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==In The Spotlight==
 
==In The Spotlight==
  
===VIRGINIE KENEBEL===
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===THE INDIAN CIRCUS===
[[File:Virginie_Kenebel_-_Bordeaux.jpg|right|300px]]
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[[File:Rambo_Circus_Poster_(2014).jpg|right|320px]]
Virginie Kenebel (1819-1884)—whose name is sometimes spelled Kennebel—was one of the brightest stars of the equestrian circus in its "Romantic" period (roughly from 1820 to 1880). She was one of the first écuyères de panneau, who danced various movements of classical ballet on a large flat saddle (the panneau). More than the equestriennes who practiced haute-école dressage, like their male counterparts, it was these ballerinas on horseback who truly defined the equestrian circus's Romantic period.
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The circus tradition in India dates back to the late nineteenth century—although India has of course a much more ancient tradition of traveling entertainers, comparable and parallel to those of Asia and Europe, and who often cross-pollinated with them. But the first Indian circus, according to the definition of the art form created by Philip Astley in 1770, didn’t appear until 1880.
  
Marie Virginie Kenebel was born into a circus family on April 23, 1819, in La Guillotière, a neighborhood of Lyon, in France. Her father, Ludwig (Louis) Daniel Knebel (or Knoebel, according to his signature—1794-1878), whose name was francized to Kenebel (or Kénébel), has been said to be a Sinti (a subgroup of the Romani people), but there is no clear documentation to support this assertion. If ever the Knebels had been considered as "outsiders" in Germany, it could also have been because they were Jewish, as were many dynasties of German traveling entertainers: Ludwig's parents, Michel Knebel (or Knoebel) and Leonore, née Östermann, bore names that have strong Jewish connections.  
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Its creator was Vishnupant Chatre, a riding master who doubled as a singing teacher. Chatre was born in the village of Ankakhop (now part of the city of Sangli), in the province of Maharashtra, southeast of Bombay (the present Mumbai). Chatre was in charge of the stables of the Rajah of Kurduwadi, where he occasionally performed "feats of horsemanship"—in the tradition of old English riding masters such as Philip Astley.
  
According to Signor Saltarino (Valdemar Otto) in his ''Artisten Lexikon'' (1895), the Knebels were a "second-rate [circus] family," but they were capable and polyvalent. Principally a rope dancer but also an equestrian trick-rider, Ludwig was born in Mannheim, in Baden-Württemberg, Germany, on February 22, 1874. As for Virginie's mother, Françoise Sophie Avrillon (known as Sophie, 1799-1862), she was an equestrienne, also born into a circus family in Tuscany, Italy—in Prato, according to her marriage certificate, or in Florence, according to her death and other French certificates; Prato, which is very close to Florence, seems to be the right location.
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As legend has it, Chatre and the Rajah went to see a performance of the Royal Italian Circus of Giuseppe Chiarini in Bombay. The peripatetic Italian director (whose company was generally based in North America) was on one of its many world tours, and visited Bombay for the first time in 1774. Chiarini was a remarkable equestrian, and Chatre was duly impressed by his performance, and also by his show. During a conversation with Chatre and the Rajah, Chiarini bluntly stated that India was not ready to have a circus of its own, and that it would take at least ten years before it could happen; Chatre was piqued.
  
Louis and Sophie had married on March1, 1819 in Colmar, France, just in time to welcome their daughter into an established family. With three brothers and two sisters, Virginie was the first born of a large brood: she was followed by André (1820-1876), François Amédée (known as Amédée, 1825-1877), Etienne Stephan Antoine (known as Stephan, 1830-18091), Clémentine (1831-1833), and Marie-Honorine (1835-1878).
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Thus Vishnupant Chatre decided to organize his own circus, of which he would be the star equestrian, and his wife would become a trapeze artist and an animal trainer. He probably used some of his pupils in the equestrian department as well. The first performance of Chatre’s Great Indian Circus was held on March 20, 1880 in the presence of a selected audience—among which was the Rajah of Kurduwadi, who may have helped him in starting his venture.
  
Except for Clémentine, who died in infancy, all followed in their parents' footsteps and embraced a circus career. Amédée created his own company and moved to England from where, in 1846, he sailed to Mauritius, along with his brother André, and then to India, where he eventually settled (he died in Calcutta). André returned to France and worked in Paris for the Franconis. Stephan married his cousin, the equestrienne Émilie Lambert (1824-1890—her mother, Anna, was an Avrillon), but it doesn't seem that his career was particularly brilliant. Marie Honorine married in 1855 the equestrian Jean-Baptiste Auriol, Jr. (1834-1857), son of the illustrious clown Jean-Baptiste Auriol (1806-1881)—a union that, sadly, was short-lived.
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Following the model of Chiarini, Chatre’s Great Indian Circus went on to travel extensively, first in the vast regions of North India, then further south, to the large east-coast city of Madras (today’s Chennai), and down to the Island of Ceylon (today’s Sri Lanka). In 1884, Chatre embarked in a tour of Southeast Asia, and, according to Indian circus lore, he then crossed the ocean to conquer the United States. But here, Chatre had badly overestimated his powers: He was indeed unable to measure up to the giant American circuses, neither in size nor in quality, and he returned to India in defeat. However, no record is known of Chatre's performing in the United States.
... ([[The Indian Circus|more...]])
 
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The Avrillons were a French circus family. Claude Avrillon (1766-1819), Sophie's father, was an equestrian, as was her brother, François (1801-1845), who managed his own circus company; after having tried, unsuccessfully, to establish a permanent circus in Marseille, he had moved to Spain and opened there the first Madrilene circus in 1834, becoming in effect a pioneer of Spanish circus history. (Louis Kenebel and Sophie Avrillon would also create their own circus company with which they traveled intermittently in southern Europe: In 1831, they would find themselves in competition with François Avrillon in Barcelona!)... ([[Virginie Kenebel|more...]])
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==New Essays and Biographies==
 
==New Essays and Biographies==
  
 +
* [[Richiardi Jr.]], magician
 +
* [[Astley's Amphitheatre]], circus
 
* [[Virginie Kenebel]], equestrienne
 
* [[Virginie Kenebel]], equestrienne
 
* [[Chongqing_Acrobatic_Troupe|Chongqing Acrobatic Troupe]], History
 
* [[Chongqing_Acrobatic_Troupe|Chongqing Acrobatic Troupe]], History
 
* [[Cirkus_Verdensteater_(Oslo)|Cirkus Verdensteater]], Oslo Circus Building
 
* [[Cirkus_Verdensteater_(Oslo)|Cirkus Verdensteater]], Oslo Circus Building
* [[Eddie Murillo]], Circus Agent and Producer
 
* [[The Biasini Family]], Circus Owners, Artists
 
  
 
==New Videos==
 
==New Videos==
  
* [[Andreeva-Sukhorukov_Video_(2025)|Maria Andreeva & Egor Sukhorukov]], corde lisse (2025)
+
* [[Madagascar_Video_(2025)|Massimiliano Martini]], mixed animals act (2025)
* [[Godinho_Video_(2025)|João Godinho]], single-point trapeze (2025)
+
* [[Burger_Sisters_Video_(1980)|The Burger Sisters]], trapeze act (1980)
* [[Bob_Bramson_Video_(1973)|Bob Bramson]], hoop juggling (1973)
+
* [[Bellei_Video_(1975)|Bellei Troupe]], acrobats on camels (1975)
* [[Nomuna_Troupe_Video_(2025)|Nomuna Troupe]], teeterboard act (2025)
+
* [[Rudat_Video_(1974)|Helmut & Irmgard Rudat]], liberty act (1974)
* [[Popov_Wolves_Video_(2025)|Irina & Sergei Popov]], trained wolves (2025)
+
* [[Florees_Video_(2024)|Sarah Florees]], aerial chandelier (2024)
  
 
==New Oral Histories==
 
==New Oral Histories==

Latest revision as of 20:45, 4 January 2026


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Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

THE INDIAN CIRCUS

Rambo Circus Poster (2014).jpg

The circus tradition in India dates back to the late nineteenth century—although India has of course a much more ancient tradition of traveling entertainers, comparable and parallel to those of Asia and Europe, and who often cross-pollinated with them. But the first Indian circus, according to the definition of the art form created by Philip Astley in 1770, didn’t appear until 1880.

Its creator was Vishnupant Chatre, a riding master who doubled as a singing teacher. Chatre was born in the village of Ankakhop (now part of the city of Sangli), in the province of Maharashtra, southeast of Bombay (the present Mumbai). Chatre was in charge of the stables of the Rajah of Kurduwadi, where he occasionally performed "feats of horsemanship"—in the tradition of old English riding masters such as Philip Astley.

As legend has it, Chatre and the Rajah went to see a performance of the Royal Italian Circus of Giuseppe Chiarini in Bombay. The peripatetic Italian director (whose company was generally based in North America) was on one of its many world tours, and visited Bombay for the first time in 1774. Chiarini was a remarkable equestrian, and Chatre was duly impressed by his performance, and also by his show. During a conversation with Chatre and the Rajah, Chiarini bluntly stated that India was not ready to have a circus of its own, and that it would take at least ten years before it could happen; Chatre was piqued.

Thus Vishnupant Chatre decided to organize his own circus, of which he would be the star equestrian, and his wife would become a trapeze artist and an animal trainer. He probably used some of his pupils in the equestrian department as well. The first performance of Chatre’s Great Indian Circus was held on March 20, 1880 in the presence of a selected audience—among which was the Rajah of Kurduwadi, who may have helped him in starting his venture.

Following the model of Chiarini, Chatre’s Great Indian Circus went on to travel extensively, first in the vast regions of North India, then further south, to the large east-coast city of Madras (today’s Chennai), and down to the Island of Ceylon (today’s Sri Lanka). In 1884, Chatre embarked in a tour of Southeast Asia, and, according to Indian circus lore, he then crossed the ocean to conquer the United States. But here, Chatre had badly overestimated his powers: He was indeed unable to measure up to the giant American circuses, neither in size nor in quality, and he returned to India in defeat. However, no record is known of Chatre's performing in the United States.
... (more...)

New Essays and Biographies

New Videos

  • Massimiliano Martini, mixed animals act (2025)
  • The Burger Sisters, trapeze act (1980)
  • Bellei Troupe, acrobats on camels (1975)
  • Helmut & Irmgard Rudat, liberty"Liberty act", "Horses at liberty": Unmounted horses presented from the center of the ring by an equestrian directing his charges with his voice, body movements, and signals from a ''chambrière'' (French), or long whip. act (1974)
  • Sarah Florees, aerial chandelier (2024)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator