Difference between revisions of "Main Page"

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<div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
<div style="top:+0.2em; font-size:98%;"> ''Circopedia was originally created with the support of the Big Apple Circus Ltd.''</div><div style=font-size:98%;">''and inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation]''.</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, initially created as a project of the original, non-profit [[Big Apple Circus]]''.</div><br/>
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==In The Spotlight==
 
==In The Spotlight==
  
===ALFREDO CODONA===
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===VALENTIN GNEUSHEV===
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[[File:Valentin_Gneushev.jpg|300px|right]]
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Born on December 20, 1951, in Nizhny Tagil, in Sverdlovsk Oblast, Russia, (close to the boundary between Asia and Europe), Valentin Aleksandrovich Gneushev (1951-2026) was one of the most influential circus directors-choreographers of the second half of the twentieth century, and the creator of some of the most innovative and celebrated circus acts of the 1990s.
  
[[File:Alfredo_and_Vera_Codona_(c.1932).jpg|right|300px]]The Codonas (and Alfredo Codona in particular) were conceivably, in terms of international fame, the greatest circus stars of the first half of the twentieth century. They owe their distinctive place in circus history to the exceptional talent of Alfredo Codona, but also to the dramatic ending of his career, and subsequently, the tragic conclusion of his life. Not only was The Codonas’ act recorded on film (in E.A. Dupont’s ''Varieté'' in 1925), but they were also the subjects of an Academy Award-nominated documentary, Jack Cummings’s ''Swing High'' (1932), a romanticized biopic, A.M. Rabenalt’s ''Die drei Codonas'' (1940)&mdash;a very rare occurrence for circus artists&mdash;and two romanticized biographies.
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As the “new circus” movement was drastically changing the traditional imagery of the circus (roughly between 1975 and 1995), Gneushev became the ultimate trendsetter, completely renewing the language of the ring. A master at discovering untapped talents in the disintegrating Soviet circus world, then creating and designing original acts for them, he eventually influenced the style of many young circus artists and companies, including Cirque du Soleil.
  
Alfredo (1893-1937) and Abelardo ("Lalo," 1895-1951) Codona were born into a circus family. Their grandfather, Henry, came from a long line of Scottish showmen of Swiss-Italian descent. Francesco (Frank) Codoni (1765-1849), the dynasty's founder, settled in Scotland in the nineteenth century; he was a fairground showman, and illiterate&mdash;which led the family's name to be registered under a great variety of spellings over the years: Cardoni, Cardownie, Cardone, Codone, Candone, and Codona, which eventually stuck in the 1870s. Henry Codona married a French woman, Victorine Régnier (1841-1924), with whom he had two children, Enrique and Eduardo, who was born in Mexico on September 21, 1859. (Enrique and Eduardo also had a half-brother, William). When and for which purpose Henry and Victorine immigrated to Mexico is not known.  
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Valentin Gneushev fell in love with the circus as a teenager. He was fourteen when he began to perform in 1965 in a local Amateur Circus (the Russian equivalent of our Youth Circuses, albeit at a much higher artistic and technical level than in the West). He eventually decided to leave the Sverdlovsk Province and the industrial fumes of Nizhny Tagil (birthplace of the first Russian steam locomotive) and headed for Moscow, where he was accepted in the State College for Circus and Variety Arts (the legendary "Moscow Circus School"). There, he specialized as a clown.
  
In any event, Eduardo Codona (1859-1934) became a Mexican circus performer and entrepreneur. In 1883, he married the fourteen-year-old Hortense (Hortensia) Buislay (1869-1931), a trapezist who hailed from an old French circus family of "acrobats, pantomimists, and gymnasts" (i.e. aerialists). The enterprising [[The Buislay Family|Buislays]] had come to Mexico where, in 1869 (the year of Hortense’s birth), they created with Ricardo Bell the ''Circo Océano'', and rented Giuseppe Chiarini’s circus building in Mexico City before touring the country for some time. Like Chiarini, with whose company they had previously traveled around the world, the Buislay family had settled in San Francisco, in the United States.
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In Moscow, Gneushev studied under Roman Viktiuk, Firs Zemtsev, and especially Serguei Kashtelyan, who had a lasting influence on his work. He graduated in 1978 and formed a short-lived clown trio with two partners, in which he revealed a special aptitude for pantomime, as well as a need to distance himself from the conventional circus clowning of the period.
  
By 1888, Eduardo Codona had formed his own traveling company. He had with him a Comanche Indian who wrestled a bear named Samson, and Hortense partnered with a girl billed as Matilde in a trapeze act. Eduardo worked as a tumbler and in a flying trapeze act "à la Léotard"&mdash;the creator of the genre, who had been the toast of Europe and had even performed in New York in 1868. In essence this means that, like Léotard, Eduardo worked alone, leaping from trapeze to trapeze. Flying trapeze, in whatever form, proved to be a specialty to which Eduardo was particularly attracted. ([[The Codonas|more...]])
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An eager student of the arts (literature, history, painting, music), Valentin developed a remarkable artistic culture, and an aesthetic vision rooted in classic as well as contemporary art, and widely open to new influences—a far cry from the prevalent rhetoric of the Soviet artistic scene.... ([[Valentin Gneushev|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
* [[Mikhail Shuydin]], Clown
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* [[Carlos Guity]], acrobat
* [[Yury Nikulin]], Clown, Actor, Circus Director
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* [[James Clowney]], acrobat
* [[Serge]], Circus Chronicler and Illustrator
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* [[Émilien Bouglione]], equestrian, circus director
* [[Alexandre Palisse]], Clown, Circus Owner
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* [[Alexis Gruss, Jr/fr|Alexis Gruss, Jr]] (version française)
* [[Rico y Alex]], Clowns
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* [[Cirque_d'Hiver/fr|Le Cirque d'Hiver]] (Version française)
  
 
==New Videos==
 
==New Videos==
  
* [[Grichenko_Video_(2003)|The Grichenko Brothers]], hand-to-hand balancing (2003)
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* [[Statues_BAC_Video_(1994)|Melinda Merlier, Carlos Guity & James Clowney]], statue act (1994)
* [[Credo_Video_(2019)|Quatuor Credo]], Russian barre (2019)
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* [[Castors_Video_(c.1960)|Les Castors]], foot-juggling & Risley act (c.1960)
* [[Dorozhko_Video_(2007)|Andriy Dorozhko]], aerial hoop (2007)
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* [[Smart_Video_(1981)|Yasmine Smart]], liberty act (1981)
* [[Paolo_Kaiser_Video_(2011)|Paolo Kaiser]], rola-bola (2011)
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* [[Bondarev_Video_(1985)|Bondarev Troupe]], teeterboard (1985)
* [[Volozhanin_Video_(2020)|Volozhanin Troupe]], balancing act (2020)
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* [[Luna_Video_(2025)|Duo Luna]], aerial hoop (2025)
  
 
==New Oral Histories==
 
==New Oral Histories==
  
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* [[Dominique_Jando_Video_(2025)|Dominique Jando interview]] by the Circus Historical Society (2025)
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* [[Evelyn_and_Andre_Video_(2015)|Evelyn & André Interview]] on Blikk TV (2015)
 
* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
 
* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
 
* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
 
* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
 
* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
 
* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
* [[Pinito_del_Oro_RTE_Video_(1970)|Pinito del Oro's Interview]] on Spanish Television (1970)
 
* [[Eradze_Video_(2015)|Gia Eradze]]'s Interview on SSU TV (2015)
 
  
 
==Circopedia Books==
 
==Circopedia Books==
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==A Message from the Founder==
 
==A Message from the Founder==
  
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
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''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
  
 
:'''Dominique Jando'''
 
:'''Dominique Jando'''
 
:Founder and Curator
 
:Founder and Curator

Latest revision as of 22:47, 29 March 2026


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

VALENTIN GNEUSHEV

Valentin Gneushev.jpg

Born on December 20, 1951, in Nizhny Tagil, in Sverdlovsk Oblast, Russia, (close to the boundary between Asia and Europe), Valentin Aleksandrovich Gneushev (1951-2026) was one of the most influential circus directors-choreographers of the second half of the twentieth century, and the creator of some of the most innovative and celebrated circus acts of the 1990s.

As the “new circus” movement was drastically changing the traditional imagery of the circus (roughly between 1975 and 1995), Gneushev became the ultimate trendsetter, completely renewing the language of the ring. A master at discovering untapped talents in the disintegrating Soviet circus world, then creating and designing original acts for them, he eventually influenced the style of many young circus artists and companies, including Cirque du Soleil.

Valentin Gneushev fell in love with the circus as a teenager. He was fourteen when he began to perform in 1965 in a local Amateur Circus (the Russian equivalent of our Youth Circuses, albeit at a much higher artistic and technical level than in the West). He eventually decided to leave the Sverdlovsk Province and the industrial fumes of Nizhny Tagil (birthplace of the first Russian steam locomotive) and headed for Moscow, where he was accepted in the State College for Circus and Variety Arts (the legendary "Moscow Circus School"). There, he specialized as a clownGeneric term for all clowns and augustes. '''Specific:''' In Europe, the elegant, whiteface character who plays the role of the straight man to the Auguste in a clown team..

In Moscow, Gneushev studied under Roman Viktiuk, Firs Zemtsev, and especially Serguei Kashtelyan, who had a lasting influence on his work. He graduated in 1978 and formed a short-lived clown trio with two partners, in which he revealed a special aptitude for pantomimeA circus play, not necessarily mute, with a dramatic story-line (a regular feature in 18th and 19th century circus performances)., as well as a need to distance himself from the conventional circus clowning of the period.

An eager student of the arts (literature, history, painting, music), Valentin developed a remarkable artistic culture, and an aesthetic vision rooted in classic as well as contemporary art, and widely open to new influences—a far cry from the prevalent rhetoric of the Soviet artistic scene.... (more...)

New Essays and Biographies

New Videos

  • Melinda Merlier, Carlos Guity & James Clowney, statue act (1994)
  • Les Castors, foot-juggling & Risley actAct performed by Icarists, in which one acrobat, lying on his back, juggles another acrobat with his feet. (Named after Richard Risley Carlisle, who developed this type of act.) (c.1960)
  • Yasmine Smart, liberty"Liberty act", "Horses at liberty": Unmounted horses presented from the center of the ring by an equestrian directing his charges with his voice, body movements, and signals from a ''chambrière'' (French), or long whip. act (1981)
  • Bondarev Troupe, teeterboardA seesaw made of wood, or fiberglass poles tied together, which is used to propel acrobats in the air. (1985)
  • Duo Luna, aerial hoopA heavy metallic hoop used as a variance of trapeze, usually with contortion moves. (Also called Cerceau.) (2025)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator