Difference between revisions of "Main Page"

From Circopedia

 
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<div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατε!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
<div style="top:+0.2em; font-size:110%;"> Circopedia was originally created with the support of the [http://www.bigapplecircus.com/ Big Apple Circus],<br />and has been inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation].</div>
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ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, initially created as a project of the original, non-profit [[Big Apple Circus]]''.</div><br/>
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==In The Spotlight==
 
==In The Spotlight==
  
===HAROLD ALZANA===
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===CIRQUE BUREAU===
[[File:Harold_Alzana_(Cushman).jpg|right|300px]]
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[[File:Bureau_Frères_Program.jpg|right|200px]]
Harold Alzana was, from the late forties to the mid-sixties, a star fixture of Ringling Bros. and Barnum and Bailey Circus. His daredevil manner&mdash;working on the high wire without a balancing pole and at high speed, which contrasted with the traditionally slow, seemingly careful, approach of the great high wire acrobats, such as The Wallendas, that had preceded him&mdash;inspired many of the high wire acts that are seen today.
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From the late nineteenth century to the early 1950s, the Cirque Bureau was one of France's most popular circuses. Over its long existence, it had built in the French provinces a faithful audience that appreciated the constant high quality of its offerings and its simplicity, devoid of the advertising hype of its competitors. Wherever it went, its visits were expected and anticipated, practically at the same time each year. Sadly, this steady routine was disturbed by World War II and the Nazi occupation of France&mdash;and Jules Glasner, its last director, had a hard time trying to restore its place in the new economic era that followed the war: The Cirque Bureau folded its big top in 1953, at the end of what was advertised as its "99th season."
  
He was born Harold Davis on September 19, 1917 in Maltby, a small mining town east of Sheffield in South Yorkshire, England. His father, Charles, worked there as a coal miner, but he was also an amateur acrobat, and he began training his children (Harold, his brother Edgar, and their sisters Hilda and Elsie) in his backyard, where he had installed a tight wire two feet off the ground.
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Its founder was Jean Bureau (1836-1899), born on May 31, 1836, in Villeréal, a small village of the Lot et Garonne department that has kept its medieval architecture and is classified today as one of the "most beautiful villages of France." His father, Jean, Sr. (1809-1844), a carpenter and the son of a farmer, and his mother, Françoise (née Arché, 1815-1880), had two other children: Cosme (1838-1885) and Jeanne (1844-1908). Jean Bureau was just eight years old when he lost his father, and to alleviate the burden on his family, he was soon placed in apprenticeship to a blacksmith.
  
Charles’s training got good results: At age six, young Harold made his performing debut in local fairs and festivals. But this was just fun; when he reached fourteen, Harold Davis, like most young men in Maltby, followed in his father’s footsteps and began working as a coal miner. In 1941, he married his sweetheart, Minnie. World War II was raging, but Harold and his siblings never stopped practicing and improving their high wire act.
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In 1853, a small traveling equestrian circus came to Villeréal. It was a modest affair owned by William Tagg (1822-1884), and his wife Elizabeth, née Woodley, a couple of British traveling performers who had long settled in France. The Taggs needed a blacksmith to reshoe their horses, and his boss sent seventeen-year-old Jean Bureau, a horse lover, to do the job. Jean was immediately fascinated by these people whose horizon seemed limitless; he asked William Tagg if he could join the company as a groom&mdash;and the Taggs, whose human resources were probably wanting, left Villeréal with Jean in tow.  
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The war over, Harold Alzana decided to leave the darkness of Maltby coalmines and tempt his luck in the circus spotlights: It was social climbing in every sense of term! His break came in 1946, when impresario Clem Butson, then producer of Blackpool’s Tower Circus, gave "The Sensational Alzanas" (as Harold and his siblings had named their act) a contract for the summer season. The highlight of the act was Harold crossing the wire on a bicycle with his sisters hanging from a trapeze suspended under it.
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If it was certainly, from the audience point of view, a spectacular finale, it was not in actuality much of a trick since the trapeze provided Harold’s bicycle with a counterweight: The more at risk were actually Hilda and Elsie. But Harold’s solos on the wire were another matter altogether, and this didn’t fail to impress one of John Ringling North’s European talent scouts. Johnny North immediately saw star potential in Harold Alzana, and the act was booked for the 1947 season of Ringling Bros. and Barnum & Bailey Circus, ''The Greatest Show On Earth''. ([[Harold Alzana|more...]])
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Thus, Jean Bureau had started his circus career. Young, athletic, and interested in horsemanship, he trained in trick-riding and quickly became a proficient bareback rider. Having become a full-fledged performer in the company, he began to pay attention to the young Anna Tagg (1840-1913), the director's daughter, who was born in Paris and was four years his junior. Apparently, the feeling was mutual&mdash;to the extent that, in 1862, Anna gave birth to their first child, Françoise Elizabeth (known as Elizabeth, b.1862). It was time indeed to legalize their union: The young couple was married on March 6, 1863, in Cenon, in the outskirts of Bordeaux. By then, Jean was twenty-seven and Anna, twenty-three.... ([[Cirque Bureau|more...]])
  
==New Biographies==
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==New Essays and Biographies==
  
* [[Baptiste Loisset]], Circus Owner and Equestrian
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* [[Cirque Bureau]], circus (English/Français)
* [[The Kornilov Dynasty]], Elephant Trainers
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* [[Richiardi Jr.]], magician
* [[Sergei Korolev]], Acrobat
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* [[Astley's Amphitheatre]], circus
* [[Victor Fomine]], Acrobat, Circus Coach
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* [[Virginie Kenebel]], equestrienne
* [[Annie Fratellini]], Clown, Circus Director
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* [[Cirkus_Verdensteater_(Oslo)|Cirkus Verdensteater]], Oslo Circus Building
  
 
==New Videos==
 
==New Videos==
  
* [[Bela_Kremo_Video_(1966)|Béla Kremo]], Juggler (1966)
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* [[Bagdasaryan_Video_(2025)|Artur & Karina Bagdsaryan]], tiger act (2025)
* [[Florence_Honey_Girls_Video_(1956)|The Florence Honey Girls]] Acrobats (1956)
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* [[Karoly_Donnert_Video_(2000)|Karoly Donnert]], tiger act (2000)
* [[Kim_Yim_Il_Troupe_Video_(2018)|Kim Yim Il Troupe]], High Wire Act (2018)
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* [[Fuentes_Gasca_Video_(2026)|The Flying Fuentes Gasca]], flying trapeze (2026)
* [[Saralaev_Video_(2018)|Saralaev Troupe]], Perch-Pole Balancing (2018)
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* [[Makovskiy_Rotman_Video_(1971)|Makovskiy & Rotman]], clown entrée (1971)
* [[Desire_Of_Flight_Video_(2014)|Desire Of Flight]], Aerial Straps (2014)
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* [[Rokashkovs_Video_(2026)|Sergei & Olga Rokashkov]], horizontal bars (2026)
  
 
==New Oral Histories==
 
==New Oral Histories==
  
* [[Rosa_Bouglione_Video_(2012)|Rosa Bouglione]]'s interview on Franch Television (2012)
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* [[Dominique_Jando_Video_(2025)|Dominique Jando interview]] by the Circus Historical Society (2025)
* [[Circo_Price_Video_(2017)|A Short History of Madrid's Old Circo Price]], Documentary (1970)
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* [[Evelyn_and_Andre_Video_(2015)|Evelyn & André Interview]] on Blikk TV (2015)
* [[Anastasia_Dementieva_Video_(2017)|Anastasia Dementieva-Kornilova]] – Vadim Vernik Interview (2017)
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* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
* [[Freres_Knie_Video_(1962)|''Les Frères Knie'']], Documentary (1962)
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* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
* [[Jean_Richard_Video_(1979)|Jean Richard and Jean-Pierre Richard]] at the Cirque Jean Richard – Christian Boner Interview (1979)
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* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
 
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==2018 Circopedia Award==
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* [[Dandies_Video_(2018)|''Dandies'' (Yury Kreer, Johnny Gasser, Kirill Ivanov)]], Russian Barre
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==New Circopedia Books==
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==Circopedia Books==
  
 
* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
 
* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
  
==A Message from the Editor==
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==A Message from the Founder==
  
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Special:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
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''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
  
 
:'''Dominique Jando'''
 
:'''Dominique Jando'''
 
:Founder and Curator
 
:Founder and Curator

Latest revision as of 03:04, 1 February 2026


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

CIRQUE BUREAU

Bureau Frères Program.jpg

From the late nineteenth century to the early 1950s, the Cirque Bureau was one of France's most popular circuses. Over its long existence, it had built in the French provinces a faithful audience that appreciated the constant high quality of its offerings and its simplicity, devoid of the advertising hype of its competitors. Wherever it went, its visits were expected and anticipated, practically at the same time each year. Sadly, this steady routine was disturbed by World War II and the Nazi occupation of France—and Jules Glasner, its last director, had a hard time trying to restore its place in the new economic era that followed the war: The Cirque Bureau folded its big topThe circus tent. America: The main tent of a traveling circus, where the show is performed, as opposed to the other tops. (French, Russian: Chapiteau) in 1953, at the end of what was advertised as its "99th season."

Its founder was Jean Bureau (1836-1899), born on May 31, 1836, in Villeréal, a small village of the Lot et Garonne department that has kept its medieval architecture and is classified today as one of the "most beautiful villages of France." His father, Jean, Sr. (1809-1844), a carpenter and the son of a farmer, and his mother, Françoise (née Arché, 1815-1880), had two other children: Cosme (1838-1885) and Jeanne (1844-1908). Jean Bureau was just eight years old when he lost his father, and to alleviate the burden on his family, he was soon placed in apprenticeship to a blacksmith.

In 1853, a small traveling equestrian circus came to Villeréal. It was a modest affair owned by William Tagg (1822-1884), and his wife Elizabeth, née Woodley, a couple of British traveling performers who had long settled in France. The Taggs needed a blacksmith to reshoe their horses, and his boss sent seventeen-year-old Jean Bureau, a horse lover, to do the job. Jean was immediately fascinated by these people whose horizon seemed limitless; he asked William Tagg if he could join the company as a groom—and the Taggs, whose human resources were probably wanting, left Villeréal with Jean in tow.

Thus, Jean Bureau had started his circus career. Young, athletic, and interested in horsemanship, he trained in trickAny specific exercise in a circus act.-riding and quickly became a proficient bareback rider. Having become a full-fledged performer in the company, he began to pay attention to the young Anna Tagg (1840-1913), the director's daughter, who was born in Paris and was four years his junior. Apparently, the feeling was mutual—to the extent that, in 1862, Anna gave birth to their first child, Françoise Elizabeth (known as Elizabeth, b.1862). It was time indeed to legalize their union: The young couple was married on March 6, 1863, in Cenon, in the outskirts of Bordeaux. By then, Jean was twenty-seven and Anna, twenty-three.... (more...)

New Essays and Biographies

New Videos

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator