Difference between revisions of "Main Page"

From Circopedia

 
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<div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατε!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
<div style="top:+0.2em; font-size:110%;"> Circopedia is an original project of the [http://www.bigapplecircus.org/ Big Apple Circus],<br />inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation].</div>
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ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, initially created as a project of the original, non-profit [[Big Apple Circus]]''.</div><br/>
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==In The Spotlight==
 
==In The Spotlight==
  
===JAMES WASHINGTON MYERS===
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===VIRGINIE KENEBEL===
[[File:Myers'_Great_American_Circus_%26_Hippodrome_(1876).jpeg|right|400px]]Jim Myers (1823-1892) was an American equestrian and circus entrepreneur who began his career in the United States, went on to perform in Great Britain and subsequently became a very successful circus impresario in Europe—where the Great American Circus he created there toured extensively, and where he even established a resident circus in Paris.
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[[File:Virginie_Kenebel_-_Bordeaux.jpg|right|300px]]
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Virginie Kenebel (1819-1884)—whose name is sometimes spelled Kennebel—was one of the brightest stars of the equestrian circus in its "Romantic" period (roughly from 1820 to 1880). She was one of the first écuyères de panneau, who danced various movements of classical ballet on a large flat saddle (the panneau). More than the equestriennes who practiced haute-école dressage, like their male counterparts, it was these ballerinas on horseback who truly defined the equestrian circus's Romantic period.
  
Born James Washington Myers in Providence, Rhode Island in 1823, he was apprenticed at the tender age of nine to the equestrian and showman Aaron Turner (1790-1854). Like many young performers of that period, he adopted his teacher’s name when he debuted in the ring, and was billed for a time as a bareback rider and acrobat under the name of James Turner. By 1845, however, he had reverted to his own identity and, as Jim Myers, presented equestrian scenes in the manner of Andrew Ducrow in his mentor’s circus.
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Marie Virginie Kenebel was born into a circus family on April 23, 1819, in La Guillotière, a neighborhood of Lyon, in France. Her father, Ludwig (Louis) Daniel Knebel (or Knoebel, according to his signature&mdash;1794-1878), whose name was francized to Kenebel (or Kénébel), has been said to be a Sinti (a subgroup of the Romani people), but there is no clear documentation to support this assertion. If ever the Knebels had been considered as "outsiders" in Germany, it could also have been because they were Jewish, as were many dynasties of German traveling entertainers: Ludwig's parents, Michel Knebel (or Knoebel) and Leonore, née Östermann, bore names that have strong Jewish connections.  
  
But Myers was an ambitious and enterprising young man, and in 1854, he entered a partnership with Henry P. Madigan (1815-1862), a fellow equestrian who had worked with him for Aaron Turner, and together they created the Myers & Madigan’s Railroad Circus. Myers worked as a clown in their show; he would later marry his partner’s daughter, Rose Madigan (1839-1907), a talented equestrienne in her own right, who was sixteen years his junior.
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According to Signor Saltarino (Valdemar Otto) in his ''Artisten Lexikon'' (1895), the Knebels were a "second-rate [circus] family," but they were capable and polyvalent. Principally a rope dancer but also an equestrian trick-rider, Ludwig was born in Mannheim, in Baden-Württemberg, Germany, on February 22, 1874. As for Virginie's mother, Françoise Sophie Avrillon (known as Sophie, 1799-1862), she was an equestrienne, also born into a circus family in Tuscany, Italy—in Prato, according to her marriage certificate, or in Florence, according to her death and other French certificates; Prato, which is very close to Florence, seems to be the right location.
  
The Myers & Madigan Railroad Circus, which was one of the earliest circuses traveling by rail, became Howes Menagerie and Myers & Madigan Circus in 1855, when the partners entered an association with Seth B. Howes (1815-1901)&mdash;himself a pioneer of the American traveling circus and a former associate of Aaron Turner. This combine was short-lived however, and the following year, Myers went on the road without partners, with his own Jim Myers’ Circus.... ([[James Washington Myers|more...]])
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Louis and Sophie had married on March1, 1819 in Colmar, France, just in time to welcome their daughter into an established family. With three brothers and two sisters, Virginie was the first born of a large brood: she was followed by André (1820-1876), François Amédée (known as Amédée, 1825-1877), Etienne Stephan Antoine (known as Stephan, 1830-18091), Clémentine (1831-1833), and Marie-Honorine (1835-1878).
  
==New Biographies==
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Except for Clémentine, who died in infancy, all followed in their parents' footsteps and embraced a circus career. Amédée created his own company and moved to England from where, in 1846, he sailed to Mauritius, along with his brother André, and then to India, where he eventually settled (he died in Calcutta). André returned to France and worked in Paris for the Franconis. Stephan married his cousin, the equestrienne Émilie Lambert (1824-1890—her mother, Anna, was an Avrillon), but it doesn't seem that his career was particularly brilliant. Marie Honorine married in 1855 the equestrian Jean-Baptiste Auriol, Jr. (1834-1857), son of the illustrious clown Jean-Baptiste Auriol (1806-1881)&mdash;a union that, sadly, was short-lived.
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* [[Zhejiang Acrobatic Troupe]], Chinese Acrobatics
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The Avrillons were a French circus family. Claude Avrillon (1766-1819), Sophie's father, was an equestrian, as was her brother, François (1801-1845), who managed his own circus company; after having tried, unsuccessfully, to establish a permanent circus in Marseille, he had moved to Spain and opened there the first Madrilene circus in 1834, becoming in effect a pioneer of Spanish circus history. (Louis Kenebel and Sophie Avrillon would also create their own circus company with which they traveled intermittently in southern Europe: In 1831, they would find themselves in competition with François Avrillon in Barcelona!)... ([[Virginie Kenebel|more...]])
* [[Gene Mendez]], High Wire Artist
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* [[Franz Czeisler (Tihany)]], Magician, Circus Owner
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==New Essays and Biographies==
* [[Cirque_Medrano_(Paris)|Circuses Fernando and Medrano]], History
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* [[Kannan Bombayo]], Rope Dancer
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* [[Virginie Kenebel]], equestrienne
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* [[Chongqing_Acrobatic_Troupe|Chongqing Acrobatic Troupe]], History
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* [[Cirkus_Verdensteater_(Oslo)|Cirkus Verdensteater]], Oslo Circus Building
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* [[Eddie Murillo]], Circus Agent and Producer
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* [[The Biasini Family]], Circus Owners, Artists
  
 
==New Videos==
 
==New Videos==
  
* [[Compania_Havana_Video_(2017)|Compania Havana]], Flying Act (2017)
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* [[Zhejiang_Duo_Video_(2024)|Zhejiang Duo]], hand-to-hand balancing (2024)
* [[Chi-Han_Chao_Video_(2017)|Chi-Han Chao]], Diabolo Juggler (2017)
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* [[Ortiz_Video_(2024)|Los Ortiz]], high Wire (2024)
* [[Leo_Bassi_Video_(1977)|Leo Bassi]], Foot Juggling (1977)
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* [[The_Royals_Video_(1993)|The Royals]], jugglers (1993)
* [[Zhejiang_Troupe_Video_(2017)|Zhejiang Acrobatic Troupe]], Foot Juggling Act (2017)
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* [[Didier_et_Jade_Video_(1995)|Didier & Jade]], high wire (1995)
* [[Terentieva_Hula-Hoop_Video_(2013)|Masha Tarentieva]], Hula-Hoop Act (2013)
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* [[Mateo_et_Aelia_Video_(2025)|Matéo & Amélia]], diabolo act (2025)
 +
 
 +
==New Oral Histories==
 +
 
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* [[Dominique_Jando_Video_(2025)|Dominique Jando interview]] by the Circus Historical Society (2025)
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* [[Evelyn_and_Andre_Video_(2015)|Evelyn & André Interview]] on Blikk TV (2015)
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* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
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* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
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* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
  
==Featured Oral Histories==
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==Circopedia Books==
  
* [[Jean_Richard_Video_(1979)|Jean Richard and Jean-Pierre Richard]] at the Cirque jean Richard - Christian Boner Interview (1979)
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* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
* [[Buster_Keaton_Video_(1947)|Jérôme Medrano about Buster Keaton]] at the Cirque Medrano (1947)
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* [[Moira_Orfei_Video_(2012)|Moira Orfei]], Circus Owner - Davide Maggio Interview (2012)
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* [[Oleg_Popov_Circus_Legends_Video_(2014)|Oleg Popov]], clown - Russian Television Feature (2014)
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* [[Albert_Fratellini_Interview_(1957)|Albert Fratellini]], clown - French Television Interview (1957)
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==A Message from the Editor==
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==A Message from the Founder==
  
''CIRCOPEDIA is a constantly evolving and expanding encyclopedia of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. So keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Special:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
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''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
  
 
:'''Dominique Jando'''
 
:'''Dominique Jando'''
:Editor/Curator
+
:Founder and Curator

Latest revision as of 23:18, 3 September 2025


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

VIRGINIE KENEBEL

Virginie Kenebel - Bordeaux.jpg

Virginie Kenebel (1819-1884)—whose name is sometimes spelled Kennebel—was one of the brightest stars of the equestrian circus in its "Romantic" period (roughly from 1820 to 1880). She was one of the first écuyères de panneau(French) A flat, padded saddle used by ballerinas on horseback., who danced various movements of classical ballet on a large flat saddle (the panneau(French) A flat, padded saddle used by ballerinas on horseback.). More than the equestriennes who practiced haute-école(French) A display of equestrian dressage by a rider mounting a horse and leading it into classic moves and steps. (See also: High School) dressage, like their male counterparts, it was these ballerinas on horseback who truly defined the equestrian circus's Romantic period.

Marie Virginie Kenebel was born into a circus family on April 23, 1819, in La Guillotière, a neighborhood of Lyon, in France. Her father, Ludwig (Louis) Daniel Knebel (or Knoebel, according to his signature—1794-1878), whose name was francized to Kenebel (or Kénébel), has been said to be a Sinti (a subgroup of the Romani people), but there is no clear documentation to support this assertion. If ever the Knebels had been considered as "outsiders" in Germany, it could also have been because they were Jewish, as were many dynasties of German traveling entertainers: Ludwig's parents, Michel Knebel (or Knoebel) and Leonore, née Östermann, bore names that have strong Jewish connections.

According to Signor Saltarino (Valdemar Otto) in his Artisten Lexikon (1895), the Knebels were a "second-rate [circus] family," but they were capable and polyvalent. Principally a rope dancer but also an equestrian trickAny specific exercise in a circus act.-rider, Ludwig was born in Mannheim, in Baden-Württemberg, Germany, on February 22, 1874. As for Virginie's mother, Françoise Sophie Avrillon (known as Sophie, 1799-1862), she was an equestrienneA female equestrian, or horse trainer, horse presenter, or acrobat on horseback., also born into a circus family in Tuscany, Italy—in Prato, according to her marriage certificate, or in Florence, according to her death and other French certificates; Prato, which is very close to Florence, seems to be the right location.

Louis and Sophie had married on March1, 1819 in Colmar, France, just in time to welcome their daughter into an established family. With three brothers and two sisters, Virginie was the first born of a large brood: she was followed by André (1820-1876), François Amédée (known as Amédée, 1825-1877), Etienne Stephan Antoine (known as Stephan, 1830-18091), Clémentine (1831-1833), and Marie-Honorine (1835-1878).

Except for Clémentine, who died in infancy, all followed in their parents' footsteps and embraced a circus career. Amédée created his own company and moved to England from where, in 1846, he sailed to Mauritius, along with his brother André, and then to India, where he eventually settled (he died in Calcutta). André returned to France and worked in Paris for the Franconis. Stephan married his cousin, the equestrienneA female equestrian, or horse trainer, horse presenter, or acrobat on horseback. Émilie Lambert (1824-1890—her mother, Anna, was an Avrillon), but it doesn't seem that his career was particularly brilliant. Marie Honorine married in 1855 the equestrian Jean-Baptiste Auriol, Jr. (1834-1857), son of the illustrious clown Jean-Baptiste Auriol (1806-1881)—a union that, sadly, was short-lived.

The Avrillons were a French circus family. Claude Avrillon (1766-1819), Sophie's father, was an equestrian, as was her brother, François (1801-1845), who managed his own circus company; after having tried, unsuccessfully, to establish a permanent circus in Marseille, he had moved to Spain and opened there the first Madrilene circus in 1834, becoming in effect a pioneer of Spanish circus history. (Louis Kenebel and Sophie Avrillon would also create their own circus company with which they traveled intermittently in southern Europe: In 1831, they would find themselves in competition with François Avrillon in Barcelona!)... (more...)

New Essays and Biographies

New Videos

  • Zhejiang Duo, hand-to-handAn acrobatic act in which one or more acrobats do hand-balancing in the hands of an under-stander. balancing (2024)
  • Los Ortiz, high Wire (2024)
  • The Royals, jugglers (1993)
  • Didier & Jade, high wireA tight, heavy metallic cable placed high above the ground, on which wire walkers do crossings and various acrobatic exercises. Not to be confused with a tight wire. (1995)
  • Matéo & Amélia, diabolo act (2025)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator