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==In The Spotlight==
 
==In The Spotlight==
  
===VALENTIN GNEUSHEV===
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===THE ANDREU-RIVELS===
[[File:Valentin_Gneushev.jpg|300px|right]]
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[[File:Knie_Poster_-_Andreu-Rivels.jpeg|right|300px]]
Born on December 20, 1951, in Nizhny Tagil, in Sverdlovsk Oblast, Russia, (close to the boundary between Asia and Europe), Valentin Aleksandrovich Gneushev (1951-2026) was one of the most influential circus directors-choreographers of the second half of the twentieth century, and the creator of some of the most innovative and celebrated circus acts of the 1990s.
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The career of the Andreu-Rivels (also known as The 3 Rivels) spanned half a century, from 1920 to 1970. With a trio that has seen three different compositions while remaining centered around René Rivel, the brothers Andreu (Charlie, Polo, René, Celito, and Rogelio) were one of Europe’s most successful and celebrated clown act—even though over the years, their fame has been unduly shadowed by the stature (and it can be said, the considerable ego) of one of the trio's original members, Charlie Rivel, who left his brothers in 1935 to replicate the family act with other, anonymous partners and eventually pursue a "solo" career (albeit never without uncredited partners).
  
As the “new circus” movement was drastically changing the traditional imagery of the circus (roughly between 1975 and 1995), Gneushev became the ultimate trendsetter, completely renewing the language of the ring. A master at discovering untapped talents in the disintegrating Soviet circus world, then creating and designing original acts for them, he eventually influenced the style of many young circus artists and companies, including Cirque du Soleil.
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Their father, Pedro Jaime Andreu Pausas (c.1865-1957), was the son of a cabinetmaker from Barcelona, Spain. In the 1880s, when he was fifteen years old, Pedro and his brother Juan left home to follow Circo Milá. As members of the circus, Pedro and Juan began performing a trapeze act. Pedro later joined another circus, Circo Alegría, where he met—and later married—a French acrobat, Marie-Louise Lasserre Seguino. Spain had fallen on hard times, and in order to survive, the young family decided to cross into France, where they hoped to find work. As they made their way toward the border, they performed in village squares across Catalonia.
  
Valentin Gneushev fell in love with the circus as a teenager. He was fourteen when he began to perform in 1965 in a local Amateur Circus (the Russian equivalent of our Youth Circuses, albeit at a much higher artistic and technical level than in the West). He eventually decided to leave the Sverdlovsk Province and the industrial fumes of Nizhny Tagil (birthplace of the first Russian steam locomotive) and headed for Moscow, where he was accepted in the State College for Circus and Variety Arts (the legendary "Moscow Circus School"). There, he specialized as a clown.
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In 1896, they were traveling in a hand-drawn wagon when Marie-Louise gave birth to José (the future Charlie, 1896-1983) in Cubelles, a village near Barcelona. Surviving as best as they could, they finally reached France three months later. They soon secured an engagement with the small Cirque Dusoulier. The following year, Marie-Louise gave birth to her second child, a daughter, Neña (Marie-Louise Andreu, 1897-1915). At age two, little José appeared in his father's Risley act. Then the family went on to perform with the Cirque Caignac, where little José appeared in a parody of a strong-man act and in a hand-to-hand balancing act with his sister, for which he was originally dressed as a girl—which made their "all-girl" act look more attractive to agents and directors.
  
In Moscow, Gneushev studied under Roman Viktiuk, Firs Zemtsev, and especially Serguei Kashtelyan, who had a lasting influence on his work. He graduated in 1978 and formed a short-lived clown trio with two partners, in which he revealed a special aptitude for pantomime, as well as a need to distance himself from the conventional circus clowning of the period.
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While they were touring in France, the family continued to grow: Polo (Paul, 1899-1977) was born in Avallon in 1899, and René (1903-1976) in Aubusson in 1903. Then, the Cirque Caignac was destroyed by a storm in 1904, and the Andreu family again fell to performing in village squares—the children doing a variety of acts, including acrobatic dancing, perch-pole balancing, and a hand-balancing act—before joining the Cirque Caron in Grenoble. There, the Andreu siblings learned trick riding and began to play musical instruments.... ([[The Andreu-Rivels|more...]])
 
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An eager student of the arts (literature, history, painting, music), Valentin developed a remarkable artistic culture, and an aesthetic vision rooted in classic as well as contemporary art, and widely open to new influences—a far cry from the prevalent rhetoric of the Soviet artistic scene.... ([[Valentin Gneushev|more...]])
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==New Essays and Biographies==
 
==New Essays and Biographies==
  
* [[Émilien Bouglione]], equestrian, circus director
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* [[Émilien Bouglione/fr|Émilien Bouglione]], French version
* [[Alexis Gruss, Jr/fr|Alexis Gruss, Jr]] (version française)
+
* [[Kremo Family]], icarists
* [[Cirque_d'Hiver/fr|Le Cirque d'Hiver]] (Version française)
+
* [[The Ziratron]], Israel's first Circus
* [[Virginie Kenebel/fr|Virginie Kenebel]] (Version française)
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* [[Carlos Guity]], acrobat
* [[Cirque Bureau]], circus (English/Français)
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* [[James Clowney]], acrobat
  
 
==New Videos==
 
==New Videos==
  
* [[Castors_Video_(c.1960)|Les Castors]], foot-juggling & Risley act (c.1960)
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* [[Pepin_Leon_Video_(1982)|Pepin León Trio]], clowns (1982)
* [[Smart_Video_(1981)|Yasmine Smart]], liberty act (1981)
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* [[Kathy_Donnert_Video_(2021)|Kathy Donnert]], foot juggling (2021)
* [[Bondarev_Video_(1985)|Bondarev Troupe]], teeterboard (1985)
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* [[Alzana_Video_(1938)|Harold, Elsie, and Hilda Alzana]], high wire (1938)
* [[Luna_Video_(2025)|Duo Luna]], aerial hoop (2025)
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* [[Bobby_Roberts_Video_(1985)|Bobby Roberts]], elephant act (1985)
* [[Tulga_Video_(2025)|Tulga]], stromgman (2025)
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* [[Gunther_Gebel_Tiger_Video_(1985)|Gunther Gebel-Williams]], tiger act (1985)
  
 
==New Oral Histories==
 
==New Oral Histories==
  
 +
* [[Gneushev_Video_(c.1990)|Valentin Gneushev interview]] on Russian Television (c.1990)
 
* [[Dominique_Jando_Video_(2025)|Dominique Jando interview]] by the Circus Historical Society (2025)
 
* [[Dominique_Jando_Video_(2025)|Dominique Jando interview]] by the Circus Historical Society (2025)
 
* [[Evelyn_and_Andre_Video_(2015)|Evelyn & André Interview]] on Blikk TV (2015)
 
* [[Evelyn_and_Andre_Video_(2015)|Evelyn & André Interview]] on Blikk TV (2015)
 
* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
 
* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
 
* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
 
* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
 
  
 
==Circopedia Books==
 
==Circopedia Books==

Latest revision as of 19:14, 8 June 2026


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Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

THE ANDREU-RIVELS

Knie Poster - Andreu-Rivels.jpeg

The career of the Andreu-Rivels (also known as The 3 Rivels) spanned half a century, from 1920 to 1970. With a trio that has seen three different compositions while remaining centered around René Rivel, the brothers Andreu (Charlie, Polo, René, Celito, and Rogelio) were one of Europe’s most successful and celebrated clown act—even though over the years, their fame has been unduly shadowed by the stature (and it can be said, the considerable ego) of one of the trio's original members, Charlie Rivel, who left his brothers in 1935 to replicate the family act with other, anonymous partners and eventually pursue a "solo" career (albeit never without uncredited partners).

Their father, Pedro Jaime Andreu Pausas (c.1865-1957), was the son of a cabinetmaker from Barcelona, Spain. In the 1880s, when he was fifteen years old, Pedro and his brother Juan left home to follow Circo Milá. As members of the circus, Pedro and Juan began performing a trapeze act. Pedro later joined another circus, Circo Alegría, where he met—and later married—a French acrobat, Marie-Louise Lasserre Seguino. Spain had fallen on hard times, and in order to survive, the young family decided to cross into France, where they hoped to find work. As they made their way toward the border, they performed in village squares across Catalonia.

In 1896, they were traveling in a hand-drawn wagon when Marie-Louise gave birth to José (the future Charlie, 1896-1983) in Cubelles, a village near Barcelona. Surviving as best as they could, they finally reached France three months later. They soon secured an engagement with the small Cirque Dusoulier. The following year, Marie-Louise gave birth to her second child, a daughter, Neña (Marie-Louise Andreu, 1897-1915). At age two, little José appeared in his father's Risley actAct performed by Icarists, in which one acrobat, lying on his back, juggles another acrobat with his feet. (Named after Richard Risley Carlisle, who developed this type of act.). Then the family went on to perform with the Cirque Caignac, where little José appeared in a parody of a strong-man act and in a hand-to-handAn acrobatic act in which one or more acrobats do hand-balancing in the hands of an under-stander. balancing act with his sister, for which he was originally dressed as a girl—which made their "all-girl" act look more attractive to agents and directors.

While they were touring in France, the family continued to grow: Polo (Paul, 1899-1977) was born in Avallon in 1899, and René (1903-1976) in Aubusson in 1903. Then, the Cirque Caignac was destroyed by a storm in 1904, and the Andreu family again fell to performing in village squares—the children doing a variety of acts, including acrobatic dancing, perch-poleLong perch held vertically on a performer's shoulder or forehead, on the top of which an acrobat executes various balancing figures. balancing, and a hand-balancing act—before joining the Cirque Caron in Grenoble. There, the Andreu siblings learned trickAny specific exercise in a circus act. riding and began to play musical instruments.... (more...)

New Essays and Biographies

New Videos

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator