Difference between revisions of "Main Page"

From Circopedia

 
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<div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατε!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
<div style="top:+0.2em; font-size:110%;"> Circopedia was originally created with the support of the [http://www.bigapplecircus.com/ Big Apple Circus],<br />and has been inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation].</div>
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ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, initially created as a project of the original, non-profit [[Big Apple Circus]]''.</div><br/>
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==In The Spotlight==
 
==In The Spotlight==
[[File:The_Lorch_Family_(c1890).jpeg|right|300px]]
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[[File:Darix_Togni_1963.jpg|right|thumb|320px|Darix Togni]]
===THE LORCH FAMILY===
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===THE TOGNI FAMILY===
  
The Lorch family was a highly respected Jewish circus family that owned a circus in Germany intermittently from the nineteenth century until 1930. Founded by Hirsch Lorch (1817-1901) in the second half of the nineteenth century, Circus Lorch was continued by his sons, Adolf (1845-1918), who was born in Manheim on May 4, 1845, and Louis (1847-1924), born in Lörrach, in Baden-Württemberg, on July 14, 1847. Before the turn of the twentieth century, the brothers worked in partnership, and their Circus Gebrüder Lorch traveled principally in southern Germany, Switzerland, and Austria.
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The Togni dynasty was founded by Aristide Togni (1853-1924), a university student who, in the 1870s, ran away and joined the Circo Torinese, a circus company  headed by Giovanni De Bianchi. Like many Italian circuses at the time, the Circo Torinese performed on stage, in theaters. De Bianchi had married Maria de la Garenne (a.k.a. de Lagarein), a Sinti gypsy, who was said to be the granddaughter of a French nobleman who had fled to Italy during the French revolution.  
  
The family acts presented in the show included horsemanship and a remarkable Risley act performed by Louis’s children, which would acquire a towering reputation on the international circus and variety scene during the first half of the twentieth century. The circus maintained winter quarters in Eschollbrücken (today part of Pfungstadt, in the district of Darmstadt-Dieburg) in southern Hessen, where Hirsch Lorch and his family had settled in 1870.
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Togni married Giovanni's daughter, Teresa De Bianchi. Together, they created a circus company of their own&mdash;which, as legend has it, consisted of a single wagon and a monkey&mdash;and headed for the South of Italy. Circa 1880, they had acquired a small, one-pole big top that could house an audience of forty: the first Circo Togni was born. The couple had eight children, and their circus grew quickly, soon performing under a medium-size big top. It became so popular, apparently, that the King of Italy, Victor Emmanuel III, awarded Circo Togni the title of Circo Nazionale in 1919.
  
At the beginning of the twentieth century, while Adolf continued to manage the circus, Louis and his many children went on their own with their Risley act. (Under the sole management of Adolf, Circus Lorch lasted until the beginning of WWI.) With up to eleven performers (family members and partners or apprentices), and at times, horses, Louis’s Lorch Family act was one of the world’s biggest—and indeed one of the best—Risley acts. A true star attraction and very much sought after, it toured for nearly three decades with considerable success in Europe, the United States and South America.
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Aristide's succession was assured by three of his sons, Ercole (1894-1958), Ugo (1897-1981), and Ferdinando (1900-1990). The circus alternated summer seasons under the big top with winter engagements in some of the most beautiful theatres of Italy. For several years, they toured Sicily and Greece. In the 1930s, the Dopolavoro Fascista (the entertainment office of the Fascist government) supported the Circo Nazional Togni, which it considered a major artistic propaganda tool.  
  
In 1909, the Lorch Family troupe sailed to the New World, where their act was featured with the Ringling Bros. Circus; it remained there until 1912, working in American vaudeville during the winter months. Even after he stopped being an active participant in the act, Louis continued to travel with his family until his death in 1924—after which his eldest son, Julius (1875-1942), born December 11, 1875 in Neuwied-am-Rhein, succeeded him as head of the troupe. The most outstanding feats in the Lorch Family act were a series of three consecutive double somersaults that Julius’s son Egon (1900-1954) turned on his father’s feet, and an extremely rare triple somersault. ([[The Lorch Family|more...]])
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The circus began to travel with a menagerie, which included tigers, lions, bears, elephants, and an important collection of horses. Ferdinando became a fine horse trainer and presented beautiful "liberty" horse acts; Ercole was the house clown and a good tumbler; Ugo was a perch-pole acrobat, aerialist, and animal trainer. There were also about twenty talented performers among their daughters and sons, and the company included members of other famous Italian circus families, such as Miletti, Jarz, and Casartelli.
  
==New Biographies==
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The third Togni generation created the Tognis's three principal signature acts: pyramids on horseback, "jockey," and flying trapeze. By the late 1940s, Darix Togni (Ercole's son, 1922-1976) became, with his lion act, the star of Circo Nazionale Togni. In that act, Darix began to develop his legendary gladiator character. Circo Togni's large, round cupola allowed the presentation of the Tognis's spectacular cross-flying trapeze act, which had no less than two catchers and nine flyers. Among those, Cesare Togni (Ugo's son) accomplished a double "casse-cou" (front somersault) to the catcher, with a return to the bar with a triple pirouette.
  
* [[Baptiste Loisset]], Circus Owner and Equestrian
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Although it survived and performed safely during WWII, the Circo Nazionale Togni was devastated by a fire in 1951. Ercole, Ugo, and Ferdinando decided that it was time to split their ever-growing family within three separate circuses.... ([[The Togni Family|more...]])
* [[The Kornilov Dynasty]], Elephant Trainers
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* [[Sergei Korolev]], Acrobat
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* [[Victor Fomine]], Acrobat, Circus Coach
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* [[Annie Fratellini]], Clown, Circus Director
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==New Videos==
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==New Essays and Biographies==
  
* [[Togo_Video_(1937)|Togo]], juggler (1937)
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* [[Richiardi Jr.]], magician
* [[Lavin_and_Kanarskiy_Video_(1973)|Lavin & Kanarskiy]], Hand-to-Hand Balancing (1973)
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* [[Astley's Amphitheatre]], circus
* [[Bela_Kremo_Video_(1966)|Béla Kremo]], Juggler (1966)
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* [[Virginie Kenebel]], equestrienne
* [[Florence_Honey_Girls_Video_(1956)|The Florence Honey Girls]] Acrobats (1956)
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* [[Chongqing_Acrobatic_Troupe|Chongqing Acrobatic Troupe]], History
* [[Kim_Yim_Il_Troupe_Video_(2018)|Kim Yim Il Troupe]], High Wire Act (2018)
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* [[Cirkus_Verdensteater_(Oslo)|Cirkus Verdensteater]], Oslo Circus Building
  
==New Oral Histories==
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==New Videos==
  
* [[Rosa_Bouglione_Video_(2012)|Rosa Bouglione]]'s interview on Franch Television (2012)
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* [[Florees_Video_(2024)|Sarah Florees]], aerial chandelier (2024)
* [[Circo_Price_Video_(2017)|A Short History of Madrid's Old Circo Price]], Documentary (1970)
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* [[Viktor_Kee_Video_(2024)|Viktor Kee]], juggler (2024)
* [[Anastasia_Dementieva_Video_(2017)|Anastasia Dementieva-Kornilova]] – Vadim Vernik Interview (2017)
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* [[The_Brockways_Video_(1971)|The Brockways]], bicycle act (1971)
* [[Freres_Knie_Video_(1962)|''Les Frères Knie'']], Documentary (1962)
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* [[Giulia_Giona_Video_(2025)|Giulia Giona]], horses at libety (2025)
* [[Jean_Richard_Video_(1979)|Jean Richard and Jean-Pierre Richard]] at the Cirque Jean Richard – Christian Boner Interview (1979)
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* [[Maxim_Voronin_Video_(2025)|Maxim Voronin]], magic/hand-balancing/contortion (2025)
  
==2018 Circopedia Award==
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==New Oral Histories==
  
* [[Dandies_Video_(2018)|''Dandies'' (Yury Kreer, Johnny Gasser, Kirill Ivanov)]], Russian Barre
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* [[Dominique_Jando_Video_(2025)|Dominique Jando interview]] by the Circus Historical Society (2025)
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* [[Evelyn_and_Andre_Video_(2015)|Evelyn & André Interview]] on Blikk TV (2015)
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* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
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* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
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* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
  
==New Circopedia Books==
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==Circopedia Books==
  
 
* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
 
* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
  
==A Message from the Editor==
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==A Message from the Founder==
  
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Special:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
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''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
  
 
:'''Dominique Jando'''
 
:'''Dominique Jando'''
 
:Founder and Curator
 
:Founder and Curator

Latest revision as of 00:09, 20 December 2025


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

Darix Togni

THE TOGNI FAMILY

The Togni dynasty was founded by Aristide Togni (1853-1924), a university student who, in the 1870s, ran away and joined the Circo Torinese, a circus company headed by Giovanni De Bianchi. Like many Italian circuses at the time, the Circo Torinese performed on stage, in theaters. De Bianchi had married Maria de la Garenne (a.k.a. de Lagarein), a Sinti gypsy, who was said to be the granddaughter of a French nobleman who had fled to Italy during the French revolution.

Togni married Giovanni's daughter, Teresa De Bianchi. Together, they created a circus company of their own—which, as legend has it, consisted of a single wagon and a monkey—and headed for the South of Italy. Circa 1880, they had acquired a small, one-pole big topThe circus tent. America: The main tent of a traveling circus, where the show is performed, as opposed to the other tops. (French, Russian: Chapiteau) that could house an audience of forty: the first Circo Togni was born. The couple had eight children, and their circus grew quickly, soon performing under a medium-size big topThe circus tent. America: The main tent of a traveling circus, where the show is performed, as opposed to the other tops. (French, Russian: Chapiteau). It became so popular, apparently, that the King of Italy, Victor Emmanuel III, awarded Circo Togni the title of Circo Nazionale in 1919.

Aristide's succession was assured by three of his sons, Ercole (1894-1958), Ugo (1897-1981), and Ferdinando (1900-1990). The circus alternated summer seasons under the big topThe circus tent. America: The main tent of a traveling circus, where the show is performed, as opposed to the other tops. (French, Russian: Chapiteau) with winter engagements in some of the most beautiful theatres of Italy. For several years, they toured Sicily and Greece. In the 1930s, the Dopolavoro Fascista (the entertainment office of the Fascist government) supported the Circo Nazional Togni, which it considered a major artistic propaganda tool.

The circus began to travel with a menagerie, which included tigers, lions, bears, elephants, and an important collection of horses. Ferdinando became a fine horse trainer and presented beautiful "liberty"Liberty act", "Horses at liberty": Unmounted horses presented from the center of the ring by an equestrian directing his charges with his voice, body movements, and signals from a ''chambrière'' (French), or long whip." horse acts; Ercole was the house clown and a good tumbler; Ugo was a perch-poleLong perch held vertically on a performer's shoulder or forehead, on the top of which an acrobat executes various balancing figures. acrobat, aerialistAny acrobat working above the ring on an aerial equipment such as trapeze, Roman Rings, Spanish web, etc., and animal trainer. There were also about twenty talented performers among their daughters and sons, and the company included members of other famous Italian circus families, such as Miletti, Jarz, and Casartelli.

The third Togni generation created the Tognis's three principal signature acts: pyramids on horseback, "jockeyClassic equestrian act in which the participants ride standing in various attitudes on a galoping horse, perform various jumps while on the horse, and from the ground to the horse, and perform classic horse-vaulting exercises.," and flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze). By the late 1940s, Darix Togni (Ercole's son, 1922-1976) became, with his lion act, the star of Circo Nazionale Togni. In that act, Darix began to develop his legendary gladiator character. Circo Togni's large, round cupola allowed the presentation of the Tognis's spectacular cross-flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze) act, which had no less than two catchers and nine flyers. Among those, Cesare Togni (Ugo's son) accomplished a double "casse-cou(French) A front, or forward, somersault." (front somersault) to the catcherIn an acrobatic or a flying act, the person whose role is to catch acrobats that have been propelled in the air., with a return to the bar with a triple pirouette(French) A full rotation of the body in the vertical axle. Double pirouette: two rotations, etc..

Although it survived and performed safely during WWII, the Circo Nazionale Togni was devastated by a fire in 1951. Ercole, Ugo, and Ferdinando decided that it was time to split their ever-growing family within three separate circuses.... (more...)

New Essays and Biographies

New Videos

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator