Difference between revisions of "Main Page"

From Circopedia

 
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<div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατε!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
<div style="top:+0.2em; font-size:110%;"> Circopedia was originally created with the support of the [http://www.bigapplecircus.com/ Big Apple Circus],<br />and has been inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation].</div>
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ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, initially created as a project of the original, non-profit [[Big Apple Circus]]''.</div><br/>
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==In The Spotlight==
 
==In The Spotlight==
[[Image:Cirque_Varieté_Knie_June_14_1919.jpg|right|400px]]
 
===CIRCUS KNIE (''ESTABLISHED 1919'')===
 
 
When Friedrich Knie (1784-1850), the son of an Austrian doctor, fell in love with Wilma, a beautiful equestrienne, in 1803 at Innsbruck, little did he know that this adventure would be at the origin of one of the world's most prestigious and long-lasting circus dynasties. Born in Erfurt and nineteen years old, the young Friedrich left his studies without a second thought and went on to roam the country with a small company of traveling performers.
 
  
Friedrich’s infatuation was short lived, but he enjoyed his new life as an itinerant entertainer, and he decided to create his own company of rope dancers, a craft he had learned during his tours. In 1807, he met and fell in love with Antonia (Toni) Stauffer. Toni’s father, a reputable barber, refused to marry his daughter to a traveling entertainer, and as a precaution, he sent her to a convent. As family lore has it, Friedrich abducted the object of his flame on a night of lightnings and thunder, and the two lovers got married that same year.
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===CIRQUE BUREAU===
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[[File:Bureau_Frères_Program.jpg|right|200px]]
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From the late nineteenth century to the early 1950s, the Cirque Bureau was one of France's most popular circuses. Over its long existence, it had built in the French provinces a faithful audience that appreciated the constant high quality of its offerings and its simplicity, devoid of the advertising hype of its competitors. Wherever it went, its visits were expected and anticipated, practically at the same time each year. Sadly, this steady routine was disturbed by World War II and the Nazi occupation of France&mdash;and Jules Glasner, its last director, had a hard time trying to restore its place in the new economic era that followed the war: The Cirque Bureau folded its big top in 1953, at the end of what was advertised as its "99th season."
  
Soon came the family’s second generation of performers: Rudolf Knie (1808-1858) was born on July 14, 1808. Four more children followed: Georg (1809-1849), Karl (1813-1860), Fanny-Adelheid (1814-1857), and Franz (1816-1896). All of them would become rope dancers and acrobats.
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Its founder was Jean Bureau (1836-1899), born on May 31, 1836, in Villeréal, a small village of the Lot et Garonne department that has kept its medieval architecture and is classified today as one of the "most beautiful villages of France." His father, Jean, Sr. (1809-1844), a carpenter and the son of a farmer, and his mother, Françoise (née Arché, 1815-1880), had two other children: Cosme (1838-1885) and Jeanne (1844-1908). Jean Bureau was just eight years old when he lost his father, and to alleviate the burden on his family, he was soon placed in apprenticeship to a blacksmith.
  
The Napoleonic Wars (1803-1815) had rendered the political and social environment in Austria quite unstable, and the economic situation was uneasy. Yet, the family’s determination helped them overcome the many problems that a traveling company of performers had to face, especially in such difficult times. The Arena Knie was still a small affair that performed outdoors; the high rope was rigged above a stage, on which were presented tight and bouncing rope acts, along with an assortment of floor acrobatics and comedy turns. The addition of a few benches around the stage made up the arena.
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In 1853, a small traveling equestrian circus came to Villeréal. It was a modest affair owned by William Tagg (1822-1884), and his wife Elizabeth, née Woodley, a couple of British traveling performers who had long settled in France. The Taggs needed a blacksmith to reshoe their horses, and his boss sent seventeen-year-old Jean Bureau, a horse lover, to do the job. Jean was immediately fascinated by these people whose horizon seemed limitless; he asked William Tagg if he could join the company as a groom&mdash;and the Taggs, whose human resources were probably wanting, left Villeréal with Jean in tow.  
  
Friedrich was smart, and one thing became quickly apparent to him: considering the situation, he couldn’t confine his travels to Austria. Germany was added to the route and, as early as 1814, Switzerland. In 1828, the Knies performed in Zurich for the first time, and that same year, in Rapperswil&mdash;which was to become much later, in 1907, their hometown. The Knie Arena developed into a successful and reputable enterprise in these three countries. ([[The Knie Dynasty|more...]])
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Thus, Jean Bureau had started his circus career. Young, athletic, and interested in horsemanship, he trained in trick-riding and quickly became a proficient bareback rider. Having become a full-fledged performer in the company, he began to pay attention to the young Anna Tagg (1840-1913), the director's daughter, who was born in Paris and was four years his junior. Apparently, the feeling was mutual&mdash;to the extent that, in 1862, Anna gave birth to their first child, Françoise Elizabeth (known as Elizabeth, b.1862). It was time indeed to legalize their union: The young couple was married on March 6, 1863, in Cenon, in the outskirts of Bordeaux. By then, Jean was twenty-seven and Anna, twenty-three.... ([[Cirque Bureau|more...]])
  
==New Biographies==
+
==New Essays and Biographies==
  
* [[Tianjin Acrobatic Troupe]], History
+
* [[Cirque Bureau]], circus (English/Français)
* [[Nino Frediani]], Juggler
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* [[Richiardi Jr.]], magician
* [[Henrik Henricksen]], Animal Trainer
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* [[Astley's Amphitheatre]], circus
* [[Rudy Horn]], Juggler
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* [[Virginie Kenebel]], equestrienne
* [[Albert Rebla]], Juggler
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* [[Cirkus_Verdensteater_(Oslo)|Cirkus Verdensteater]], Oslo Circus Building
  
 
==New Videos==
 
==New Videos==
  
* [[Mark_Pendl_Video_(1988)|Mark Pendl]], Hula-Hoops (1988)
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* [[Bagdasaryan_Video_(2025)|Artur & Karina Bagdsaryan]], tiger act (2025)
* [[Irina_Akimova_Video_(2014)|Irina Akimova]], Hula-Hoops (2014)
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* [[Karoly_Donnert_Video_(2000)|Karoly Donnert]], tiger act (2000)
* [[Anton_Monastyrsky_Video_(2018)|Anton Monastyrsky]], Hula-Hoops (2018)
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* [[Fuentes_Gasca_Video_(2026)|The Flying Fuentes Gasca]], flying trapeze (2026)
* [[Steben_Sisters_Video_(c.1995)|The Steben Sisters]], Double Trapeze (c.1995)
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* [[Makovskiy_Rotman_Video_(1971)|Makovskiy & Rotman]], clown entrée (1971)
* [[Izossimov_Video_(2009)|Oleg Izossimov]], Hand Balancing (2009)
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* [[Rokashkovs_Video_(2026)|Sergei & Olga Rokashkov]], horizontal bars (2026)
  
 
==New Oral Histories==
 
==New Oral Histories==
  
* [[Pinito_del_Oro_RTE_Video_(1970)|Pinito del Oro's Interview]] on Spanish Television (1970)
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* [[Dominique_Jando_Video_(2025)|Dominique Jando interview]] by the Circus Historical Society (2025)
* [[Eradze_Video_(2015)|Gia Eradze]]'s Interview on SSU TV (2015)
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* [[Evelyn_and_Andre_Video_(2015)|Evelyn & André Interview]] on Blikk TV (2015)
* [[Rosa_Bouglione_Video_(2012)|Rosa Bouglione]]'s interview on Franch Television (2012)
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* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
* [[Circo_Price_Video_(2017)|A Short History of Madrid's Old Circo Price]], Documentary (1970)
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* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
* [[Anastasia_Dementieva_Video_(2017)|Anastasia Dementieva-Kornilova]] – Vadim Vernik Interview (2017)
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* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
  
 
==Circopedia Books==
 
==Circopedia Books==
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* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
 
* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
  
==A Message from the Editor==
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==A Message from the Founder==
  
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Special:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
+
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
  
 
:'''Dominique Jando'''
 
:'''Dominique Jando'''
 
:Founder and Curator
 
:Founder and Curator

Latest revision as of 03:04, 1 February 2026


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

CIRQUE BUREAU

Bureau Frères Program.jpg

From the late nineteenth century to the early 1950s, the Cirque Bureau was one of France's most popular circuses. Over its long existence, it had built in the French provinces a faithful audience that appreciated the constant high quality of its offerings and its simplicity, devoid of the advertising hype of its competitors. Wherever it went, its visits were expected and anticipated, practically at the same time each year. Sadly, this steady routine was disturbed by World War II and the Nazi occupation of France—and Jules Glasner, its last director, had a hard time trying to restore its place in the new economic era that followed the war: The Cirque Bureau folded its big topThe circus tent. America: The main tent of a traveling circus, where the show is performed, as opposed to the other tops. (French, Russian: Chapiteau) in 1953, at the end of what was advertised as its "99th season."

Its founder was Jean Bureau (1836-1899), born on May 31, 1836, in Villeréal, a small village of the Lot et Garonne department that has kept its medieval architecture and is classified today as one of the "most beautiful villages of France." His father, Jean, Sr. (1809-1844), a carpenter and the son of a farmer, and his mother, Françoise (née Arché, 1815-1880), had two other children: Cosme (1838-1885) and Jeanne (1844-1908). Jean Bureau was just eight years old when he lost his father, and to alleviate the burden on his family, he was soon placed in apprenticeship to a blacksmith.

In 1853, a small traveling equestrian circus came to Villeréal. It was a modest affair owned by William Tagg (1822-1884), and his wife Elizabeth, née Woodley, a couple of British traveling performers who had long settled in France. The Taggs needed a blacksmith to reshoe their horses, and his boss sent seventeen-year-old Jean Bureau, a horse lover, to do the job. Jean was immediately fascinated by these people whose horizon seemed limitless; he asked William Tagg if he could join the company as a groom—and the Taggs, whose human resources were probably wanting, left Villeréal with Jean in tow.

Thus, Jean Bureau had started his circus career. Young, athletic, and interested in horsemanship, he trained in trickAny specific exercise in a circus act.-riding and quickly became a proficient bareback rider. Having become a full-fledged performer in the company, he began to pay attention to the young Anna Tagg (1840-1913), the director's daughter, who was born in Paris and was four years his junior. Apparently, the feeling was mutual—to the extent that, in 1862, Anna gave birth to their first child, Françoise Elizabeth (known as Elizabeth, b.1862). It was time indeed to legalize their union: The young couple was married on March 6, 1863, in Cenon, in the outskirts of Bordeaux. By then, Jean was twenty-seven and Anna, twenty-three.... (more...)

New Essays and Biographies

New Videos

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator