Difference between revisions of "Main Page"

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<div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατε!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
<div style="top:+0.2em; font-size:110%;"> Circopedia was originally created with the support of the [http://www.bigapplecircus.com/ Big Apple Circus],<br />and has been inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation].</div>
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ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, initially created as a project of the original, non-profit [[Big Apple Circus]]''.</div><br/>
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==In The Spotlight==
 
==In The Spotlight==
  
===CIRQUE MEDRANO, PARIS===
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===NINA KORNILOVA AND THE KORNILOV DYNASTY===
[[File:Medrano_Farewell.jpg|right|thumb|350px|Violette and Jérôme Medrano (1963)]]
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(...) In February of 1959, following the advice of his lawyers, Jérôme Medrano created a new corporate entity for the exploitation of his circus—in all probability to generate new legal hurdles for the Bougliones and continue to stall a situation whose obvious conclusion was unfortunately inexorable. When the 1959-60 Season began in September, Violette Medrano was conspicuously listed on the program as the circus’s sole Director. (She was also the Director of the new corporation.) Although he was still in actuality at the artistic helm of his circus, Jérôme remained in the shadows.
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[[File:Aleksandr_Kornilov_and_Nina_Kornilova.jpeg|right|thumb|410px|Nina & Aleksandr Kornilov]]
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There never have been many elephant acts in the Soviet and Russian circus. Several members of the Durov family have included one pachyderm or two in their animal presentations and a small number of animal trainers, such as Boris Fedotov, Sarvat Begbudi and Msistlav Zapashny have trained elephants. The Kornilov Dynasty, however, is the exception that confirms the rule: Since 1929, they have not only been the great Russian elephant-training specialists, but they also have been among the world’s very best&mdash;and the productions of their magnificent acts remain unequaled.
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Born November 22, 1903 in Russia, Aleksandr Nikolaievich Kornilov (1903-1977), the founder of the Dynasty, began his professional life as a sailor. At the end of the 1920s, he landed in Samara, the great port city on the Volga river, where he discovered the traveling menagerie of Ivan Lazarevich Filatov (1873-1956)&mdash;the father of the legendary Russian bear trainer Valentin Filatov and scion of an old family of itinerant animal trainers.
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This unforeseen encounter changed Kornilov’s life: Although he was indeed fascinated by the Filatov Menagerie exhibitions, he was even more attracted to Masha, the pretty young girl who handled the box office. Masha (Maria Ivanovna Filatova, 1904-1975) was Ivan Lazarevich’s daughter: They quickly fell in love, and Aleksandr decided to stay on dry land and follow Masha, whom he eventually married.
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Now part of the family, Aleksandr had to bring his contribution to his father-in-law’s business. Working as a simple cage and stable boy, he did his apprenticeship on the job. After having acquired enough experience caring for the menagerie’s animals, he finally made his public debut as a trainer in 1929 with a group that included brown bears, polar bears and lions. He presented also the menagerie’s single elephant in a sketch titled ''The Elephant at the Restaurant''.
  
Yet Violette’s personal touch could be felt: The overall style of Medrano was modernized and refreshed, notably with usherettes in elegant and colorful dresses instead of circus uniforms, and the use of air freshener in the corridors and the bar to mask the smell of the menagerie. (The latter innovation was strongly criticized by hardcore circus fans!) Marcellys took over the orchestra, in addition to his role as host. Violette also conceived the idea of an already built-up steel arena coming down from the cupola for the cage acts. This was a good innovation, although it couldn’t be used in conjunction with major aerial acts, such as flying trapeze and high wire, and thus influenced to some extent the composition of the programs (either big aerial act or cage act, but not both). Covered with fabric, it also served as a ring curtain in a few productions.
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Elephant training appealed to Aleksandr, and Ivan Filatov eventually trusted his pachyderm to him. Later, three additional elephants joined his original animal when Kornilov became part of the central system of Soviet circuses (G.O.M.E.Ts., which later became SoyuzGosTsirk); it allowed him to expand his act without having to bear personally the financial burden. (Ivan Filatov, for his part, was asked by the government to organize the zoological park system of the U.S.S.R.)
  
In May 1960, the season ended with an interesting show titled ''Cavalcade sur Glace 60''. It was entirely performed on ice, including Erie Klant's polar-bear act presented Corry Vermeeren, Stella Fratellini and her chimpanzee Georgie, and, most amazingly, the high school act of Elvira Vonderp. The featured star of the show was the former French champion ice-skater Raymonde Du Bief, but its true stars were the Barios, who had spent most of the 1959-60 Season at Medrano, and were at the height of their creative and comedic talents. They performed wonderful original entrées (on skates, like everyone else in the show), and gave the production its soul as well as its laughs. ([[Cirque Medrano (Paris)|more...]])
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At a time when Russian elephant acts included only one or two animals, Kornilov’s four elephants looked like a herd! This effect was amplified in 1943 when he created his first "attraction," ''Elephants and Dancers'', with a group of fourteen dancers whose soloist was the young and talented Nina Suprun&mdash;the future Nina Kornilova (1926-2025).... ([[The Kornilov Dynasty|more...]])
  
==New Biographies==
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==New Essays and Biographies==
  
* [[The Kornilov Dynasty]], Elephant Trainers
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* [[Chongqing_Acrobatic_Troupe|Chongqing Acrobatic Troupe]], History
* [[Sergei Korolev]], Acrobat
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* [[Cirkus_Verdensteater_(Oslo)|Cirkus Verdensteater]], Oslo Circus Building
* [[Victor Fomine]], Acrobat, Circus Coach
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* [[Eddie Murillo]], Circus Agent and Producer
* [[Annie Fratellini]], Clown, Circus Director
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* [[The Biasini Family]], Circus Owners, Artists
* [[Joel Baker]], Clown
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* [[Paul Jerome]], Clown
  
 
==New Videos==
 
==New Videos==
  
* [[Thierry_Bouglione_Video_(c2010)|Thierry & Sandrine Bouglione]], Magic Act (c.2010)
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* [[Golyshev_Video_(1984)|Golyshev Troupe]], comedy acrobatics (1984)
* [[Pellegrini_Video_(2016)|The Pellegrini Brothers]], Hand-to-Hand Balancing (2016)
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* [[Nazarova_Video_(1960)|Margarita Nazarova]], tiger act (excerpts) (1960)
* [[Moira_Orfei_Video_(1991)|Moira Orfei]], Elephant Act (1991)
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* [[Casselly_Comedy_Horse_Video_(2025)|Merrylu Casselly]], comedy horse act (2025)
* [[Martin_Lacey_Video_(2000)|Martin Lacey, Jr.]], Lion Act (2000)
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* [[Belui_Music_Video_(2025)|Duo Belui]], musical comedy act (2025)
* [[Heroes_Video_(2018)|Bogdanov Troupe (''Heroes'')]], Flying Act (2018)
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* [[Chongqing_Diabolo_Video_(2011)|Chongqing Acrobatic Troupe]], diabolo act (2011)
  
==Featured Oral Histories==
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==New Oral Histories==
  
* [[Circo_Price_Video_(2017)|A Short History of Madrid's Old Circo Price]], Circus History (1970)
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* [[Dominique_Jando_Video_(2025)|Dominique Jando interview]] by the Circus Historical Society (2025)
* [[Anastasia_Dementieva_Video_(2017)|Anastasia Dementieva-Kornilova]] – Vadim Vernik Interview (2017)
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* [[Evelyn_and_Andre_Video_(2015)|Evelyn & André Interview]] on Blikk TV (2015)
* [[Freres_Knie_Video_(1962)|''Les Frères Knie'']], Documentary (1962)
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* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
* [[Jean_Richard_Video_(1979)|Jean Richard and Jean-Pierre Richard]] at the Cirque Jean Richard – Christian Boner Interview (1979)
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* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
* [[Buster_Keaton_Video_(1947)|Jérôme Medrano about Buster Keaton]] at the Cirque Medrano (1947)
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* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
  
==Featured Circopedia Book==
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==Circopedia Books==
  
 
* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
 
* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
  
==A Message from the Editor==
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==A Message from the Founder==
  
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Special:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
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''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
  
 
:'''Dominique Jando'''
 
:'''Dominique Jando'''
 
:Founder and Curator
 
:Founder and Curator

Latest revision as of 01:46, 20 August 2025


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

NINA KORNILOVA AND THE KORNILOV DYNASTY

Nina & Aleksandr Kornilov

There never have been many elephant acts in the Soviet and Russian circus. Several members of the Durov family have included one pachyderm or two in their animal presentations and a small number of animal trainers, such as Boris Fedotov, Sarvat Begbudi and Msistlav Zapashny have trained elephants. The Kornilov Dynasty, however, is the exception that confirms the rule: Since 1929, they have not only been the great Russian elephant-training specialists, but they also have been among the world’s very best—and the productions of their magnificent acts remain unequaled.

Born November 22, 1903 in Russia, Aleksandr Nikolaievich Kornilov (1903-1977), the founder of the Dynasty, began his professional life as a sailor. At the end of the 1920s, he landed in Samara, the great port city on the Volga river, where he discovered the traveling menagerie of Ivan Lazarevich Filatov (1873-1956)—the father of the legendary Russian bear trainer Valentin Filatov and scion of an old family of itinerant animal trainers.

This unforeseen encounter changed Kornilov’s life: Although he was indeed fascinated by the Filatov Menagerie exhibitions, he was even more attracted to Masha, the pretty young girl who handled the box office. Masha (Maria Ivanovna Filatova, 1904-1975) was Ivan Lazarevich’s daughter: They quickly fell in love, and Aleksandr decided to stay on dry land and follow Masha, whom he eventually married.

Now part of the family, Aleksandr had to bring his contribution to his father-in-law’s business. Working as a simple cage and stable boy, he did his apprenticeship on the job. After having acquired enough experience caring for the menagerie’s animals, he finally made his public debut as a trainer in 1929 with a group that included brown bears, polar bears and lions. He presented also the menagerie’s single elephant in a sketch titled The Elephant at the Restaurant.

Elephant training appealed to Aleksandr, and Ivan Filatov eventually trusted his pachyderm to him. Later, three additional elephants joined his original animal when Kornilov became part of the central system of Soviet circuses (G.O.M.E.Ts., which later became SoyuzGosTsirk); it allowed him to expand his act without having to bear personally the financial burden. (Ivan Filatov, for his part, was asked by the government to organize the zoological park system of the U.S.S.R.)

At a time when Russian elephant acts included only one or two animals, Kornilov’s four elephants looked like a herd! This effect was amplified in 1943 when he created his first "attraction(Russian) A circus act that can occupy up to the entire second half of a circus performance.," Elephants and Dancers, with a group of fourteen dancers whose soloist was the young and talented Nina Suprun—the future Nina Kornilova (1926-2025).... (more...)

New Essays and Biographies

New Videos

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator