Difference between revisions of "Main Page"

From Circopedia

 
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<div style="font-size:162%; border:none; margin:0; padding:.1em; color:#000;">Welcome to Circopedia,</div>
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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
<div style="top:+0.2em; font-size:95%;">the free encyclopedia of the international circus.<br />A project of the [http://www.bigapplecircus.org/ Big Apple Circus],<br />inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation].</div>
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ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, initially created as a project of the original, non-profit [[Big Apple Circus]]''.</div><br/>
  
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*[[:Category:Artists and Acts|Artists and Acts]]
 
*[[:Category:Circus Arts|Circus Specialties]]
 
*[[:Category:Circuses|Circuses]]
 
*[[:Category:History|Circus History]]
 
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*[[:Category:Oral History|Oral History]]
 
*[[:Category:Photo Archive|Photo Archive]]
 
*[[:Category:Video Archive|Video Archive]]
 
*[[Links|Circus Links]]
 
 
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==In The Spotlight==
 
==In The Spotlight==
  
===SERGEI IGNATOV===
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===VALENTIN GNEUSHEV===
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[[File:Valentin_Gneushev.jpg|300px|right]]
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Born on December 20, 1951, in Nizhny Tagil, in Sverdlovsk Oblast, Russia, (close to the boundary between Asia and Europe), Valentin Aleksandrovich Gneushev (1951-2026) was one of the most influential circus directors-choreographers of the second half of the twentieth century, and the creator of some of the most innovative and celebrated circus acts of the 1990s.
  
[[File:Sergei_Ignatov_c.1985.jpg|right|150px]]
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As the “new circus” movement was drastically changing the traditional imagery of the circus (roughly between 1975 and 1995), Gneushev became the ultimate trendsetter, completely renewing the language of the ring. A master at discovering untapped talents in the disintegrating Soviet circus world, then creating and designing original acts for them, he eventually influenced the style of many young circus artists and companies, including Cirque du Soleil.
One of the greatest jugglers in circus history, Sergei Mikhailovich Ignatov was born August 23, 1950 in Chemnitz, in Saxony, in the former German Democratic Republic (or East Germany), to a Russian circus family. His grandfather, Ivan Petrovich (1900-?), was an equestrian, and his father, Mikhail Ivanovich (1924-1967), had been a dog and monkey trainer. Sergei grew up in Moscow, in what was then the USSR, along with his younger brother, Leonid Mikhailovich, who also became a remarkable juggler.
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Sergei joined the State College for Circus and Variety Arts (the "Moscow Circus School") at age fifteen in 1965. After only one year, he had to give up acrobatics due to knee problems and he specialized as a juggler. His teacher was the legendary Violetta Kiss, an amazing juggler and hand-balancer who was, with her brother Aleksandr, a major star of the Soviet circus in the 1950's and 1960's.
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Valentin Gneushev fell in love with the circus as a teenager. He was fourteen when he began to perform in 1965 in a local Amateur Circus (the Russian equivalent of our Youth Circuses, albeit at a much higher artistic and technical level than in the West). He eventually decided to leave the Sverdlovsk Province and the industrial fumes of Nizhny Tagil (birthplace of the first Russian steam locomotive) and headed for Moscow, where he was accepted in the State College for Circus and Variety Arts (the legendary "Moscow Circus School"). There, he specialized as a clown.
  
In just two years time, training eight hours a day, Sergei became a very proficient juggler with rings, large balls, and clubs. He created new tricks, such as the "pancake throw" with rings, and a special kick-up from four to five clubs. Both tricks are still performed by jugglers today. The juggling technique that Violetta Kiss taught him became the firm foundation of Ignatov’s subsequent twenty years of creative work. At the Moscow circus college's graduation show in 1968, he was an unmitigated success. The audience present was well aware of his exceptional talent, and knew that Sergei’s performance was only the harbinger of things to come.... ([[Sergei Ignatov|more...]])
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In Moscow, Gneushev studied under Roman Viktiuk, Firs Zemtsev, and especially Serguei Kashtelyan, who had a lasting influence on his work. He graduated in 1978 and formed a short-lived clown trio with two partners, in which he revealed a special aptitude for pantomime, as well as a need to distance himself from the conventional circus clowning of the period.
  
==New Biographies==
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An eager student of the arts (literature, history, painting, music), Valentin developed a remarkable artistic culture, and an aesthetic vision rooted in classic as well as contemporary art, and widely open to new influences—a far cry from the prevalent rhetoric of the Soviet artistic scene.... ([[Valentin Gneushev|more...]])
  
* [[Sergei Ignatov]], Juggler
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==New Essays and Biographies==
* [[Tini Berman]], Animal Trainer
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* [[Nikolai Pavlenko]], Animal Trainer
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* [[James Clowney]], acrobat
* [[The Durov Dynasty]], Clowns, Animal Trainers
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* [[Émilien Bouglione]], equestrian, circus director
* [[The Circuses Of Moscow]], History
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* [[Alexis Gruss, Jr/fr|Alexis Gruss, Jr]] (version française)
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* [[Cirque_d'Hiver/fr|Le Cirque d'Hiver]] (Version française)
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* [[Virginie Kenebel/fr|Virginie Kenebel]] (Version française)
  
 
==New Videos==
 
==New Videos==
  
* [[Pyongyang_Flying_Troupe_Video_(2013)|Pyongyang Troupe]], Flying Act (2013)
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* [[Statues_BAC_Video_(1994)|Melinda Merlier, Carlos Guity & James Clowney]], statue act (1994)
* [[Maxim_Papazov_Video_(2013)|Maxim Papazov]], Hand Balancer (2013)
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* [[Castors_Video_(c.1960)|Les Castors]], foot-juggling & Risley act (c.1960)
* [[Marcellys_Video_(1959)|Les Marcellys]], Tumbling Act (1959)
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* [[Smart_Video_(1981)|Yasmine Smart]], liberty act (1981)
* [[Charlotte_%26_Saphorine_Video_(2013)|Charlotte & Saphorine]], Comedy Rope Act (2013)
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* [[Bondarev_Video_(1985)|Bondarev Troupe]], teeterboard (1985)
* [[Soeurs_Pillères_Video_(2012)|Les Soeurs Pillères]], Comedy Trapeze (2012)
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* [[Luna_Video_(2025)|Duo Luna]], aerial hoop (2025)
 +
 
 +
==New Oral Histories==
  
==Featured Oral Histories==
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* [[Dominique_Jando_Video_(2025)|Dominique Jando interview]] by the Circus Historical Society (2025)
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* [[Evelyn_and_Andre_Video_(2015)|Evelyn & André Interview]] on Blikk TV (2015)
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* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
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* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
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* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
  
* [[Pavlenko_Interview_Video|Nikolai Pavlenko]], tiger trainer - Interview (RIA Novosti, 2012)
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==Circopedia Books==
* [[Alberto_Zoppé_Interview_2003|Alberto Zoppé]], Equestrian - Interview (McCutcheon & Distasio, 2003)
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* [[Olivier Taquin Interview 2008|Olivier Taquin]], Mime - Interview (Jando, 2008)
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* [[Barry Lubin Interview 2008|Barry Lubin]], Clown (Grandma) - Interview (Jando, 2008)
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* [[Fumagalli Interview 2008|Fumagalli]], Clown - Interview (Jando, 2008)
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==A Message from the Editor==
+
* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
  
''CIRCOPEDIA is a constantly evolving and expanding encyclopedia of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. So keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Special:Contact|contact us]]: we will definitely consider your remarks and suggestions.''
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==A Message from the Founder==
  
:'''WARNING: A few videos on CIRCOPEDIA may be temporarily unavailable. Our video archive is being transferred to a new host, and the missing videos will be available again shortly. Thank you for your patience. '''
+
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
  
 
:'''Dominique Jando'''
 
:'''Dominique Jando'''
:Editor/Curator
+
:Founder and Curator

Latest revision as of 18:10, 28 March 2026


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

VALENTIN GNEUSHEV

Valentin Gneushev.jpg

Born on December 20, 1951, in Nizhny Tagil, in Sverdlovsk Oblast, Russia, (close to the boundary between Asia and Europe), Valentin Aleksandrovich Gneushev (1951-2026) was one of the most influential circus directors-choreographers of the second half of the twentieth century, and the creator of some of the most innovative and celebrated circus acts of the 1990s.

As the “new circus” movement was drastically changing the traditional imagery of the circus (roughly between 1975 and 1995), Gneushev became the ultimate trendsetter, completely renewing the language of the ring. A master at discovering untapped talents in the disintegrating Soviet circus world, then creating and designing original acts for them, he eventually influenced the style of many young circus artists and companies, including Cirque du Soleil.

Valentin Gneushev fell in love with the circus as a teenager. He was fourteen when he began to perform in 1965 in a local Amateur Circus (the Russian equivalent of our Youth Circuses, albeit at a much higher artistic and technical level than in the West). He eventually decided to leave the Sverdlovsk Province and the industrial fumes of Nizhny Tagil (birthplace of the first Russian steam locomotive) and headed for Moscow, where he was accepted in the State College for Circus and Variety Arts (the legendary "Moscow Circus School"). There, he specialized as a clownGeneric term for all clowns and augustes. '''Specific:''' In Europe, the elegant, whiteface character who plays the role of the straight man to the Auguste in a clown team..

In Moscow, Gneushev studied under Roman Viktiuk, Firs Zemtsev, and especially Serguei Kashtelyan, who had a lasting influence on his work. He graduated in 1978 and formed a short-lived clown trio with two partners, in which he revealed a special aptitude for pantomimeA circus play, not necessarily mute, with a dramatic story-line (a regular feature in 18th and 19th century circus performances)., as well as a need to distance himself from the conventional circus clowning of the period.

An eager student of the arts (literature, history, painting, music), Valentin developed a remarkable artistic culture, and an aesthetic vision rooted in classic as well as contemporary art, and widely open to new influences—a far cry from the prevalent rhetoric of the Soviet artistic scene.... (more...)

New Essays and Biographies

New Videos

  • Melinda Merlier, Carlos Guity & James Clowney, statue act (1994)
  • Les Castors, foot-juggling & Risley actAct performed by Icarists, in which one acrobat, lying on his back, juggles another acrobat with his feet. (Named after Richard Risley Carlisle, who developed this type of act.) (c.1960)
  • Yasmine Smart, liberty"Liberty act", "Horses at liberty": Unmounted horses presented from the center of the ring by an equestrian directing his charges with his voice, body movements, and signals from a ''chambrière'' (French), or long whip. act (1981)
  • Bondarev Troupe, teeterboardA seesaw made of wood, or fiberglass poles tied together, which is used to propel acrobats in the air. (1985)
  • Duo Luna, aerial hoopA heavy metallic hoop used as a variance of trapeze, usually with contortion moves. (Also called Cerceau.) (2025)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator