Circus Schumann (Frankfurt) - Revision history

Djando: /* The Circus-Theater Albert Schumann */

2021-01-06T19:25:46Z

‎The Circus-Theater Albert Schumann

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2021-01-05T18:04:59Z

‎Image Gallery

Djando: /* From Riches To Rags */

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‎From Riches To Rags

Djando: /* The Circus-Theater Albert Schumann */

2020-12-22T22:33:49Z

‎The Circus-Theater Albert Schumann

Djando: /* From Riches To Rags */

2020-12-22T22:32:41Z

‎From Riches To Rags

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‎Image Gallery

Djando: /* The Circus-Theater Albert Schumann */

2020-12-22T22:31:05Z

‎The Circus-Theater Albert Schumann

Djando: /* The Circus-Theater Albert Schumann */

2020-12-22T22:30:48Z

‎The Circus-Theater Albert Schumann

Djando: /* From Riches To Rags */

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‎From Riches To Rags

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 The building had been established by the great German equestrian and circus director [[The Schumann Dynasty|Albert Schumann]] (1858-1939), who had already taken over the old [[Circus Renz]] in Berlin, and had built another [[Circus Albert Schumann (Vienna)|Circus Albert Schumann]] in Vienna. Schumann had originally erected a temporary wooden structure in 1893 in Frankfurt just two blocks east of the new circus's location, which was then situated in a largely undeveloped area; the success of the shows he gave there encouraged him to construct a permanent building in the same area.
-[[File:Circus_Schumann_Frankfurt_(1905).jpg|Circus-Theater Albert Schumann (1905)|thumb|right|400px]]To finance the project, Albert Schumann created a new company, the ''Aktiengesellschaft für Zirkus- und Theaterbau'' (Corporation for the Circus and Theater Building) based in Berlin and Frankfurt; among the shareholders were Schumann’s brother-in-law [[Julius Seeth]] (1863-1939), a celebrated wild animal trainer, and Seeth’s brother-in-law, British-born equestrian [[Joe Hodgini]] (Joseph Henry Hodges&mdash;1865-1950). The company asked the architects Friedrich Kristeller and Hugo Sonenthal to design a building that could be used indifferently as a circus or a variety theater. Kristeller was a Berlin-based architect, who would design a few years later a famous Art Nouveau office building on Krausenstrasse, which houses today the Federal Ministry of Transportation.
+[[File:Circus_Schumann_Frankfurt_(1905).jpg|Circus-Theater Albert Schumann (1905)|thumb|right|400px]]To finance the project, Albert Schumann created a new company, the ''Aktiengesellschaft für Zirkus- und Theaterbau'' (Corporation for the Circus and Theater Building) based in Berlin and Frankfurt; among the shareholders were Schumann’s brother-in-law [[Julius Seeth]] (1863-1939), a celebrated wild animal trainer, and later to Seeth’s brother-in-law, British-born equestrian [[Joe Hodgini]] (Joseph Henry Hodges&mdash;1865-1950). The company asked the architects Friedrich Kristeller and Hugo Sonenthal to design a building that could be used indifferently as a circus or a variety theater. Kristeller was a Berlin-based architect, who would design a few years later a famous Art Nouveau office building on Krausenstrasse, which houses today the Federal Ministry of Transportation.
 The construction began in September 1904, and the ''Circus-Theater Albert Schumann'' opened its doors on December 5, 1905. It was equipped with a ring and a stage (like most European circus buildings since [[Philip Astley|Astley's]]), and the ring could be covered with seats to transform the circus into a full-fledged theater, with a stage equipped with all the latest technical amenities. At full seating capacity, the house could accommodate 4,500 spectators. The dome above the ring (or the parterre, according to the configuration) was 28 meters high (approximately 92 feet), which allowed all sorts of large aerial acts, and there were stables for 150 horses, located below the stage.

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 File:Map_of_circus_in_Frankfurt.png|Map showing the site of the first Circus Schumann (1893)
 File:Albert_Schumann.jpg|Albert Schumann (c.1895)
-File:Julius_Seeth_Poster_(c1880).jpeg|Julius Seeth (c.1890)
+File:Julius_Seeth.jpg|Julius Seeth (c.1895)
 File:Circus_Schumann_Frankfurt_(1905).jpg|Circus Schumann (1905)
 File:Schumann_Circus_Frankfurt.jpg|Inside Circus Schumann in circus configuration (c.1905)

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 [[File:Schumann_Circus_Frankfurt.jpg|Circus-Theater Schumann's house as a circus (1905)|thumb|left|400px]]Albert Schumann gave the initial management of his circus-theater to his brother-in-law and partner, Julius Seeth. Each season until WWI, the building offered one month of circus, one month of operetta, and ten months of variety. After the war, it became mostly a variety theater: ''Varieté'' shows&mdash;a mixture of circus acts, singers, dancers and comedians&mdash;were immensely popular in Germany in the 1920s and 1930s; great circus acts such as [[The Codonas]] on the flying trapeze, the legendary juggler [[Enrico Rastelli]], and the greatest clowns of the era, [[Grock]], [[Les Fratellini|The Fratellinis]] and [[Charlie Rivel|The Rivels]], graced its stage during this period. Albert Schumann regularly presented his horses there until 1926.
-The Schumann Theater, as it became known then, was a very successful and fashionable venue, but it had to close its doors in 1930, victim of the Wall Street crash of 1929 and its devastating impact on the already distressed German economy. Yet, it was able to reopen in 1931 with a revue titled ''Hello Paris'', and success returned until the advent of WWII. When the Allied Forces bombed Frankfurt in 1944, the stage and the auditorium of the Circus-Theater Albert Schumann were completely destroyed, but the façade, and the foyer and restaurants right behind it, survived. The U.S. Army took over the building in 1945, and until 1958, used its remaining restaurants and bars as recreational facilities for its soldiers.
+The Schumann Theater, as it became known then, was a very successful and fashionable venue, but it had to close its doors in 1930, victim of the Wall Street crash of 1929 and its devastating impact on the already distressed German economy. Yet, it was able to reopen in 1931 with a revue titled ''Hello Paris'', and, in 1932-33, it was entirely refurbished and transformed into a variety theater. Success returned until the advent of WWII. When the Allied Forces bombed Frankfurt in 1944, the stage and the auditorium of the Circus-Theater Albert Schumann were completely destroyed, but the façade, and the foyer and restaurants right behind it, survived. The U.S. Army took over the building in 1945, and until 1958, used its remaining restaurants and bars as recreational facilities for its soldiers.
 After the departure of its American occupants, there were talks of rebuilding the theater behind its historic façade, but the German post-war economic situation was still bleak, and the emerging television was perceived as too dangerous a competition (which indeed it was at the time) to risk a venture in the live entertainment business. The remains of the once magnificent and popular Albert Schumann Circus-Theater were eventually razed to the ground in 1960 to make room for a modern, insignificant office building.

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 ===The Circus-Theater Albert Schumann===
-[[File:Circus_Schumann_Frankfurt_(1905).jpg|Circus-Theater Albert Schumann (1905)|thumb|right|400px]]The building had been established by the great German equestrian and circus director [[The Schumann Dynasty|Albert Schumann]] (1858-1939), who had already taken over the old [[Circus Renz]] in Berlin, and had built another [[Circus Albert Schumann (Vienna)|Circus Albert Schumann]] in Vienna. Schumann had originally erected a temporary wooden structure in 1893 in Frankfurt just two blocks east of the new circus's location, which was then situated in a largely undeveloped area; the success of the shows he gave there encouraged him to construct a permanent building in the same area.
+The building had been established by the great German equestrian and circus director [[The Schumann Dynasty|Albert Schumann]] (1858-1939), who had already taken over the old [[Circus Renz]] in Berlin, and had built another [[Circus Albert Schumann (Vienna)|Circus Albert Schumann]] in Vienna. Schumann had originally erected a temporary wooden structure in 1893 in Frankfurt just two blocks east of the new circus's location, which was then situated in a largely undeveloped area; the success of the shows he gave there encouraged him to construct a permanent building in the same area.
-To finance the project, Albert Schumann created a new company, the ''Aktiengesellschaft für Zirkus- und Theaterbau'' (Corporation for the Circus and Theater Building) based in Berlin and Frankfurt; among the shareholders were Schumann’s brother-in-law [[Julius Seeth]] (1863-1939), a celebrated wild animal trainer, and Seeth’s brother-in-law, British-born equestrian [[Joe Hodgini]] (Joseph Henry Hodges&mdash;1865-1950). The company asked the architects Friedrich Kristeller and Hugo Sonenthal to design a building that could be used indifferently as a circus or a variety theater. Kristeller was a Berlin-based architect, who would design a few years later a famous Art Nouveau office building on Krausenstrasse, which houses today the Federal Ministry of Transportation.
+[[File:Circus_Schumann_Frankfurt_(1905).jpg|Circus-Theater Albert Schumann (1905)|thumb|right|400px]]To finance the project, Albert Schumann created a new company, the ''Aktiengesellschaft für Zirkus- und Theaterbau'' (Corporation for the Circus and Theater Building) based in Berlin and Frankfurt; among the shareholders were Schumann’s brother-in-law [[Julius Seeth]] (1863-1939), a celebrated wild animal trainer, and Seeth’s brother-in-law, British-born equestrian [[Joe Hodgini]] (Joseph Henry Hodges&mdash;1865-1950). The company asked the architects Friedrich Kristeller and Hugo Sonenthal to design a building that could be used indifferently as a circus or a variety theater. Kristeller was a Berlin-based architect, who would design a few years later a famous Art Nouveau office building on Krausenstrasse, which houses today the Federal Ministry of Transportation.
 The construction began in September 1904, and the ''Circus-Theater Albert Schumann'' opened its doors on December 5, 1905. It was equipped with a ring and a stage (like most European circus buildings since [[Philip Astley|Astley's]]), and the ring could be covered with seats to transform the circus into a full-fledged theater, with a stage equipped with all the latest technical amenities. At full seating capacity, the house could accommodate 4,500 spectators. The dome above the ring (or the parterre, according to the configuration) was 28 meters high (approximately 92 feet), which allowed all sorts of large aerial acts, and there were stables for 150 horses, located below the stage.

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 ===From Riches To Rags===
-[[File:Schumann_Circus_Frankfurt.jpg|Circus-Theater Schumann's house as a circus in 1905|thumb|left|400px]]Albert Schumann gave the initial management of his circus-theater to his brother-in-law and partner, Julius Seeth. Each season until WWI, the building offered one month of circus, one month of operetta, and ten months of variety. After the war, it became mostly a variety theater: ''Varieté'' shows&mdash;a mixture of circus acts, singers, dancers and comedians&mdash;were immensely popular in Germany in the 1920s and 1930s; great circus acts such as [[The Codonas]] on the flying trapeze, the legendary juggler [[Enrico Rastelli]], and the greatest clowns of the era, [[Grock]], [[Les Fratellini|The Fratellinis]] and [[Charlie Rivel|The Rivels]], graced its stage during this period. Albert Schumann regularly presented his horses there until 1926.
+[[File:Schumann_Circus_Frankfurt.jpg|Circus-Theater Schumann's house as a circus (1905)|thumb|left|400px]]Albert Schumann gave the initial management of his circus-theater to his brother-in-law and partner, Julius Seeth. Each season until WWI, the building offered one month of circus, one month of operetta, and ten months of variety. After the war, it became mostly a variety theater: ''Varieté'' shows&mdash;a mixture of circus acts, singers, dancers and comedians&mdash;were immensely popular in Germany in the 1920s and 1930s; great circus acts such as [[The Codonas]] on the flying trapeze, the legendary juggler [[Enrico Rastelli]], and the greatest clowns of the era, [[Grock]], [[Les Fratellini|The Fratellinis]] and [[Charlie Rivel|The Rivels]], graced its stage during this period. Albert Schumann regularly presented his horses there until 1926.
 The Schumann Theater, as it became known then, was a very successful and fashionable venue, but it had to close its doors in 1930, victim of the Wall Street crash of 1929 and its devastating impact on the already distressed German economy. Yet, it was able to reopen in 1931 with a revue titled ''Hello Paris'', and success returned until the advent of WWII. When the Allied Forces bombed Frankfurt in 1944, the stage and the auditorium of the Circus-Theater Albert Schumann were completely destroyed, but the façade, and the foyer and restaurants right behind it, survived. The U.S. Army took over the building in 1945, and until 1958, used its remaining restaurants and bars as recreational facilities for its soldiers.

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 File:Circus_Schumann_(c1910).jpeg|Circus Schumann (c.1910)
 File:Schumann_seating_plan.jpg|Seating plan in ''varieté'' configuration (1913)
 File:Schumann_Theater_c1940.jpg|Schumann Theater (c.1940)
 </Gallery>
 [[Category:History|Schumann Circus (Frankfurt)]][[Category:Circuses|Schumann Circus (Frankfurt)]]