Difference between revisions of "Main Page"

From Circopedia

 
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<div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατε!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
<div style="top:+0.2em; font-size:90%;"> Circopedia was originally created with the support of the [http://www.bigapplecircus.com/ Big Apple Circus]<br />and inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation].</div>
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ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, initially created as a project of the original, non-profit [[Big Apple Circus]]''.</div><br/>
 
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==In The Spotlight==
 
==In The Spotlight==
  
===THE CIRCUSES OF MOSCOW===
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===THE BLUMENFELD FAMILY===
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[[File:5_Blumenfelds_Poster.jpg|right|300px]]The huge Blumenfeld family holds an important place in German and European circus history. One of the three major German-Jewish circus dynasties before World War II&mdash;along with the Strassburgers and the Lorches&mdash;the Blumenfelds were driven to bankruptcy and then brutally decimated by the Nazis. Before that tragedy, they had been a highly respected family of talented acrobats, aerialists, equestrians, and circus owners. Although some members of the family resurfaced after World War II, the Blumenfelds were never able to reclaim the position they had once held in the circus world.
  
Although the name Moscow Circus is familiar to the public all over the world, there has never been one specific "Moscow Circus" whose troupe toured internationally. The name was a generic term for the circus shows from the USSR traveling abroad during the Soviet Era. It has, over time, become synonymous with "Russian circus." Yet, there are today (2020) two resident circuses in Moscow, Circus Nikulin on Tsvetnoy Boulevard, and the Bolshoi Circus (''bolshoi'' means big, in Russian) on Vernadsky Avenue—and there have been indeed several others before them.
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The Blumenfelds are allied with several other prominent Jewish families, such as the Goldkettes (Brönett), the Strassburgers, the Lorches, and the Könyots. They always married within their faith and, at times, like the Rothschilds, within their family&mdash;with perhaps the notable exceptions of Erich Blumenfeld, the youngest son of Simon Blumenfeld, who married Fanny Houcke, from the Franco-Swedish Houcke family, and his brother Alex, whose wife, Eugenie, came from an old Italian circus family, the Cardinales.
  
The first circus built in Russia was established by the French equestrian Jacques Tourniaire, who settled in 1827 in what was then the Russian capital, St. Petersburg. The building, designed by the architect Smaragd Shustov and named Cirque Olympique, was located near the Fontanka canal, practically where St. Petersburg’s Circus Ciniselli stands today. Tourniaire’s circus had only a short existence: it was bought back by the government of St. Petersburg in 1828 to be transformed into a theater. Still, the event didn’t fail to catch the attention of the Muscovites, who always took exception to the influence of Peter The Great’s Baltic capital.
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Since Hirsch Blumenfeld (1788-1867), founder of the dynasty, created his circus in the mid-nineteenth century, many of his descendants have operated several different circuses under the Blumenfeld name. Hirsch had a large family that developed many branches, and it can be sometimes difficult to determine which branch a given Blumenfeld belonged to. The Blumenfeld circus owners, however, shared one defining trait: they were equestrians who served the equestrian circus tradition with distinction, even as the circus-menagerie was becoming the norm in Germany by the beginning of the twentieth century.
  
The previous year, Tourniaire had exhibited his equestrian prowess in Moscow, in the manège of the Pashkov mansion (today the Russian State Library), on Mokhovaya Street. Another famous trick rider, Jacob Bates, had long preceded him in the former Russian capital, where he performed in 1864, and since then, Moscow had welcomed several equestrian companies—among which that of Pierre Mayheu, the famous Spanish rider, in 1790—but contrary to most European major cities, the great Russian metropolis didn’t have a permanent circus of its own.
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Hirsch Blumenfeld was born Hirsch Levy in 1788 in Isenburg, in the Grand Duchy of Hesse, one of the many German states. His parents were Levy Wolf (1770-1828), a Jewish cantor, and his wife Rosa (Rösgen), née Cahn (?-1840). The Blumenfeld patronym came later: Under Jewish naming tradition, a son took his father’s given name as a patronym, so Hirsch, as Levy’s son, became Hirsch Levy. Hirsch didn't embrace his father's calling: He became instead a traveling entertainer, an occupation that had attracted many of his coreligionists over the centuries..... ([[The Blumenfeld Family|more...]])
  
In 1830, Mikhail Zagoskin, a popular novelist who was Moscow’s Director of the Theaters, supported the creation of a summer circus in the Neskuchny Garden, on the banks of the Moskva River, southwest of central Moscow. The circus, which was probably a light wooden construction, lasted only three seasons. For the ensuing twenty years, Russian circus history was written exclusively in St. Petersburg: Although Moscow was still the commercial hub of Tsarist Russia, the giant city didn’t have yet the rich cosmopolitan atmosphere of the Russian capital, or its cultural diversity.
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==New Essays and Biographies==
  
German, Italian and, mostly, French influences were quite noticeable in St. Petersburg, a city wide open on Western Europe, as its builder, Peter The Great, had wanted it. By reaction, Moscow took pride in its being the true heart of eternal Russia, conservative, religious and nationalistic. Even though its wealth attracted traveling entertainers as much as entrepreneurs and merchants, the city was particularly slow in attuning itself to the rest of Europe.... ([[The Circuses Of Moscow|more...]])
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* [[The Blumenfeld Family]], circus owners, artists
 
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* [[Émilien Bouglione/fr|Émilien Bouglione]], French version
==New Biographies==
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* [[Kremo Family]], icarists
 
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* [[The Ziratron]], Israel's first Circus
* [[William Vos]], Animal Trainer
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* [[Carlos Guity]], Acrobat
* [[Jürg Jenny]], Animal Trainer
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* [[Kio]], Magician
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* [[Dimitri]], Clown
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* [[Oleg Popov]], Clown
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==New Videos==
 
==New Videos==
  
* [[Zapashnaya-Rastegaev_Video_(2020)|Ekaterina Zapashnaya & Konstantin Rastegaev]], Strap Act (2020)
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* [[Fumagalli_Video_(2003)|Fumagalli & Daris]], clown entrée (2006)
* [[Begbudi_Video_(1981)|Sarvat Begbudi]], Juggler on Horseback (1981)
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* [[Ariz_Bros_Video_(1983)|The Ariz Brothers]], banquine (1983)
* [[Paulina_Schumann_Video_(1965)|Paulina Schumann]], High School Act (1965)
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* [[Les_Chicky_Video_(1983)|Les Chicky]], clown entrée (1983)
* [[Mathurins_Video_(c.1960)|Les Mathurins]], Tumbling Act (1957)
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* [[The_Astoris_Video_(1975)|The Astoris]], Aerial Perch (1975)
* [[Stetsenko_Video_(1981)|Stetsenko Troupe]], Perch-Pole Balancing (1981)
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* [[Evelyn_and_André_Interview_(2025)|Evelyn & André]] Interview by the Fővárosi Nagycirkusz (2025)
  
 
==New Oral Histories==
 
==New Oral Histories==
  
* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
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* [[Evelyn_and_André_Interview_(2025)|Evelyn & André]] Interview by the Fővárosi Nagycirkusz (2025)
* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
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* [[Bouglione_Video_(2013)|The Bouglione Family]] France 3 TV documentary (2013)
* [[Pinito_del_Oro_RTE_Video_(1970)|Pinito del Oro's Interview]] on Spanish Television (1970)
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* [[Gneushev_Video_(c.1990)|Valentin Gneushev interview]] on Russian Television (c.1990)
* [[Eradze_Video_(2015)|Gia Eradze]]'s Interview on SSU TV (2015)
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* [[Dominique_Jando_Video_(2025)|Dominique Jando interview]] by the Circus Historical Society (2025)
* [[Rosa_Bouglione_Video_(2012)|Rosa Bouglione]]'s interview on Franch Television (2012)
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* [[Evelyn_and_Andre_Video_(2015)|Evelyn & André Interview]] on Blikk TV (2015)
  
 
==Circopedia Books==
 
==Circopedia Books==
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* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
 
* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
  
==A Message from the Editor==
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==A Message from the Founder==
  
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
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''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
  
 
:'''Dominique Jando'''
 
:'''Dominique Jando'''
 
:Founder and Curator
 
:Founder and Curator

Latest revision as of 05:35, 6 September 2026


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

THE BLUMENFELD FAMILY

5 Blumenfelds Poster.jpg
The huge Blumenfeld family holds an important place in German and European circus history. One of the three major German-Jewish circus dynasties before World War II—along with the Strassburgers and the Lorches—the Blumenfelds were driven to bankruptcy and then brutally decimated by the Nazis. Before that tragedy, they had been a highly respected family of talented acrobats, aerialists, equestrians, and circus owners. Although some members of the family resurfaced after World War II, the Blumenfelds were never able to reclaim the position they had once held in the circus world.

The Blumenfelds are allied with several other prominent Jewish families, such as the Goldkettes (Brönett), the Strassburgers, the Lorches, and the Könyots. They always married within their faith and, at times, like the Rothschilds, within their family—with perhaps the notable exceptions of Erich Blumenfeld, the youngest son of Simon Blumenfeld, who married Fanny Houcke, from the Franco-Swedish Houcke family, and his brother Alex, whose wife, Eugenie, came from an old Italian circus family, the Cardinales.

Since Hirsch Blumenfeld (1788-1867), founder of the dynasty, created his circus in the mid-nineteenth century, many of his descendants have operated several different circuses under the Blumenfeld name. Hirsch had a large family that developed many branches, and it can be sometimes difficult to determine which branch a given Blumenfeld belonged to. The Blumenfeld circus owners, however, shared one defining trait: they were equestrians who served the equestrian circus tradition with distinction, even as the circus-menagerie was becoming the norm in Germany by the beginning of the twentieth century.

Hirsch Blumenfeld was born Hirsch Levy in 1788 in Isenburg, in the Grand Duchy of Hesse, one of the many German states. His parents were Levy Wolf (1770-1828), a Jewish cantor, and his wife Rosa (Rösgen), née Cahn (?-1840). The Blumenfeld patronym came later: Under Jewish naming tradition, a son took his father’s given name as a patronym, so Hirsch, as Levy’s son, became Hirsch Levy. Hirsch didn't embrace his father's calling: He became instead a traveling entertainer, an occupation that had attracted many of his coreligionists over the centuries..... (more...)

New Essays and Biographies

New Videos

  • Fumagalli & Daris, clown entrée(French) Clown piece with a dramatic structure, generally in the form of a short story or scene. (2006)
  • The Ariz Brothers, banquine(French) Acrobatic presentation in which an acrobat performs various acrobatic jumps propelled from a living platform made by the crossed hands of two other acrobats (as in "sauts de banquine" &mdash; See also: Basket Acrobatics). (1983)
  • Les Chicky, clown entrée(French) Clown piece with a dramatic structure, generally in the form of a short story or scene. (1983)
  • The Astoris, Aerial Perch (1975)
  • Evelyn & André Interview by the Fővárosi Nagycirkusz (2025)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator