Difference between revisions of "Main Page"

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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
 
<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, originally created as a project of the non-profit [[Big Apple Circus]]''.</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, initially created as a project of the original, non-profit [[Big Apple Circus]]''.</div><br/>
  
 
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==In The Spotlight==
 
==In The Spotlight==
  
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===EVELYN & ANDRÉ===
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===VALENTIN GNEUSHEV===
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[[File:Evelyn_and_Andre_US.png|right|300px]]
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[[File:Valentin_Gneushev.jpg|300px|right]]
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During the communist era in Eastern Europe, circus arts experienced a spectacular evolution in terms of quality and originality, spearheaded by the Soviet Union, where this renaissance had started in 1928 with the creation of the State College of Circus and Variety Arts in Moscow. If the achievements of the Soviet circus were well known in the West thanks to the international tours of the Moscow Circus that started in the 1960s, top performers of the Eastern Bloc countries are often overlooked. However, Hungary, amidst other Eastern bloc states, had a strong independent spirit, and the Hungarian State Circus (as well as, individually, many Hungarian acts) had done countless forays in Western Europe and the U.S. The husband-and-wife duo of Evelyn & André are among those who managed to pursue a brilliant international career.
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Born on December 20, 1951, in Nizhny Tagil, in Sverdlovsk Oblast, Russia, (close to the boundary between Asia and Europe), Valentin Aleksandrovich Gneushev (1951-2026) was one of the most influential circus directors-choreographers of the second half of the twentieth century, and the creator of some of the most innovative and celebrated circus acts of the 1990s.
  
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The duo consisted of Éva Páviács (1941-2021) and Endre Takács (b.1933). Both came from families that had no ties with the circus world. Éva (Evelyn) was born on March 10, 1941, in Budapest, the Hungarian capital. She was a very physical kid, and she soon enrolled in the Ferencváros Torna Club, Budapest's gymnastics club. As soon as she became a teenager, she joined Baross Imre Artistaképző (Imre Baross school for Circus and performing arts) where she continued high school while training in various circus disciplines. She graduated in 1960, and began her professional circus career, first in a parallel bars act, The 4 Hunor with three partners (Károly Deltai, Gábor Hunfi, and Imre László), then in an acrobatic act named the Trio Evelyn, with Károly Deltai and Gábor Hunfi.
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As the “new circus” movement was drastically changing the traditional imagery of the circus (roughly between 1975 and 1995), Gneushev became the ultimate trendsetter, completely renewing the language of the ring. A master at discovering untapped talents in the disintegrating Soviet circus world, then creating and designing original acts for them, he eventually influenced the style of many young circus artists and companies, including Cirque du Soleil.
  
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Born in Pàpoc, a village in the Western Transdanubia region of Hungary, on April 28, 1933, Endre Takács (André) trained in gymnastics, and joined the Magyar Testgyakorlók Köre (MTK) club in Budapest, with which he competed in acrobatic gymnastics. He and his team won a silver medal at the 1952 Hungarian Acrobatic Gymnastics Championships. For a living, Endre worked as a mechanic, but after his competitive career had reached an end, he was encouraged to join the circus by his friend, the artistic gymnast and Olympic champion (1948) Ferenc Pataki&mdash;or "Szefi bácsi" (Uncle Szefi) as he was affectionately called&mdash; who was a teacher at the Baross Imre Artistaképző.... ([[Evelyn and André|more...]])
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Valentin Gneushev fell in love with the circus as a teenager. He was fourteen when he began to perform in 1965 in a local Amateur Circus (the Russian equivalent of our Youth Circuses, albeit at a much higher artistic and technical level than in the West). He eventually decided to leave the Sverdlovsk Province and the industrial fumes of Nizhny Tagil (birthplace of the first Russian steam locomotive) and headed for Moscow, where he was accepted in the State College for Circus and Variety Arts (the legendary "Moscow Circus School"). There, he specialized as a clown.
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In Moscow, Gneushev studied under Roman Viktiuk, Firs Zemtsev, and especially Serguei Kashtelyan, who had a lasting influence on his work. He graduated in 1978 and formed a short-lived clown trio with two partners, in which he revealed a special aptitude for pantomime, as well as a need to distance himself from the conventional circus clowning of the period.
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An eager student of the arts (literature, history, painting, music), Valentin developed a remarkable artistic culture, and an aesthetic vision rooted in classic as well as contemporary art, and widely open to new influences—a far cry from the prevalent rhetoric of the Soviet artistic scene.... ([[Valentin Gneushev|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
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* [[Evelyn and André]], Aerialists, Acrobats
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* [[Alexis Gruss, Jr/fr|Alexis Gruss, Jr]] (version française)
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* [[Ramón Rampin]], Clown
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* [[Cirque_d'Hiver/fr|Le Cirque d'Hiver]] (Version française)
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* [[Elsane]], Aerialist
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* [[Virginie Kenebel/fr|Virginie Kenebel]] (Version française)
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* [[Nouveau_Cirque_(Paris)/fr|Nouveau Cirque]], History &mdash; Version Française (French Version)
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* [[Cirque Bureau]], circus (English/Français)
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* [[Cirque Medrano (Paris)/fr|Cirque Medrano]], History &mdash; Version Française (French Version)
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* [[Richiardi Jr.]], magician
  
 
==New Videos==
 
==New Videos==
  
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* [[Gruss_Brothers_-_Juggling_Video_(2024)|Alexandre & Carles Gruss]], juggling on horseback (2024)
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* [[Tulga_Video_(2025)|Tulga]], stromgman (2025)
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* [[China_Troupe_Bicycle_Video_(2024)|China Acrobatic Troupe]], bicycle act (2024)
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* [[China_Troupe_-_Bicycle_Video_(2025)|China Acrobatic Troupe]], bicycle act (2025)
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* [[Monte_Carlo_Video_(1974-2019)|Monte Carlo Festival Highlights]], 1974-2019 (2019)
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* [[Dorning_Cow_Video_(1978)|Günter Dorning]], trained cows (1978)
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* [[Bertram_Mills_Video_(1934)|Bertram Mills Circus]] on the Road and at Olympia (1934)
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* [[Kims_Video_(1963)|The Kims]], comedy acrobatics (1963)
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* [[Phyllis_Allan_Video_(1967)|Phyllis Allan]], dog act (1967)
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* [[Kolfe_Video_(2026)|Kolfe Troupe]], Risley/teeterboard act (2026)
  
 
==New Oral Histories==
 
==New Oral Histories==

Latest revision as of 21:11, 13 March 2026


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

VALENTIN GNEUSHEV

Valentin Gneushev.jpg

Born on December 20, 1951, in Nizhny Tagil, in Sverdlovsk Oblast, Russia, (close to the boundary between Asia and Europe), Valentin Aleksandrovich Gneushev (1951-2026) was one of the most influential circus directors-choreographers of the second half of the twentieth century, and the creator of some of the most innovative and celebrated circus acts of the 1990s.

As the “new circus” movement was drastically changing the traditional imagery of the circus (roughly between 1975 and 1995), Gneushev became the ultimate trendsetter, completely renewing the language of the ring. A master at discovering untapped talents in the disintegrating Soviet circus world, then creating and designing original acts for them, he eventually influenced the style of many young circus artists and companies, including Cirque du Soleil.

Valentin Gneushev fell in love with the circus as a teenager. He was fourteen when he began to perform in 1965 in a local Amateur Circus (the Russian equivalent of our Youth Circuses, albeit at a much higher artistic and technical level than in the West). He eventually decided to leave the Sverdlovsk Province and the industrial fumes of Nizhny Tagil (birthplace of the first Russian steam locomotive) and headed for Moscow, where he was accepted in the State College for Circus and Variety Arts (the legendary "Moscow Circus School"). There, he specialized as a clownGeneric term for all clowns and augustes. '''Specific:''' In Europe, the elegant, whiteface character who plays the role of the straight man to the Auguste in a clown team..

In Moscow, Gneushev studied under Roman Viktiuk, Firs Zemtsev, and especially Serguei Kashtelyan, who had a lasting influence on his work. He graduated in 1978 and formed a short-lived clown trio with two partners, in which he revealed a special aptitude for pantomimeA circus play, not necessarily mute, with a dramatic story-line (a regular feature in 18th and 19th century circus performances)., as well as a need to distance himself from the conventional circus clowning of the period.

An eager student of the arts (literature, history, painting, music), Valentin developed a remarkable artistic culture, and an aesthetic vision rooted in classic as well as contemporary art, and widely open to new influences—a far cry from the prevalent rhetoric of the Soviet artistic scene.... (more...)

New Essays and Biographies

New Videos

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator
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