Difference between revisions of "Main Page"

From Circopedia

 
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<div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατε!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
<div style="top:+0.2em; font-size:90%;"> Circopedia was originally created with the support of the [http://www.bigapplecircus.com/ Big Apple Circus]<br />and inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation].</div>
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ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, initially created as a project of the original, non-profit [[Big Apple Circus]]''.</div><br/>
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==In The Spotlight==
 
==In The Spotlight==
[[File:Kludsky_Portraits.jpg|right|300px]]
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[[File:Darix_Togni_1963.jpg|right|thumb|320px|Darix Togni]]
===CIRKUS KLUDSKY===
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===THE TOGNI FAMILY===
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The Togni dynasty was founded by Aristide Togni (1853-1924), a university student who, in the 1870s, ran away and joined the Circo Torinese, a circus company  headed by Giovanni De Bianchi. Like many Italian circuses at the time, the Circo Torinese performed on stage, in theaters. De Bianchi had married Maria de la Garenne (a.k.a. de Lagarein), a Sinti gypsy, who was said to be the granddaughter of a French nobleman who had fled to Italy during the French revolution.
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Togni married Giovanni's daughter, Teresa De Bianchi. Together, they created a circus company of their own&mdash;which, as legend has it, consisted of a single wagon and a monkey&mdash;and headed for the South of Italy. Circa 1880, they had acquired a small, one-pole big top that could house an audience of forty: the first Circo Togni was born. The couple had eight children, and their circus grew quickly, soon performing under a medium-size big top. It became so popular, apparently, that the King of Italy, Victor Emmanuel III, awarded Circo Togni the title of Circo Nazionale in 1919.
  
Cirkus Kludský, the most famous Czech circus and one of Europe’s largest ever, was at its peak a colossal enterprise traveling with an 86 x 54 meters (approximately 280 x 178 feet) three-ring, four-pole big top that could seat 10,000 spectators. Its menagerie included a herd of 25 elephants, 160 horses, 74 wild animals (lions, tigers, leopards, etc.), and a vast assortment of exotic animals, among which three giraffes and a hippopotamus&mdash;an ensemble advertised at some 700 heads. Cirkus Kludský boasted two hundred performers from thirty-five nations, including two large bands, and two hundred wagons traveling by train were used to transport the circus equipment and house the personnel.  
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Aristide's succession was assured by three of his sons, Ercole (1894-1958), Ugo (1897-1981), and Ferdinando (1900-1990). The circus alternated summer seasons under the big top with winter engagements in some of the most beautiful theatres of Italy. For several years, they toured Sicily and Greece. In the 1930s, the Dopolavoro Fascista (the entertainment office of the Fascist government) supported the Circo Nazional Togni, which it considered a major artistic propaganda tool.  
  
In 1929, when Cirkus Kludsky was invited to perform in Rome, Italy, for a run of fifty-two days, more than 600,000 spectators attended its performances. This gigantic organization belonged to the Czech Kludský family, and had been created before WWI by Karel Kludský (Carl Kludsky, as he became known in the West-European circus business). From humble beginnings, Karel Kludský had managed to build one of the biggest traveling circuses in Europe, which was subsequently continued and improved by his sons.
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The circus began to travel with a menagerie, which included tigers, lions, bears, elephants, and an important collection of horses. Ferdinando became a fine horse trainer and presented beautiful "liberty" horse acts; Ercole was the house clown and a good tumbler; Ugo was a perch-pole acrobat, aerialist, and animal trainer. There were also about twenty talented performers among their daughters and sons, and the company included members of other famous Italian circus families, such as Miletti, Jarz, and Casartelli.
  
According to family lore, the founder of the Kludský Dynasty was an adjutant to Jan Sobiesky (1629-1696), the Polish King who saved Vienna from the Turkish invasion in 1683. (The Czech Kingdom&mdash;or Kingdom of Bohemia&mdash;was then part of the Austro-Hungarian Empire.) Whether the legend is true or not, the Kludskýs eventually became a family of traveling entertainers.
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The third Togni generation created the Tognis's three principal signature acts: pyramids on horseback, "jockey," and flying trapeze. By the late 1940s, Darix Togni (Ercole's son, 1922-1976) became, with his lion act, the star of Circo Nazionale Togni. In that act, Darix began to develop his legendary gladiator character. Circo Togni's large, round cupola allowed the presentation of the Tognis's spectacular cross-flying trapeze act, which had no less than two catchers and nine flyers. Among those, Cesare Togni (Ugo's son) accomplished a double "casse-cou" (front somersault) to the catcher, with a return to the bar with a triple pirouette.  
  
The Ottoman Empire had remained at odds with the Austro-Hungarian Empire and other Western European countries until its defeat in the Russo-Turkish War of 1877-78, and its ensuing rapid decline. Therefore, traveling entertainers from the Austro-Hungarian Empire (and the Holy Roman Empire in general) were not authorized to perform farther than Constantinople (today’s Istanbul). The first member of the Kludský dynasty who demonstrably obtained this authorization was Josef Kludský, from the village of Strážovice in South Bohemia, in 1789.... ([[Cirkus Kludsky|more...]])
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Although it survived and performed safely during WWII, the Circo Nazionale Togni was devastated by a fire in 1951. Ercole, Ugo, and Ferdinando decided that it was time to split their ever-growing family within three separate circuses.... ([[The Togni Family|more...]])
  
==New Biographies==
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==New Essays and Biographies==
  
* [[William Vos]], Animal Trainer
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* [[Richiardi Jr.]], magician
* [[Jürg Jenny]], Animal Trainer
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* [[Astley's Amphitheatre]], circus
* [[Kio]], Magician
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* [[Virginie Kenebel]], equestrienne
* [[Dimitri]], Clown
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* [[Chongqing_Acrobatic_Troupe|Chongqing Acrobatic Troupe]], History
* [[Oleg Popov]], Clown
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* [[Cirkus_Verdensteater_(Oslo)|Cirkus Verdensteater]], Oslo Circus Building
  
 
==New Videos==
 
==New Videos==
  
* [[Togni_Elephants_Video_(2011)|Flavio Togni]], Elephant Act (2011)
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* [[The_Brockways_Video_(1971)|The Brockways]], bicycle act (1971)
* [[Rzaev_Video_(2004)|The Rzaev Troupe]], Russian Barre (2004)
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* [[Giulia_Giona_Video_(2025)|Giulia Giona]], horses at libety (2025)
* [[Sulc_Video_(2004)|Alan Sulc]], Juggler (2004)
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* [[Maxim_Voronin_Video_(2025)|Maxim Voronin]], magic/hand-balancing/contortion (2025)
* [[Frish_Video_(1983)|Aleksandr Frish]], Clown (1983)
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* [[Fuentes-Gasca_Video_(2024)|The Flying Fuentes-Gasca]], flying trapeze (2024)
* [[Wuhan_Troupe_Video_(2014)|Wuhan Acrobatic Troupe]], Risley and Trampoline Act (2014)
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* [[Diables_Blancs_Video_(1974)|Les Diables Blancs]], high wire (1974)
  
 
==New Oral Histories==
 
==New Oral Histories==
  
 +
* [[Dominique_Jando_Video_(2025)|Dominique Jando interview]] by the Circus Historical Society (2025)
 +
* [[Evelyn_and_Andre_Video_(2015)|Evelyn & André Interview]] on Blikk TV (2015)
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* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
 
* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
 
* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
 
* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
 
* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
* [[Pinito_del_Oro_RTE_Video_(1970)|Pinito del Oro's Interview]] on Spanish Television (1970)
 
* [[Eradze_Video_(2015)|Gia Eradze]]'s Interview on SSU TV (2015)
 
* [[Rosa_Bouglione_Video_(2012)|Rosa Bouglione]]'s interview on Franch Television (2012)
 
  
 
==Circopedia Books==
 
==Circopedia Books==
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* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
 
* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
  
==A Message from the Editor==
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==A Message from the Founder==
  
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
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''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
  
 
:'''Dominique Jando'''
 
:'''Dominique Jando'''
 
:Founder and Curator
 
:Founder and Curator

Latest revision as of 21:17, 11 December 2025


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

Darix Togni

THE TOGNI FAMILY

The Togni dynasty was founded by Aristide Togni (1853-1924), a university student who, in the 1870s, ran away and joined the Circo Torinese, a circus company headed by Giovanni De Bianchi. Like many Italian circuses at the time, the Circo Torinese performed on stage, in theaters. De Bianchi had married Maria de la Garenne (a.k.a. de Lagarein), a Sinti gypsy, who was said to be the granddaughter of a French nobleman who had fled to Italy during the French revolution.

Togni married Giovanni's daughter, Teresa De Bianchi. Together, they created a circus company of their own—which, as legend has it, consisted of a single wagon and a monkey—and headed for the South of Italy. Circa 1880, they had acquired a small, one-pole big topThe circus tent. America: The main tent of a traveling circus, where the show is performed, as opposed to the other tops. (French, Russian: Chapiteau) that could house an audience of forty: the first Circo Togni was born. The couple had eight children, and their circus grew quickly, soon performing under a medium-size big topThe circus tent. America: The main tent of a traveling circus, where the show is performed, as opposed to the other tops. (French, Russian: Chapiteau). It became so popular, apparently, that the King of Italy, Victor Emmanuel III, awarded Circo Togni the title of Circo Nazionale in 1919.

Aristide's succession was assured by three of his sons, Ercole (1894-1958), Ugo (1897-1981), and Ferdinando (1900-1990). The circus alternated summer seasons under the big topThe circus tent. America: The main tent of a traveling circus, where the show is performed, as opposed to the other tops. (French, Russian: Chapiteau) with winter engagements in some of the most beautiful theatres of Italy. For several years, they toured Sicily and Greece. In the 1930s, the Dopolavoro Fascista (the entertainment office of the Fascist government) supported the Circo Nazional Togni, which it considered a major artistic propaganda tool.

The circus began to travel with a menagerie, which included tigers, lions, bears, elephants, and an important collection of horses. Ferdinando became a fine horse trainer and presented beautiful "liberty"Liberty act", "Horses at liberty": Unmounted horses presented from the center of the ring by an equestrian directing his charges with his voice, body movements, and signals from a ''chambrière'' (French), or long whip." horse acts; Ercole was the house clown and a good tumbler; Ugo was a perch-poleLong perch held vertically on a performer's shoulder or forehead, on the top of which an acrobat executes various balancing figures. acrobat, aerialistAny acrobat working above the ring on an aerial equipment such as trapeze, Roman Rings, Spanish web, etc., and animal trainer. There were also about twenty talented performers among their daughters and sons, and the company included members of other famous Italian circus families, such as Miletti, Jarz, and Casartelli.

The third Togni generation created the Tognis's three principal signature acts: pyramids on horseback, "jockeyClassic equestrian act in which the participants ride standing in various attitudes on a galoping horse, perform various jumps while on the horse, and from the ground to the horse, and perform classic horse-vaulting exercises.," and flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze). By the late 1940s, Darix Togni (Ercole's son, 1922-1976) became, with his lion act, the star of Circo Nazionale Togni. In that act, Darix began to develop his legendary gladiator character. Circo Togni's large, round cupola allowed the presentation of the Tognis's spectacular cross-flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze) act, which had no less than two catchers and nine flyers. Among those, Cesare Togni (Ugo's son) accomplished a double "casse-cou(French) A front, or forward, somersault." (front somersault) to the catcherIn an acrobatic or a flying act, the person whose role is to catch acrobats that have been propelled in the air., with a return to the bar with a triple pirouette(French) A full rotation of the body in the vertical axle. Double pirouette: two rotations, etc..

Although it survived and performed safely during WWII, the Circo Nazionale Togni was devastated by a fire in 1951. Ercole, Ugo, and Ferdinando decided that it was time to split their ever-growing family within three separate circuses.... (more...)

New Essays and Biographies

New Videos

  • The Brockways, bicycle act (1971)
  • Giulia Giona, horses at libety (2025)
  • Maxim Voronin, magic/hand-balancing/contortion (2025)
  • The Flying Fuentes-Gasca, flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze) (2024)
  • Les Diables Blancs, high wireA tight, heavy metallic cable placed high above the ground, on which wire walkers do crossings and various acrobatic exercises. Not to be confused with a tight wire. (1974)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator