Difference between revisions of "Main Page"
From Circopedia
| (789 intermediate revisions by the same user not shown) | |||
| Line 9: | Line 9: | ||
{| style="width:100%; border:solid 0px; background:none;" | {| style="width:100%; border:solid 0px; background:none;" | ||
|style="width:500px; text-align:center; white-space:nowrap; color:#000;"| | |style="width:500px; text-align:center; white-space:nowrap; color:#000;"| | ||
| − | <div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς | + | <br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ |
| − | <div style="top:+0.2em; font-size:98%;"> ''Circopedia | + | ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/> |
| + | <div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, initially created as a project of the original, non-profit [[Big Apple Circus]]''.</div><br/> | ||
| + | |||
|} | |} | ||
|} | |} | ||
| Line 16: | Line 18: | ||
==In The Spotlight== | ==In The Spotlight== | ||
| − | === | + | ===CIRQUE BUREAU=== |
| − | [[File: | + | [[File:Bureau_Frères_Program.jpg|right|200px]] |
| + | From the late nineteenth century to the early 1950s, the Cirque Bureau was one of France's most popular circuses. Over its long existence, it had built in the French provinces a faithful audience that appreciated the constant high quality of its offerings and its simplicity, devoid of the advertising hype of its competitors. Wherever it went, its visits were expected and anticipated, practically at the same time each year. Sadly, this steady routine was disturbed by World War II and the Nazi occupation of France—and Jules Glasner, its last director, had a hard time trying to restore its place in the new economic era that followed the war: The Cirque Bureau folded its big top in 1953, at the end of what was advertised as its "99th season." | ||
| − | + | Its founder was Jean Bureau (1836-1899), born on May 31, 1836, in Villeréal, a small village of the Lot et Garonne department that has kept its medieval architecture and is classified today as one of the "most beautiful villages of France." His father, Jean, Sr. (1809-1844), a carpenter and the son of a farmer, and his mother, Françoise (née Arché, 1815-1880), had two other children: Cosme (1838-1885) and Jeanne (1844-1908). Jean Bureau was just eight years old when he lost his father, and to alleviate the burden on his family, he was soon placed in apprenticeship to a blacksmith. | |
| − | + | In 1853, a small traveling equestrian circus came to Villeréal. It was a modest affair owned by William Tagg (1822-1884), and his wife Elizabeth, née Woodley, a couple of British traveling performers who had long settled in France. The Taggs needed a blacksmith to reshoe their horses, and his boss sent seventeen-year-old Jean Bureau, a horse lover, to do the job. Jean was immediately fascinated by these people whose horizon seemed limitless; he asked William Tagg if he could join the company as a groom—and the Taggs, whose human resources were probably wanting, left Villeréal with Jean in tow. | |
| − | + | Thus, Jean Bureau had started his circus career. Young, athletic, and interested in horsemanship, he trained in trick-riding and quickly became a proficient bareback rider. Having become a full-fledged performer in the company, he began to pay attention to the young Anna Tagg (1840-1913), the director's daughter, who was born in Paris and was four years his junior. Apparently, the feeling was mutual—to the extent that, in 1862, Anna gave birth to their first child, Françoise Elizabeth (known as Elizabeth, b.1862). It was time indeed to legalize their union: The young couple was married on March 6, 1863, in Cenon, in the outskirts of Bordeaux. By then, Jean was twenty-seven and Anna, twenty-three.... ([[Cirque Bureau|more...]]) | |
==New Essays and Biographies== | ==New Essays and Biographies== | ||
| − | * [[ | + | * [[Alexis Gruss, Jr/fr|Alexis Gruss, Jr]] (version française) |
| − | * [[ | + | * [[Cirque_d'Hiver/fr|Le Cirque d'Hiver]] (Version française) |
| − | * [[ | + | * [[Virginie Kenebel/fr|Virginie Kenebel]] (Version française) |
| − | * [[ | + | * [[Cirque Bureau]], circus (English/Français) |
| − | * [[ | + | * [[Richiardi Jr.]], magician |
==New Videos== | ==New Videos== | ||
| − | * [[ | + | * [[Kaylicoas_Video_(c.1980)|The Kaylicoas]], perch-pole balancing (c.1980) |
| − | * [[ | + | * [[Florian_Richter_Video_(2026)|Florian Richter]], liberty act (2026) |
| − | * [[ | + | * [[Sinnekos_Video_(1977)|The Sinnekos]], hand-to-hand balancing (1977) |
| − | * [[ | + | * [[Bobby_Roberts_Video_(1977)|Bobby Roberts, Jr.]], elephant act (1977) |
| − | * [[ | + | * [[Quiros_Video_(c.2020)|Los Quiros]], high wire (c.2020) |
==New Oral Histories== | ==New Oral Histories== | ||
| + | * [[Dominique_Jando_Video_(2025)|Dominique Jando interview]] by the Circus Historical Society (2025) | ||
| + | * [[Evelyn_and_Andre_Video_(2015)|Evelyn & André Interview]] on Blikk TV (2015) | ||
* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977) | * [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977) | ||
* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000) | * [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000) | ||
* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018) | * [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018) | ||
| − | |||
| − | |||
==Circopedia Books== | ==Circopedia Books== | ||
| Line 55: | Line 58: | ||
==A Message from the Founder== | ==A Message from the Founder== | ||
| − | ''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.'' | + | ''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.'' |
:'''Dominique Jando''' | :'''Dominique Jando''' | ||
:Founder and Curator | :Founder and Curator | ||
Latest revision as of 19:51, 9 February 2026
|
In The Spotlight
CIRQUE BUREAU
From the late nineteenth century to the early 1950s, the Cirque Bureau was one of France's most popular circuses. Over its long existence, it had built in the French provinces a faithful audience that appreciated the constant high quality of its offerings and its simplicity, devoid of the advertising hype of its competitors. Wherever it went, its visits were expected and anticipated, practically at the same time each year. Sadly, this steady routine was disturbed by World War II and the Nazi occupation of France—and Jules Glasner, its last director, had a hard time trying to restore its place in the new economic era that followed the war: The Cirque Bureau folded its big topThe circus tent. America: The main tent of a traveling circus, where the show is performed, as opposed to the other tops. (French, Russian: Chapiteau) in 1953, at the end of what was advertised as its "99th season."
Its founder was Jean Bureau (1836-1899), born on May 31, 1836, in Villeréal, a small village of the Lot et Garonne department that has kept its medieval architecture and is classified today as one of the "most beautiful villages of France." His father, Jean, Sr. (1809-1844), a carpenter and the son of a farmer, and his mother, Françoise (née Arché, 1815-1880), had two other children: Cosme (1838-1885) and Jeanne (1844-1908). Jean Bureau was just eight years old when he lost his father, and to alleviate the burden on his family, he was soon placed in apprenticeship to a blacksmith.
In 1853, a small traveling equestrian circus came to Villeréal. It was a modest affair owned by William Tagg (1822-1884), and his wife Elizabeth, née Woodley, a couple of British traveling performers who had long settled in France. The Taggs needed a blacksmith to reshoe their horses, and his boss sent seventeen-year-old Jean Bureau, a horse lover, to do the job. Jean was immediately fascinated by these people whose horizon seemed limitless; he asked William Tagg if he could join the company as a groom—and the Taggs, whose human resources were probably wanting, left Villeréal with Jean in tow.
Thus, Jean Bureau had started his circus career. Young, athletic, and interested in horsemanship, he trained in trickAny specific exercise in a circus act.-riding and quickly became a proficient bareback rider. Having become a full-fledged performer in the company, he began to pay attention to the young Anna Tagg (1840-1913), the director's daughter, who was born in Paris and was four years his junior. Apparently, the feeling was mutual—to the extent that, in 1862, Anna gave birth to their first child, Françoise Elizabeth (known as Elizabeth, b.1862). It was time indeed to legalize their union: The young couple was married on March 6, 1863, in Cenon, in the outskirts of Bordeaux. By then, Jean was twenty-seven and Anna, twenty-three.... (more...)
New Essays and Biographies
- Alexis Gruss, Jr (version française)
- Le Cirque d'Hiver (Version française)
- Virginie Kenebel (Version française)
- Cirque Bureau, circus (English/Français)
- Richiardi Jr., magician
New Videos
- The Kaylicoas, perch-poleLong perch held vertically on a performer's shoulder or forehead, on the top of which an acrobat executes various balancing figures. balancing (c.1980)
- Florian Richter, liberty"Liberty act", "Horses at liberty": Unmounted horses presented from the center of the ring by an equestrian directing his charges with his voice, body movements, and signals from a ''chambrière'' (French), or long whip. act (2026)
- The Sinnekos, hand-to-handAn acrobatic act in which one or more acrobats do hand-balancing in the hands of an under-stander. balancing (1977)
- Bobby Roberts, Jr., elephant act (1977)
- Los Quiros, high wireA tight, heavy metallic cable placed high above the ground, on which wire walkers do crossings and various acrobatic exercises. Not to be confused with a tight wire. (c.2020)
New Oral Histories
- Dominique Jando interview by the Circus Historical Society (2025)
- Evelyn & André Interview on Blikk TV (2015)
- For A Moment You Fly, The First Season of The Big Apple Circus (1977)
- Vladimir Durov Documentary on Russian Television (c.2000)
- Dolly Jacobs Interview at The Ringling (2018)
Circopedia Books
- Philip Astley & The Horsemen who invented the Circus, by Dominique Jando (2018)
A Message from the Founder
CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.
- Dominique Jando
- Founder and Curator
