Difference between revisions of "Main Page"

From Circopedia

 
Line 4: Line 4:
 
------------------------------Banner across top of page------------------------------>
 
------------------------------Banner across top of page------------------------------>
 
{| id="mp-topbanner" style="width:100%; background:#fcfcfc; margin-top:1.2em; border:1px solid #ccc;"
 
{| id="mp-topbanner" style="width:100%; background:#fcfcfc; margin-top:1.2em; border:1px solid #ccc;"
|style="width:56%; color:#000"| <!--  
+
|style="width:56%; color:#0000"| <!--  
  
 
-----------"Welcome to Circopedia" and article count---------->
 
-----------"Welcome to Circopedia" and article count---------->
 
{| style="width:100%; border:solid 0px; background:none;"
 
{| style="width:100%; border:solid 0px; background:none;"
 
|style="width:500px; text-align:center; white-space:nowrap; color:#000;"|
 
|style="width:500px; text-align:center; white-space:nowrap; color:#000;"|
<div style="font-size:165%; border:none; margin:0; padding:.1em; color:#cc0000;">Welcome! Bienvenue! Willkommen! Добро Пожаловать!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#cc0000;">Bienvenida! Benvenuto! 歡迎 ! Vítejte! Καλώς ήρθατε!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#cc0000;">Üdvözöljük! Добре Дошли! Welkom! • Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#cc0000;">Velkommen! Tervetuloa! Дабро Запрашаем! • Välkommen!</div><br/>
+
<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! Bienvenue! Willkommen! Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! Benvenuto! 歡迎 ! Vítejte! Καλώς ήρθατ
<div style="top:+0.2em; font-size:110%;"> Circopedia is a project of the [http://www.bigapplecircus.org/ Big Apple Circus],<br />inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation].</div>
+
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! Добре Дошли! Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! Tervetuloa! Дабро Запрашаем! ✫ Välkommen!</div><br/>
 +
<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, initially created as a project of the original, non-profit [[Big Apple Circus]]''.</div><br/>
 +
 
 
|}
 
|}
 
|}
 
|}
 +
 
==In The Spotlight==
 
==In The Spotlight==
[[File:Foottit_et_Chocolat.jpg|200px|right]]
 
===FOOTTIT & CHOCOLAT===
 
  
Foottit (often misspelled Footit) and Chocolat were, at the turn of the twentieth century, the toasts of Paris; they were the clown-stars of the very fashionable Nouveau Cirque, rue Saint-Honoré. Foottit & Chocolat are often credited with having originated the classic clown/auguste association which became the norm in twentieth century’s European circus, although this can be argued: This entitlement could also be attributed (and perhaps more rightly so) to their rivals at the Nouveau Cirque, Pierantoni & Saltamontès. Yet, Foottit & Chocolat were instrumental in the development of classic European clowning during that period, and they still personify today this important milestone.
+
===VIRGINIE KENEBEL===
 +
[[File:Virginie_Kenebel_-_Bordeaux.jpg|right|300px]]
 +
Virginie Kenebel (1819-1884)—whose name is sometimes spelled Kennebel—was one of the brightest stars of the equestrian circus in its "Romantic" period (roughly from 1820 to 1880). She was one of the first écuyères de panneau, who danced various movements of classical ballet on a large flat saddle (the panneau). More than the equestriennes who practiced haute-école dressage, like their male counterparts, it was these ballerinas on horseback who truly defined the equestrian circus's Romantic period.
  
George Foottit (1864-1921) was born on April 24, 1864 in Manchester, England, where his father’s circus was showing. His father’s real name has been said to be Theodore Hall (a name that has also been erroneously given as Tudor Hall, a phonetic misspelling), but this identity has been called into question by George Foottit’s direct descendants. For all intents and purposes, George’s father was known, like his son, as Geo (George) Foottit (?-1874), and he had performed at Drury Lane Theatre in London as the clown Funny Foottit—a classic stage clown in the manner of Joseph Grimaldi.... ([[Foottit et Chocolat|more...]])
+
Marie Virginie Kenebel was born into a circus family on April 23, 1819, in La Guillotière, a neighborhood of Lyon, in France. Her father, Ludwig (Louis) Daniel Knebel (or Knoebel, according to his signature—1794-1878), whose name was francized to Kenebel (or Kénébel), has been said to be a Sinti (a subgroup of the Romani people), but there is no clear documentation to support this assertion. If ever the Knebels had been seen as "outsiders" in Germany, it could also be because they were Jewish, as were many dynasties of German traveling entertainers: Ludwig's parents, Michel Knebel (or Knoebel) and Leonore, née Östermann, bore names with strong Jewish connections.
  
==New Biographies==
+
According to Signor Saltarino (Valdemar Otto) in his ''Artisten Lexikon'' (1895), the Knebels were a "second-rate [circus] family," but they were capable and polyvalent. Principally a rope dancer but also an equestrian trick-rider, Ludwig was born in Mannheim, in Baden-Württemberg, Germany, on February 22, 1874. As for Virginie's mother, Françoise Sophie Avrillon (known as Sophie, 1799-1862), she was an equestrienne, also born into a circus family in Tuscany, Italy—in Prato, according to her marriage certificate, or in Florence, according to her death and other French certificates; Prato, which is very close to Florence, seems to be the right location.
  
* [[Foottit et Chocolat]], Clowns
+
Louis and Sophie had married on March1, 1819 in Colmar, France, just in time to welcome their daughter into an established family. With three brothers and two sisters, Virginie was the first born of a large brood: she was followed by André (1820-1876), François Amédée (known as Amédée, 1825-1877), Etienne Stephan Antoine (known as Stephan, 1830-18091), Clémentine (1831-1833), and Marie-Honorine (1835-1878).
* [[Rose Gold]], Aerialist
+
 
* [[Cirque Prin]], History
+
Except for Clémentine, who died in infancy, all followed in their parents' footsteps and embraced a circus career. Amédée created his own company and moved to England from where, in 1846, he sailed to Mauritius, along with his brother André, and then to India, where he eventually settled (he died in Calcutta). André returned to France and worked in Paris for the Franconis. Stephan married his cousin, the equestrienne Émilie Lambert (1824-1890—her mother, Anna, was an Avrillon), but it doesn't seem that his career was particularly brilliant. Marie Honorine married in 1855 the equestrian Jean-Baptiste Auriol, Jr. (1834-1857), son of the illustrious clown Jean-Baptiste Auriol (1806-1881)&mdash;a union that, sadly, was short-lived.
* [[John Herriott]], Animal Trainer
+
 
* [[Anastasini_Family|The Anastasini Family]], Acrobats, Animal Trainers
+
The Avrillons were a French circus family. Claude Avrillon (1766-1819), Sophie's father, was an equestrian, as was her brother, François (1801-1845), who managed his own circus company; after having tried, unsuccessfully, to establish a permanent circus in Marseille, he had moved to Spain and opened there the first Madrilene circus in 1834, becoming in effect a pioneer of Spanish circus history. (Louis Kenebel and Sophie Avrillon would also create their own circus company with which they traveled intermittently in southern Europe: In 1831, they would find themselves in competition with François Avrillon in Barcelona!)... ([[Virginie Kenebel|more...]])
 +
 
 +
==New Essays and Biographies==
 +
 
 +
* [[Virginie Kenebel]], equestrienne
 +
* [[Chongqing_Acrobatic_Troupe|Chongqing Acrobatic Troupe]], History
 +
* [[Cirkus_Verdensteater_(Oslo)|Cirkus Verdensteater]], Oslo Circus Building
 +
* [[Eddie Murillo]], Circus Agent and Producer
 +
* [[The Biasini Family]], Circus Owners, Artists
  
 
==New Videos==
 
==New Videos==
  
* [[Tatevik_Seyranyan_Video_(2014)|Tatevik Seyranyan]], Rola-Bola (2014)
+
* [[Mateo_et_Aelia_Video_(2025)|Matéo & Amélia]], diabolo act (2025)
* [[Vasiliy_Timchenko_Video_(2015)|Vasiliy Timchenko]] Sea Lions Act (2015)
+
* [[Golyshev_Video_(1984)|Golyshev Troupe]], comedy acrobatics (1984)
* [[Dementiev-Kornilov_Video_(2013)|Andrey Dementiev-Kornilov]], Elepahnt Act (2013)
+
* [[Nazarova_Video_(1960)|Margarita Nazarova]], tiger act (excerpts) (1960)
* [[Kiko,_Popol_%26_Baba_Fratellini_Video_(1957)|Kiko, Popol & Baba Fratellini]], Clowns (1957)
+
* [[Casselly_Comedy_Horse_Video_(2025)|Merrylu Casselly]], comedy horse act (2025)
* [[Faltyny_Family_Video_(2014)|The Faltyny Family]], Unicycle Act (2014)
+
* [[Belui_Music_Video_(2025)|Duo Belui]], musical comedy act (2025)
 +
 
 +
==New Oral Histories==
 +
 
 +
* [[Dominique_Jando_Video_(2025)|Dominique Jando interview]] by the Circus Historical Society (2025)
 +
* [[Evelyn_and_Andre_Video_(2015)|Evelyn & André Interview]] on Blikk TV (2015)
 +
* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
 +
* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
 +
* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
  
==Featured Oral Histories==
+
==Circopedia Books==
  
* [[Albert_Fratellini_Interview_(1957)|Albert Fratellini]], French Television Interview (1957)
+
* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
* [[Pavlenko_Interview_Video|Nikolai Pavlenko]], tiger trainer - Interview (RIA Novosti, 2012)
+
* [[Alberto_Zoppé_Interview_2003|Alberto Zoppé]], Equestrian - Interview (McCutcheon & Distasio, 2003)
+
* [[Olivier Taquin Interview 2008|Olivier Taquin]], Mime - Interview (Jando, 2008)
+
* [[Barry Lubin Interview 2008|Barry Lubin]], Clown (Grandma) - Interview (Jando, 2008)
+
  
==A Message from the Editor==
+
==A Message from the Founder==
  
''CIRCOPEDIA is a constantly evolving and expanding encyclopedia of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. So keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Special:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
+
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
  
 
:'''Dominique Jando'''
 
:'''Dominique Jando'''
:Editor/Curator
+
:Founder and Curator

Latest revision as of 20:15, 31 August 2025


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

VIRGINIE KENEBEL

Virginie Kenebel - Bordeaux.jpg

Virginie Kenebel (1819-1884)—whose name is sometimes spelled Kennebel—was one of the brightest stars of the equestrian circus in its "Romantic" period (roughly from 1820 to 1880). She was one of the first écuyères de panneau(French) A flat, padded saddle used by ballerinas on horseback., who danced various movements of classical ballet on a large flat saddle (the panneau(French) A flat, padded saddle used by ballerinas on horseback.). More than the equestriennes who practiced haute-école(French) A display of equestrian dressage by a rider mounting a horse and leading it into classic moves and steps. (See also: High School) dressage, like their male counterparts, it was these ballerinas on horseback who truly defined the equestrian circus's Romantic period.

Marie Virginie Kenebel was born into a circus family on April 23, 1819, in La Guillotière, a neighborhood of Lyon, in France. Her father, Ludwig (Louis) Daniel Knebel (or Knoebel, according to his signature—1794-1878), whose name was francized to Kenebel (or Kénébel), has been said to be a Sinti (a subgroup of the Romani people), but there is no clear documentation to support this assertion. If ever the Knebels had been seen as "outsiders" in Germany, it could also be because they were Jewish, as were many dynasties of German traveling entertainers: Ludwig's parents, Michel Knebel (or Knoebel) and Leonore, née Östermann, bore names with strong Jewish connections.

According to Signor Saltarino (Valdemar Otto) in his Artisten Lexikon (1895), the Knebels were a "second-rate [circus] family," but they were capable and polyvalent. Principally a rope dancer but also an equestrian trickAny specific exercise in a circus act.-rider, Ludwig was born in Mannheim, in Baden-Württemberg, Germany, on February 22, 1874. As for Virginie's mother, Françoise Sophie Avrillon (known as Sophie, 1799-1862), she was an equestrienneA female equestrian, or horse trainer, horse presenter, or acrobat on horseback., also born into a circus family in Tuscany, Italy—in Prato, according to her marriage certificate, or in Florence, according to her death and other French certificates; Prato, which is very close to Florence, seems to be the right location.

Louis and Sophie had married on March1, 1819 in Colmar, France, just in time to welcome their daughter into an established family. With three brothers and two sisters, Virginie was the first born of a large brood: she was followed by André (1820-1876), François Amédée (known as Amédée, 1825-1877), Etienne Stephan Antoine (known as Stephan, 1830-18091), Clémentine (1831-1833), and Marie-Honorine (1835-1878).

Except for Clémentine, who died in infancy, all followed in their parents' footsteps and embraced a circus career. Amédée created his own company and moved to England from where, in 1846, he sailed to Mauritius, along with his brother André, and then to India, where he eventually settled (he died in Calcutta). André returned to France and worked in Paris for the Franconis. Stephan married his cousin, the equestrienneA female equestrian, or horse trainer, horse presenter, or acrobat on horseback. Émilie Lambert (1824-1890—her mother, Anna, was an Avrillon), but it doesn't seem that his career was particularly brilliant. Marie Honorine married in 1855 the equestrian Jean-Baptiste Auriol, Jr. (1834-1857), son of the illustrious clown Jean-Baptiste Auriol (1806-1881)—a union that, sadly, was short-lived.

The Avrillons were a French circus family. Claude Avrillon (1766-1819), Sophie's father, was an equestrian, as was her brother, François (1801-1845), who managed his own circus company; after having tried, unsuccessfully, to establish a permanent circus in Marseille, he had moved to Spain and opened there the first Madrilene circus in 1834, becoming in effect a pioneer of Spanish circus history. (Louis Kenebel and Sophie Avrillon would also create their own circus company with which they traveled intermittently in southern Europe: In 1831, they would find themselves in competition with François Avrillon in Barcelona!)... (more...)

New Essays and Biographies

New Videos

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator