Difference between revisions of "Main Page"

From Circopedia

 
(114 intermediate revisions by the same user not shown)
Line 17: Line 17:
  
 
==In The Spotlight==
 
==In The Spotlight==
[[File:Ricketts,_Equestrian_Hero.png|300px|right]]
 
===JOHN BILL RICKETTS===
 
  
On April 3, 1793, a crowd of theatergoers, horsemanship enthusiasts, and prying citizens gathered at the corner of Market and Twelfth Streets in Philadelphia to witness the debut performance of Mr. John Bill Ricketts's company at the Circus. The Circus was a roofless arena that could accommodate some eight-hundred spectators (divided between pit and boxes) surrounding a circular riding space filled in with a mixture of soil and sawdust, forty-two feet in diameter—the ring.
+
===THE ANDREU-RIVELS===
 +
[[File:Knie_Poster_-_Andreu-Rivels.jpeg|right|300px]]
 +
The career of the Andreu-Rivels (also known as The 3 Rivels) spanned half a century, from 1920 to 1970. With a trio that has seen three different compositions while remaining centered around René Rivel, the brothers Andreu (Charlie, Polo, René, Celito, and Rogelio) were one of Europe’s most successful and celebrated clown act—even though over the years, their fame has been unduly shadowed by the stature (and it can be said, the considerable ego) of one of the trio's original members, Charlie Rivel, who left his brothers in 1935 to replicate the family act with other, anonymous partners and eventually pursue a "solo" career (albeit never without uncredited partners).
  
The wooden construction had been erected in a matter of weeks by Ricketts, a British equestrian who had arrived from Scotland the previous year and had quickly established a riding school in Philadelphia, then the capital of the newly formed United States of America. Ricketts (1769-1802) had followed the example of Philip Astley, who had established just such a riding school in London in 1768, at the foot of Westminster Bridge, before creating there the first modern circus two years later.
+
Their father, Pedro Jaime Andreu Pausas (c.1865-1957), was the son of a cabinetmaker from Barcelona, Spain. In the 1880s, when he was fifteen years old, Pedro and his brother Juan left home to follow Circo Milá. As members of the circus, Pedro and Juan began performing a trapeze act. Pedro later joined another circus, Circo Alegría, where he met—and later married—a French acrobat, Marie-Louise Lasserre Seguino. Spain had fallen on hard times, and in order to survive, the young family decided to cross into France, where they hoped to find work. As they made their way toward the border, they performed in village squares across Catalonia.
  
Before long, a small group of performers from Ricketts's former British company joined him in Philadelphia. Among them were his brother Francis (1777-?), an equestrian and tumbler; Mr. Spinacuta, the rope-dancer, along with his wife, an attractive equestrienne who rode two horses at full gallop; Mr. McDonald, another tumbler who performed comic acrobatic intermezzos as the Clown; and Ricketts's pupil, young Master Strobach. The performance included a great many "feats of horsemanship," most of them presented by Ricketts himself, rope-dancing, some tumbling, and McDonald's acrobatic parodies. This was the first circus show ever put on in America.
+
In 1896, they were traveling in a hand-drawn wagon when Marie-Louise gave birth to José (the future Charlie, 1896-1983) in Cubelles, a village near Barcelona. Surviving as best as they could, they finally reached France three months later. They soon secured an engagement with the small Cirque Dusoulier. The following year, Marie-Louise gave birth to her second child, a daughter, Neña (Marie-Louise Andreu, 1897-1915). At age two, little José appeared in his father's Risley act. Then the family went on to perform with the Cirque Caignac, where little José appeared in a parody of a strong-man act and in a hand-to-hand balancing act with his sister, for which he was originally dressed as a girl—which made their "all-girl" act look more attractive to agents and directors.
  
Young and good-looking, talented and enterprising, Ricketts had become an instant sensation. But if his contemporaries have described his acts extensively, little is known of his early life outside of circus. Fortunately, Gilbert Stuart left a superb, if unfinished, portrait which is now in the collection of the National Gallery of Art in Washington, and John Durang, one of the first American actors—who worked for Ricketts as a dancer, equestrian, acrobat, clown, scenic painter, and deputy manager from 1795-1800—has provided some hints of the man's character in his Memoir, composed circa 1820.
+
While they were touring in France, the family continued to grow: Polo (Paul, 1899-1977) was born in Avallon in 1899, and René (1903-1976) in Aubusson in 1903. Then, the Cirque Caignac was destroyed by a storm in 1904, and the Andreu family again fell to performing in village squares—the children doing a variety of acts, including acrobatic dancing, perch-pole balancing, and a hand-balancing act—before joining the Cirque Caron in Grenoble. There, the Andreu siblings learned trick riding and began to play musical instruments.... ([[The Andreu-Rivels|more...]])
 
+
John Bill Ricketts was born in October 1769 in Bilston, a small town near the city of Wolverhampton in the West Midlands, to Thomas Ricketts and his wife, Kinborrow, née Perry. His baptism was recorded on October 28, which suggests he was born a few days before. The Ricketts family, which was of Norman extraction and whose original patronymic was Ricard, had long belonged to the landed gentry of Staffordshire. At the turn of the eighteenth century, the elder branch settled in Jamaica, although several members of this very large branch of the family returned to England, either to study or to resettle; others established themselves in the colony of New Jersey in America. Thus Ricketts was not in alien territory when he landed in the newly formed United States. Neither would he be heading to unknown territories when, at the end of his American adventures, he sailed to the West Indies.... ([[John Bill Ricketts|more...]])
+
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
* [[Astley's Amphitheatre]], circus
+
* [[Émilien Bouglione/fr|Émilien Bouglione]], French version
* [[Virginie Kenebel]], equestrienne
+
* [[Kremo Family]], icarists
* [[Chongqing_Acrobatic_Troupe|Chongqing Acrobatic Troupe]], History
+
* [[The Ziratron]], Israel's first Circus
* [[Cirkus_Verdensteater_(Oslo)|Cirkus Verdensteater]], Oslo Circus Building
+
* [[Carlos Guity]], acrobat
* [[Eddie Murillo]], Circus Agent and Producer
+
* [[James Clowney]], acrobat
  
 
==New Videos==
 
==New Videos==
  
* [[Richiardi_Video_(1974)|Richiardi Jr.]], illusionist (1974)
+
* [[Rosemarie_Dorning_Elephant_Video_(1978)|Rosemarie Dorning]], dog and elephant act (1978)
* [[Francescos_Video_(1974)|The Francescos]], clowns (1974)
+
* [[Americano_Video_(1968)|Circo Americano in Madrid]], documentary (1968)
* [[Ronni_Niemen_Video_(2010)|Ronni Niemen]], juggler (2010)
+
* [[Pepin_Leon_Video_(1982)|Pepin León Trio]], clowns (1982)
* [[Heaven_Niemen_Video_(2025)|Heaven Niemen]], trick roping act (2025)
+
* [[Kathy_Donnert_Video_(2021)|Kathy Donnert]], foot juggling (2021)
* [[Franchinni_Video_(2025)|Duo Franchinni]], bicycle act (2025)
+
* [[Alzana_Video_(1938)|Harold, Elsie, and Hilda Alzana]], high wire (1938)
  
 
==New Oral Histories==
 
==New Oral Histories==
  
 +
* [[Gneushev_Video_(c.1990)|Valentin Gneushev interview]] on Russian Television (c.1990)
 
* [[Dominique_Jando_Video_(2025)|Dominique Jando interview]] by the Circus Historical Society (2025)
 
* [[Dominique_Jando_Video_(2025)|Dominique Jando interview]] by the Circus Historical Society (2025)
 
* [[Evelyn_and_Andre_Video_(2015)|Evelyn & André Interview]] on Blikk TV (2015)
 
* [[Evelyn_and_Andre_Video_(2015)|Evelyn & André Interview]] on Blikk TV (2015)
 
* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
 
* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
 
* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
 
* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
 
  
 
==Circopedia Books==
 
==Circopedia Books==

Latest revision as of 23:42, 9 June 2026


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

THE ANDREU-RIVELS

Knie Poster - Andreu-Rivels.jpeg

The career of the Andreu-Rivels (also known as The 3 Rivels) spanned half a century, from 1920 to 1970. With a trio that has seen three different compositions while remaining centered around René Rivel, the brothers Andreu (Charlie, Polo, René, Celito, and Rogelio) were one of Europe’s most successful and celebrated clown act—even though over the years, their fame has been unduly shadowed by the stature (and it can be said, the considerable ego) of one of the trio's original members, Charlie Rivel, who left his brothers in 1935 to replicate the family act with other, anonymous partners and eventually pursue a "solo" career (albeit never without uncredited partners).

Their father, Pedro Jaime Andreu Pausas (c.1865-1957), was the son of a cabinetmaker from Barcelona, Spain. In the 1880s, when he was fifteen years old, Pedro and his brother Juan left home to follow Circo Milá. As members of the circus, Pedro and Juan began performing a trapeze act. Pedro later joined another circus, Circo Alegría, where he met—and later married—a French acrobat, Marie-Louise Lasserre Seguino. Spain had fallen on hard times, and in order to survive, the young family decided to cross into France, where they hoped to find work. As they made their way toward the border, they performed in village squares across Catalonia.

In 1896, they were traveling in a hand-drawn wagon when Marie-Louise gave birth to José (the future Charlie, 1896-1983) in Cubelles, a village near Barcelona. Surviving as best as they could, they finally reached France three months later. They soon secured an engagement with the small Cirque Dusoulier. The following year, Marie-Louise gave birth to her second child, a daughter, Neña (Marie-Louise Andreu, 1897-1915). At age two, little José appeared in his father's Risley actAct performed by Icarists, in which one acrobat, lying on his back, juggles another acrobat with his feet. (Named after Richard Risley Carlisle, who developed this type of act.). Then the family went on to perform with the Cirque Caignac, where little José appeared in a parody of a strong-man act and in a hand-to-handAn acrobatic act in which one or more acrobats do hand-balancing in the hands of an under-stander. balancing act with his sister, for which he was originally dressed as a girl—which made their "all-girl" act look more attractive to agents and directors.

While they were touring in France, the family continued to grow: Polo (Paul, 1899-1977) was born in Avallon in 1899, and René (1903-1976) in Aubusson in 1903. Then, the Cirque Caignac was destroyed by a storm in 1904, and the Andreu family again fell to performing in village squares—the children doing a variety of acts, including acrobatic dancing, perch-poleLong perch held vertically on a performer's shoulder or forehead, on the top of which an acrobat executes various balancing figures. balancing, and a hand-balancing act—before joining the Cirque Caron in Grenoble. There, the Andreu siblings learned trickAny specific exercise in a circus act. riding and began to play musical instruments.... (more...)

New Essays and Biographies

New Videos

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator