Difference between revisions of "Main Page"

From Circopedia

 
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<div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! Bienvenue! Willkommen! Добро Пожаловать!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! Benvenuto! 歡迎 ! Vítejte! Καλώς ήρθατε!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! Добре Дошли! Welkom! • Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! Tervetuloa! Дабро Запрашаем! • Välkommen!</div><br/>
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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! Bienvenue! Willkommen! Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! Benvenuto! 歡迎 ! Vítejte! Καλώς ήρθατ
<div style="top:+0.2em; font-size:110%;"> Circopedia is a project of the [http://www.bigapplecircus.org/ Big Apple Circus],<br />inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation].</div>
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ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! Добре Дошли! Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! Tervetuloa! Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, initially created as a project of the original, non-profit [[Big Apple Circus]]''.</div><br/>
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==In The Spotlight==
 
==In The Spotlight==
[[File:Les_Bario.jpg|350px|right]]
 
===LES BARIO===
 
  
Rare have been clown trios that have held the top of the bill of the most important European circuses for such a long time. Artists of great quality, particularly loved by the public&mdash;they had their fan club!&mdash;the Barios were also true innovators in the realm of clown comedy.  
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===VALENTIN GNEUSHEV===
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[[File:Valentin_Gneushev.jpg|300px|right]]
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Born on December 20, 1951, in Nizhny Tagil, in Sverdlovsk Oblast, Russia, (close to the boundary between Asia and Europe), Valentin Aleksandrovich Gneushev (1951-2026) was one of the most influential circus directors-choreographers of the second half of the twentieth century, and the creator of some of the most innovative and celebrated circus acts of the 1990s.
  
Manrico Lionello (Nello, 1918-1999), the elder, was born August 28, 1918 in Alingsås, in Sweden. Alfredo Darius Bruno (Freddy, 1922-1988) was born in Brussels on December 18, 1922. Like all circus children, the two sons of Manrico Meschi, known as Bario (1888-1974), and Lily Eva, née Magrini (1902-1985), made their debut in the family act, the [[Les Dario-Bario|Dario-Bario]] clown trio, which included their uncle Dario (Dario Meschi, 1880-1962), their father, and a third partner that changed over the years: Félix Gontard, [[Rhum, Emile Coryn|Mimile, or Pépète Pauwels.
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As the “new circus” movement was drastically changing the traditional imagery of the circus (roughly between 1975 and 1995), Gneushev became the ultimate trendsetter, completely renewing the language of the ring. A master at discovering untapped talents in the disintegrating Soviet circus world, then creating and designing original acts for them, he eventually influenced the style of many young circus artists and companies, including Cirque du Soleil.
  
Over time, their sister, Tosca, and their cousin, Willy Dario (Dario’s son), joined the troupe to participate in the act’s traditional musical finale. At age fourteen, Nello began to develop a threadlike hobo character named Siméon, and embarked in earnest on his clown apprenticeship, while Freddy, dressed as a rollicking groom, continued to be a mere extra in the act.  
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Valentin Gneushev fell in love with the circus as a teenager. He was fourteen when he began to perform in 1965 in a local Amateur Circus (the Russian equivalent of our Youth Circuses, albeit at a much higher artistic and technical level than in the West). He eventually decided to leave the Sverdlovsk Province and the industrial fumes of Nizhny Tagil (birthplace of the first Russian steam locomotive) and headed for Moscow, where he was accepted in the State College for Circus and Variety Arts (the legendary "Moscow Circus School"). There, he specialized as a clown.
  
In 1938, the Dario-Barios were in England, at Blackpool’s Tower Circus. Nello took advantage of the occasion to learn tap-dancing, of which English audiences were particularly fond, luring along his siblings, Freddy and Tosca. Nello was twenty, and it was time for him to consider his future; he didn’t see himself playing forever third banana to his father’s act. With Freddy and Tosca, Nello decided to build a musical and tap-dancing comedy act intended for the variety stage, which they would name “The Bario Juniors.” ... ([[Les Bario|more...]])
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In Moscow, Gneushev studied under Roman Viktiuk, Firs Zemtsev, and especially Serguei Kashtelyan, who had a lasting influence on his work. He graduated in 1978 and formed a short-lived clown trio with two partners, in which he revealed a special aptitude for pantomime, as well as a need to distance himself from the conventional circus clowning of the period.
  
==New Biographies==
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An eager student of the arts (literature, history, painting, music), Valentin developed a remarkable artistic culture, and an aesthetic vision rooted in classic as well as contemporary art, and widely open to new influences—a far cry from the prevalent rhetoric of the Soviet artistic scene.... ([[Valentin Gneushev|more...]])
  
* [[Réjean St. Jules]], Juggler
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==New Essays and Biographies==
* [[Les Bario]], Clowns
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* [[Edoardo Raspini]], Juggler
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* [[James Clowney]], acrobat
* [[Italo Medini]], Juggler
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* [[Émilien Bouglione]], equestrian, circus director
* [[Isabella Nock]], Aerialist
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* [[Alexis Gruss, Jr/fr|Alexis Gruss, Jr]] (version française)
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* [[Cirque_d'Hiver/fr|Le Cirque d'Hiver]] (Version française)
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* [[Virginie Kenebel/fr|Virginie Kenebel]] (Version française)
  
 
==New Videos==
 
==New Videos==
  
* [[Nesterov_Rhino_Video_(2014)|Sergey Nesterov]], Trained Rhinoceros (2015)
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* [[Statues_BAC_Video_(1994)|Melinda Merlier, Carlos Guity & James Clowney]], statue act (1994)
* [[Katkov_Video_(2014)|Andrey Katkov]], Hand Balancer (2015)
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* [[Castors_Video_(c.1960)|Les Castors]], foot-juggling & Risley act (c.1960)
* [[Sebastian_StJules_Video_(2014)|Sebastian St. Jules]], Juggler (2014)
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* [[Smart_Video_(1981)|Yasmine Smart]], liberty act (1981)
* [[Sebastian_and_Rejean_Video_(2015)|Sebastian & Réjean]], Jugglers (2015)
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* [[Bondarev_Video_(1985)|Bondarev Troupe]], teeterboard (1985)
* [[Serdyukova_Video_(2016)|Yana Serdyukova]], Swinging Trapeze (2016)
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* [[Luna_Video_(2025)|Duo Luna]], aerial hoop (2025)
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==New Oral Histories==
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* [[Dominique_Jando_Video_(2025)|Dominique Jando interview]] by the Circus Historical Society (2025)
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* [[Evelyn_and_Andre_Video_(2015)|Evelyn & André Interview]] on Blikk TV (2015)
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* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
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* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
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* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
  
==Featured Oral Histories==
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==Circopedia Books==
  
* [[Moira_Orfei_Video_(2012)|Moira Orfei]], Circus Owner - Davide Maggio Interview (2012)
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* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
* [[Oleg_Popov_Circus_Legends_Video_(2014)|Oleg Popov]], clown - Russian Television Feature (2014)
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* [[Albert_Fratellini_Interview_(1957)|Albert Fratellini]], clown - French Television Interview (1957)
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* [[Pavlenko_Interview_Video|Nikolai Pavlenko]], tiger trainer - Interview (RIA Novosti, 2012)
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* [[Alberto_Zoppé_Interview_2003|Alberto Zoppé]], Equestrian - Interview (McCutcheon & Distasio, 2003)
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==A Message from the Editor==
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==A Message from the Founder==
  
''CIRCOPEDIA is a constantly evolving and expanding encyclopedia of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. So keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Special:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
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''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
  
 
:'''Dominique Jando'''
 
:'''Dominique Jando'''
:Editor/Curator
+
:Founder and Curator

Latest revision as of 18:10, 28 March 2026


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

VALENTIN GNEUSHEV

Valentin Gneushev.jpg

Born on December 20, 1951, in Nizhny Tagil, in Sverdlovsk Oblast, Russia, (close to the boundary between Asia and Europe), Valentin Aleksandrovich Gneushev (1951-2026) was one of the most influential circus directors-choreographers of the second half of the twentieth century, and the creator of some of the most innovative and celebrated circus acts of the 1990s.

As the “new circus” movement was drastically changing the traditional imagery of the circus (roughly between 1975 and 1995), Gneushev became the ultimate trendsetter, completely renewing the language of the ring. A master at discovering untapped talents in the disintegrating Soviet circus world, then creating and designing original acts for them, he eventually influenced the style of many young circus artists and companies, including Cirque du Soleil.

Valentin Gneushev fell in love with the circus as a teenager. He was fourteen when he began to perform in 1965 in a local Amateur Circus (the Russian equivalent of our Youth Circuses, albeit at a much higher artistic and technical level than in the West). He eventually decided to leave the Sverdlovsk Province and the industrial fumes of Nizhny Tagil (birthplace of the first Russian steam locomotive) and headed for Moscow, where he was accepted in the State College for Circus and Variety Arts (the legendary "Moscow Circus School"). There, he specialized as a clownGeneric term for all clowns and augustes. '''Specific:''' In Europe, the elegant, whiteface character who plays the role of the straight man to the Auguste in a clown team..

In Moscow, Gneushev studied under Roman Viktiuk, Firs Zemtsev, and especially Serguei Kashtelyan, who had a lasting influence on his work. He graduated in 1978 and formed a short-lived clown trio with two partners, in which he revealed a special aptitude for pantomimeA circus play, not necessarily mute, with a dramatic story-line (a regular feature in 18th and 19th century circus performances)., as well as a need to distance himself from the conventional circus clowning of the period.

An eager student of the arts (literature, history, painting, music), Valentin developed a remarkable artistic culture, and an aesthetic vision rooted in classic as well as contemporary art, and widely open to new influences—a far cry from the prevalent rhetoric of the Soviet artistic scene.... (more...)

New Essays and Biographies

New Videos

  • Melinda Merlier, Carlos Guity & James Clowney, statue act (1994)
  • Les Castors, foot-juggling & Risley actAct performed by Icarists, in which one acrobat, lying on his back, juggles another acrobat with his feet. (Named after Richard Risley Carlisle, who developed this type of act.) (c.1960)
  • Yasmine Smart, liberty"Liberty act", "Horses at liberty": Unmounted horses presented from the center of the ring by an equestrian directing his charges with his voice, body movements, and signals from a ''chambrière'' (French), or long whip. act (1981)
  • Bondarev Troupe, teeterboardA seesaw made of wood, or fiberglass poles tied together, which is used to propel acrobats in the air. (1985)
  • Duo Luna, aerial hoopA heavy metallic hoop used as a variance of trapeze, usually with contortion moves. (Also called Cerceau.) (2025)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator