Difference between revisions of "Main Page"

From Circopedia

 
(98 intermediate revisions by the same user not shown)
Line 18: Line 18:
 
==In The Spotlight==
 
==In The Spotlight==
  
===THE REVERHOS===
+
===THE GREAT CARMO===
 +
[[File:Carmo_in_turban.jpg|right|300px]]
 +
Relatively little has been written of Harry Cameron (1881-1944), better known as "The Great Carmo," apart from a small volume entitled ''The Great Carmo, The Colossus of Mystery'', by magician and writer Val Andrews in 2001. Yet, Carmo was at one time one of the leading illusionists of the British variety theatre scene, and for a short period, the owner of a circus stalked by tragedy. He might also be considered the man who launched the Bertram Mills Circus on its first tour, having had a short connection with Bertram W. Mills and his two sons in 1929, prior to the appearance of the full-fledged Mills tenting show in 1930.
  
[[File:Reverhos_-_Scala.jpg|right|400px]]From the early 1930s through the late 1950s, The Reverhos were major circus and variety performers; however, they didn't leave the same mark in circus history as other, less talented performers may have. The reason is probably that their act was difficult to classify: It mixed juggling, acrobatics, and hand- and head-balancing, some of it performed on a slack wire—and the sheer difficulty of their vast repertoire prevented imitations. The fact that they worked principally on variety stages is perhaps another factor. Nonetheless, their act was extremely spectacular and has remained unique to this day.  
+
Although of Scottish origins (his parents had emigrated to Australia in about 1880), Harry Cameron was born in Brunswick, a suburb of Melbourne, Australia on November 8, 1881. His father was an engineer; unbeknownst to him, Harry was destined to become a magician and illusionist who would rival the "greats" of his era: Lafayette, Chung Ling Soo, Lyle, Dante, Murray, Chefalo, and Kalanag, whose huge stage presentations were among the finest in theatrical history.
  
It was created by two French brothers who were not born in the circus, nor in the entertainment business for that matter: They began their professional lives as brick masons. Gustave Revereau (1902-1969) was born on February 8, 1902, in Bressuire, a small town in the Deux-Sèvres department, in the Poitou province. His brother André (1906-1996) followed him there four years later, on June 2, 1906. Their father, Adrien, was a Master Brick Mason, and they were destined to follow in his footsteps—which they did. Or did at first…
+
As a youngster, and without any encouragement from his family, Harry developed a love for show business. He had been first entranced by the magic quality of a travelling circus he had visited, and then by Paul Cinquevalli, the greatest juggler of his time, whom he saw in a variety theatre in Melbourne: Harry set out to emulate the feats of his new idol in his juggling, balance and strongman routines.  
  
Predictably, the brothers were very physical and, in their spare time, they joined a local gymnasium where they learned the basics of acrobatics, mostly by imitating their elders—among whom circus artists who trained there to improve their act or create new ones during their off time between seasons, as it was customary then: Many a circus career at the time began in one of these gymnasiums. There, Gustave and André must have seen some jugglers practice, and they began to learn juggling by themselves, developing in time a solid foundation.  
+
Hence Harry started practising juggling, and whenever possible, without his parents’ knowledge, he frequented theatres and travelling shows. Leaving school at fourteen, he was first apprenticed to a grocer and developed his muscles carrying sacks of flour up to a ladder. Next, he worked in a brass foundry and, in his spare time, took part in a Minstrel show, where he began learning the business of entertainment and formed his flair for showmanship and his stage-sense.
  
Performers who trained along them were duly impressed by the brothers' skills, and they eventually suggested they build a juggling act. Thus, so did Gustave and André, juggling with tennis rackets at first. However, they quickly began to add a few spectacular acrobatic elements to their act: André juggled upside-down, head-balancing, while passing clubs with Gustave, and Gustave performed a one-arm stand, twirling hoops on his balancing cane, his free hand, and his feet: Traditional juggling increasingly became just an appetizer to the rest of the act. It was highly original, and through their gymnasium connections, they soon attracted agents' attention.... ([[The Reverhos|more...]])
+
When his father found out about Harry’s clandestine affair with show business, he gave him an ultimatum: Either to abandon his artistic ambitions, or to leave home. Harry chose the second option and went on to travelling with the Minstrel show for a year, and later with Rowley’s Waxworks and Varieties—where he performed his budding juggling and strongman act. He then continued to develop it in other shows.
 +
 
 +
Next, Harry moved on to Ashton’s Circus, playing in the bush townships of Australia, a hard grounding in the circus life. There, attempting to learn wire walking, he had a fall followed by a penniless period in hospital, which led to reconciliation with his parents. Eventually, Harry developed a successful variety career with an act that combined juggling, feats of strength, quick-changes, and impressions. He married his singer-assistant, Nellie Lloyd, in Sydney, on January 5, 1903.... ([[The Great Carmo|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
* [[Nouveau_Cirque_(Paris)/fr|Nouveau Cirque]], History — Version Française (French Version)
+
* [[The Biasini Family]], Circus Owners, Artists
* [[Cirque Medrano (Paris)/fr|Cirque Medrano]], History — Version Française (French Version)
+
* [[Paul Jerome]], Clown
* [[The Reverhos]], Acrobatic Jugglers
+
* [[Evelyn and André]], Aerialists, Acrobats
* [[Francis Brunn]], Juggler
+
* [[Ramón Rampin]], Clown
* [[Tereza Durova]], Animal Trainer
+
* [[Elsane]], Aerialist
  
 
==New Videos==
 
==New Videos==
  
* [[Darya_Davidenko_Video_(2023)|Darya Davidenko]], hula-hoops (2023)
+
* [[Pipo_Gougou_Zippo_Video_(2004)|Pipo, Petit Gougou & Zippo]], clown entrée (2004)
* [[Shalamova-Martini_Video_(2024)|Anna Shalamova-Martini]], hand-balancer/contortionist (2024)
+
* [[Pipo_Gaston_Zippo_Video_(1993)|Pipo, Gaston & Zippo]], clown entrée (1993)
* [[Amara_Video_(2024)|Amara Troupe]], teeterboard (2024)
+
* [[Krone_Video_(2025)|Circus Krone]] Press Confernece (2025)
* [[Archie_and_Diane_Bennett_Video_(1977)|Archie & Diana Bennet]], contortionists (1977)
+
* [[Biasini_Video_(1994)|The Biasini Sisters]], bicycle act (1994)
* [[Chu_Chuan_Ho_Video_(2023)|Chu Chuan Ho]], diabolo act (2023)
+
* [[Hergatis_Video_(1972)|The Hergatis]], rotating aerial perch (1972)
  
 
==New Oral Histories==
 
==New Oral Histories==
  
 +
* [[Dominique_Jando_Video_(2025)|Dominique Jando interview]] by the Circus Historical Society (2025)
 +
* [[Evelyn_and_Andre_Video_(2015)|Evelyn & André Interview]] on Blikk TV (2015)
 
* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
 
* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
 
* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
 
* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
 
* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
 
* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
* [[Pinito_del_Oro_RTE_Video_(1970)|Pinito del Oro's Interview]] on Spanish Television (1970)
 
* [[Eradze_Video_(2015)|Gia Eradze]]'s Interview on SSU TV (2015)
 
  
 
==Circopedia Books==
 
==Circopedia Books==
Line 58: Line 62:
 
==A Message from the Founder==
 
==A Message from the Founder==
  
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
+
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
  
 
:'''Dominique Jando'''
 
:'''Dominique Jando'''
 
:Founder and Curator
 
:Founder and Curator

Latest revision as of 20:29, 14 June 2025


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, originally created as a project of the non-profit Big Apple Circus.

In The Spotlight

THE GREAT CARMO

Carmo in turban.jpg

Relatively little has been written of Harry Cameron (1881-1944), better known as "The Great Carmo," apart from a small volume entitled The Great Carmo, The Colossus of Mystery, by magician and writer Val Andrews in 2001. Yet, Carmo was at one time one of the leading illusionists of the British variety theatre scene, and for a short period, the owner of a circus stalked by tragedy. He might also be considered the man who launched the Bertram Mills Circus on its first tour, having had a short connection with Bertram W. Mills and his two sons in 1929, prior to the appearance of the full-fledged Mills tenting show in 1930.

Although of Scottish origins (his parents had emigrated to Australia in about 1880), Harry Cameron was born in Brunswick, a suburb of Melbourne, Australia on November 8, 1881. His father was an engineer; unbeknownst to him, Harry was destined to become a magician and illusionist who would rival the "greats" of his era: Lafayette, Chung Ling Soo, Lyle, Dante, Murray, Chefalo, and Kalanag, whose huge stage presentations were among the finest in theatrical history.

As a youngster, and without any encouragement from his family, Harry developed a love for show business. He had been first entranced by the magic quality of a travelling circus he had visited, and then by Paul Cinquevalli, the greatest juggler of his time, whom he saw in a variety theatre in Melbourne: Harry set out to emulate the feats of his new idol in his juggling, balance and strongman routines.

Hence Harry started practising juggling, and whenever possible, without his parents’ knowledge, he frequented theatres and travelling shows. Leaving school at fourteen, he was first apprenticed to a grocer and developed his muscles carrying sacks of flour up to a ladder. Next, he worked in a brass foundry and, in his spare time, took part in a Minstrel show, where he began learning the business of entertainment and formed his flair for showmanship and his stage-sense.

When his father found out about Harry’s clandestine affair with show business, he gave him an ultimatum: Either to abandon his artistic ambitions, or to leave home. Harry chose the second option and went on to travelling with the Minstrel show for a year, and later with Rowley’s Waxworks and Varieties—where he performed his budding juggling and strongman act. He then continued to develop it in other shows.

Next, Harry moved on to Ashton’s Circus, playing in the bush townships of Australia, a hard grounding in the circus life. There, attempting to learn wire walking, he had a fall followed by a penniless period in hospital, which led to reconciliation with his parents. Eventually, Harry developed a successful variety career with an act that combined juggling, feats of strength, quick-changes, and impressions. He married his singer-assistant, Nellie Lloyd, in Sydney, on January 5, 1903.... (more...)

New Essays and Biographies

New Videos

  • Pipo, Petit Gougou & Zippo, clown entrée(French) Clown piece with a dramatic structure, generally in the form of a short story or scene. (2004)
  • Pipo, Gaston & Zippo, clown entrée(French) Clown piece with a dramatic structure, generally in the form of a short story or scene. (1993)
  • Circus Krone Press Confernece (2025)
  • The Biasini Sisters, bicycle act (1994)
  • The Hergatis, rotating aerial perchA hanging perch, from where the performers hang with the help of hand or ankle loops. (French: Bambou - Russian: Bambuk) (1972)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator