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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
 
<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
<div style="top:+0.2em; font-size:98%;"> ''Circopedia was originally inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation]''.</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, initially created as a project of the original, non-profit [[Big Apple Circus]]''.</div><br/>
  
 
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==In The Spotlight==
 
==In The Spotlight==
  
===THE ANDREU-RIVELS===
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===VIRGINIE KENEBEL===
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[[File:Virginie_Kenebel_-_Bordeaux.jpg|right|300px]]
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Virginie Kenebel (1819-1884)—whose name is sometimes spelled Kennebel—was one of the brightest stars of the equestrian circus in its "Romantic" period (roughly from 1820 to 1880). She was one of the first écuyères de panneau, who danced various movements of classical ballet on a large flat saddle (the panneau). More than the equestriennes who practiced haute-école dressage, like their male counterparts, it was these ballerinas on horseback who truly defined the equestrian circus's Romantic period.
  
[[File:Andreu_Rivels_1961.jpg|right|400px]]The career of the Andreu-Rivels (also known as The 3 Rivels) spanned half a century, from 1920 to 1970. With a trio that has seen three different compositions while remaining centered around René Rivel, the brothers Andreu (Charlie, Polo, René, Celito, and Rogelio) were one of Europe’s most successful and celebrated clown act&mdash;even though over the years, their fame has been unduly shadowed by the stature (and it can be said, the considerable ego) of one of the trio's original members, Charlie Rivel, who left his brothers in 1935 to replicate the family act with other, anonymous partners and eventually pursue a "solo" career (albeit never without uncredited partners).
+
Marie Virginie Kenebel was born into a circus family on April 23, 1819, in La Guillotière, a neighborhood of Lyon, in France. Her father, Ludwig (Louis) Daniel Knebel (or Knoebel, according to his signature&mdash;1794-1878), whose name was francized to Kenebel (or Kénébel), has been said to be a Sinti (a subgroup of the Romani people), but there is no clear documentation to support this assertion. If ever the Knebels had been considered as "outsiders" in Germany, it could also have been because they were Jewish, as were many dynasties of German traveling entertainers: Ludwig's parents, Michel Knebel (or Knoebel) and Leonore, née Östermann, bore names that have strong Jewish connections.  
  
Their father, Pedro Jaime Andreu Pausas (?-1957), was the son of a cabinetmaker from Barcelona, Spain. In the 1880s, when he was fifteen years old, Pedro and his brother Juan left home to follow Circo Milá. As members of the circus, Pedro and Juan began performing a trapeze act. Pedro later joined another circus, Circo Alegría, where he met&mdash;and later married&mdash;a French acrobat, Marie-Louise Lasserre Seguino. Spain had fallen on hard times, and in order to survive, the young family decided to cross into France, where they hoped to find work. As they made their way toward the border, they performed in village squares across Catalonia.  
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According to Signor Saltarino (Valdemar Otto) in his ''Artisten Lexikon'' (1895), the Knebels were a "second-rate [circus] family," but they were capable and polyvalent. Principally a rope dancer but also an equestrian trick-rider, Ludwig was born in Mannheim, in Baden-Württemberg, Germany, on February 22, 1874. As for Virginie's mother, Françoise Sophie Avrillon (known as Sophie, 1799-1862), she was an equestrienne, also born into a circus family in Tuscany, Italy—in Prato, according to her marriage certificate, or in Florence, according to her death and other French certificates; Prato, which is very close to Florence, seems to be the right location.
  
In 1896, they were traveling in a hand-drawn wagon when Marie-Louise gave birth to José (the future Charlie, 1896-1983) in Cubelles, a village near Barcelona. Surviving as best as they could, they finally reached France three months later. They soon secured an engagement with the small Cirque Dusoulier. The following year, Marie-Louise gave birth to her second child, a daughter, Neña (Marie-Louise Andreu, 1897-1915). At age two, little José appeared in his father's risley act. Then the family went on to perform with the Cirque Caignac, where little José appeared in a parody of a strong-man act and in a hand-to-hand balancing act with his sister, for which he was originally dressed as a girl&mdash;which made their "all-girl" act look more attractive to agents and directors.... ([[The Andreu-Rivels|more...]])
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Louis and Sophie had married on March1, 1819 in Colmar, France, just in time to welcome their daughter into an established family. With three brothers and two sisters, Virginie was the first born of a large brood: she was followed by André (1820-1876), François Amédée (known as Amédée, 1825-1877), Etienne Stephan Antoine (known as Stephan, 1830-18091), Clémentine (1831-1833), and Marie-Honorine (1835-1878).
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Except for Clémentine, who died in infancy, all followed in their parents' footsteps and embraced a circus career. Amédée created his own company and moved to England from where, in 1846, he sailed to Mauritius, along with his brother André, and then to India, where he eventually settled (he died in Calcutta). André returned to France and worked in Paris for the Franconis. Stephan married his cousin, the equestrienne Émilie Lambert (1824-1890—her mother, Anna, was an Avrillon), but it doesn't seem that his career was particularly brilliant. Marie Honorine married in 1855 the equestrian Jean-Baptiste Auriol, Jr. (1834-1857), son of the illustrious clown Jean-Baptiste Auriol (1806-1881)&mdash;a union that, sadly, was short-lived.
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The Avrillons were a French circus family. Claude Avrillon (1766-1819), Sophie's father, was an equestrian, as was her brother, François (1801-1845), who managed his own circus company; after having tried, unsuccessfully, to establish a permanent circus in Marseille, he had moved to Spain and opened there the first Madrilene circus in 1834, becoming in effect a pioneer of Spanish circus history. (Louis Kenebel and Sophie Avrillon would also create their own circus company with which they traveled intermittently in southern Europe: In 1831, they would find themselves in competition with François Avrillon in Barcelona!)... ([[Virginie Kenebel|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
* [[The Aragón Family]], Clown Dynasty
+
* [[Virginie Kenebel]], equestrienne
* [[Totti Alexis]], Clown
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* [[Chongqing_Acrobatic_Troupe|Chongqing Acrobatic Troupe]], History
* [[Ross Mollison]], Circus Producer
+
* [[Cirkus_Verdensteater_(Oslo)|Cirkus Verdensteater]], Oslo Circus Building
* [[Don Saunders]], Clown
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* [[Eddie Murillo]], Circus Agent and Producer
* [[Jo-Ann Jennier]], Aerialist, Animal Trainer
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* [[The Biasini Family]], Circus Owners, Artists
  
 
==New Videos==
 
==New Videos==
  
* [[Charlie_Rivel_Video_(1969)|Charlie Rivel]], clown entrée (1969)
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* [[Zhejiang_Duo_Video_(2024)|Zhejiang Duo]], hand-to-hand balancing (2024)
* [[China_Troupe_Juggling_Video_(2024)|China Acrobatic Troupe]], juggling act (2024)
+
* [[Ortiz_Video_(2024)|Los Ortiz]], high Wire (2024)
* [[Rios_Brothers_Video_(c.1980)|The Rios Brothers]], Risley act (c.1980)
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* [[The_Royals_Video_(1993)|The Royals]], jugglers (1993)
* [[Gaby_Miliki_Fofito_Milikito_Video_(c.1980)|Gaby, Miliki, Fofito y Milikito]], cloen entrée (c.1980)
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* [[Didier_et_Jade_Video_(1995)|Didier & Jade]], high wire (1995)
* [[Sharifzoda_Video_(2024)|Mukhamadi Sharifzoda]], hand-balancer (2024)
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* [[Mateo_et_Aelia_Video_(2025)|Matéo & Amélia]], diabolo act (2025)
  
 
==New Oral Histories==
 
==New Oral Histories==
  
 +
* [[Dominique_Jando_Video_(2025)|Dominique Jando interview]] by the Circus Historical Society (2025)
 +
* [[Evelyn_and_Andre_Video_(2015)|Evelyn & André Interview]] on Blikk TV (2015)
 
* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
 
* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
 
* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
 
* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
 
* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
 
* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
* [[Pinito_del_Oro_RTE_Video_(1970)|Pinito del Oro's Interview]] on Spanish Television (1970)
 
* [[Eradze_Video_(2015)|Gia Eradze]]'s Interview on SSU TV (2015)
 
  
 
==Circopedia Books==
 
==Circopedia Books==
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==A Message from the Founder==
 
==A Message from the Founder==
  
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
+
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
  
 
:'''Dominique Jando'''
 
:'''Dominique Jando'''
 
:Founder and Curator
 
:Founder and Curator

Latest revision as of 23:18, 3 September 2025


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

VIRGINIE KENEBEL

Virginie Kenebel - Bordeaux.jpg

Virginie Kenebel (1819-1884)—whose name is sometimes spelled Kennebel—was one of the brightest stars of the equestrian circus in its "Romantic" period (roughly from 1820 to 1880). She was one of the first écuyères de panneau(French) A flat, padded saddle used by ballerinas on horseback., who danced various movements of classical ballet on a large flat saddle (the panneau(French) A flat, padded saddle used by ballerinas on horseback.). More than the equestriennes who practiced haute-école(French) A display of equestrian dressage by a rider mounting a horse and leading it into classic moves and steps. (See also: High School) dressage, like their male counterparts, it was these ballerinas on horseback who truly defined the equestrian circus's Romantic period.

Marie Virginie Kenebel was born into a circus family on April 23, 1819, in La Guillotière, a neighborhood of Lyon, in France. Her father, Ludwig (Louis) Daniel Knebel (or Knoebel, according to his signature—1794-1878), whose name was francized to Kenebel (or Kénébel), has been said to be a Sinti (a subgroup of the Romani people), but there is no clear documentation to support this assertion. If ever the Knebels had been considered as "outsiders" in Germany, it could also have been because they were Jewish, as were many dynasties of German traveling entertainers: Ludwig's parents, Michel Knebel (or Knoebel) and Leonore, née Östermann, bore names that have strong Jewish connections.

According to Signor Saltarino (Valdemar Otto) in his Artisten Lexikon (1895), the Knebels were a "second-rate [circus] family," but they were capable and polyvalent. Principally a rope dancer but also an equestrian trickAny specific exercise in a circus act.-rider, Ludwig was born in Mannheim, in Baden-Württemberg, Germany, on February 22, 1874. As for Virginie's mother, Françoise Sophie Avrillon (known as Sophie, 1799-1862), she was an equestrienneA female equestrian, or horse trainer, horse presenter, or acrobat on horseback., also born into a circus family in Tuscany, Italy—in Prato, according to her marriage certificate, or in Florence, according to her death and other French certificates; Prato, which is very close to Florence, seems to be the right location.

Louis and Sophie had married on March1, 1819 in Colmar, France, just in time to welcome their daughter into an established family. With three brothers and two sisters, Virginie was the first born of a large brood: she was followed by André (1820-1876), François Amédée (known as Amédée, 1825-1877), Etienne Stephan Antoine (known as Stephan, 1830-18091), Clémentine (1831-1833), and Marie-Honorine (1835-1878).

Except for Clémentine, who died in infancy, all followed in their parents' footsteps and embraced a circus career. Amédée created his own company and moved to England from where, in 1846, he sailed to Mauritius, along with his brother André, and then to India, where he eventually settled (he died in Calcutta). André returned to France and worked in Paris for the Franconis. Stephan married his cousin, the equestrienneA female equestrian, or horse trainer, horse presenter, or acrobat on horseback. Émilie Lambert (1824-1890—her mother, Anna, was an Avrillon), but it doesn't seem that his career was particularly brilliant. Marie Honorine married in 1855 the equestrian Jean-Baptiste Auriol, Jr. (1834-1857), son of the illustrious clown Jean-Baptiste Auriol (1806-1881)—a union that, sadly, was short-lived.

The Avrillons were a French circus family. Claude Avrillon (1766-1819), Sophie's father, was an equestrian, as was her brother, François (1801-1845), who managed his own circus company; after having tried, unsuccessfully, to establish a permanent circus in Marseille, he had moved to Spain and opened there the first Madrilene circus in 1834, becoming in effect a pioneer of Spanish circus history. (Louis Kenebel and Sophie Avrillon would also create their own circus company with which they traveled intermittently in southern Europe: In 1831, they would find themselves in competition with François Avrillon in Barcelona!)... (more...)

New Essays and Biographies

New Videos

  • Zhejiang Duo, hand-to-handAn acrobatic act in which one or more acrobats do hand-balancing in the hands of an under-stander. balancing (2024)
  • Los Ortiz, high Wire (2024)
  • The Royals, jugglers (1993)
  • Didier & Jade, high wireA tight, heavy metallic cable placed high above the ground, on which wire walkers do crossings and various acrobatic exercises. Not to be confused with a tight wire. (1995)
  • Matéo & Amélia, diabolo act (2025)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator