Difference between revisions of "Main Page"

From Circopedia

 
Line 9: Line 9:
 
{| style="width:100%; border:solid 0px; background:none;"
 
{| style="width:100%; border:solid 0px; background:none;"
 
|style="width:500px; text-align:center; white-space:nowrap; color:#000;"|
 
|style="width:500px; text-align:center; white-space:nowrap; color:#000;"|
<div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! Bienvenue! Willkommen! Добро Пожаловать!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! Benvenuto! 歡迎 ! Vítejte! Καλώς ήρθατε!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! Добре Дошли! Welkom! ★ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! Tervetuloa! Дабро Запрашаем! ★ Välkommen!</div><br/>
+
<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! Bienvenue! Willkommen! Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! Benvenuto! 歡迎 ! Vítejte! Καλώς ήρθατ
<div style="top:+0.2em; font-size:110%;"> Circopedia is an original project of the [http://www.bigapplecircus.org/ Big Apple Circus],<br />inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation].</div>
+
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! Добре Дошли! Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! Tervetuloa! Дабро Запрашаем! ✫ Välkommen!</div><br/>
 +
<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, initially created as a project of the original, non-profit [[Big Apple Circus]]''.</div><br/>
 +
 
 
|}
 
|}
 
|}
 
|}
 +
 
==In The Spotlight==
 
==In The Spotlight==
[[File:Philip_Astley.jpg|right|300px]]
 
===PHILIP ASTLEY===
 
  
Philip Astley (1742-1814) is considered the creator of the modern circus. He was born January 8, 1742 in Newcastle-under-Lyme, in the West Midlands, England, the son of Edward Astley, a veneer-cutter and cabinet-maker. Edward had a short-fuse and a passion for horses, traits he passed on to his son. At age 17, Philip left home after one of many disputes with his father and enrolled in the 15th Light Dragoons, a cavalry regiment newly formed by Colonel Granville Elliott.
+
===VALENTIN GNEUSHEV===
 +
[[File:Valentin_Gneushev.jpg|300px|right]]
 +
Born on December 20, 1951, in Nizhny Tagil, in Sverdlovsk Oblast, Russia, (close to the boundary between Asia and Europe), Valentin Aleksandrovich Gneushev (1951-2026) was one of the most influential circus directors-choreographers of the second half of the twentieth century, and the creator of some of the most innovative and celebrated circus acts of the 1990s.
  
Six feet tall and endowed with a stentorian voice, Philip Astley was a giant for his time and didn't easily blend into crowds, even when in uniform. A gifted equestrian, he was put in charge of breaking new horses for his regiment. He was also noticed by the celebrated riding and fencing master, Domenico Angelo, who took him under his tutelage and taught him a new method aimed at improving the use of the cavalry broadsword in battle—an expertise Astley would later display in his shows.
+
As the “new circus” movement was drastically changing the traditional imagery of the circus (roughly between 1975 and 1995), Gneushev became the ultimate trendsetter, completely renewing the language of the ring. A master at discovering untapped talents in the disintegrating Soviet circus world, then creating and designing original acts for them, he eventually influenced the style of many young circus artists and companies, including Cirque du Soleil.
  
In 1761, Astley and his regiment embarked for the Continent to fight alongside King Frederick II of Prussia in the Seven Years' War (1756-63), known as the French and Indian War in America. Corporal Astley fought gallantly: he captured an enemy standard in battle; rescued the Duke of Brunswick, who had fallen behind enemy lines; and returned to England with the rank of Sergeant Major. He obtained his discharge on June 21, 1766 at Derby, and Elliott, now General, presented him with a white charger named Gibraltar. Astley married around this time. In 1769, his wife (of whom little is known) presented him with a son, John Philip Conway Astley (1767-1821).
+
Valentin Gneushev fell in love with the circus as a teenager. He was fourteen when he began to perform in 1965 in a local Amateur Circus (the Russian equivalent of our Youth Circuses, albeit at a much higher artistic and technical level than in the West). He eventually decided to leave the Sverdlovsk Province and the industrial fumes of Nizhny Tagil (birthplace of the first Russian steam locomotive) and headed for Moscow, where he was accepted in the State College for Circus and Variety Arts (the legendary "Moscow Circus School"). There, he specialized as a clown.
  
Trick-riding exhibitions were very popular in the second half of the eighteenth century. England had become a constitutional monarchy in 1688, and the spending power of the nobility had been curbed considerably. Private regiments were disappearing. Lavish equestrian court entertainments (such as carrousels) had ceased to be affordable. Private manèges staffed with riding instructors didn't fare much better. Still, riding masters, most of them coming from the military, could make a good living as trick-riding performers. Thus, following in the footsteps of many great British equestrians (notably Jacob Bates, whose fame stretched from America to Russia), Philip Astley became a showman.... ([[Philip Astley|more...]])
+
In Moscow, Gneushev studied under Roman Viktiuk, Firs Zemtsev, and especially Serguei Kashtelyan, who had a lasting influence on his work. He graduated in 1978 and formed a short-lived clown trio with two partners, in which he revealed a special aptitude for pantomime, as well as a need to distance himself from the conventional circus clowning of the period.
  
==New Biographies==
+
An eager student of the arts (literature, history, painting, music), Valentin developed a remarkable artistic culture, and an aesthetic vision rooted in classic as well as contemporary art, and widely open to new influences—a far cry from the prevalent rhetoric of the Soviet artistic scene.... ([[Valentin Gneushev|more...]])
+
 
* [[Gene Mendez]], High Wire Artist
+
==New Essays and Biographies==
* [[Franz Czeisler (Tihany)]], Magician, Circus Owner
+
 
* [[Cirque_Medrano_(Paris)|Circuses Fernando and Medrano]], History
+
* [[Émilien Bouglione]], equestrian, circus director
* [[Kannan Bombayo]], Rope Dancer
+
* [[Alexis Gruss, Jr/fr|Alexis Gruss, Jr]] (version française)
* [[Réjean St. Jules]], Juggler
+
* [[Cirque_d'Hiver/fr|Le Cirque d'Hiver]] (Version française)
 +
* [[Virginie Kenebel/fr|Virginie Kenebel]] (Version française)
 +
* [[Cirque Bureau]], circus (English/Français)
  
 
==New Videos==
 
==New Videos==
  
* [[Vladimir_Tsarkov_Video_(2006)|Vladimir Tsarkov]], Juggler (2006)
+
* [[Smart_Video_(1981)|Yasmine Smart]], liberty act (1981)
* [[Fovarosi_Nagycircusz_Video_(2009)|Budapest's Fővárosi Nagycirkusz]], History (2009)
+
* [[Bondarev_Video_(1985)|Bondarev Troupe]], teeterboard (1985)
* [[Darya_Zayats_Video_(2016)|Darya Zayats]], Aerial Straps (2016)
+
* [[Luna_Video_(2025)|Duo Luna]], aerial hoop (2025)
* [[Charlie_Cairoli_Video_(1979)|Charlie Cairoli & Co.]], Clowns (1979)
+
* [[Tulga_Video_(2025)|Tulga]], stromgman (2025)
* [[Arlette_Gruss_Video_(1969)|Arlette Gruss]], Leopard Act (1969)
+
* [[China_Troupe_-_Bicycle_Video_(2025)|China Acrobatic Troupe]], bicycle act (2025)
 +
 
 +
==New Oral Histories==
 +
 
 +
* [[Dominique_Jando_Video_(2025)|Dominique Jando interview]] by the Circus Historical Society (2025)
 +
* [[Evelyn_and_Andre_Video_(2015)|Evelyn & André Interview]] on Blikk TV (2015)
 +
* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
 +
* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
 +
* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
  
==Featured Oral Histories==
+
==Circopedia Books==
  
* [[Jean_Richard_Video_(1979)|Jean Richard and Jean-Pierre Richard]] at the Cirque jean Richard - Christian Boner Interview (1979)
+
* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
* [[Buster_Keaton_Video_(1947)|Jérôme Medrano about Buster Keaton]] at the Cirque Medrano (1947)
+
* [[Moira_Orfei_Video_(2012)|Moira Orfei]], Circus Owner - Davide Maggio Interview (2012)
+
* [[Oleg_Popov_Circus_Legends_Video_(2014)|Oleg Popov]], clown - Russian Television Feature (2014)
+
* [[Albert_Fratellini_Interview_(1957)|Albert Fratellini]], clown - French Television Interview (1957)
+
  
==A Message from the Editor==
+
==A Message from the Founder==
  
''CIRCOPEDIA is a constantly evolving and expanding encyclopedia of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. So keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Special:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
+
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
  
 
:'''Dominique Jando'''
 
:'''Dominique Jando'''
:Editor/Curator
+
:Founder and Curator

Latest revision as of 18:41, 25 March 2026


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

VALENTIN GNEUSHEV

Valentin Gneushev.jpg

Born on December 20, 1951, in Nizhny Tagil, in Sverdlovsk Oblast, Russia, (close to the boundary between Asia and Europe), Valentin Aleksandrovich Gneushev (1951-2026) was one of the most influential circus directors-choreographers of the second half of the twentieth century, and the creator of some of the most innovative and celebrated circus acts of the 1990s.

As the “new circus” movement was drastically changing the traditional imagery of the circus (roughly between 1975 and 1995), Gneushev became the ultimate trendsetter, completely renewing the language of the ring. A master at discovering untapped talents in the disintegrating Soviet circus world, then creating and designing original acts for them, he eventually influenced the style of many young circus artists and companies, including Cirque du Soleil.

Valentin Gneushev fell in love with the circus as a teenager. He was fourteen when he began to perform in 1965 in a local Amateur Circus (the Russian equivalent of our Youth Circuses, albeit at a much higher artistic and technical level than in the West). He eventually decided to leave the Sverdlovsk Province and the industrial fumes of Nizhny Tagil (birthplace of the first Russian steam locomotive) and headed for Moscow, where he was accepted in the State College for Circus and Variety Arts (the legendary "Moscow Circus School"). There, he specialized as a clownGeneric term for all clowns and augustes. '''Specific:''' In Europe, the elegant, whiteface character who plays the role of the straight man to the Auguste in a clown team..

In Moscow, Gneushev studied under Roman Viktiuk, Firs Zemtsev, and especially Serguei Kashtelyan, who had a lasting influence on his work. He graduated in 1978 and formed a short-lived clown trio with two partners, in which he revealed a special aptitude for pantomimeA circus play, not necessarily mute, with a dramatic story-line (a regular feature in 18th and 19th century circus performances)., as well as a need to distance himself from the conventional circus clowning of the period.

An eager student of the arts (literature, history, painting, music), Valentin developed a remarkable artistic culture, and an aesthetic vision rooted in classic as well as contemporary art, and widely open to new influences—a far cry from the prevalent rhetoric of the Soviet artistic scene.... (more...)

New Essays and Biographies

New Videos

  • Yasmine Smart, liberty"Liberty act", "Horses at liberty": Unmounted horses presented from the center of the ring by an equestrian directing his charges with his voice, body movements, and signals from a ''chambrière'' (French), or long whip. act (1981)
  • Bondarev Troupe, teeterboardA seesaw made of wood, or fiberglass poles tied together, which is used to propel acrobats in the air. (1985)
  • Duo Luna, aerial hoopA heavy metallic hoop used as a variance of trapeze, usually with contortion moves. (Also called Cerceau.) (2025)
  • Tulga, stromgman (2025)
  • China Acrobatic Troupe, bicycle act (2025)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator