Difference between revisions of "Main Page"

From Circopedia

 
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<div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατε!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
<div style="top:+0.2em; font-size:110%;"> Circopedia was originally created with the support of [http://www.bigapplecircus.com/ Big Apple Circus],<br />and has been inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation].</div>
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ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, initially created as a project of the original, non-profit [[Big Apple Circus]]''.</div><br/>
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==In The Spotlight==
 
==In The Spotlight==
[[File:Luisita_Leers_portrait.jpg|right|250px]]
 
===ARTURO CASTILLA===
 
  
In post-WWII Europe, the Spanish impresario Arturo Castilla (1916-1996) was one of the most active and successful advocates of the circus’s integration into the modern entertainment industry. In this, he followed a few other visionary mavericks such as Jérôme Medrano and Bertram Mills, and preceded Jean Richard, Bernhard Paul, Pierrot Bidon, and others. Castilla’s major achievements were the introduction of theatrical aesthetics into the traveling circus performance, a modern approach to public relations and marketing, his foresight of the emerging sport arenas’ potential, and the pioneering of trans-national synergies between major European circuses.
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===VIRGINIE KENEBEL===
 +
[[File:Virginie_Kenebel_-_Bordeaux.jpg|right|300px]]
 +
Virginie Kenebel (1819-1884)—whose name is sometimes spelled Kennebel—was one of the brightest stars of the equestrian circus in its "Romantic" period (roughly from 1820 to 1880). She was one of the first écuyères de panneau, who danced various movements of classical ballet on a large flat saddle (the panneau). More than the equestriennes who practiced haute-école dressage, like their male counterparts, it was these ballerinas on horseback who truly defined the equestrian circus's Romantic period.
  
With his partner and brother-in-law, Manuel Feijóo (1897-1969), Castilla produced circus shows in Spain and abroad, managed the legendary Circo Price building in Madrid, organized circus festivals and congresses, and presented foreign circus companies in Spain. These activities, added to his remarkable talent at establishing connections with the media and the political establishment of Francisco Franco’s Spain, helped him build a conservative aesthetic of the circus as a celebration of diverse "national" identities, and as a tool for "cultural" propagandistic exchanges, which would be widely emulated.
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Marie Virginie Kenebel was born into a circus family on April 23, 1819, in La Guillotière, a neighborhood of Lyon, in France. Her father, Ludwig (Louis) Daniel Knebel (or Knoebel, according to his signature&mdash;1794-1878), whose name was francized to Kenebel (or Kénébel), has been said to be a Sinti (a subgroup of the Romani people), but there is no clear documentation to support this assertion. If ever the Knebels had been considered as "outsiders" in Germany, it could also have been because they were Jewish, as were many dynasties of German traveling entertainers: Ludwig's parents, Michel Knebel (or Knoebel) and Leonore, née Östermann, bore names that have strong Jewish connections.  
  
Arturo Castilla Rodriguez was born in Bilbao, Spain, on October 22, 1916. His father, Raimundo, was a journalist. Arturo was thirteen years old, in 1929, when Raimundo took him to see the colossal German circus Krone, which was visiting Bilbao. This visit triggered Arturo’s fascination with the circus world. Arturo Castilla eventually studied fine arts at the Escuela de Artes y Oficios de Atxuri, in Bilbao, and joined at the same time an amateur circus club. Circus eventually took precedence over painting, and Arturo formed a clown act with three old friends of his: Carlos Izquierdo, Pedro Talavera, and Esteban Galdós. Together, as the Hermanos Cape, they went on to perform for various Spanish circuses. (Clowns have always been very popular in Spain—a country that has produced over several generations a remarkable number of outstanding clown stars.).... ([[Arturo Castilla|more...]])
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According to Signor Saltarino (Valdemar Otto) in his ''Artisten Lexikon'' (1895), the Knebels were a "second-rate [circus] family," but they were capable and polyvalent. Principally a rope dancer but also an equestrian trick-rider, Ludwig was born in Mannheim, in Baden-Württemberg, Germany, on February 22, 1874. As for Virginie's mother, Françoise Sophie Avrillon (known as Sophie, 1799-1862), she was an equestrienne, also born into a circus family in Tuscany, Italy—in Prato, according to her marriage certificate, or in Florence, according to her death and other French certificates; Prato, which is very close to Florence, seems to be the right location.
  
==New Biographies==
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Louis and Sophie had married on March1, 1819 in Colmar, France, just in time to welcome their daughter into an established family. With three brothers and two sisters, Virginie was the first born of a large brood: she was followed by André (1820-1876), François Amédée (known as Amédée, 1825-1877), Etienne Stephan Antoine (known as Stephan, 1830-18091), Clémentine (1831-1833), and Marie-Honorine (1835-1878).
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* [[Zhejiang Acrobatic Troupe]], Chinese Acrobatics
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Except for Clémentine, who died in infancy, all followed in their parents' footsteps and embraced a circus career. Amédée created his own company and moved to England from where, in 1846, he sailed to Mauritius, along with his brother André, and then to India, where he eventually settled (he died in Calcutta). André returned to France and worked in Paris for the Franconis. Stephan married his cousin, the equestrienne Émilie Lambert (1824-1890—her mother, Anna, was an Avrillon), but it doesn't seem that his career was particularly brilliant. Marie Honorine married in 1855 the equestrian Jean-Baptiste Auriol, Jr. (1834-1857), son of the illustrious clown Jean-Baptiste Auriol (1806-1881)&mdash;a union that, sadly, was short-lived.
* [[Gene Mendez]], High Wire Artist
+
 
* [[Franz Czeisler (Tihany)]], Magician, Circus Owner
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The Avrillons were a French circus family. Claude Avrillon (1766-1819), Sophie's father, was an equestrian, as was her brother, François (1801-1845), who managed his own circus company; after having tried, unsuccessfully, to establish a permanent circus in Marseille, he had moved to Spain and opened there the first Madrilene circus in 1834, becoming in effect a pioneer of Spanish circus history. (Louis Kenebel and Sophie Avrillon would also create their own circus company with which they traveled intermittently in southern Europe: In 1831, they would find themselves in competition with François Avrillon in Barcelona!)... ([[Virginie Kenebel|more...]])
* [[Cirque_Medrano_(Paris)|Circuses Fernando and Medrano]], History
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* [[Kannan Bombayo]], Rope Dancer
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==New Essays and Biographies==
 +
 
 +
* [[Virginie Kenebel]], equestrienne
 +
* [[Chongqing_Acrobatic_Troupe|Chongqing Acrobatic Troupe]], History
 +
* [[Cirkus_Verdensteater_(Oslo)|Cirkus Verdensteater]], Oslo Circus Building
 +
* [[Eddie Murillo]], Circus Agent and Producer
 +
* [[The Biasini Family]], Circus Owners, Artists
  
 
==New Videos==
 
==New Videos==
  
* [[Flying_Vazquez_BAC_1991_Video|The Flying Vazquez]], Flying Trapeze (1991)
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* [[Zhejiang_Duo_Video_(2024)|Zhejiang Duo]], hand-to-hand balancing (2024)
* [[Canestrelli_Video_(1977)|The Canestrellis]], Trampoline Act (1977)
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* [[Ortiz_Video_(2024)|Los Ortiz]], high Wire (2024)
* [[Francis_and_Lottie_Brunn_Video_(1948)|Francis & Lottie Brunn]], Jugglers (1948)
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* [[The_Royals_Video_(1993)|The Royals]], jugglers (1993)
* [[Survivors_Video_(1985)|The Survivors]], Aerial Cradle (1985)
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* [[Didier_et_Jade_Video_(1995)|Didier & Jade]], high wire (1995)
* [[Lucien_Gruss_Video_(1987)|Lucien Gruss]], Horses at Liberty (1987)
+
* [[Mateo_et_Aelia_Video_(2025)|Matéo & Amélia]], diabolo act (2025)
  
==Featured Oral Histories==
+
==New Oral Histories==
  
* [[Jean_Richard_Video_(1979)|Jean Richard and Jean-Pierre Richard]] at the Cirque jean Richard - Christian Boner Interview (1979)
+
* [[Dominique_Jando_Video_(2025)|Dominique Jando interview]] by the Circus Historical Society (2025)
* [[Buster_Keaton_Video_(1947)|Jérôme Medrano about Buster Keaton]] at the Cirque Medrano (1947)
+
* [[Evelyn_and_Andre_Video_(2015)|Evelyn & André Interview]] on Blikk TV (2015)
* [[Moira_Orfei_Video_(2012)|Moira Orfei]], Circus Owner - Davide Maggio Interview (2012)
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* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
* [[Oleg_Popov_Circus_Legends_Video_(2014)|Oleg Popov]], clown - Russian Television Feature (2014)
+
* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
* [[Albert_Fratellini_Interview_(1957)|Albert Fratellini]], clown - French Television Interview (1957)
+
* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
  
==A Message from the Editor==
+
==Circopedia Books==
  
''CIRCOPEDIA is a constantly evolving and expanding encyclopedia of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. So keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Special:Contact|contact us]]: we will definitely consider your remarks and suggestions.''
+
* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
  
:'''Dominique Jando'''
+
==A Message from the Founder==
:Editor/Curator
+
  
* '''Circopedia''' has been named ''World's Best Circus Website'' by BEESKER ([http://www.beesker.com Beesker.com])
+
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
 +
 
 +
:'''Dominique Jando'''
 +
:Founder and Curator

Latest revision as of 23:18, 3 September 2025


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

VIRGINIE KENEBEL

Virginie Kenebel - Bordeaux.jpg

Virginie Kenebel (1819-1884)—whose name is sometimes spelled Kennebel—was one of the brightest stars of the equestrian circus in its "Romantic" period (roughly from 1820 to 1880). She was one of the first écuyères de panneau(French) A flat, padded saddle used by ballerinas on horseback., who danced various movements of classical ballet on a large flat saddle (the panneau(French) A flat, padded saddle used by ballerinas on horseback.). More than the equestriennes who practiced haute-école(French) A display of equestrian dressage by a rider mounting a horse and leading it into classic moves and steps. (See also: High School) dressage, like their male counterparts, it was these ballerinas on horseback who truly defined the equestrian circus's Romantic period.

Marie Virginie Kenebel was born into a circus family on April 23, 1819, in La Guillotière, a neighborhood of Lyon, in France. Her father, Ludwig (Louis) Daniel Knebel (or Knoebel, according to his signature—1794-1878), whose name was francized to Kenebel (or Kénébel), has been said to be a Sinti (a subgroup of the Romani people), but there is no clear documentation to support this assertion. If ever the Knebels had been considered as "outsiders" in Germany, it could also have been because they were Jewish, as were many dynasties of German traveling entertainers: Ludwig's parents, Michel Knebel (or Knoebel) and Leonore, née Östermann, bore names that have strong Jewish connections.

According to Signor Saltarino (Valdemar Otto) in his Artisten Lexikon (1895), the Knebels were a "second-rate [circus] family," but they were capable and polyvalent. Principally a rope dancer but also an equestrian trickAny specific exercise in a circus act.-rider, Ludwig was born in Mannheim, in Baden-Württemberg, Germany, on February 22, 1874. As for Virginie's mother, Françoise Sophie Avrillon (known as Sophie, 1799-1862), she was an equestrienneA female equestrian, or horse trainer, horse presenter, or acrobat on horseback., also born into a circus family in Tuscany, Italy—in Prato, according to her marriage certificate, or in Florence, according to her death and other French certificates; Prato, which is very close to Florence, seems to be the right location.

Louis and Sophie had married on March1, 1819 in Colmar, France, just in time to welcome their daughter into an established family. With three brothers and two sisters, Virginie was the first born of a large brood: she was followed by André (1820-1876), François Amédée (known as Amédée, 1825-1877), Etienne Stephan Antoine (known as Stephan, 1830-18091), Clémentine (1831-1833), and Marie-Honorine (1835-1878).

Except for Clémentine, who died in infancy, all followed in their parents' footsteps and embraced a circus career. Amédée created his own company and moved to England from where, in 1846, he sailed to Mauritius, along with his brother André, and then to India, where he eventually settled (he died in Calcutta). André returned to France and worked in Paris for the Franconis. Stephan married his cousin, the equestrienneA female equestrian, or horse trainer, horse presenter, or acrobat on horseback. Émilie Lambert (1824-1890—her mother, Anna, was an Avrillon), but it doesn't seem that his career was particularly brilliant. Marie Honorine married in 1855 the equestrian Jean-Baptiste Auriol, Jr. (1834-1857), son of the illustrious clown Jean-Baptiste Auriol (1806-1881)—a union that, sadly, was short-lived.

The Avrillons were a French circus family. Claude Avrillon (1766-1819), Sophie's father, was an equestrian, as was her brother, François (1801-1845), who managed his own circus company; after having tried, unsuccessfully, to establish a permanent circus in Marseille, he had moved to Spain and opened there the first Madrilene circus in 1834, becoming in effect a pioneer of Spanish circus history. (Louis Kenebel and Sophie Avrillon would also create their own circus company with which they traveled intermittently in southern Europe: In 1831, they would find themselves in competition with François Avrillon in Barcelona!)... (more...)

New Essays and Biographies

New Videos

  • Zhejiang Duo, hand-to-handAn acrobatic act in which one or more acrobats do hand-balancing in the hands of an under-stander. balancing (2024)
  • Los Ortiz, high Wire (2024)
  • The Royals, jugglers (1993)
  • Didier & Jade, high wireA tight, heavy metallic cable placed high above the ground, on which wire walkers do crossings and various acrobatic exercises. Not to be confused with a tight wire. (1995)
  • Matéo & Amélia, diabolo act (2025)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator