition. Then she tried the movies, without more success. She finally decided to leave Paris and moved to Toulouse, in the southwest of France, a sunnier and more relaxed place to consider her future. Toulouse was the seat of a well-known circus school, the Lido, which had shown over the years a remarkable talent for creating acts with a strong touch of humor.

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 When she appeared at the 22nd [[Festival Mondial du Cirque de Demain]] in Paris, Angélina was a sensation in her own right, a breath of fresh self-parody in the midst of a very serious, high-skilled competition. To circus professionals, her comic insights into the sufferings of an average aerialist were right to the point; to award-winning aerialist [[Elena Panova]], who was in the Jury of that Festival, she was the best comedy act of the year. Angélina won the [[Yury Nikulin|Nikulin]] Trophy, one of the two prizes awarded each year to comedy acts in the Festival (the other is the [[Annie Fratellini|Fratellini]] Trophy).
-Subsequently, Angélina went on to work with [[Circus Knie]] in Switzerland, and in several "cirque contemporain" companies in France, where she created new acts&mdash;notably a clown duo named Petrolina & Mascarpone with Yan Oliveri, which she eventually developed into a complete stage show. In 2018, she created with Oliveri and Mathieu Vidard the Compagnie Ahoui, which still tour to this day (2023).
+Subsequently, Angélina went on to work with [[Circus Knie]] in Switzerland, and in several "cirque contemporain" companies in France, where she created new acts&mdash;notably a clown duo named ''Petrolina & Mascarpone'' with Yan Oliveri, which she eventually developed into a complete stage show. In 2018, she created with Oliveri and Mathieu Vidard the Compagnie Ahoui, which still tour to this day (2023).
-Added to her Nikulin Trophy, Angélina won the Audience Award at the Festiclown Monte-Carlo in February 2001. When not Angélina, Marie-Aude writes children stories: ''Siestes'' (2001) and ''La terrible histoire du boucher'' (2002) have been two successful books.
+Added to her Nikulin Trophy, Angélina won the Audience Award at the Festiclown Monte-Carlo in February 2001. When not Angélina or Petrolina, Marie-Aude writes children stories: ''Siestes'' (2001) and ''La terrible histoire du boucher'' (2002) have been two successful books.
 ==See Also==

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 ===Award-Winning Aerialist and Comedian===
-When she appeared at the 22nd [[Festival Mondial du Cirque de Demain]] in Paris, Angélina was a sensation in her own right, a breath of fresh self-parody in the midst of a very serious, high-skilled competition. To circus professionals, her comic insights into the sufferings of an average aerialist were right to the point; to award-winning aerialist [[Elena Panova]], who was in the Jury of that Festival, she was the best comedy act of the year. Angélina won the [[Yury Nikulin|Nikulin]] Trophy, one of the two prizes awarded each year to comedy acts in the Festival.
+When she appeared at the 22nd [[Festival Mondial du Cirque de Demain]] in Paris, Angélina was a sensation in her own right, a breath of fresh self-parody in the midst of a very serious, high-skilled competition. To circus professionals, her comic insights into the sufferings of an average aerialist were right to the point; to award-winning aerialist [[Elena Panova]], who was in the Jury of that Festival, she was the best comedy act of the year. Angélina won the [[Yury Nikulin|Nikulin]] Trophy, one of the two prizes awarded each year to comedy acts in the Festival (the other is the [[Annie Fratellini|Fratellini]] Trophy).
 Subsequently, Angélina went on to work with [[Circus Knie]] in Switzerland, and in several "cirque contemporain" companies in France, where she created new acts&mdash;notably a clown duo named Petrolina & Mascarpone with Yan Oliveri, which she eventually developed into a complete stage show. In 2018, she created with Oliveri and Mathieu Vidard the Cpmagnie Ahoui, which still tour to this day (2023).

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 Artistically inclined, Marie-Aude tried her chance in the performing arts: She applied for Marcel Marceau’s International Mime School, but she failed the audition. Then she tried the movies, without more success. She finally decided to leave Paris and moved to the Toulouse, in the southwest of France, a sunnier and more relaxed place to consider her future. Toulouse was the seat of a well-known circus school, the Lido, which had shown over the years a remarkable talent for creating acts with a strong touch of humor.
-Marie-Aude went there to take evening classes, and upon discovering that she was already too old to shine in acrobatics, she opted for trapeze&mdash;where she could still do something with the limited skills her age allowed her. Her strong imagination and her sense of humor were a good fit with the Lido’s approach to circus arts. In time, Marie-Aude became Angélina, a tired circus artist of indefinite age, still performing her worn-out acts&mdash;a trapeze presentation, and a hula-hoop exhibition. Both were comedy acts, to which she added a good dose of verbal humor.
+Marie-Aude went there to take evening classes, and upon discovering that she was already too old to shine in acrobatics, she opted for trapeze&mdash;where she could still do something with the limited skills her age allowed her. Her strong imagination and her sense of humor were a good fit with the Lido’s approach to circus arts. In time, Marie-Aude became ''Angélina'', a tired circus artist of indefinite age, still performing her worn-out acts&mdash;a trapeze presentation, and a hula-hoop exhibition. Both were comedy acts, to which she added a good dose of verbal humor.
 ===Award-Winning Aerialist===
-When she appeared at the 22nd [[Festival Mondial du Cirque de Demain]] in Paris, Angélina was a sensation in her own right, a breath of fresh self-parody in the midst of a very serious, high-skilled competition. To circus professionals, her comic insights into the sufferings of an average aerialist were right to the point; to [[Elena Panova]], who was in the Jury of that Festival, she was the best comedy act of the year. Angélina won the [[Yury Nikulin|Nikulin]] Trophy, one of the two prizes awarded each year to comedy acts in the Festival.
+When she appeared at the 22nd [[Festival Mondial du Cirque de Demain]] in Paris, Angélina was a sensation in her own right, a breath of fresh self-parody in the midst of a very serious, high-skilled competition. To circus professionals, her comic insights into the sufferings of an average aerialist were right to the point; to award-winning aerialist [[Elena Panova]], who was in the Jury of that Festival, she was the best comedy act of the year. Angélina won the [[Yury Nikulin|Nikulin]] Trophy, one of the two prizes awarded each year to comedy acts in the Festival.
 Subsequently, Angélina went on to work with [[Circus Knie]] in Switzerland, and in several "cirque contemporain" companies in France, where she created new acts&mdash;notably a clown duo named Petrolina & Mascarpone with Yan Oliveri, which she eventually developed into a complete stage show. Added to her Nikulin Trophy, Angélina won the Audience Award at the Festiclown Monte-Carlo in February 2001. When not Angélina, Marie-Aude writes children stories: ''Siestes'' (2001) and ''La terrible histoire du boucher'' (2002) have been two successful books.