Difference between revisions of "Main Page"

From Circopedia

 
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<div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατε!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
<div style="top:+0.2em; font-size:110%;"> Circopedia was originally created with the support of the [http://www.bigapplecircus.com/ Big Apple Circus],<br />and has been inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation].</div>
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ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, initially created as a project of the original, non-profit [[Big Apple Circus]]''.</div><br/>
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==In The Spotlight==
 
==In The Spotlight==
[[File:The_Lorch_Family_(c1890).jpeg|right|300px]]
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[[File:Ricketts,_Equestrian_Hero.png|300px|right]]
===THE LORCH FAMILY===
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===JOHN BILL RICKETTS===
  
The Lorch family was a highly respected Jewish circus family that owned a circus in Germany intermittently from the nineteenth century until 1930. Founded by Hirsch Lorch (1817-1901) in the second half of the nineteenth century, Circus Lorch was continued by his sons, Adolf (1845-1918), who was born in Manheim on May 4, 1845, and Louis (1847-1924), born in Lörrach, in Baden-Württemberg, on July 14, 1847. Before the turn of the twentieth century, the brothers worked in partnership, and their Circus Gebrüder Lorch traveled principally in southern Germany, Switzerland, and Austria.
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On April 3, 1793, a crowd of theatergoers, horsemanship enthusiasts, and prying citizens gathered at the corner of Market and Twelfth Streets in Philadelphia to witness the debut performance of Mr. John Bill Ricketts's company at the Circus. The Circus was a roofless arena that could accommodate some eight-hundred spectators (divided between pit and boxes) surrounding a circular riding space filled in with a mixture of soil and sawdust, forty-two feet in diameter—the ring.
  
The family acts presented in the show included horsemanship and a remarkable Risley act performed by Louis’s children, which would acquire a towering reputation on the international circus and variety scene during the first half of the twentieth century. The circus maintained winter quarters in Eschollbrücken (today part of Pfungstadt, in the district of Darmstadt-Dieburg) in southern Hessen, where Hirsch Lorch and his family had settled in 1870.
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The wooden construction had been erected in a matter of weeks by Ricketts, a British equestrian who had arrived from Scotland the previous year and had quickly established a riding school in Philadelphia, then the capital of the newly formed United States of America. Ricketts (1769-1802) had followed the example of Philip Astley, who had established just such a riding school in London in 1768, at the foot of Westminster Bridge, before creating there the first modern circus two years later.
  
At the beginning of the twentieth century, while Adolf continued to manage the circus, Louis and his many children went on their own with their Risley act. (Under the sole management of Adolf, Circus Lorch lasted until the beginning of WWI.) With up to eleven performers (family members and partners or apprentices), and at times, horses, Louis’s Lorch Family act was one of the world’s biggest—and indeed one of the best—Risley acts. A true star attraction and very much sought after, it toured for nearly three decades with considerable success in Europe, the United States and South America.
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Before long, a small group of performers from Ricketts's former British company joined him in Philadelphia. Among them were his brother Francis (1777-?), an equestrian and tumbler; Mr. Spinacuta, the rope-dancer, along with his wife, an attractive equestrienne who rode two horses at full gallop; Mr. McDonald, another tumbler who performed comic acrobatic intermezzos as the Clown; and Ricketts's pupil, young Master Strobach. The performance included a great many "feats of horsemanship," most of them presented by Ricketts himself, rope-dancing, some tumbling, and McDonald's acrobatic parodies. This was the first circus show ever put on in America.
  
In 1909, the Lorch Family troupe sailed to the New World, where their act was featured with the Ringling Bros. Circus; it remained there until 1912, working in American vaudeville during the winter months. Even after he stopped being an active participant in the act, Louis continued to travel with his family until his death in 1924—after which his eldest son, Julius (1875-1942), born December 11, 1875 in Neuwied-am-Rhein, succeeded him as head of the troupe. The most outstanding feats in the Lorch Family act were a series of three consecutive double somersaults that Julius’s son Egon (1900-1954) turned on his father’s feet, and an extremely rare triple somersault. ([[The Lorch Family|more...]])
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Young and good-looking, talented and enterprising, Ricketts had become an instant sensation. But if his contemporaries have described his acts extensively, little is known of his early life outside of circus. Fortunately, Gilbert Stuart left a superb, if unfinished, portrait which is now in the collection of the National Gallery of Art in Washington, and John Durang, one of the first American actors—who worked for Ricketts as a dancer, equestrian, acrobat, clown, scenic painter, and deputy manager from 1795-1800—has provided some hints of the man's character in his Memoir, composed circa 1820.
  
==New Biographies==
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John Bill Ricketts was born in October 1769 in Bilston, a small town near the city of Wolverhampton in the West Midlands, to Thomas Ricketts and his wife, Kinborrow, née Perry. His baptism was recorded on October 28, which suggests he was born a few days before. The Ricketts family, which was of Norman extraction and whose original patronymic was Ricard, had long belonged to the landed gentry of Staffordshire. At the turn of the eighteenth century, the elder branch settled in Jamaica, although several members of this very large branch of the family returned to England, either to study or to resettle; others established themselves in the colony of New Jersey in America. Thus Ricketts was not in alien territory when he landed in the newly formed United States. Neither would he be heading to unknown territories when, at the end of his American adventures, he sailed to the West Indies.... ([[John Bill Ricketts|more...]])
  
* [[Albert Rebla]], Juggler
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==New Essays and Biographies==
* [[Baptiste Loisset]], Circus Owner and Equestrian
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* [[The Kornilov Dynasty]], Elephant Trainers
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* [[Richiardi Jr.]], magician
* [[Sergei Korolev]], Acrobat
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* [[Astley's Amphitheatre]], circus
* [[Victor Fomine]], Acrobat, Circus Coach
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* [[Virginie Kenebel]], equestrienne
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* [[Chongqing_Acrobatic_Troupe|Chongqing Acrobatic Troupe]], History
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* [[Cirkus_Verdensteater_(Oslo)|Cirkus Verdensteater]], Oslo Circus Building
  
 
==New Videos==
 
==New Videos==
  
* [[Eva_Vida_Video_(1983)|Eva Vida]], Juggler (1983)
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* [[Lou_Jacobs_Video_(1987)|Lou Jacobs & Frosty Little]], clown reprise (1987)
* [[Rudy_Horn_Video_(1968)|Rudy Horn]], Juggler (1968)
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* [[Hermans_Video_(c.1980)|The Hermans]], perch-pole balancing (c.1980)
* [[LunaStorme_Video_(2017)|LunaStorme]], Aerial Hoop (2017)
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* [[Karoly_Video_(1973)|Karoly Troupe]], flying trapeze (1973)
* [[Rebla_Video_(1938)|Rebla]], Comedy Juggling (1938)
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* [[Flying_Maluendas_Video_(2025)|The Flying Maluendas]], flying trapeze (2025)
* [[Togo_Video_(1937)|Togo]], juggler (1937)
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* [[Richiardi_Video_(1974)|Richiardi Jr.]], illusionist (1974)
  
 
==New Oral Histories==
 
==New Oral Histories==
  
* [[Rosa_Bouglione_Video_(2012)|Rosa Bouglione]]'s interview on Franch Television (2012)
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* [[Dominique_Jando_Video_(2025)|Dominique Jando interview]] by the Circus Historical Society (2025)
* [[Circo_Price_Video_(2017)|A Short History of Madrid's Old Circo Price]], Documentary (1970)
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* [[Evelyn_and_Andre_Video_(2015)|Evelyn & André Interview]] on Blikk TV (2015)
* [[Anastasia_Dementieva_Video_(2017)|Anastasia Dementieva-Kornilova]] – Vadim Vernik Interview (2017)
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* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
* [[Freres_Knie_Video_(1962)|''Les Frères Knie'']], Documentary (1962)
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* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
* [[Jean_Richard_Video_(1979)|Jean Richard and Jean-Pierre Richard]] at the Cirque Jean Richard – Christian Boner Interview (1979)
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* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
 
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==2018 Circopedia Award==
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* [[Dandies_Video_(2018)|''Dandies'' (Yury Kreer, Johnny Gasser, Kirill Ivanov)]], Russian Barre
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==New Circopedia Books==
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==Circopedia Books==
  
 
* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
 
* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
  
==A Message from the Editor==
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==A Message from the Founder==
  
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Special:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
+
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
  
 
:'''Dominique Jando'''
 
:'''Dominique Jando'''
 
:Founder and Curator
 
:Founder and Curator

Latest revision as of 00:21, 24 November 2025


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

Ricketts, Equestrian Hero.png

JOHN BILL RICKETTS

On April 3, 1793, a crowd of theatergoers, horsemanship enthusiasts, and prying citizens gathered at the corner of Market and Twelfth Streets in Philadelphia to witness the debut performance of Mr. John Bill Ricketts's company at the Circus. The Circus was a roofless arena that could accommodate some eight-hundred spectators (divided between pit and boxes) surrounding a circular riding space filled in with a mixture of soil and sawdust, forty-two feet in diameter—the ring.

The wooden construction(French) A temporary circus building, originally made of wood and canvas, and later, of steel elements supporting a canvas top and wooden wall. Also known as a "semi-construction." had been erected in a matter of weeks by Ricketts, a British equestrian who had arrived from Scotland the previous year and had quickly established a riding school in Philadelphia, then the capital of the newly formed United States of America. Ricketts (1769-1802) had followed the example of Philip Astley, who had established just such a riding school in London in 1768, at the foot of Westminster Bridge, before creating there the first modern circus two years later.

Before long, a small group of performers from Ricketts's former British company joined him in Philadelphia. Among them were his brother Francis (1777-?), an equestrian and tumbler; Mr. Spinacuta, the rope-dancer, along with his wife, an attractive equestrienneA female equestrian, or horse trainer, horse presenter, or acrobat on horseback. who rode two horses at full gallop; Mr. McDonald, another tumbler who performed comic acrobatic intermezzos as the Clown; and Ricketts's pupil, young Master Strobach. The performance included a great many "feats of horsemanship," most of them presented by Ricketts himself, rope-dancing, some tumbling, and McDonald's acrobatic parodies. This was the first circus show ever put on in America.

Young and good-looking, talented and enterprising, Ricketts had become an instant sensation. But if his contemporaries have described his acts extensively, little is known of his early life outside of circus. Fortunately, Gilbert Stuart left a superb, if unfinished, portrait which is now in the collection of the National Gallery of Art in Washington, and John Durang, one of the first American actors—who worked for Ricketts as a dancer, equestrian, acrobat, clownGeneric term for all clowns and augustes. '''Specific:''' In Europe, the elegant, whiteface character who plays the role of the straight man to the Auguste in a clown team., scenic painter, and deputy manager from 1795-1800—has provided some hints of the man's character in his Memoir, composed circa 1820.

John Bill Ricketts was born in October 1769 in Bilston, a small town near the city of Wolverhampton in the West Midlands, to Thomas Ricketts and his wife, Kinborrow, née Perry. His baptism was recorded on October 28, which suggests he was born a few days before. The Ricketts family, which was of Norman extraction and whose original patronymic was Ricard, had long belonged to the landed gentry of Staffordshire. At the turn of the eighteenth century, the elder branch settled in Jamaica, although several members of this very large branch of the family returned to England, either to study or to resettle; others established themselves in the colony of New Jersey in America. Thus Ricketts was not in alien territory when he landed in the newly formed United States. Neither would he be heading to unknown territories when, at the end of his American adventures, he sailed to the West Indies.... (more...)

New Essays and Biographies

New Videos

  • Lou Jacobs & Frosty Little, clown reprise(French) Short piece performed by clowns between acts during prop changes or equipment rigging. (See also: Carpet Clown) (1987)
  • The Hermans, perch-poleLong perch held vertically on a performer's shoulder or forehead, on the top of which an acrobat executes various balancing figures. balancing (c.1980)
  • Karoly Troupe, flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze) (1973)
  • The Flying Maluendas, flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze) (2025)
  • Richiardi Jr., illusionist (1974)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator