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==In The Spotlight==
 
==In The Spotlight==
  
===VIRGINIE KENEBEL===
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===ÉMILIEN BOUGLIONE===
[[File:Virginie_Kenebel_-_Bordeaux.jpg|right|300px]]
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[[File:Emilien_Bouglione_Courier.jpg|right|350px]]
Virginie Kenebel (1819-1884)—whose name is sometimes spelled Kennebel—was one of the brightest stars of the equestrian circus in its "Romantic" period (roughly from 1820 to 1880). She was one of the first écuyères de panneau, who danced various movements of classical ballet on a large flat saddle (the panneau). More than the equestriennes who practiced haute-école dressage, like their male counterparts, it was these ballerinas on horseback who truly defined the equestrian circus's Romantic period.
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Émilien Bouglione (1934-2026) was the fourth of Joseph and Rosa Bouglione’s seven children (Odette, 1929-2025 – Josette, 1930-? – Firmin, 1933-2022 – Émilien – Sandrine, 1936-2012 – Sampion III, 1938-2019 – Joseph, b. 1942). Of the four brothers, he was by far the most artistically minded; he succeeded his uncle Sampion II at the helm of Cirque Bouglione’s equestrian department and presented with infinite taste and great gusto equestrian presentations that were often prepared with the help of his mentor, Master Equestrian André Vasserot (1911-1991).
  
Marie Virginie Kenebel was born into a circus family on April 23, 1819, in La Guillotière, a neighborhood of Lyon, in France. Her father, Ludwig (Louis) Daniel Knebel (or Knoebel, according to his signature—1794-1878), whose name was francized to Kenebel (or Kénébel), has been said to be a Sinti (a subgroup of the Romani people), but there is no clear documentation to support this assertion. If ever the Knebels had been considered as "outsiders" in Germany, it could also have been because they were Jewish, as were many dynasties of German traveling entertainers: Ludwig's parents, Michel Knebel (or Knoebel) and Leonore, née Östermann, bore names that have strong Jewish connections.  
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He was born Jules Émilien Buffalo-Bill Bouglione on July 20th, 1934, in Coulommiers (a town famous for its cheese, east of Paris), where his family's circus was performing. His father, the legendary circus director Joseph Bouglione (1904-1987), and his Belgian mother, Rosalie Van Been (1910-2018), were both of Roma descent and came from the world of fairground menageries, which were, between the two world wars, restructuring into the modern traveling circus.  
  
According to Signor Saltarino (Valdemar Otto) in his ''Artisten Lexikon'' (1895), the Knebels were a "second-rate [circus] family," but they were capable and polyvalent. Principally a rope dancer but also an equestrian trick-rider, Ludwig was born in Mannheim, in Baden-Württemberg, Germany, on February 22, 1874. As for Virginie's mother, Françoise Sophie Avrillon (known as Sophie, 1799-1862), she was an equestrienne, also born into a circus family in Tuscany, Italy—in Prato, according to her marriage certificate, or in Florence, according to her death and other French certificates; Prato, which is very close to Florence, seems to be the right location.
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The father and uncles of "Julot" (the diminutive by which Emilien was known by his close friends and family) had already paraded under a succession of picturesque banners—including one that helped them build their fortune: ''Stade Bufalo-Bill''—before settling on the proud ''Cirque des 4 Frères Bouglione''. It is said that the day after their newest family member, Jules Émilien, had arrived, they signed the contract making them tenants of the Cirque d'Hiver in Paris, the world's oldest circus building, which eventually became their property.
  
Louis and Sophie had married on March1, 1819 in Colmar, France, just in time to welcome their daughter into an established family. With three brothers and two sisters, Virginie was the first born of a large brood: she was followed by André (1820-1876), François Amédée (known as Amédée, 1825-1877), Etienne Stephan Antoine (known as Stephan, 1830-18091), Clémentine (1831-1833), and Marie-Honorine (1835-1878).
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The Bougliones were a large family whose school had been the circus ring. Émilien entered it at the age of two and was already in the saddle two years later. Like in every circus, the Bougliones' ring was a school of life, the curriculum of which was written in the pungent smell of horse manure, wild animals, leather, and sawdust. Their approach to equestrian art owed nothing to the classical academic style (already fading away): Theirs was fierce and more romantic; it was the world of mythical horses that gallop through folklore and dime novels, ridden by a family whose Roma blood gave it a stamp of dazzling wonder.... ([[Émilien Bouglione|more...]])
 
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Except for Clémentine, who died in infancy, all followed in their parents' footsteps and embraced a circus career. Amédée created his own company and moved to England from where, in 1846, he sailed to Mauritius, along with his brother André, and then to India, where he eventually settled (he died in Calcutta). André returned to France and worked in Paris for the Franconis. Stephan married his cousin, the equestrienne Émilie Lambert (1824-1890—her mother, Anna, was an Avrillon), but it doesn't seem that his career was particularly brilliant. Marie Honorine married in 1855 the equestrian Jean-Baptiste Auriol, Jr. (1834-1857), son of the illustrious clown Jean-Baptiste Auriol (1806-1881)—a union that, sadly, was short-lived.
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The Avrillons were a French circus family. Claude Avrillon (1766-1819), Sophie's father, was an equestrian, as was her brother, François (1801-1845), who managed his own circus company; after having tried, unsuccessfully, to establish a permanent circus in Marseille, he had moved to Spain and opened there the first Madrilene circus in 1834, becoming in effect a pioneer of Spanish circus history. (Louis Kenebel and Sophie Avrillon would also create their own circus company with which they traveled intermittently in southern Europe: In 1831, they would find themselves in competition with François Avrillon in Barcelona!)... ([[Virginie Kenebel|more...]])
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==New Essays and Biographies==
 
==New Essays and Biographies==
  
* [[Virginie Kenebel]], equestrienne
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* [[The Ziratron]], Israel's first Circus
* [[Chongqing_Acrobatic_Troupe|Chongqing Acrobatic Troupe]], History
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* [[Carlos Guity]], acrobat
* [[Cirkus_Verdensteater_(Oslo)|Cirkus Verdensteater]], Oslo Circus Building
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* [[James Clowney]], acrobat
* [[Eddie Murillo]], Circus Agent and Producer
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* [[Émilien Bouglione]], equestrian, circus director
* [[The Biasini Family]], Circus Owners, Artists
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* [[Alexis Gruss, Jr/fr|Alexis Gruss, Jr]] (version française)
  
 
==New Videos==
 
==New Videos==
  
* [[Dede_Larible_Video_(2025)|Dede Larible]], juggler (2025)
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* [[Lauenburger_Dog_Video_(2025)|Wolgang Lauenburger]], dog act (2025)
* [[Duo_Dobritch_Video_(1973)|Duo Dobritch]], perch-pole balancing (1973)
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* [[Balkanski_Trio_Video_(2025)|Trio Balkanski]], roller-skating act (2025)
* [[Andreeva-Sukhorukov_Video_(2025)|Maria Andreeva & Egor Sukhorukov]], corde lisse (2025)
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* [[Gino_Donati_Video_(1981)|Gino Donati]], comedy acrobatics (1981)
* [[Godinho_Video_(2025)|João Godinho]], single-point trapeze (2025)
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* [[Statues_BAC_Video_(1994)|Melinda Merlier, Carlos Guity & James Clowney]], statue act (1994)
* [[Bob_Bramson_Video_(1973)|Bob Bramson]], hoop juggling (1973)
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* [[Castors_Video_(c.1960)|Les Castors]], foot-juggling & Risley act (c.1960)
  
 
==New Oral Histories==
 
==New Oral Histories==

Latest revision as of 20:08, 15 April 2026


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Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

ÉMILIEN BOUGLIONE

Emilien Bouglione Courier.jpg

Émilien Bouglione (1934-2026) was the fourth of Joseph and Rosa Bouglione’s seven children (Odette, 1929-2025 – Josette, 1930-? – Firmin, 1933-2022 – Émilien – Sandrine, 1936-2012 – Sampion III, 1938-2019 – Joseph, b. 1942). Of the four brothers, he was by far the most artistically minded; he succeeded his uncle Sampion II at the helm of Cirque Bouglione’s equestrian department and presented with infinite taste and great gusto equestrian presentations that were often prepared with the help of his mentor, Master Equestrian André Vasserot (1911-1991).

He was born Jules Émilien Buffalo-Bill Bouglione on July 20th, 1934, in Coulommiers (a town famous for its cheese, east of Paris), where his family's circus was performing. His father, the legendary circus director Joseph Bouglione (1904-1987), and his Belgian mother, Rosalie Van Been (1910-2018), were both of Roma descent and came from the world of fairground menageries, which were, between the two world wars, restructuring into the modern traveling circus.

The father and uncles of "Julot" (the diminutive by which Emilien was known by his close friends and family) had already paraded under a succession of picturesque banners—including one that helped them build their fortune: Stade Bufalo-Bill—before settling on the proud Cirque des 4 Frères Bouglione. It is said that the day after their newest family member, Jules Émilien, had arrived, they signed the contract making them tenants of the Cirque d'Hiver in Paris, the world's oldest circus building, which eventually became their property.

The Bougliones were a large family whose school had been the circus ring. Émilien entered it at the age of two and was already in the saddle two years later. Like in every circus, the Bougliones' ring was a school of life, the curriculum of which was written in the pungent smell of horse manure, wild animals, leather, and sawdust. Their approach to equestrian art owed nothing to the classical academic style (already fading away): Theirs was fierce and more romantic; it was the world of mythical horses that gallop through folklore and dime novels, ridden by a family whose Roma blood gave it a stamp of dazzling wonder.... (more...)

New Essays and Biographies

New Videos

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator