Difference between revisions of "Main Page"

From Circopedia

 
(144 intermediate revisions by the same user not shown)
Line 11: Line 11:
 
<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
 
<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, originally created as a project of the non-profit [[Big Apple Circus]]''.</div><br/>
+
<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, initially created as a project of the original, non-profit [[Big Apple Circus]]''.</div><br/>
  
 
|}
 
|}
Line 18: Line 18:
 
==In The Spotlight==
 
==In The Spotlight==
  
===THE GREAT CARMO===
+
===CIRQUE BUREAU===
[[File:Carmo_in_turban.jpg|right|300px]]
+
[[File:Bureau_Frères_Program.jpg|right|200px]]
Relatively little has been written of Harry Cameron (1881-1944), better known as "The Great Carmo," apart from a small volume entitled ''The Great Carmo, The Colossus of Mystery'', by magician and writer Val Andrews in 2001. Yet, Carmo was at one time one of the leading illusionists of the British variety theatre scene, and for a short period, the owner of a circus stalked by tragedy. He might also be considered the man who launched the Bertram Mills Circus on its first tour, having had a short connection with Bertram W. Mills and his two sons in 1929, prior to the appearance of the full-fledged Mills tenting show in 1930.
+
From the late nineteenth century to the early 1950s, the Cirque Bureau was one of France's most popular circuses. Over its long existence, it had built in the French provinces a faithful audience that appreciated the constant high quality of its offerings and its simplicity, devoid of the advertising hype of its competitors. Wherever it went, its visits were expected and anticipated, practically at the same time each year. Sadly, this steady routine was disturbed by World War II and the Nazi occupation of France&mdash;and Jules Glasner, its last director, had a hard time trying to restore its place in the new economic era that followed the war: The Cirque Bureau folded its big top in 1953, at the end of what was advertised as its "99th season."
  
Although of Scottish origins (his parents had emigrated to Australia in about 1880), Harry Cameron was born in Brunswick, a suburb of Melbourne, Australia on November 8, 1881. His father was an engineer; unbeknownst to him, Harry was destined to become a magician and illusionist who would rival the "greats" of his era: Lafayette, Chung Ling Soo, Lyle, Dante, Murray, Chefalo, and Kalanag, whose huge stage presentations were among the finest in theatrical history.
+
Its founder was Jean Bureau (1836-1899), born on May 31, 1836, in Villeréal, a small village of the Lot et Garonne department that has kept its medieval architecture and is classified today as one of the "most beautiful villages of France." His father, Jean, Sr. (1809-1844), a carpenter and the son of a farmer, and his mother, Françoise (née Arché, 1815-1880), had two other children: Cosme (1838-1885) and Jeanne (1844-1908). Jean Bureau was just eight years old when he lost his father, and to alleviate the burden on his family, he was soon placed in apprenticeship to a blacksmith.
  
As a youngster, and without any encouragement from his family, Harry developed a love for show business. He had been first entranced by the magic quality of a travelling circus he had visited, and then by Paul Cinquevalli, the greatest juggler of his time, whom he saw in a variety theatre in Melbourne: Harry set out to emulate the feats of his new idol in his juggling, balance and strongman routines.  
+
In 1853, a small traveling equestrian circus came to Villeréal. It was a modest affair owned by William Tagg (1822-1884), and his wife Elizabeth, née Woodley, a couple of British traveling performers who had long settled in France. The Taggs needed a blacksmith to reshoe their horses, and his boss sent seventeen-year-old Jean Bureau, a horse lover, to do the job. Jean was immediately fascinated by these people whose horizon seemed limitless; he asked William Tagg if he could join the company as a groom&mdash;and the Taggs, whose human resources were probably wanting, left Villeréal with Jean in tow.  
  
Hence Harry started practising juggling, and whenever possible, without his parents’ knowledge, he frequented theatres and travelling shows. Leaving school at fourteen, he was first apprenticed to a grocer and developed his muscles carrying sacks of flour up to a ladder. Next, he worked in a brass foundry and, in his spare time, took part in a Minstrel show, where he began learning the business of entertainment and formed his flair for showmanship and his stage-sense.
+
Thus, Jean Bureau had started his circus career. Young, athletic, and interested in horsemanship, he trained in trick-riding and quickly became a proficient bareback rider. Having become a full-fledged performer in the company, he began to pay attention to the young Anna Tagg (1840-1913), the director's daughter, who was born in Paris and was four years his junior. Apparently, the feeling was mutual&mdash;to the extent that, in 1862, Anna gave birth to their first child, Françoise Elizabeth (known as Elizabeth, b.1862). It was time indeed to legalize their union: The young couple was married on March 6, 1863, in Cenon, in the outskirts of Bordeaux. By then, Jean was twenty-seven and Anna, twenty-three.... ([[Cirque Bureau|more...]])
 
+
When his father found out about Harry’s clandestine affair with show business, he gave him an ultimatum: Either to abandon his artistic ambitions, or to leave home. Harry chose the second option and went on to travelling with the Minstrel show for a year, and later with Rowley’s Waxworks and Varieties&mdash;where he performed his budding juggling and strongman act. He then continued to develop it in other shows.
+
 
+
Next, Harry moved on to Ashton’s Circus, playing in the bush townships of Australia, a hard grounding in the circus life. There, attempting to learn wire walking, he had a fall followed by a penniless period in hospital, which led to reconciliation with his parents. Eventually, Harry developed a successful variety career with an act that combined juggling, feats of strength, quick-changes, and impressions. He married his singer-assistant, Nellie Lloyd, in Sydney, on January 5, 1903.... ([[The Great Carmo|more...]])
+
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
* [[Paul Jerome]], Clown
+
* [[Cirque Bureau]], circus (English/Français)
* [[Evelyn and André]], Aerialists, Acrobats
+
* [[Richiardi Jr.]], magician
* [[Ramón Rampin]], Clown
+
* [[Astley's Amphitheatre]], circus
* [[Elsane]], Aerialist
+
* [[Virginie Kenebel]], equestrienne
* [[Nouveau_Cirque_(Paris)/fr|Nouveau Cirque]], History &mdash; Version Française (French Version)
+
* [[Cirkus_Verdensteater_(Oslo)|Cirkus Verdensteater]], Oslo Circus Building
  
 
==New Videos==
 
==New Videos==
  
* [[Hergatis_Video_(1972)|The Hergatis]], rotating aerial perch (1972)
+
* [[Bagdasaryan_Video_(2025)|Artur & Karina Bagdsaryan]], tiger act (2025)
* [[Janik_Arnaut_Video_(1952)|Janik & Arnaut]], contortion act (1952)
+
* [[Karoly_Donnert_Video_(2000)|Karoly Donnert]], tiger act (2000)
* [[Angel_Ramos_Video_(2025)|Angel Ramos]], hand balancer (2025)
+
* [[Fuentes_Gasca_Video_(2026)|The Flying Fuentes Gasca]], flying trapeze (2026)
* [[Schaller_Bros_Video_(1969)|The Schaller Brothers]], comedy trampoline (1969)
+
* [[Makovskiy_Rotman_Video_(1971)|Makovskiy & Rotman]], clown entrée (1971)
* [[Biasini_Video_(1987)|The Biasinis]], bicycle act (1987)
+
* [[Rokashkovs_Video_(2026)|Sergei & Olga Rokashkov]], horizontal bars (2026)
  
 
==New Oral Histories==
 
==New Oral Histories==

Latest revision as of 03:04, 1 February 2026


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

CIRQUE BUREAU

Bureau Frères Program.jpg

From the late nineteenth century to the early 1950s, the Cirque Bureau was one of France's most popular circuses. Over its long existence, it had built in the French provinces a faithful audience that appreciated the constant high quality of its offerings and its simplicity, devoid of the advertising hype of its competitors. Wherever it went, its visits were expected and anticipated, practically at the same time each year. Sadly, this steady routine was disturbed by World War II and the Nazi occupation of France—and Jules Glasner, its last director, had a hard time trying to restore its place in the new economic era that followed the war: The Cirque Bureau folded its big topThe circus tent. America: The main tent of a traveling circus, where the show is performed, as opposed to the other tops. (French, Russian: Chapiteau) in 1953, at the end of what was advertised as its "99th season."

Its founder was Jean Bureau (1836-1899), born on May 31, 1836, in Villeréal, a small village of the Lot et Garonne department that has kept its medieval architecture and is classified today as one of the "most beautiful villages of France." His father, Jean, Sr. (1809-1844), a carpenter and the son of a farmer, and his mother, Françoise (née Arché, 1815-1880), had two other children: Cosme (1838-1885) and Jeanne (1844-1908). Jean Bureau was just eight years old when he lost his father, and to alleviate the burden on his family, he was soon placed in apprenticeship to a blacksmith.

In 1853, a small traveling equestrian circus came to Villeréal. It was a modest affair owned by William Tagg (1822-1884), and his wife Elizabeth, née Woodley, a couple of British traveling performers who had long settled in France. The Taggs needed a blacksmith to reshoe their horses, and his boss sent seventeen-year-old Jean Bureau, a horse lover, to do the job. Jean was immediately fascinated by these people whose horizon seemed limitless; he asked William Tagg if he could join the company as a groom—and the Taggs, whose human resources were probably wanting, left Villeréal with Jean in tow.

Thus, Jean Bureau had started his circus career. Young, athletic, and interested in horsemanship, he trained in trickAny specific exercise in a circus act.-riding and quickly became a proficient bareback rider. Having become a full-fledged performer in the company, he began to pay attention to the young Anna Tagg (1840-1913), the director's daughter, who was born in Paris and was four years his junior. Apparently, the feeling was mutual—to the extent that, in 1862, Anna gave birth to their first child, Françoise Elizabeth (known as Elizabeth, b.1862). It was time indeed to legalize their union: The young couple was married on March 6, 1863, in Cenon, in the outskirts of Bordeaux. By then, Jean was twenty-seven and Anna, twenty-three.... (more...)

New Essays and Biographies

New Videos

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator