Difference between revisions of "Main Page"

From Circopedia

 
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<div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατε!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
<div style="top:+0.2em; font-size:110%;"> Circopedia was originally created with the support of the [http://www.bigapplecircus.com/ Big Apple Circus],<br />and has been inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation].</div>
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ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, initially created as a project of the original, non-profit [[Big Apple Circus]]''.</div><br/>
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==In The Spotlight==
 
==In The Spotlight==
  
===CIRQUE MEDRANO, PARIS===
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===VALENTIN GNEUSHEV===
[[File:Medrano_Farewell.jpg|right|thumb|350px|Violette and Jérôme Medrano (1963)]]
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[[File:Valentin_Gneushev.jpg|300px|right]]
(...) In February of 1959, following the advice of his lawyers, Jérôme Medrano created a new corporate entity for the exploitation of his circus—in all probability to generate new legal hurdles for the Bougliones and continue to stall a situation whose obvious conclusion was unfortunately inexorable. When the 1959-60 Season began in September, Violette Medrano was conspicuously listed on the program as the circus’s sole Director. (She was also the Director of the new corporation.) Although he was still in actuality at the artistic helm of his circus, Jérôme remained in the shadows.
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Born on December 20, 1951, in Nizhny Tagil, in Sverdlovsk Oblast, Russia, (close to the boundary between Asia and Europe), Valentin Aleksandrovich Gneushev (1951-2026) was one of the most influential circus directors-choreographers of the second half of the twentieth century, and the creator of some of the most innovative and celebrated circus acts of the 1990s.
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As the “new circus” movement was drastically changing the traditional imagery of the circus (roughly between 1975 and 1995), Gneushev became the ultimate trendsetter, completely renewing the language of the ring. A master at discovering untapped talents in the disintegrating Soviet circus world, then creating and designing original acts for them, he eventually influenced the style of many young circus artists and companies, including Cirque du Soleil.
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Valentin Gneushev fell in love with the circus as a teenager. He was fourteen when he began to perform in 1965 in a local Amateur Circus (the Russian equivalent of our Youth Circuses, albeit at a much higher artistic and technical level than in the West). He eventually decided to leave the Sverdlovsk Province and the industrial fumes of Nizhny Tagil (birthplace of the first Russian steam locomotive) and headed for Moscow, where he was accepted in the State College for Circus and Variety Arts (the legendary "Moscow Circus School"). There, he specialized as a clown.
  
Yet Violette’s personal touch could be felt: The overall style of Medrano was modernized and refreshed, notably with usherettes in elegant and colorful dresses instead of circus uniforms, and the use of air freshener in the corridors and the bar to mask the smell of the menagerie. (The latter innovation was strongly criticized by hardcore circus fans!) Marcellys took over the orchestra, in addition to his role as host. Violette also conceived the idea of an already built-up steel arena coming down from the cupola for the cage acts. This was a good innovation, although it couldn’t be used in conjunction with major aerial acts, such as flying trapeze and high wire, and thus influenced to some extent the composition of the programs (either big aerial act or cage act, but not both). Covered with fabric, it also served as a ring curtain in a few productions.
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In Moscow, Gneushev studied under Roman Viktiuk, Firs Zemtsev, and especially Serguei Kashtelyan, who had a lasting influence on his work. He graduated in 1978 and formed a short-lived clown trio with two partners, in which he revealed a special aptitude for pantomime, as well as a need to distance himself from the conventional circus clowning of the period.
  
In May 1960, the season ended with an interesting show titled Cavalcade sur Glace 60. It was entirely performed on ice, including Erie Klant's polar-bear act presented Corry Vermeeren, Stella Fratellini and her chimpanzee Georgie, and, most amazingly, the high school act of Elvira Vonderp. The featured star of the show was the former French champion ice-skater Raymonde Du Bief, but its true stars were the Barios, who had spent most of the 1959-60 Season at Medrano, and were at the height of their creative and comedic talents. They performed wonderful original entrées (on skates, like everyone else in the show), and gave the production its soul as well as its laughs. ([[Cirque Medrano (Paris)|more...]])
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An eager student of the arts (literature, history, painting, music), Valentin developed a remarkable artistic culture, and an aesthetic vision rooted in classic as well as contemporary art, and widely open to new influences—a far cry from the prevalent rhetoric of the Soviet artistic scene.... ([[Valentin Gneushev|more...]])
  
==New Biographies==
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==New Essays and Biographies==
  
* [[The Kornilov Dynasty]], Elephant Trainers
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* [[Alexis Gruss, Jr/fr|Alexis Gruss, Jr]] (version française)
* [[Sergei Korolev]], Acrobat
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* [[Cirque_d'Hiver/fr|Le Cirque d'Hiver]] (Version française)
* [[Victor Fomine]], Acrobat, Circus Coach
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* [[Virginie Kenebel/fr|Virginie Kenebel]] (Version française)
* [[Annie Fratellini]], Clown, Circus Director
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* [[Cirque Bureau]], circus (English/Français)
* [[Joel Baker]], Clown
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* [[Richiardi Jr.]], magician
  
 
==New Videos==
 
==New Videos==
  
* [[Duo_2-Zen-O_Video_(2018)|Duo 2-Zen-O]], Aerial Hoops (2018)
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* [[Bondarev_Video_(1985)|Bondarev Troupe]], teeterboard (1985)
* [[Guangdong_Prinsessan_Video_(1995)|Guangdong Acrobatic Troupe]], Porté-Lancé (1995)
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* [[Luna_Video_(2025)|Duo Luna]], aerial hoop (2025)
* [[Serafimovich_Video_(1995)|Elena Serafimovich]], Aerial Hoop (1995)
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* [[Tulga_Video_(2025)|Tulga]], stromgman (2025)
* [[Stauberti_Video_(2018)|Duo Stauberti]], Perch-Pole Balancing (2018)
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* [[China_Troupe_-_Bicycle_Video_(2025)|China Acrobatic Troupe]], bicycle act (2025)
* [[Vavilov_Video_(2018)|The Vavilov Troupe]], Porté-Lancé (2018)
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* [[Dorning_Cow_Video_(1978)|Günter Dorning]], trained cows (1978)
  
==Featured Oral Histories==
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==New Oral Histories==
  
* [[Circo_Price_Video_(2017)|A Short History of Madrid's Old Circo Price]], Circus History (1970)
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* [[Dominique_Jando_Video_(2025)|Dominique Jando interview]] by the Circus Historical Society (2025)
* [[Anastasia_Dementieva_Video_(2017)|Anastasia Dementieva-Kornilova]] – Vadim Vernik Interview (2017)
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* [[Evelyn_and_Andre_Video_(2015)|Evelyn & André Interview]] on Blikk TV (2015)
* [[Freres_Knie_Video_(1962)|''Les Frères Knie'']], Documentary (1962)
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* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
* [[Jean_Richard_Video_(1979)|Jean Richard and Jean-Pierre Richard]] at the Cirque Jean Richard – Christian Boner Interview (1979)
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* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
* [[Buster_Keaton_Video_(1947)|Jérôme Medrano about Buster Keaton]] at the Cirque Medrano (1947)
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* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
  
==Featured Circopedia Book==
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==Circopedia Books==
  
 
* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
 
* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
  
==A Message from the Editor==
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==A Message from the Founder==
  
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Special:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
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''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
  
 
:'''Dominique Jando'''
 
:'''Dominique Jando'''
 
:Founder and Curator
 
:Founder and Curator

Latest revision as of 20:24, 18 March 2026


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

VALENTIN GNEUSHEV

Valentin Gneushev.jpg

Born on December 20, 1951, in Nizhny Tagil, in Sverdlovsk Oblast, Russia, (close to the boundary between Asia and Europe), Valentin Aleksandrovich Gneushev (1951-2026) was one of the most influential circus directors-choreographers of the second half of the twentieth century, and the creator of some of the most innovative and celebrated circus acts of the 1990s.

As the “new circus” movement was drastically changing the traditional imagery of the circus (roughly between 1975 and 1995), Gneushev became the ultimate trendsetter, completely renewing the language of the ring. A master at discovering untapped talents in the disintegrating Soviet circus world, then creating and designing original acts for them, he eventually influenced the style of many young circus artists and companies, including Cirque du Soleil.

Valentin Gneushev fell in love with the circus as a teenager. He was fourteen when he began to perform in 1965 in a local Amateur Circus (the Russian equivalent of our Youth Circuses, albeit at a much higher artistic and technical level than in the West). He eventually decided to leave the Sverdlovsk Province and the industrial fumes of Nizhny Tagil (birthplace of the first Russian steam locomotive) and headed for Moscow, where he was accepted in the State College for Circus and Variety Arts (the legendary "Moscow Circus School"). There, he specialized as a clownGeneric term for all clowns and augustes. '''Specific:''' In Europe, the elegant, whiteface character who plays the role of the straight man to the Auguste in a clown team..

In Moscow, Gneushev studied under Roman Viktiuk, Firs Zemtsev, and especially Serguei Kashtelyan, who had a lasting influence on his work. He graduated in 1978 and formed a short-lived clown trio with two partners, in which he revealed a special aptitude for pantomimeA circus play, not necessarily mute, with a dramatic story-line (a regular feature in 18th and 19th century circus performances)., as well as a need to distance himself from the conventional circus clowning of the period.

An eager student of the arts (literature, history, painting, music), Valentin developed a remarkable artistic culture, and an aesthetic vision rooted in classic as well as contemporary art, and widely open to new influences—a far cry from the prevalent rhetoric of the Soviet artistic scene.... (more...)

New Essays and Biographies

New Videos

  • Bondarev Troupe, teeterboardA seesaw made of wood, or fiberglass poles tied together, which is used to propel acrobats in the air. (1985)
  • Duo Luna, aerial hoopA heavy metallic hoop used as a variance of trapeze, usually with contortion moves. (Also called Cerceau.) (2025)
  • Tulga, stromgman (2025)
  • China Acrobatic Troupe, bicycle act (2025)
  • Günter Dorning, trained cows (1978)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator