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==In The Spotlight==
 
==In The Spotlight==
[[File:Darix_Togni_1963.jpg|right|thumb|320px|Darix Togni]]
 
===THE TOGNI FAMILY===
 
  
The dynasty was founded by Aristide Togni (1853-1924), a university student who, in the 1870s, ran away and joined the Circo Torinese, a circus company  headed by Giovanni De Bianchi. Like many Italian circuses at the time, the Circo Torinese performed on stage, in theaters. De Bianchi had married Maria de la Garenne (a.k.a. de Lagarein), a Sinti gypsy, who was said to be the granddaughter of a French nobleman who had fled to Italy during the French revolution.  
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===ÉMILIEN BOUGLIONE===
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[[File:Emilien_Bouglione_Courier.jpg|right|350px]]
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Émilien Bouglione (1934-2026) was the fourth of Joseph and Rosa Bouglione’s seven children (Odette, 1929-2025 – Josette, 1930-? – Firmin, 1933-2022 – Émilien – Sandrine, 1936-2012 – Sampion III, 1938-2019 – Joseph, b. 1942). Of the four brothers, he was by far the most artistically minded; he succeeded his uncle Sampion II at the helm of Cirque Bouglione’s equestrian department and presented with infinite taste and great gusto equestrian presentations that were often prepared with the help of his mentor, Master Equestrian André Vasserot (1911-1991).
  
Togni married Giovanni's daughter, Teresa De Bianchi. Together, they created a circus company of their own—which, as legend has it, consisted of a single wagon and a monkey—and headed for the South of Italy. Circa 1880, they had acquired a small, one-pole big top that could house an audience of forty: the first Circo Togni was born. The couple had eight children, and their circus grew quickly, soon performing under a medium-size big top. It became so popular, apparently, that the King of Italy, Victor Emmanuel III, awarded Circo Togni the title of Circo Nazionale in 1919.
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He was born Jules Émilien Buffalo-Bill Bouglione on July 20th, 1934, in Coulommiers (a town famous for its cheese, east of Paris), where his family's circus was performing. His father, the legendary circus director Joseph Bouglione (1904-1987), and his Belgian mother, Rosalie Van Been (1910-2018), were both of Roma descent and came from the world of fairground menageries, which were, between the two world wars, restructuring into the modern traveling circus.  
  
Aristide's succession was assured by three of his sons, Ercole (1894-1958), Ugo (1897-1981), and Ferdinando (1900-1990). The circus alternated summer seasons under the big top with winter engagements in some of the most beautiful theatres of Italy. For several years, they toured Sicily and Greece. In the 1930s, the Dopolavoro Fascista (the entertainment office of the Fascist government) supported the Circo Nazional Togni, which it considered a major artistic propaganda tool.  
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The father and uncles of "Julot" (the diminutive by which Emilien was known by his close friends and family) had already paraded under a succession of picturesque banners—including one that helped them build their fortune: ''Stade Bufalo-Bill''—before settling on the proud ''Cirque des 4 Frères Bouglione''. It is said that the day after their newest family member, Jules Émilien, had arrived, they signed the contract making them tenants of the Cirque d'Hiver in Paris, the world's oldest circus building, which eventually became their property.
  
The circus began to travel with a menagerie, which included tigers, lions, bears, elephants, and an important collection of horses. Ferdinando became a fine horse trainer and presented beautiful "liberty" horse acts; Ercole was the house clown and a good tumbler; Ugo was a perch-pole acrobat, aerialist, and animal trainer. There were also about twenty talented performers among their daughters and sons, and the company included members of other famous Italian circus families, such as Miletti, Jarz, and Casartelli.
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The Bougliones were a large family whose school had been the circus ring. Émilien entered it at the age of two and was already in the saddle two years later. Like in every circus, the Bougliones' ring was a school of life, the curriculum of which was written in the pungent smell of horse manure, wild animals, leather, and sawdust. Their approach to equestrian art owed nothing to the classical academic style (already fading away): Theirs was fierce and more romantic; it was the world of mythical horses that gallop through folklore and dime novels, ridden by a family whose Roma blood gave it a stamp of dazzling wonder.... ([[Émilien Bouglione|more...]])
 
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The third Togni generation created the Tognis's three principal signature acts: pyramids on horseback, "jockey," and flying trapeze. By the late 1940s, Darix Togni (Ercole's son, 1922-1976) became, with his lion act, the star of Circo Nazionale Togni. In that act, Darix began to develop his legendary gladiator character. Circo Togni's large, round cupola allowed the presentation of the Tognis's spectacular cross-flying trapeze act, which had no less than two catchers and nine flyers. Among those, Cesare Togni (Ugo's son) accomplished a double "casse-cou" (front somersault) to the catcher, with a return to the bar with a triple pirouette.
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Although it survived and performed safely during WWII, the Circo Nazionale Togni was devastated by a fire in 1951. Ercole, Ugo, and Ferdinando decided that it was time to split their ever-growing family within three separate circuses.... ([[The Togni Family|more...]])
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==New Essays and Biographies==
 
==New Essays and Biographies==
  
* [[Richiardi Jr.]], magician
+
* [[The Ziratron]], Israel's first Circus
* [[Astley's Amphitheatre]], circus
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* [[Carlos Guity]], acrobat
* [[Virginie Kenebel]], equestrienne
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* [[James Clowney]], acrobat
* [[Chongqing_Acrobatic_Troupe|Chongqing Acrobatic Troupe]], History
+
* [[Émilien Bouglione]], equestrian, circus director
* [[Cirkus_Verdensteater_(Oslo)|Cirkus Verdensteater]], Oslo Circus Building
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* [[Alexis Gruss, Jr/fr|Alexis Gruss, Jr]] (version française)
  
 
==New Videos==
 
==New Videos==
  
* [[Paddington_Video_(1974)|Eric Paddington]], dog act (1974)
+
* [[Lauenburger_Dog_Video_(2025)|Wolgang Lauenburger]], dog act (2025)
* [[Lou_Jacobs_Video_(1987)|Lou Jacobs & Frosty Little]], clown reprise (1987)
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* [[Balkanski_Trio_Video_(2025)|Trio Balkanski]], roller-skating act (2025)
* [[Hermans_Video_(c.1980)|The Hermans]], perch-pole balancing (c.1980)
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* [[Gino_Donati_Video_(1981)|Gino Donati]], comedy acrobatics (1981)
* [[Karoly_Video_(1973)|Karoly Troupe]], flying trapeze (1973)
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* [[Statues_BAC_Video_(1994)|Melinda Merlier, Carlos Guity & James Clowney]], statue act (1994)
* [[Flying_Maluendas_Video_(2025)|The Flying Maluendas]], flying trapeze (2025)
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* [[Castors_Video_(c.1960)|Les Castors]], foot-juggling & Risley act (c.1960)
  
 
==New Oral Histories==
 
==New Oral Histories==

Latest revision as of 20:08, 15 April 2026


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Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

ÉMILIEN BOUGLIONE

Emilien Bouglione Courier.jpg

Émilien Bouglione (1934-2026) was the fourth of Joseph and Rosa Bouglione’s seven children (Odette, 1929-2025 – Josette, 1930-? – Firmin, 1933-2022 – Émilien – Sandrine, 1936-2012 – Sampion III, 1938-2019 – Joseph, b. 1942). Of the four brothers, he was by far the most artistically minded; he succeeded his uncle Sampion II at the helm of Cirque Bouglione’s equestrian department and presented with infinite taste and great gusto equestrian presentations that were often prepared with the help of his mentor, Master Equestrian André Vasserot (1911-1991).

He was born Jules Émilien Buffalo-Bill Bouglione on July 20th, 1934, in Coulommiers (a town famous for its cheese, east of Paris), where his family's circus was performing. His father, the legendary circus director Joseph Bouglione (1904-1987), and his Belgian mother, Rosalie Van Been (1910-2018), were both of Roma descent and came from the world of fairground menageries, which were, between the two world wars, restructuring into the modern traveling circus.

The father and uncles of "Julot" (the diminutive by which Emilien was known by his close friends and family) had already paraded under a succession of picturesque banners—including one that helped them build their fortune: Stade Bufalo-Bill—before settling on the proud Cirque des 4 Frères Bouglione. It is said that the day after their newest family member, Jules Émilien, had arrived, they signed the contract making them tenants of the Cirque d'Hiver in Paris, the world's oldest circus building, which eventually became their property.

The Bougliones were a large family whose school had been the circus ring. Émilien entered it at the age of two and was already in the saddle two years later. Like in every circus, the Bougliones' ring was a school of life, the curriculum of which was written in the pungent smell of horse manure, wild animals, leather, and sawdust. Their approach to equestrian art owed nothing to the classical academic style (already fading away): Theirs was fierce and more romantic; it was the world of mythical horses that gallop through folklore and dime novels, ridden by a family whose Roma blood gave it a stamp of dazzling wonder.... (more...)

New Essays and Biographies

New Videos

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator