Marthe and Juliette Vesque - Revision history

Djando: /* Image Gallery */

2024-12-28T06:50:29Z

‎Image Gallery

Djando: /* Image Gallery */

2024-05-06T19:02:32Z

‎Image Gallery

Djando: /* Les Demoiselles Vesque */

2024-05-06T18:46:49Z

‎Les Demoiselles Vesque

Djando: /* A Jealously Kept Collection */

2024-05-06T18:46:19Z

‎A Jealously Kept Collection

Djando at 18:45, 6 May 2024

2024-05-06T18:45:29Z

Djando: /* A Jealously Kept Collection */

2024-05-06T18:43:49Z

‎A Jealously Kept Collection

Djando at 18:39, 6 May 2024

2024-05-06T18:39:53Z

Djando: /* Circus Memorialists */

2024-05-06T18:39:07Z

‎Circus Memorialists

Djando at 18:38, 6 May 2024

2024-05-06T18:38:30Z

Djando at 18:37, 6 May 2024

2024-05-06T18:37:48Z

@@ Line 49: / Line 49: @@
 File:Vesque_-_Cookes_1912.jpg|The Cookes (1912)
 File:Vesque_Florimond-Bastien_1914.jpg|Florimond-Bastien Troupe (1914)
 File:Vesque_Hassan_1916.jpg|Les Hassan (1916)
 File:Webb_Bros_1916.jpg|The Webb Bros. (1916)

@@ Line 100: / Line 100: @@
 File:Circus_Gleich_1933.jpeg|Circus Gleich (1933)
 File:Circus_Gleich_in_Paris.jpg|Circus Gleich (1933)
 File:Vesque_Zanfretta_1933.jpeg|Cirque Zanfretta (1933)
 File:Vesque_Recordier_et_Boulicot_1934.jpg|Recordier & Boulicot (1934)

@@ Line 8: / Line 8: @@
 ===Les Demoiselles Vesque===
-[[File:Marthe_Vesque.jpg|left|thumb|300px\Marthe Vesque]][[File:Juliette_Vesque.jpg|thumb|right|300px|Juliette Vesque]]
+[[File:Marthe_Vesque.jpg|left|thumb|300px|Marthe Vesque]][[File:Juliette_Vesque.jpg|thumb|right|300px|Juliette Vesque]]
 Known in the French circus milieu as "les demoiselles Vesque," or&mdash;somewhat more fittingly because it rings like the name of a circus act&mdash;"les sœurs Vesque" (the Vesque sisters), Marthe and Juliette Vesque spent their lives together, never married, and shared not only the same occupation, but also the same passions. Marthe was born in 1879 in Joinville-le-Pont, a suburb of Paris, and Juliette, who was born in Paris, followed her in 1881.

@@ Line 21: / Line 21: @@
 ===A Jealously Kept Collection===
-[[File:The_Fredianis_Nouveau_Cirque.jpg|thumb|left|400px|The Magyar Troupe (1935)]]The rest of the time, they were at the circus or at the music-hall (variety theater), sketching the acts they saw, chatting with circus folks, and adding entries to their journal after the show. This was indeed a devouring passion: At that time, Parisian circuses and music-halls renewed their programs every two or three weeks, and the sisters rarely missed one! Although they would have found many buyers, they always refused to sell their paintings, which they kept jealously; they presented a few of them, however, as a gift to selected friends who were, like them, hard-core circus aficionados&mdash;mostly journalists and circus chroniclers.
+[[File:The_Fredianis_Nouveau_Cirque.jpg|thumb|left|400px|The Fredianis (1909)]]The rest of the time, they were at the circus or at the music-hall (variety theater), sketching the acts they saw, chatting with circus folks, and adding entries to their journal after the show. This was indeed a devouring passion: At that time, Parisian circuses and music-halls renewed their programs every two or three weeks, and the sisters rarely missed one! Although they would have found many buyers, they always refused to sell their paintings, which they kept jealously; they presented a few of them, however, as a gift to selected friends who were, like them, hard-core circus aficionados&mdash;mostly journalists and circus chroniclers.
 Before she passed away on February 4, 1949, Marthe Vesque asked her sister to never sell their collection, and never disperse it. In 1955, Juliette began to donate it, in installments, to the Musée national des Arts et Tradition Populaires, which had been newly created by another circus enthusiast, Georges-Henri Rivière. It was difficult indeed for Juliette to part with these souvenirs&mdash;souvenirs of her sister (the paintings were always signed by both sisters: M.J.V. or M.J. Vesque), and specific memories of their common passion.

@@ Line 6: / Line 6: @@
 For a half-century (roughly from 1900 to 1950), Marthe (1879-1949) and Juliette (1881-1962) Vesque have documented the Parisian circus scene in meticulously precise paintings of circus artists in performance&mdash;about whom they often added fascinating information in their journal, which they wrote from 1904 to 1947. They sketched their subjects live, at the circus or in variety theaters, which they frequented assiduously every week. Their unique art production constitutes perhaps the most remarkable visual documentation existing on the European circus of the first half of the twentieth century.
 ===Les Demoiselles Vesque===
 [[File:Marthe_Vesque.jpg|left|thumb|300px\Marthe Vesque]][[File:Juliette_Vesque.jpg|thumb|right|300px|Juliette Vesque]]
@@ Line 20: / Line 21: @@
 ===A Jealously Kept Collection===
-[[File:Vesque_Magyar_Troupe_1935.jpg|thumb|left|300px|The Magyar Troupe (1935)]]The rest of the time, they were at the circus or at the music-hall (variety theater), sketching the acts they saw, chatting with circus folks, and adding entries to their journal after the show. This was indeed a devouring passion: At that time, Parisian circuses and music-halls renewed their programs every two or three weeks, and the sisters rarely missed one! Although they would have found many buyers, they always refused to sell their paintings, which they kept jealously; they presented a few of them, however, as a gift to selected friends who were, like them, hard-core circus aficionados&mdash;mostly journalists and circus chroniclers.
+[[File:The_Fredianis_Nouveau_Cirque.jpg|thumb|left|400px|The Magyar Troupe (1935)]]The rest of the time, they were at the circus or at the music-hall (variety theater), sketching the acts they saw, chatting with circus folks, and adding entries to their journal after the show. This was indeed a devouring passion: At that time, Parisian circuses and music-halls renewed their programs every two or three weeks, and the sisters rarely missed one! Although they would have found many buyers, they always refused to sell their paintings, which they kept jealously; they presented a few of them, however, as a gift to selected friends who were, like them, hard-core circus aficionados&mdash;mostly journalists and circus chroniclers.
 Before she passed away on February 4, 1949, Marthe Vesque asked her sister to never sell their collection, and never disperse it. In 1955, Juliette began to donate it, in installments, to the Musée national des Arts et Tradition Populaires, which had been newly created by another circus enthusiast, Georges-Henri Rivière. It was difficult indeed for Juliette to part with these souvenirs&mdash;souvenirs of her sister (the paintings were always signed by both sisters: M.J.V. or M.J. Vesque), and specific memories of their common passion.

← Older revision		Revision as of 18:39, 6 May 2024
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−	[[File:Cirque_Metropole_Paris_1930.jpeg\|right~~\|thumb~~\|400px~~\|The Cirque Métropole (1930)~~]]	+	[[File:Cirque_Metropole_Paris_1930.jpeg\|right\|400px]]
	==Circus Memorialists==		==Circus Memorialists==

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-[[File:Cirque_Metropole_Paris_1930.jpeg|left|thumb|400px|The Cirque Métropole (1930)]]
+[[File:Cirque_Metropole_Paris_1930.jpeg|right|thumb|400px|The Cirque Métropole (1930)]]
 ==Circus Memorialists==
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-[[File:Marthe_Vesque.jpg|left|thumb|300px\Marthe Vesque]][[File:Juliette_Vesque.jpg|thumb|right|300px|Juliette Vesque]]For a half-century (roughly from 1900 to 1950), Marthe (1879-1949) and Juliette (1881-1962) Vesque have documented the Parisian circus scene in meticulously precise paintings of circus artists in performance&mdash;about whom they often added fascinating information in their journal, which they wrote from 1904 to 1947. They sketched their subjects live, at the circus or in variety theaters, which they frequented assiduously every week. Their unique art production constitutes perhaps the most remarkable visual documentation existing on the European circus of the first half of the twentieth century.
+For a half-century (roughly from 1900 to 1950), Marthe (1879-1949) and Juliette (1881-1962) Vesque have documented the Parisian circus scene in meticulously precise paintings of circus artists in performance&mdash;about whom they often added fascinating information in their journal, which they wrote from 1904 to 1947. They sketched their subjects live, at the circus or in variety theaters, which they frequented assiduously every week. Their unique art production constitutes perhaps the most remarkable visual documentation existing on the European circus of the first half of the twentieth century. [[File:Marthe_Vesque.jpg|left|thumb|300px\Marthe Vesque]][[File:Juliette_Vesque.jpg|thumb|right|300px|Juliette Vesque]]